Rising UK Prog Metal Band HeKz Confirm Eagerly Awaited Third Album

Described by Prog magazine as sounding like “Queen having a barney with Dream Theater as Rush and Iron Maiden duke it out on the sidelines,” UK Prog Metallers HeKz have announced that their third album, “INVICTA”, will be released on Friday 20th April 2018 via BMH Audio.

Taken from the Latin word for “unconquered”, INVICTA is a celebration of perseverance and resilience. The ten songs come together to form a story of betrayal, loss, reconciliation and hope. Far from straying into the realms of fantasy, the songs are rooted in real experiences, reflecting the triumph and defeat that we all encounter on our journey through life and, in the case of the latter, how we can choose to be consumed by it, or fight on and emerge stronger.

“Each time we start a new album, it feels like we learn a little bit more about the DNA of HeKz and, at the same time, find new elements to add to it,” says Matt Young (lead vocals/bass).

“I feel that INVICTA is a great reflection of that, as you’re going to hear all of the things you’d expect from us but with some flavours we’ve never explored before. We’ve drawn on new influences for some of the songs, some of which would seem like an odd combination with the sound we’re known for, but we’ve tackled them in our own way and it blends superbly with what we do to create for some exciting moments in the album.”

“I think that this experimentation comes from allowing ourselves a little bit more time to collaborate on the songs this time, and the results of that combined effort have really lifted the album. I can’t wait for everyone to hear it!”

INVICTA was recorded at Liscombe Park & Visconti Studios, and the band’s home studios in and around London, and was mixed by producer extraordinaire John Mitchell (Lonely Robot, Kino, It Bites, Frost*, Arena) at Outhouse Studios, UK.

The album is currently available for pre-order from www.hekztheband.com, and will be released worldwide on Friday 20 April 2018. Fans who pre-order before Friday 23rd March will receive their copy one month before the official release date.

INVICTA Tracklisting
1. Quetzlcoatl (6:08)
2. For Our Lives (4:13)
3. The Light Fantastic (4:44)
4. To The Lions (5:10)
5. Ultimatum (6:07)
6. Line in the Sand (9:42)
7. Trecena (4:49)
8. Pariah (4:12)
9. The Devil’s Coin (15:03)
10. Victorious (5:39)

HeKz will be performing a select number of live shows to launch the new album:
Friday 23rd March – Parkvilla Theater, Alphen a/d Rijn, Netherlands
Friday 27th April – Winter’s End Festival, Chepstow, UK w/ MYSTERY

To keep up to date with all of this and more, join the band on social media and subscribe to their newsletter at www.hekztheband.com.

Web links:
www.facebook.com/hekztheband
www.twitter.com/hekztheband
www.youtube.com/hekztheband

HeKz are:
Matt Young – Lead Vocals, Bass
Al Beveridge – Guitars, Backing Vocals
Tom Smith – Guitars, Backing Vocals
James Messenger – Keyboards
Kirk Brandham – Drums

Spock’s Beard announce 13th studio album ‘Noise Floor’

Legendary US progressive rockers Spock’s Beard have announced the release of their 13th studio album ‘Noise Floor’ for May 25th, 2018. As announced previously, for this album Ted Leonard, Alan Morse, Dave Meros & Ryo Okumoto are joined in the studio once again by drummer & original member Nick D’Virgilio.

Spock’s Beard is a band that is in a continual state of evolution, as is always the case with genuinely creative musicians. And their new album, ‘Noise Floor’, fits perfectly into this process.

We are always about evolution, not revolution. But what we have done this time is make the songs more melodic,” believes vocalist/guitarist Ted Leonard. “We still love our crazy prog, but now appreciate how important it is to grab people’s attention early on.”

As with all Spock’s Beard songs, most of the new album was written by the individual members, and then brought to the rest of the band as high quality demos. “We all do this type of thing in our home studios,” adds Leonard. “So, by the time they reach the stage where the entire band get to judge them, they are really developed, and therefore everyone can make a reasoned judgement.”  Much of what you will listen to here is very much the product of fresh inspiration from the Californian band.

One key change on this album sees the return of drummer Nick D’Virgilio, who originally left in 2011. There are also two violinists, a cello player, a viola player and an English horn featured on the album, thereby giving the sound a slightly more evocative and persuasive twist.

