Tag: Steve Howe

YES announce new studio album ‘Mirror To The Sky’ for release 19th May 2023; launch first single ‘Cut From The Stars’

YES, who are Steve Howe, Geoff Downes, Jon Davison, Billy Sherwood & Jay Schellen, are pleased to announce their new studio album Mirror To The Sky on InsideOutMusic/Sony Music on the 19th May 2023. “This is a very important album for the band,” says Steve Howe, Yes’ longest serving member, master guitarist, and producer of Mirror To The Sky. “We kept the continuity in the approach we established on The Quest, but we haven’t repeated ourselves. That was the main thing. As Yes did in the seventies from one album to another, we’re growing and moving forward. In later years, Yes often got going but then didn’t do the next thing. This album is demonstrative of us growing, and building again.” For Yes, that “next thing” is a collection of high energy, intricate, lush and layered new studio songs for an album which adds to the band’s much heralded legacy, while charting a path to exciting future times ahead.

Today also sees the launch of the first track taken from the album. Listen to Cut From The Stars & watch the video here:

‘Mirror To The Sky’ will be available on several formats, all featuring artwork by longtime Yes artist & collaborator Roger Dean: 

Ltd Deluxe Electric Blue 2LP+2CD+Blu-ray Artbook with poster

Ltd Deluxe 2CD+Blu-ray Artbook

Ltd 2CD Digipak

Standard CD Jewelcase

Gatefold 2LP+LP-Booklet

Digital Album

The blu-ray editions include the album as Dolby Atmos, 5.1 Surround Sound, Instrumental Versions & Hi-Res Stereo Mixes.

Pre-order now here: https://Yes-Band.lnk.to/MirrorToTheSky

The tracklisting is as follows:

CD1:

1. Cut From The Stars 05:27

2. All Connected 09:02

3. Luminosity 09:04

4. Living Out Their Dream 04:45

5. Mirror to the Sky 13:53

6. Circles of Time 04:59

CD2:

1. Unknown Place 08:15

2. One Second Is Enough 04:04

3. Magic Potion 04:08

As they were wrapping up The Quest, Yes found themselves with song sketches, structures, and ideas that were demanding attention. Yes received unconditional support from InsideOut boss Thomas Waber, who encouraged them to keep going in the studio, months before The Quest would even go on sale. It was like throwing gasoline on their creative fire.

“When we delivered everything, and they were just getting the vinyl and everything into production for manufacturing, we were still very much in that creative zone,” explains Steve Howe. “That belief that Thomas had in us really meant a lot,” he says.

“We truly get along as people,” says Jon Davison. “I feel like everyone’s focused inward to the greater circle, concentric to the core of highest standards that define Yes. It’s a wonderful thing to witness and of which to play a part. I believe this reflects vibrantly in the music and the creative input that each one is willing to apply, not for the benefit of the individual, but for the greater whole that is Yes.”

“There was a lot of material floating around because the band hadn’t done anything in the studio for so long. Ideas were just copious,” says bassist Billy Sherwood. “The pace of it was fast. As soon as we were finished with The Quest, and the mix had come out, we took a couple of little breaks there to catch our breath. But there was still music flowing around in the loop. It was just constantly being looked at and worked on. As we were all home and in that mode, things started progressing quite swiftly. We just went one album into another without really announcing, ‘Hey, we’re working on a second record right now.’ We just continued to work on material. It came about pretty naturally, and then we refined it as the process went on. But the initial bursts — there was a lot of material around!”

Much to everyone’s delight, including that of longtime-fan Thomas Waber, Yes have pushed into territory they practically invented — the prog rock epic — albeit in a thoroughly new and modern way. “I always felt that it would be great to have stuff that’s a little bit more epic,” he says, although he resisted the temptation to push for something that would be too formatted and could come off as contrived. He just gave the band space to do what they do and let things develop. “They were so excited by The Quest and the momentum they had that they went straight back in to the studio. What they were writing, even early on, was obviously headed in that epic direction — what Yes music really is to me. It is almost a genre onto itself. It is ‘Yes Music.’ Mirror To The Sky certainly is Yes Music.”

Mirror To The Sky features not one, but four tracks clocking in at over eight minutes, with the sweeping and cinematic title track coming in just shy of fourteen minutes. What’s more, the tracks, like Yes’ best, take the listener on a wide dynamically ranging journey of soundscapes which also showcase Steve Howe’s dazzling guitars, keyboard wizard Geoff Downes’ impeccable sounds, exquisite melodies and fills, Jon Davison’s angelic, crystalline vocals, Billy Sherwood’s deftly dancing bass and Jay Schellen’s masterfully controlled explosions, on drums.

Jay Schellen, who has been touring with the band since 2016, was hand-picked to step into his mentor and friend Alan White’s role when White sadly passed away in 2022. “I had done the 2016 Topographic Drama tour on my own for Alan,” say Jay. “From late 2017 onwards, we had a partnership, and a beautiful partnership, I might add. I learned so much, and discovered so much about Alan’s style, and why it was the way it was. It fit his personality so perfectly. This album has Alan’s presence all over it. It is inside of us. So this is still, in my heart, Alan just being present and with us, and with me, in a big way.”

Review – ASIA – FANTASIA, LIVE IN TOKYO 2007

2023 seems to be the year of the multiple vinyl live album, first The Tangent with the triple vinyl release of the excellent ‘Pyramids, Stars & More: The Tangent Live Recordings 2004-2017’ and then Transatlantic with a quadruple (yes, you read that right!) vinyl release of the monumental ‘The Final Flight: Live at L’Olympia’. Well, it’;s now the turn of venerable prog supergroup ASIA with a triple vinyl version of ‘FANTASIA, LIVE IN TOKYO 2007’, have we got another slam dunk brilliant release? read on and you will find out…

Celebrating the 25th anniversary of ASIA’s formation, this exciting 18-track live show from their 2007 world tour features the reformed original line-up pooling the talents of lead vocalist/bassist John Wetton (King Crimson), Steve Howe (guitars, Yes), Geoff Downes (keyboards, Yes and Buggles) and drummer Carl Palmer from Emerson, Lake & Palmer.

The setlist focusses on their globally successful 1982 debut album ‘Asia‘ and features key tracks Only Time Will Tell, Sole Survivor and their worldwide anthem Heat Of The Moment along with select tracks from their second LP ‘Alpha‘ and one song each from the band members’ previous bands – Video Killed The Radio Star, Roundabout, Fanfare For The Common Man and The Court Of The Crimson King.

The package itself is a rather fine thing with artwork form the legendary Roger Dean and a very knowledgeable LP sized booklet telling the whole story behind the concert.

Now, to me, live albums can either be good or bad, there is nothing worse than a badly performed version of a classic song with a horrendous mix from the sound desk meaning you really cannot tell what you are listening to but, when done well, they can become a lasting monument to some of our favourite musicians.

I’ll cut the suspense and get to the point, this new live release is absolutely fantastic for the die hard Asia fan and newcomers to the band alike. Stand out highlights for me are the obvious ones. The versions of Heat Of The Moment and Sole Survivor are without a doubt the best live versions you are likely to hear, John Wetton’s distinctive vocals are on seriously good form and you can literally feel the dynamism and intensity in his performance. His banter with the crowd is particularly good between songs and means there is never any lull or drop in energy levels from the band or the crowd.

Wildest Dreams, Without You, Don’t Cry, Here Comes The Feeling, the hits keep coming with passion and fervour and you really get to feel the strong bond between Wetton and Carl Palmer, a very tight rhythm section indeed. The inclusion of tracks form the band member’s previous bands is also a masterstroke, I found myself mesmerised by Roundabout, one of my favourite tracks from Yes and you can hear that Steve Howe is having the time of his life as his guitar literally dances through this classic track. John Wetton does a great job on vocals for Video Killed The Radio Star but it’s really Geoff Downes time to shine on this track and I can’t help but break into a smile when the intro to the song begins. Downes is obviously having a blast on a wonderfully inspired version of Fanfare For The Common Man and the quartet’s delivery of the King Crimson mainstay, The Court Of The Crimson King is positively masterful.