The album was once again engineered by long-time collaborator Rich Mouser and will be released as a 2CD digipak (featuring an EP of material from the same sessions), gatefold 2LP + 2CD & as digital download.

The track-listing is as follows:

Disc 1 – Noise Floor

1.     To Breathe Another Day
2.     What Becomes of Me
3.     Somebody’s Home
4.     Have We All Gone Crazy Yet
5.     So This Is Life
6.     One So Wise
7.     Box of Spiders
8.     Beginnings

Disc 2 – Cutting Room Floor

1.     Days We’ll Remember
2.     Bulletproof
3.     Vault
4.     Armageddon Nervous

SPOCK’S BEARD Online:
http://spocksbeard.com/
https://www.facebook.com/spocksbeard/
https://twitter.com/SpocksB
http://www.youtube.com/Spocksbeard

 

YES Release Fly From Here – Return Trip featuring Trevor Horn on Vocals on 25th March

On 25th March prog icons, YES, will release a brand-new mix of their album Fly From Here – Return Trip, featuring the Drama line-up and new lead vocals by Trevor Horn, to coincide with their 50th Anniversary celebrations.

Fly From Here – Return Trip can be pre-ordered via Pledge Music here:

https://yesthedramalineup.pmstores.co/

The original 2011 release of Fly From Here featured the band members who appeared on Drama: Chris Squire, Steve Howe, Alan White, Geoff Downes, plus Benoit David on lead vocals with Trevor Horn in the role of Producer.

The addition of Trevor’s lead vocals has produced a genuine sequel to Drama. Fly From Here – Return Trip was developed as a labour of love for all involved and the new vocals were recorded over the last two years amidst other commitments. Trevor began re-recording the lead vocals the day after he guested with YES at the Royal Albert Hall in 2016 and within 24 hours the rest of the band had joined him at his studio. Additional overdubs by other members have also been added.

In addition to remixing parts of the album, Trevor has added personal liner notes and the sleeve design features the painting by Roger Dean originally used on the inside of the 2011 edition.

Trevor Horn says: “I really enjoyed listening to Alan and Chris playing together again. Finishing off the album was a labour of love.”

Fly From Here – Return Trip also contains a previously unreleased song, ‘Don’t Take No for an Answer’ recorded in 2011, with Steve Howe on lead vocals. Additionally, the full-length version of ‘Hour of Need’ is included. This has previously only been included as a Japanese bonus track.

“It is great to have the original Drama line up playing Fly From Here plus several other songs Trevor had a big part in writing.” Comments Steve Howe.

Geoff Downes adds: “It’s quite amazing what Trevor has done with the album and the way it has turned out. It is most refreshing and adds a whole new dimension to the original recordings from 2011. I think the fans will appreciate it as a genuine sequel to the Drama album, and embrace it as a valuable part of our YES50 celebrations.”

Track Listing:-

Fly From Here – Overture

Fly From Here Pt 1 – We Can Fly

Fly From Here Pt 2 – Sad Night at the Airfield

Fly From Here Pt 3 – Madman at the Screens

Fly From Here Pt 4 – Bumpy Ride

Fly From Here Pt 5 – We Can Fly (Reprise)

The Man You Always Wanted Me to Be

Life on a Film Set

Hour of Need (full length version)

Solitaire

Don’t Take No for an Answer

Into the Storm

The album is a long-awaited treat for all YES fans and following Chris Squire’s passing in 2015, represents the last chance for fans to hear a follow-up to the classic YES release Drama which reached number 2 in the UK album charts in 1980.

The album is available to pre-order now exclusively via Pledge Music, plus some extra Roger Dean images and Pledge offers, and fans will be able to collect their orders, or buy direct for the first time, when YES attends the 50th Anniversary Fan Convention at the London Palladium on 25th March 2018 as part of their eagerly anticipated March 2018 UK tour. Trevor Horn will be guesting with Yes at the London Palladium [both shows] and Paris. Please see the tour dates below.