This three LP boxset is a wonderful way to spend an evening and the format definitely gives you a feeling of nostalgia, it’s full of memories and a lasting legacy for four of progressive rock’s greatest musicians having the time of their life, they really don’t make them like this anymore! As the last notes of Heat Of The Moment play out and the audience’s cheers and applause fade out, I can’t help but wish I’d been there that evening, right in the midst of what was obviously an amazing concert and experience and that’s what the best live albums do, isn’t it?

Released 24th February, 2023

Order the boxset here:

Fantasia – Live In Tokyo (lnk.to)

Jay Schellen joins YES as a permanent member

YES are delighted to announce that drummer Jay Schellen has joined the band as a permanent member.  Following the sad passing of our iconic drummer, Alan White on 26th May 2022, Jay will fulfil Alan’s wishes in becoming the new drummer with YES.

Jay Schellen was Alan White’s choice to stand in during the Topographic Drama tour, in 2016, and shared drumming duties with him from 2018 onwards. Jay had previously played alongside YES’ keyboardist Geoff Downes and late bassist Chris Squire together with long working relationships with Alan and YES bass guitarist Billy Sherwood.  This gave Jay a deep insight into the workings of the dynamic rhythm section that drives YES’ music.

Steve Howe says “We’re all delighted to welcome Jay officially into the fold! He’s been a great support throughout the last seven years, and we couldn’t have found a better all round team player.”

“I am thrilled to become the new drummer with YES,” says Jay. “I grew up playing along to YES records and I am proud to have worked so closely with my musical hero and great friend Alan White these past few years. I will strive to honour his memory as we drive towards the future with the band.”

Asia Release 3 LP Version Of ‘FANTASIA, LIVE IN TOKYO 2007’ on 24th February

Multi-platinum selling English supergroup ASIA announce they are to release for the first time ever on vinyl ASIA ‘FANTASIA, LIVE IN TOKYO 2007’ as a 3LP set.  Recorded on Asia’s 25th anniversary 2007 world tour, and featuring the reformed original line-up, FANTASIA, LIVE IN TOKYO 2007 is to be issued on vinyl as a 3LP set with booklet, including band photos, and sleeve notes through BMG Records on 24th February 2023.

Pre-order it here: https://asiaband.lnk.to/fantasia3LPPR

Celebrating the 25th anniversary of ASIA’s formation, this exciting 18-track live show from their 2007 world tour features the reformed original line-up pooling the talents of lead vocalist/bassist John Wetton (King Crimson), Steve Howe (guitars, Yes), Geoff Downes (keyboards, Yes and Buggles) and drummer Carl Palmer from Emerson, Lake & Palmer.

The setlist focusses on their globally successful 1982 debut album Asia and features key tracks Only Time Will Tell, Sole Survivor and their worldwide anthem Heat Of The Moment along with select tracks from their second LP Alpha and one song each from the band members’ previous bands – Video Killed The Radio Star, Roundabout, Fanfare For The Common Man and The Court Of The Crimson King.

Album artwork is by legendary designer Roger Dean, who produced all the ASIA original albums covers.

By simultaneously celebrating their debut album alongside the legacy of their foundational bands, the four band members crafted a standing testament to their collective impact on the world of music. Fantasia is a clear reminder of the majestic legacy of this incredible band and to the artistic pedigree of the four original members of ASIA.

For ASIA fans, this exciting live show is an indispensable set.

Tracklist:

Side A

1.Time Again

2. Wildest Dreams

3. One Step Closer

Side B

1. Roundabout

2. Without You

Side C           

1. Cutting It Fine

2. Intersection Blues

3. Fanfare For The Common Man

Side D

1. The Smile Has Left Your Eyes

2. Don’t Cry

3. In The Court Of The Crimson King

4. Here Comes The Feeling

Side E

1. Video Killed The Radio Star

2. The Heat Goes On

3. Only Time Will Tell

Side F

1. Sole Survivor

2. Ride Easy

3. Heat Of The Moment

About ASIA

Pooling the talents of bassist/vocalist John Wetton, drummer Carl Palmer, keyboardist Geoff Downes and guitarist Steve Howe, ASIA immediately became the epitome of a supergroup of rock aristocracy and the natural heir to its members’ legendary bands of the 70s – King Crimson, Emerson Lake & Palmer, The Buggles and Yes.