MARCH 2018 (UK & Europe)

 

Tues 13th Bristol            Colston Hall
Wed 14th    Sheffield       City Hall
Fri 16th        Glasgow       SEC Armadillo
Sat 17th        Manchester   Bridgewater Hall
Sun 18th       Gateshead    Sage
Tues 20th      Birmingham  Symphony Hall
Wed 21st    Brighton       Centre
Fri 23rd        Liverpool       Philharmonic Hall
Sat 24th        London       Palladium
Sun 25th        London       Palladium
Tue 27th        Tilburg       013
Wed 28th      Antwerp       De Roma
Fri 30th         Paris       Olympia

 

UK Tickets available from BookingsDirect.com 24hr Ticket Hotline 0844 249 2222 (subject to fees). Also available from venue box offices and select authorised ticket agencies.
Front row, Meet & Greet & VIP packages are available from YESWORLD.com
There is no support.   Please see ticket for start time.

 

DBA Release second Lyric Video for Skin Deep featuring Marc Almond from Album Scyscraper Souls

DBA (Downes Braide Association) release the second track from their recently released album Skyscraper Souls. Skin Deep featuring Marc Almond. The track is available now from iTunes or as part of the album.

Guests on Skyscraper Souls include Marc Almond, Andy Partridge (XTC), David Longdon (Big Big Train), Matthew Koma, Tim Bowness and Kate Pierson.

Chris Braide has worked with a multitude of artists including Marc Almond (featured on this track), Lana del Ray, Paloma Faith,
David Guetta, Beyonce & Sia the list is endless.

Geoff Downes has played keyboards with The Buggles, Asia and YES.

Transparent Blue vinyl – LP www.tinyurl.com/DBA3vinyl
 

Live Review – Magnum at Hull City Hall – February 25th 2018 – by Progradar

Let’s keep music alive. There have been many posts on social media about venues shutting down and sparse audiences for many live gigs but, if Magnum’s gig as guests of Saxon at Hull City Hall last Sunday is anything to go by then the older generation are happy to go out and support live music in their hundreds (if not thousands!).

Now I was there on a press pass to review the Magnum gig so you’ll not hear too much about the other artists here but, suffice to say, it was varied enough to suit all rock music tastes and while Rock Goddess sounded good from the bar (I was in the bar, not the band), Diamond Head were consummate performers with a drummer who was a dead ringer for Matt Sorum of Guns n’ Roses fame. However the vocalist just didn’t gel for me, not to say he didn’t have a good voice, it just wasn’t one for me.

As for Saxon well, they put on a hell of a show, a very LOUD show which the packed crowd absolutely loved. There was a bit of argy bargy in the mosh pit at the front but a few well aimed expletives from a resplendently attired Biff Byford soon calmed that down. What a voice he has got too, you’d never guess he was nearly 70, he hit every note with power and glory. For me it was a shame that new material from ‘Thunderbolt’ just seemed to blend into one but the classic tracks like 747 (Strangers In The Night) actually threatened to bring the house down!

For me Magnum were the definite highlight of the evening and put on one hell of a live show, Bob Catley wanders the stage like your favourite uncle nowadays but, boy, does he still have one hell of a voice. Opening the set with crowd pleaser When We Were Younger from ‘Princess Alice and the Broken Arrow’, the band never hit a duff note and silent assassin Tony Clarkin showed just what a genius he is on the guitar, orchestrating the band’s every move with precision.  A powerful version of Sacred Blood, Divine Lies (from the album of the same name) had the crowd in rapture as Bob’s partner in crime Al Barrow provided a bassline powerful enough to knock over mountains. It has to be said that Hull City Hall doesn’t have the best acoustics but the guys were on top form so it hardly seemed to matter, Tony firing off a wicked solo and the applause threatening to drown out the sound.

Next came the first (and title) track from the new album and Rick Benton’s first chance to really shine on the keyboards, I have a feeling Lost on the Road to Eternity is going to become a firm fan favourite at live gigs and seemed to fit the setlist perfectly. A wild rock ride with Bob leading the way, there were middle-aged (and older) people rocking away in front of me and it was great to see more than a smattering of young faces joining the fun. The slow burning intro of Crazy Old Mothers ramps up the anticipation of this anthemic track. Bob had the crowd in the palm of his hand on the emotive verse before Lee Morris leads in the mighty chorus with his thunderous drums. A song and atmosphere that just had you riding the crest of a wave with a ridiculous grin on  your face.