Leaving behind their progressive roots, ASIA embraced the commercial FM rock sound that dominated US airwaves and took that, and the new MTV video channel, by storm.  The single Heat Of The Moment was a world-wide monster smash and their eponymous 1982 debut album spent an incredible 9 weeks at No. 1 on the Billboard chart as Asia became the biggest selling album of the year and world tour dates sold out.

A second album, Alpha, was released in 1983. The four original members reconvened in 2006 for a world tour, to celebrate the 25th anniversary of that incredible success, and the album Phoenix followed.

While the members were still heavily involved in other projects, they came together again to record Omega in 2010 and XXX in 2012, both albums were acclaimed by their faithful fans and supported by more world tours.

Steve Howe stepped back from ASIA to concentrate on his work with YES and was absent for 2014’s Gravitas. Following this tour came the news of John Wetton’s treatment for cancer, a fight he sadly lost in 2017.

ASIA – FANTASIA LIVE IN TOKYO 2007 – 3 LP SET – out 24th February 2023

Website: https://originalasia.com/

YES Announce UK Dates For The Relayer Album Series Tour 2023

Progressive legends YES have announced UK dates for their long-awaited Album Series 2023 Tour featuring their 1974 Relayer album in its entirety together with a selection of other classic YES favourites. Tickets are on sale from 10am on Friday 14th October.

The Relayer Tour was originally planned for 2020 but postponed due to the pandemic and last year’s highly successful 50th anniversary of their legendary Close To The Edge album. The Royal Albert Hall was the original choice for the tour’s London show but has no availability, so the band will make a nostalgic return to an old haunt, the former Hammersmith Odeon.

The coming tour features Steve Howe (guitars), Geoff Downes (keyboards), Jon Davison (lead vocals, acoustic guitar), Billy Sherwood (bass guitar) with Jay Schellen (drums and percussion) stepping into Alan White’s shoes following his passing in May 2022.

The show will comprise of two sets by the band. The first will feature favourite classic tracks from YES’s extensive catalogue. YES will perform Relayer, their seventh studio album, in full in the second set. Relayer marked a slight change in direction bringing an edgier feel to this album. At almost 22 minutes in length, the opening track Gates Of Delirium included a battle scene between keyboard and guitar. The battle gives way to the beautiful closing ballad Soon, a prayer for peace and hope.

Relayer continues with Sound Chaser, a prog-rock-jazz fusion experiment demonstrating the power of Alan White and Chris Squire, and To Be Over, a calm and gentle conclusion to the album, based on a melody by Steve Howe and Jon Anderson.

Released in late 1974 on Atlantic Records, Relayer continued YES’s success reaching number 4 in the UK album chart and number 5 in the US Billboard chart.

The UK Relayer Tour dates for 2023 are as follows:

Saturday 10 June Birmingham Symphony Hall

Sunday 11 June Southend Cliffs Pavilion

Monday 12 June York Barbican

Wednesday 14 June Glasgow Royal Concert Hall

Thursday 15 June Gateshead The Sage

Friday 16 June Liverpool Philharmonic Hall 

Saturday 18 June Manchester Bridgewater Hall

Tuesday 20 June London Eventim Apollo

Tickets from Yesworld.com, Bookingsdirect.com and all usual outlets.

About YES

Steve Howe: guitars, backing vocals (1970 –1981, 1990–1992, 1995–present)

Geoff Downes: keyboards (1980–1981, 2011–present)

Jon Davison: lead vocals, acoustic guitar (2012–present)

Billy Sherwood: guitar, backing vocals ((1994, 1997–2000), bass guitar, backing vocals (2015–present)

Jay Schellen: drums and percussion

Formed in 1968 by Jon Anderson and the late, and much-missed, Chris Squire, YES have been one of the most innovative, influential and best-loved bands in rock music history. Their 1970s albums The Yes Album, Fragile, Close To The Edge, Yessongs (a triple live album set), Tales From Topographic Oceans, Relayer and Going For The One were ground-breaking in musical style and content. Their music also became synonymous with artist Roger Dean whose distinctive YES logo design and artwork adorned the lavish gatefold presentation sleeves of many YES albums.

With sales of over 50 million records, the Grammy-award winning YES were inducted into The Rock And Roll Hall Of Fame in 2017 where they performed Roundabout from the album Fragile and the FM radio-friendly Owner Of A Lonely Heart from the 1985 album 90125.

YES released their 22nd studio album in 2021, The Quest, which went to No. 1 in the UK Rock Albums Chart and entered the Official UK Album Chart at No. 20.

In May 2022 came the sad news that drummer Alan White, ever-present in the YES line-up for 50 years, had passed away. The news came shortly before the band embarked on their 50th anniversary tour marking the release of their classic, genre-defining album Close To The Edge.

Review – Virgil & Steve Howe – Lunar Mist

On the 11th of September 2017 a tragic event rocked the home of Steve Howe and his family when his 41 year old son Virgil died of a sudden unexpected heart attack. Virgil and Steve had produced an album together earlier in that year, called ‘Nexus’, this was an instrumental album that brought Virgil’s drums and keyboards together with Steve’s lyrical guitar lines and tones to great effect. Well, after Virgil’s death Steve found an unused and unreleased track, Lunar Mist, that became the starting point for this album in which Steve has completed musical sketches, ideas and concepts and has added bass and guitar to complete an entirely new album. One that not only is a tribute to his son but, one that allows his legacy to continue. Again, this is fully instrumental in sound but in its fourteen tracks lie some beautifully crafted sound scapes and paintings.

The album opens with the title track, Lunar Mist, that starts with single piano notes before a lumbering tone evokes a mist rolling across the landscape. This is a very simple but effective number with lots happening musically. The drumbeat is steady and the bass and guitars lock into the rhythm as Virgil’s keyboard sound evokes the mist, I really like this track, simple yet captivating. More Than You Know features Steve on acoustic nylon string guitar, where his tone is warm and delicate, showing once again why he is so highly regarded as a master guitarist and composer/musician and its gentle nature really makes a fine impression. Plexus sees Steve laying down some suitably fluid pedal steel lines over a delicate piano track. Again, this is another masterful piece and, at seventy-five years of age, Steve Howe continues to make valid musical statements.

This is a generally laid back, mid-tempo album but within all that is the creativity and also the close connection the two had and that Steve continues to hold dear and that shows in this music.

Mariah’s Theme is another commanding piece of music that begins with what sounds like vibes and a delicate synth along with what sounds like either ring modulation or bells. Steve’s guitar is then introduced, alongside a middle eastern sound, it’s all very exotic but, once again, very effective. This is followed by the excellent A Month In The Sun, which allows Steve some space for some inventive guitar parts. The track has a lumbering, swaggering sound that is very effective. This is an album that improves with familiarity as its hidden depths are unravelled. As If Between is less successful and is more throwaway to these ears but it is only a short track so it doesn’t ruin the album. Never Less is more on point for me with a fine blend of Virgil’s piano and Steve’s nylon strung guitar making wonderful music.

Lothian’s Way is another shorter track that has more of Steve’s delicate acoustic guitar offset among a plethora of swirling keyboards. There is a bit of a Celtic effect attempted but it doesn’t really succeed to my ears, even so, it is still a strong and enjoyable piece. Free Spirit is an engaging track that is very reminiscent of those Windam Hill albums of the late 90’s as this ploughs a similar path but ,with Steve’s distinctive guitar tones, this is a definite winner of a track! Eternal opens with strong piano lines leading the music, in fact Steve’s guitar is largely absent in this track and this is a great piece even without it. Dirama is next and is another strong track with very well defined guitar lines from Steve and strong keyboards from Virgil, another brief track but it is a very worthy one.

This album has a variety of moods and tones, all of which, taken together, make for a very pleasing listening experience and you can appreciate the crafting that has turned these ideas into reality in such a gracious and worthwhile manner.

The shorter track Pinnacle is next with short bursts of guitar from Steve offset against expansive keyboards in a concise statement of intent. Pagoda sounds like it should be Oriental sounding but, sadly, is a missed opportunity perhaps? Final track Martian Mood is suitably spacey sounding with lost of ascending and descending synth lines and some great angular guitar interjections.