We return to the new album for the balls out rocker Peaches and Cream with Tony’s hard rocking riffing and the energetic drumming from Lee leading the way. It’s hard to believe Bob and Tony are both over 70 as they can rock with the rest of them and, boy, can they write a banging tune! The crowd are starting to jump and wave in the air and the energy can be felt throughout the hall, Mr Catley still has huge lungs, his vocal power is amazing and his voice has lost none of its whiskey soaked edge. We head back to the 1980’s and the wonderfully evocative Les Mortes Dansant from the band’s classic album ‘On A Storyteller’s Night’ and what a spine tingling version it is, Bob’s voice and Rick’s keyboards have the hairs on the back of your neck rising. I’m surprised there were no lighters lifted up (or is it iPhones nowadays?). An emotional and truly stirring rendition with a compelling vocal and mighty guitar, wonderful stuff!

The new album has some excellent rock standards on it, as well as the already played Peaches and Cream there’s the excellent Show Me Your Hands where guitar and keyboard lead us on a rollercoaster ride of hard rock and Bob has virtually the whole audience raising their hands and swinging them from  side to side. I swear the applause, cheering and whistling gets louder after each song. Another classic from On A Storyteller’s Night’ follows and it’s a track I’ve not heard much, the hard rocking All England’s Eyes is accorded a great welcome from the knowledgeable crowd and the band proceed to give us a dynamic and forceful version of the song that, once again, has us all dancing and singing along. To my eyes (and ears) the guys are really enjoying themselves and are on top form tonight.

Just when you thought things couldn’t get any better the band launched into a rocking version of the classic Vigilante (from the album of the same name) and it gets the audience bouncing even more, as soon as the highly recognisable riff begins they are off. Just like Bob actually, he is really on it tonight, his voice and presence commanding the stage and hall, everyone in the crowd are in the zone and enjoying every note. The mountain crushing rhythm section of Lee and Al go into overdrive on this song and you can feel it right in your solar plexus, I’m singing along to the chorus as if I was 19 again! Too soon it is time for the show to come to an end but Magnum go out with a bang with one of my favourite tracks of theirs. ‘Wings of Heaven’ was the band’s biggest album, released in the late 1980’s and spawned a few hit songs but it also contained the lengthy Don’t Wake The Lion (Too Old To Die Young), ten minutes of almost progressive tinged hard rock and we are treated to a superb version this night. Bob prowls the stage like the leader of the pride and the crowd are in rapt attention as Rick delivers the slow burning keyboard section. You can feel the tension rising in the hall as the music plays, Bob’s vocal building up to the compelling chorus and the crowd finally bursts out along with Bob to sing, “Too old to die young, too big to cry, too old to die young, say goodbye…”. I went along with some friends who didn’t really know much about Magnum and they were absolutely blown away, especially by this track and it surely took me back many a decade but that’s what music does, isn’t it? When a night is as good as this, it’s always a shame for it to come to a close but the guys finished to rapturous applause, cheers and whistles and a see of happy faces.

A fantastic evening of music and a wonderful performance from one of my favourite bands, music, for me, is fantastic and life affirming and live, like tonight, it just doesn’t get any better.

 

 

Melodic Revolution Records is thrilled to sign International prog band TEN JINN for a multi-album deal.

“Sisyphus” was originally released in Europe in early 2017 as a digital-only release by Ten Jinn, however, there has been a large demand for a CD release and even a vinyl release. The CD is set for an early spring (2018) release.

About The Album

Sisyphus is an eight-part programmatic work that tells the story of the founder and King of Corinth after whom it is named. Because of affronts to the gods while alive, Sisyphus was condemned in death to spend eternity in Hades rolling a boulder to the top of a mountain, only to have it roll back down each time he completed the task; this also speaks to the essay, “The Myth of Sisyphus,” by Albert Camus, who used the myth as a means to comment on the senseless, repetitive drudgery of modern life.

Originally written as a classical work (a symphonic poem for string orchestra and piano) the Ten Jinn production involved reworking the piece to include the addition of rock instrumentation. We got the idea to add vocals to make it more consistent with earlier Ten Jinn albums, and the plan was then to fill out the record with other new material; however, at one point during the process we decided to do an instrumental mix and use it as a “flip-side,” instead, because we wanted to include a version that was representative of the original idea, which had its own unique “flavor.”

https://soundcloud.com/melodicrevolutionrecords/sisyphus-radiomix-part-i-by-ten-jinn

The Band

John Paul Strauss: Lead and backing vocals, Keyboards

Mark Wickliffe: Drums, Bass & backing vocals

Ken Skoglund: Guitars & backing vocals

Mike Matier: Guitars

A Statement from John Strauss

I have known about Nick Katona of Melodic Revolution Records for a while now, having seen him at RosFest for several years in a row (donning his signature top hat with a classy presentation of product second to none). However, it was only during the 2017 iteration that I finally had a chance to speak with him at great length. What I found was a passionate, intelligent man; a kindred spirit in attitude towards life in general, and music in particular.