This concludes an album consisting of some excellent tracks in the main, along with a couple that fail to make much headway and some that could have gone in a different direction, maybe to produce better results. Either way, it’s an interesting album and one that’s definitely worth hearing in memory of Virgil. The cover is by Virgil’s daughter Zuni and very striking it is too.

Released 23rd September, 2022.

Order the album here:

Virgil & Steve Howe – Plexus (lnk.to)

Virgil & Steve Howe – announce release of new album “Lunar Mist”, launch title track 

Steve Howe, legendary guitarist with Yes, is pleased to announce the release of ‘Lunar Mist’ – the second collaboration with his late son Virgil Howe who tragically passed away in 2017. Continuing his journey that is fueled by the love and energies he draws from his wife Jan and their family, a passion for the guitar, and of course, the never-ending drive to create and perform music, ‘Lunar Mist’ will be launched on the 23rd September 2022. Watch the video for the album’s title track here: 

Crafted using Virgil’s unreleased material that had a connection in spirit to their debut collaboration ‘Nexus’, Steve compiled everything together in January 2021 to start work. Stemming from an unreleased bonus track, titled ‘Lunar Mist’, from their debut album, Steve worked at expanding on Virgil’s musical ideas. As Steve explains: “I started by writing chord charts for all the other tunes, before adding guitars and bass guitars to embellish them and bring them to completion. In the most part I kept them as he’d written them but sometimes I expanded them with further ideas and improvisation.”

The result is an album that is unique in both musicians body of work. “Virgil shows some different musical characteristics here that were such a joy to play on. There’s more of his great drumming and a broader inventiveness in his compositions” says Steve.

The album will be available on Limited CD Digipak, 180g Black LP + CD & Digitally, all adorned with a front cover painting by Virgil’s daughter Zuni. Pre-order the album here: https://vshowe.lnk.to/LunarMist 

1.         Lunar Mist 03:52

2.         More Than You Know 03:05

3.         Plexus 04:09

4.         Mariah’s Theme 03:16

5.         A Month In The Sun 04:39

6.         As If Between 02:43

7.         Never Less 02:55

8.         Lothian’s Way 03:06

9.         Free Spirit 02:45

10.       Eternal 03:09

11.       Dirama 02:38

12.       Pinnacle 02:02

13.       Pagoda 02:19

14.       Martian Mood 03:59

Music has been a constant in Steve Howe’s life. In the sixties, he made a name for himself as guitarist of psychedelic pioneers Tomorrow. Joining Yes in the seventies, he helped propel that band to progressive rock superstardom. The eighties found Steve at the top the charts once again as a founding member of supergroup Asia, and later, GTR. Concurrently, Steve developed a brilliant solo career, performing and honing his skills as a producer, releasing more than twenty albums. Together with wife Jan, he’s raised a family, and steered side projects with son Dylan in The Steve Howe Trio.

Steve Howe’s creative passion has put him on a lifelong journey on pathways, ranging from jazz, blues and classical, to folk, bluegrass and rock. His prolific solo career defies easy categorization, making each new album a venture into genre-bending territory that always bears his inimitable imprimatur. Always pushing forward with studio craft and virtuosity, each of his albums reflects the insights he has gathered along the way.

Live Review – YES At Manchester Bridgewater Hall – by John Wenlock-Smith

This was a particularly good show, if not just a little strange at times. The evening started with a few words from legendary album cover artist Roger Dean, who has worked with Yes for over 50 years, a true gentleman and very enthusiastic about the works he has created for the band over the years.

He started off by talking about the loss of Alan White and played a short sequence of images of Alan’s time with the band, then Yes came onstage and started their first set with On the Silent Wings of Freedom from the ‘Tormato’ album, a song that rarely gets played live. The band were up for it though with Steve Howe especially energised for the proceedings.

There were a few gremlins sound wise but the band got through it very professionally. Billy Sherwood’s Bass was a huge sounding behemoth, very Chris Squire like in tone, and he played some exceptionally good lines throughout. Billy has a certain air about him, like a rock god from a bygone age with his long flowing hair and his boots very much an image, but he can certainly play that bass like a master. New drummer Jay Schellan kept things very tidy at the back, solid and uncluttered, much like Alan White used to really.

This latest incarnation of Yes is very much orchestrated, led and driven these days by Steve Howe, who was constantly issuing instructions to the other band members with his hands or voice. Steve is the last member with a connection to their golden age (of which ‘Close To The Edge’ is a major capstone of course). Sure, you could moan about the lack of the presence of either Rick Wakeman or Jon Anderson, however the integrity of this band stays true under Steve’s guidance. Jon Davison may not have the presence of Anderson but he is a very fine singer for this version of Yes.

The band then played Yours Is No Disgrace, which was the first of several longer pieces performed tonight. This song was obviously a long-time favourite of many of the audience who’s average age was sixty plus. It is very strange being part of a crowd this old and you definitely know it is odd when the toilet queue is twice as long for me as it is for women!

We then moved onto No Opportunity Necessary, No Experience Needed, from the ‘Time and a Word’ album, one that no one onstage had been a part of but still played it with much gusto, making it one of the highlights of the evening so far. This was followed by a rousing version of Does It Really Happen from ‘Drama’ and Geoff Downes’ keyboards really shone making it really stand out. We were then treated to Steve Howe’s solo guitar piece, The Clap, which he delivered to much acclaim and a rapturous response.

The latest Yes studio album is ‘The Quest’, which got a mixed critical response. Well, here tonight ,the two tracks they played, The Ice Bridge and Dare To Know, were both very well received, with Steve howe really on fire with his playing, he gave the recurring riff and melody some real oomph! This led to Heart Of The Sunrise from ‘Fragile’, another lengthy workout for all the members again with the thunderous bass from Billy really made this memorable, it was another highlight for me.

After a short break and queuing for the toilets the show recommenced with the main event of the evening, legendary album ‘Close To The Edge’ in its entirety.

The three songs, Close To The Edge, And You And I and Siberian Khatru are possibly the very essence of Yes, they were certainly different to much that was around in 1972. These pieces both retain and contain all that makes Yes so loved, mystical lyrics and driving and unorthodox time signatures where musicians really worked and stretched a piece of music to the maximum. This evening the songs did just that, with an especially fine rendition of And You And I. With some dramatic and effective pedal steel guitar from Steve at the end, it soared out over the audience and was again very well received. Siberian Khatru was also well received and was an excellent finale to proceedings, with the crowd up on their feet clapping along with the music.

Then it was encore time and what could it be but Roundabout and Starship Trooper, both of which really rocked out, sending everyone home extremely happy and satisfied at what they had seen, Yes doing what they do best, remembering a lost colleague and progressing onward as only they can. It was an astonishing and wonderful evening and performance plus, to top it all, Roger Dean signed my copy of the Topographic Oceans CD!

You can buy tickets for the remainder of the shows at this link:

https://yesworld.com/live/

YES’ Launch YouTube Interview with Steve Howe & Geoff Downes about 50th Anniversary Close to the Edge Tour

Following the sad news of the passing of drummer Alan White, YES will go ahead with their forthcoming The Album Series Tour 2022 in June celebrating the 50th anniversary of their iconic album Close to the Edge, dedicating the tour to Alan White.

On 25 May 2022 Steve Howe & Geoff Downes spoke to Prog Magazine Editor Jerry Ewing ahead of the Close to the Edge 50th Anniversary Tour. This interview was recorded before Alan White passed away.

Here’s a link to the interview:

The Album Series Tour 2022 will celebrate the 50th Anniversary of YES’ iconic album Close to the Edge and will feature the album, performed in full, along with other classic tracks from YES’ extensive catalogue.

The Close to the Edge show will comprise full production and high-definition video wall directed by Andy Clark and featuring the artwork of Roger Dean who will also be joining the tour with an exhibition of YES related art.

The tour line-up will feature Steve Howe (guitars and backing vocals), Geoff Downes (keyboards), Jon Davison (lead vocals), Billy Sherwood (bass guitar and backing vocals) with Jay Schellen (drums and percussion).