I went to his website and checked out a number of the artists on his label. What I found was an eclectic offering of artists all with one thing in common – superior musical talent. Along with a laid-back, yet serious, approach to getting this music heard, I thought that his label would be the perfect partner for Ten Jinn. So, I handed him a promo copy our new record Sisyphus, we spoke again a while later and decided to work together. I speak for myself, and rest of the band, when I say that I am very excited about our upcoming CD release of Sisyphus on MRR, and hope this will be the first of many more to come.

Follow Ten Jinn
Website:
http://www.tenjinn.com
Facebook
https://www.facebook.com/Ten-Jinn-380683175392072/
Twitter
https://twitter.com/ten_jinn

 

Review – John Holden – Capture Light – by Progradar

Life never stands still, the world rotates on its axis at around 1000mph (it’s less as you get North but you get my drift!) and day becomes night. The years pass quicker, or so it seems, and the sheer volume of music that is released gets bigger and bigger all the time.

Because of this it is impossible for me to hear every new release that would perhaps pique my musical curiosity and it pains me to think that I will have missed some gems as the clock keeps ticking. However, I can console myself with the wonderful releases that I do get to hear and enjoy.

I’ve been talking to John Holden about his great musical collaboration ‘Capture Light’ for well over a year now and I was honoured to be one of the first to receive the completed article a couple of months ago. I have listened to it multiple times and now feel ready to write my review…

Over two years in the making, an immersive and evolving album opens with the Joe Payne sung track Tears From The Sun. A symphonic and operatic tour-de-force featuring Oliver Wakeman’s keyboards, it has a feel of where The Enid could be now if they hadn’t imploded. After a quelled opening the bombast begins with multi-layered instrumentation before Joe’s distinctive vocal gives the track life and shape. As opening tracks go, this really does take some beating with John’s great music being complimented by his and Elizabeth Buckley’s fine lyrical accomplishment. A complex musical mosaic that keeps your rapt attention all the way through, Joe is on fine form and gives the song a flamboyant drama.

Crimson Sky takes a more symphonic rock oriented route with Julie Gater’s vocal giving it a Celtic rock infused tone. Hard edged and heavier, there’s a feel of early Karnataka to my ears. The powerful music is complimented perfectly by Julie’s dulcet tones, especially on the catchy chorus. Listen out for the superb guitar solo from Billy Sherwood (yes, THE Billy Sherwood) which adds a real sheen of class to what is already a pretty impressive song. I’m already beginning to love the diversity that John has brought to this album and we’re only two tracks in!

John proves he can tell a great story with the excellent title track, full of drama and intrigue, you’ll have to buy the CD to get the whole story but the musical journey is an engrossing and compelling one that will hold your attention throughout and I had to read the credits twice to realise it was Joe Payne who was performing the fantastic vocals again, this guy is pure talent. Oliver Wakeman’s elegant piano playing once again graces the song and adds real pathos to what is already a dramatic and emotional piece of music and let’s not forget Oliver Day’s stylish guitar, lute and mandolin. Let’s be fair, music has forever been about telling stories and John Holden is already proving to be very adept at it. Capture Light will be one of the most enjoyable and absorbing history lessons you’ll ever have…

A choral mantra that could fit a Andrew Lloyd-Webber and Tim Rice musical, Ancient of Days is an uplifting track that just seems to bring a ray of sunshine along with it with it’s tribal feeling music and the great vocals of Jean Pageau, ably backed by Lee-Anne Beecher and Marc Atkinson. I could quite imagine this song being part of something like Lion King or Joseph with its great theatrical feel. A real shout out must go to Emily Dolan Davies whose skill on the drum kit is utterly evident here.