About YES

Formed in 1968 by Jon Anderson and the late, and much-missed, Chris Squire, YES have been one of the most innovative, influential and best-loved bands in rock music history. Their 1970s albums The Yes Album, Fragile, Close to the Edge, Yessongs (a triple live album set), Tales From Topographic Oceans,Relayer and Going For The One were ground-breaking in musical style and content. Their music also became synonymous with artist Roger Dean whose distinctive YES logo design and artwork adorned the lavish gatefold presentation sleeves of many YES albums.

With sales of over 50 million records, the Grammy-award winning YES were inducted into The Rock And Roll Hall Of Fame in 2017 where they performed Roundabout from the album Fragile and the FM radio-friendly Owner Of A Lonely Heart from the 1985 album 90125. In 2021 YES released their 22nd Studio album, The Quest, produced by Steve Howe, which went to No.1 in the UK rock chart and entered the Official UK Album Chart at No. 20.

Review – Asia In Asia Live At The Budokan Arena, Tokyo, December 1983 – by John Wenlock-Smith

The history of Asia is an often complex, involved and even a troubled one as the back story to this latest instalment in the Asia canon testifies. This latest release in band’s history is the then ground breaking satellite broadcast, live from Tokyo’s legendary Budokan theatre on 9th December 1983. This was also the first live video broadcast by MTV, however there was a problem in that, weeks earlier, after lacklustre sales of their hastily recorded follow up album saw it peak at number 67 on the Billboard chart, as opposed to the colossal sales of the band’s debut ‘Asia’ (1982).

Not only had ‘Alpha’ failed to match their debut’s success, the band themselves were also unhappy with the album’s mix and also the haste in which they had been ushered back to the studio to record it. On top of all that Asia were struggling internally with tensions between members, namely John Wetton and, well, anyone really! The success of the debut had hit John hardest as he was unaccustomed to the level of celebrity success had bought, John was also drinking heavily and this was affecting his performances with the ‘Alpha’ tour being particularly affected. So much so that latter dates were pulled. All of these frustrations reached a head and the band’s Management and label demanded a change be made and so John was duly dismissed..

The difficulty was that Asia were scheduled to do the MTV gig but had no lead singer. Time to call in a favour…

Carl Palmer called his old colleague Greg Lake from his ELP days and asked him for his help, Greg consented but was unfamiliar with Asia’s music and had to rely on a teleprompter for the actual show. The band started rehearsals in London with a view to being competent enough for the show. In fact, they played a rehearsal show the evening before at the Budokan to evaluate everything out and to make sure it all worked. The gig went off well and was a success technically, the show was released on video and laser disc but was then largely forgotten and subsequently overtaken by other events in the Asia world. It is now forty years since that show and the film has been overhauled for a re-release. This set includes vinyl and CDs of the show and the rehearsal show and a Blu-Ray of the show and, also, a version of the original laser disc cut of the show.

The sound has been remixed and remastered for premium sound and there is new artwork for the set and lovely it is too. The draw here will be this much improved sound and, when coupled with the previously unreleased rehearsal disc, this should be a rather good selling point. In fact, the sound is exceptionally good and clear and you can hear the band really giving it some oomph! In addition, you can see this for yourself t in the accompanying Blu-Ray, where you can enjoy the energy of show and witness all the members of Asia really playing their hearts out, especially Geoff Downes impressive keyboard set up and his antics during the show.

Greg Lake proves to be an exceptionally good fill in for the departed John Wetton and his bass is muscular when needed. It’s good to see him this way as his Asia tenure was short lived, one that sadly failed to bear any additional fruit. There are no bonus features, as such, and a documentary detailed in the booklet does not appear to be there. Even so, this set has merit and it reintroduces a not insignificant global event that was unique and ground-breaking in many ways.

The band were on form, and it is good to have this record of this event in its remixed and remastered glory once again. The tracks are from the debut with a few select tracks from the ‘Astra’ album. With both Wetton and Lake no longer with us, this set gives opportunity to view that strange moment of musical history once more and I, for one, am extremely glad to be able to do so.

Released 10th June, 2022.

Pre-order here:

Asia – Live At The Budokan, Tokyo, 1983 [VINYL] (lnk.to)