A song all about Jesse Owens and THAT race in Berlin, One Race is possibly the most progressive track on the album while not being that progressive (if that makes sense?). Joe Payne delivers another consummate vocal performance and the harmonised parts with Max Read give a real Celtic overtone, in fact the whole track reminds me of Clannad or Enya in places. It’s another well crafted song with a great storyline that works brilliantly along with the rest of the tracks on the album and the guitar playing just gives added impetus to the sensation of running along with the narrative.

Now onto the one track that I didn’t click with straightaway, Dreamcatching seemed a bit trite and twee to me on first listen, not quite gelling with the other songs on the album. Trying to explain the legend behind dreamcatchers using spoken word, song and music, this piece of music will either captivate or alienate in my opinion. Repeated listens have led me to appreciate it a lot more, while not actually loving it like I do the majority of the other songs. What does work very well though is the lovely flute and sax work from the ubiquitous Peter Jones who does a good job of adding whimsy and warmth as well as backing vocals along with Julie Gater.

London Grammar, that’s what I thought when I heard the first ultra-cool strains from No Man’s Land with it’s jazzy backdrop to Julie Gater’s silky smooth vocals. A song for lazy days in hazy summers, its chilled and easygoing vibe seems to seep into your very being. The feel good atmosphere seems to infuse every instrument, Gary O’Toole’s polished drum playing and Oliver Wakeman’s relaxed piano and keyboards are the height of sophistication.

A dreamy and contemplative song, Seaglass Hearts is full of longing and the vocals give pause with their elegant reminiscing. A nice interplay between the voices of Peter Jones and Julie Gater give a modern folk feel to the track, one full of wonder and playfulness along with Peter’s soulful sax playing. A sentimental ending to the album, enforced by the sparse piano that fades us out to a close.

A captivating journey through the mystical and historical, ‘Capture Light’ is an accessible, melodic tour-de-force that reveals more of its hidden depths with each listen. John Holden has collected an impressive group of musicians and given us a release that could well be a highlight of the year already.

Released 23rd March 2018

Pre-order ‘Capture Light’ on digital from bandcamp here

Pre-orders for the CD will be available from John Holden’s website soon at this link

Single Review – Sleeperman – You Would Not Be Seen Dead In A Shirt Like That – by Progradar

So, the Sleeperman singles production line has released the second of their ‘new single every month’ releases and I have the pleasure of reviewing it.

This time the East Yorkshire quartet seem to have taken a chill pill with new track ‘You Would Not Be Seen Dead In A Shirt Like That’ and ‘B’ side ‘Black Ice’.

The CD single comes in the usual faux 45rpm vinyl 7″ packaging which is becoming a really nice touch but, much as I’m a sucker for great packaging and album covers, it’s the music that is ‘inside’ that counts!

As is becoming patently obvious with Sleeperman it’s not just the well crafted music that counts, it is also the clever, pithy and pertinent lyrics that make their songs stand out and the wistful, nostalgic grace of ‘You Would Not Be Seen Dead In A Shirt Like That’ is no exception. John Hilton’s wonderfully laconic and laid back vocal delivery once again delivers wry observations that make you smile, his occasionally sardonic voice is a perfect fit for the roots and alt-country inspired guitar playing of Neil Scott and makes the song a wonderfully laid back three minutes of near empathetic perfection.

“The saddest thing I ever saw was an old man alone in the light from a corner shop, his coat was too big, he was crying into his cupped hands…”

The ‘B’ side ‘Black Ice’ is a bit of a departure for the band and takes a different musical direction to what they delivered before. The repetitive, urgent and yet low key guitar intro give a feeling of hesitancy and John’s vocal has a pleading tone. It’s another intelligent three minutes that grabs your attention and keeps you on the edge of your seat. Pared back and minimalist, it almost ghosts across your senses and leaves you in a state of calm bewilderment.

They’re a clever lot Sleeperman and what they are doing is taking us back to the great era of music when the anticipation of newly released singles was almost too much to bear. Not only that, they are delivering on that anticipation big style, this is music for the music lover, music to cherish and not the usual throw away rubbish that seems to assault the charts nowadays. I take my hat off to them and long may it continue!

Released 4th February 2018

Get ‘You Would Not Be Seen Dead In A Shirt Like That’ from iTunes here

GAZPACHO REVEAL DETAILS OF NEW STUDIO ALBUM ‘SOYUZ’ – RELEASE FIRST SINGLE ‘SOYUZ ONE’

Norwegian Art-rock progressive outfit Gazpacho are set to release their brand-new studio album ‘Soyuz’ through Kscope on 18th May 2018.

Known for their distinctive art rock that balances tense and beautiful arrangements, sinister and soulful melodic lines, Gazpacho’s Soyuz furthers their experimental output.  To launch Soyuz the band have revealed their first single “Soyuz One”:

A band who are used to seizing headlines with bizarre stories, including The Independent (UK) branding Molok as “An album that could destroy the world”, Gazpacho have a holistic approach to the album writing process, imbuing each with a captivating concept. The themes of ‘Soyuz’ were born from the idea of how beautiful moments pass and cannot “be saved for later”, so within ‘Soyuz’ are interconnected tales of people and lives “frozen in time”. Taking inspiration from a multitude of eras and subject matters , including the doomed Russian space capsule Soyuz and its iconic captain Komarov; the Tibetan Buddhist funeral practice in “Sky Burial”; the inclusion of the oldest recording of the human voice from 1860 and the Hans Christian Andersen inspired “Emperor Bespoke”.

Recorded at Krypton Planet & St. Croix Fredrikstad in Norway, engineered by Thomas Andersen, Kristian Torp and Mikael Kroemer, mixed by John Rausch and mastered by Sonovo Mastering’s Thor Legvold. The artwork, designed by painter Antonio Seijas, is inspired by Russian Cold War colours and fonts from the Soyuz One flight era.

Soyuz Tracklisting 

1. Soyuz One

2. Hypomania

3. Exit Suite

4. Emperor Bespoke

5. Sky Burial

6. Fleeting Things

7. Soyuz Out

8. Rappaccini

Soyuz will be released on CD / LP and digitally (with pre orders receiving “Soyuz One” as an instant download) and is available to pre-order HERE

Gazpacho have confirmed they will be taking Soyuz on the road this summer with a series of headline shows and an appearance at Be Prog! My Friend Festival in Barcelona, with more dates to follow:

Soyuz Tour 2018
24/05 – NL –  Maastricht, Muziekgieterij,
25/05 – NL-  Uden, De Pul
26/05 – NL-  Zoetermeer, De Boerderij,
28/05 – UK – London, The Dome
31/05 – DE – Aschaffenburg, Colos-saal
01/06 – DE – Cologne Die Kantine,
02/06 – NL – Leeuwarden, Neushoorn,

23/06 – NO – Oslo, John Dee

30/06 – ESP – Barcelona, Be Prog! My Friend Festival

For tickets see www.gazpachoworld.com

Gazpacho are:

Jan Henrik Ohme (vocals)

Thomas Andersen (keyboards, programming)

Jon-Arne Vilbo (guitars)
Mikael Krømer (violin, mandolin)
Kristian Torp (bass)

Robert Risberget Johansen (drums & percussion)

Band Photography Credit Justin Lambert.

Artwork Credit Antonio Seijas.

 

MIDAS FALL SHARE LATEST TRACK ‘SOVERAINE’

This April, Midas Fall, the Scottish duo comprised of Elizabeth Heaton and Rowan Burn — will release their fourth studio offering, ‘Evaporate.’

A visceral display of ferocious beauty straight from the desperate, savage cacophony of album opener “Bruise Pusher” to the heavenly crush of final track “Howling At The Clouds,” ‘Evaporate’ conjures stunning soundscapes at every turn. Captured in Argyll, Scotland, the album shimmers with a dark, gothic grace, delicate, and brutal in equal measure.

As a precursor to its release, the ethereal post-rock outfit have shared the poignant sounds of “Soveraine” for public feasting.

Writing ‘Soveraine’ was like entering new territory for us and a big deviation from our last album,” notes Heaton of the weighty track. “It was born from an improvisation with just cello and vocals but turned into the type of song we had wanted to write for a long time. We wanted to show restraint with the guitars and drums and instead layer in instruments to culminate in a subtle but powerful and atmospheric ending. The song centers around the theme of resentment and trying and failing to let go.”

Midas Fall’s Evaporate’ will be released worldwide by Monotreme Records on April 27th on CD and digital formats, as well as a limited pressing of 500 LPs on 180-gram vinyl (200 black and 300 clear blue/black).

Preorder the album now – http://monotremerecords.limitedrun.com/products/610709

Listen to the title track: