Review – Brendan Perkins – Stories from the Old Church Lane – by John Wenlock-Smith

Unbelievably this is Brendan Perkins’ twenty-eighth solo release since 2008 when he decided to follow his musical aspirations full time. ‘Stories from the Old Church Lane’ follows from last year’s wonderful ‘Favourite Places’ album which he actually released on CD and that I gave a very positive review to for this very site. You can find that Review here:

https://www.progradar.org/index.php/2024/08/14/review-brendan-perkins-favourite-places-by-john-wenlock-smith/

This album is in a similar vein,  although this time it concentrates on the lives of the folks who live in the area of a local church. Whether this us an imaginary church is not entirely clear but the album seems to draw upon personal experiences that Brendan has had or encountered over the years since he moved to a rural location. Either way, the tales he has conjured up are certainly imaginative and told with warmth and a positive attitude that translates into the music the album conveys. The album is entirely self-composed and performed by Brendan although his partner Helen Flunder features on vocals on the track Another Eveningtime. The music flirts around the edges of progressive rock but is actually very pastoral in tone and would a definitely appeal to fans who like that style of prog, as offered by Big Big Train and the like as there is a strong storytelling element to these songs.

The albums begins with the track Another Eveningtime which opens with a piercing guitar line underpinned by synths and assorted sonic embellishments that fuse together to make a pleasing wall of sound. To this is added Brendan’s trusty Rickenbacker bass providing a solid bottom end before the vocals start, speaking of settling down and building a new life in the shadow of the church. It’s a very positive song with great guitar lines and a fine backing. Olivia Ruth is about a lady who collects things, it is also a song about memories and how they can affect us and how we look at a life. The words are very descriptive as they are poured out and the song is full of warmth rather than criticism. It is about accepting and welcoming different approaches to life and is enlivened by some great guitar and bass interplay in the final part of the track. Amelia’s Wedding is a song about expectations being realised, in this instance the wedding of a daughter to a man and how they begin a new life together, with all the opportunities that affords. This is a fairly bass driven track with lots of ethereal keyboards in the background, creating an interesting sound palette. It is another very warm sounding piece with lots of hope and positivity towards the happy couple on the very special day of their wedded union.

Bram’s Return (from Metro Fair) opens with a fine acoustic guitar line, the song is about returning from the big city to a more relaxed and less stressful way of living as the author realises that the big city life he has lived wasn’t really for him. Instead, he finds peace and contentment in a new place and opens a new chapter of his life. There is a distinct touch of Mark Knopfler in the guitar playing on this track and the use of space in the arrangements and sound really adds something special. The extended length also gives room for lots of free expression. This is a song extolling that the best place to be is with the one you love, which is of course a most excellent thing to desire. Ned And Mary is another gentle song talking of a couple’s evolving life story through different times, but all underpinned by the love they share and celebrate in Old Church Lane. It’s a lovely song with more superb guitar lines woven through it. This is much shorter track but still a good one, if not a tad contemplative in tone.

The final track is Summer’s End which celebrates the harvest and the festival that it brings, exemplified here by the annual dance which really beings the village together in gratitude and celebration. The description of the dance is very warm and speaks of a shared experience that is welcomed by all the inhabitants of the village. It is a very well composed track and a strong close to the release.

‘Stories from the Old Church Lane’ is a rather uplifting and life affirming release from Brendan Perkins. Certainly there is a lot of excellent material and songs here and I would urge you to have a listen for yourself, you may very well be rather surprised and taken with it.

Released 5th April, 2025

Order from bandcamp here:

https://brendanperkins.bandcamp.com/album/stories-from-the-old-church-lane

Review – Red Bazar – Blood Moon – by John Wenlock-Smith

Red Bazar are the band that Peter Jones uses when playing band shows as Tiger Moth Tales, in return for which he adds keyboards and vocals to their songs and elevating them in the process with his excellent voice and his deft keyboards. It’s a symbiotic relationship as both parties gain significantly from it’s existence.

‘Blood Moon’ carries on from 2022’s excellent ‘Inverted Reality’ and has eight tracks of fine, if slightly heavier, material from the band.

The album begins with Fall On Your Own Sword, which is a strong opener driven  by the sturdy bottom end bass of Mick Wilson, who has since decided to move on with his place being taken by Roman Dubrovsky. The track is an epic one in style with a storming guitar riff, strong Bass and Peter’s always impressive vocals. It has a harder edge to its sound interspersed with lighter sections and parts. I really like this song and it is a strong opening track. When The World Burns is a softer piece which centres on an acoustic guitar motif and subtle keyboard textures. It’s an emotion laden song with a fine guitar solo from Andy Wilson. High Velocity is a brooding instrumental with driving bass, surging guitar parts and strong synth lines all conspiring together to make a really urgent and driven track. There’s a fine keyboard solo from Peter before the track returns to the main riff and melody, gathering intensity in the process. This is a standout for me and I loved it when it was released online last year as a taster for the full album. Start Again opens gently with an acoustic guitar and delicate keyboard flourishes. The song is about a relationship and the opportunity to redress the balance by starting Again. It’s a tender track of impassioned vocals and mood and it captures the dynamic of the relationship fully in a thoughtful and yet sensitive manner. This song impresses greatly with it strong melody and performance.

Baron’s Eyes is based on the Sherlock Holmes story ‘The Illustrious Client’ and is another interesting track talking about revenge for wrongs done to a client by the Baron. There are great synth lines to this bristling track. Fighting Force is another instrumental tour-de-force with a strong guitar line and  a very upfront bass part, alongside more excellent keyboard textures from Pete. Penultimate track Over is awash with superb guitar playing and swirling synths. It’s a brooding piece of music that builds in drama and dynamism. A powerful and engaging song that could be straight from one of the great 1990’s hard rock albums. The final track of the album is title track Blood Moon, another very strong track. Although I have to confess that, without the lyrics, I don’t really know what the song is trying to convey. I believe a blood moon is significant on several levels, including the end of the world. However on this occasion, you’ll just have to enjoy the song like I did and decipher its meaning for yourself!

So, in summary, another strong album from Red Bazar which I must recommended to all especially if, like me, you are a fan of Peter’s immense talents which are well showcased here alongside the other highly skilled members of the band.

Released 28th March, 2025.

Order direct from the band here:

https://www.redbazar.co.uk/shop

Review – Solstice – Clann – by John Wenlock-Smith

Solstice are currently on a noticeably upward trajectory and this new album from the veteran proggers certainly agrees with that statement as it isa most uplifting and positive album of some very fine music indeed.

The album has a mere six tracks (if you include the bonus), all around the 5 or 6 minute duration, along which there is a near fourteen minute epic in Twin Peaks.

The overall impression is that Solstice have found a rich vein of inspiration that they are digging deep into. In this instance that vein is a very uplifting and joyful one, maybe it’s a response to the current tough times in which the world finds itself with  global madness on the geopolitical stages and an almost demented leadership that seems to be looking after the rich and ignoring everyday folks. This promotes division and accelerates discord while throwing out all the mechanisms that help govern. Onto this disquieting stage steps Solstice and this album that instead of moaning offers the listener a very uplifting escape from all that misery, instead offering some really positive sounds of joy that extoll gratitude and promote an air off togetherness. Even it’s title, ‘Clann’, speaks of building a team of togetherness and family or clan.

The opening track is Firefly, which sets the tone for the whole album, starting with a very upbeat synthesiser line and with the surging vocals of Jess Holland, who has a very distinct and clear voice which, when blended with the rest of the band, sounds extremely fine and very strong. Above all of this lies the splendid violin of Jenny Newman which is the icing on this exceptional cake. Andy Glass’ guitar lines weave magic everywhere, bringing the music together tightly. Andy is a fine player who is extremely melodic in style. There’s no wonder why he won this year’s Prog Magazine award so convincingly! Life, again, has a jaunty melody that accompanies the music, the song having both a looseness and a sparseness to it that works in a  most attractive manner. There’s a lot happening throughout its six plus minutes duration as it builds in its intensity with Andy’s liquid guitar lines providing a great sonic tapestry of textures and sound. Plunk is a very funky number with a strong rhythmic drive and fine organ sounds. It is played in an unusual time signature which adds to its effectiveness, as does the brass embellishments that are employed during the song. This track is definitely a punchier little number that would work well live, I’m sure. An excellent guitar solo from Andy further enlivens things significantly, his playing whilst flashy and furious, is just right for the track as he doesn’t overplay it but it all works for the maximum impact of the song.

Frippa has more than an element of 1980’s King Crimson to it, especially in the main guitar riff. This track also benefits from the versatile and athletic violin of Jenny Newman who dances all over it, blending in well with both the angular guitar work by Andy and excellent keyboard work of Steven McDaniel. The precise drums of Peter Helmsley and the subtle yet strong bass lines from Robin Phillips are mightily impressive and when this dynamic rhythm section combines with the sweet, clear vocals of Jess Holland and backing vocalists of Ebony Buckle and Dyane Crutcher, you are a totally compelling and captivating close. The epic Twin Peaks has nothing to do with the David Lynch series of the same name, rather this is a sprawling track that works on every level with its gradual building and brooding intensity and sweet violin lines. It is a journey that keeps you enthralled throughout its near fourteen minute duration. There is not a moment wasted or surplus to it, it really works as an extended showcase for all that is good about the fine band and this great album. The bonus track Earthsong is a revisitation of a song that appeared on the first Solstice album ‘Silent Dance’ from 1984, here it is given a 2024 treatment by the current incarnation of the band. It opens with ringing guitar tones from Andy and some subtle bass lines from Robin, as I’ve never heard the debut version I can’t comment on this reworking except to say that it fits in well with the rest of the album and a delicate yet dynamic vocal from Jess works well and brings the album to a stately finale.

To be honest, what I like about this album is that it makes you happy, it’s upbeat and uplifting and, in a time where all we read and hear is downbeat, it’s great to have something that lifts you up, for a while at least! This album does that across its six tracks. Remember when music was a source of joy for you? Well, this music returns that feeling to you and so it is highly recommended from here.

This is a great album from a band who have weathered many storms and difficult times and seasons to re-emerge stronger, bolder and with much to offer in today’s world. I have no hesitation in commending this most wonderful release from Solstice.

Released 4th April, 2025.

Order the album here:

https://essentials.progrock.com/product/solstice-clann

Coloured vinyl here:

https://fairsound.com/product/solstice-clann-rusty-red

Black vinyl here:

https://fairsound.com/product/solstice-clann-black

The Gift To Release ‘Sweet Bird Of Youth’ On 14/4/25, New Album, ‘Seven Seasons’ Out Late Summer 2025.

The Gift was all set to release their fifth album, the conceptual ‘Seven Seasons’, by early autumn last year. But life (as John Lennon so aptly put it) ‘is what happens when we’re busy making other plans’! Stef Dickers (bassist of ten years’ standing) was the last remaining original member aside from Mike Morton. He was reluctant to leave the lineup, but was forced to for personal reasons. At the same time, Gabriele Baldocci (the band’s long-serving and hugely talented keyboard player) simply found balancing his jobs as piano professor in three music schools with playing in a band too much to manage, so he bowed out with both regret and good grace.

The core team of Mike Morton (vocals), Cris Tortoioli (guitar/production) and Chris Taylor (drums) went in search of fresh talent to be reborn as the quintet they really wanted to be.

The next 5 months were spent searching for replacements. After multiple auditions and a few false starts, The Gift finally found a solution within ex-BEM label mates The Far Meadow. Mainstays of the outfit, Eliot Minn (keyboards) and Keith Buckman (bass) agreed to join. It is a very sweet experience to combine forces with musicians whom they both like and have full respect for. Now, regrouped and revitalised, The Gift is in the final stages of tracking, mixing and mastering for their imminent realise, the story of a life. It is due to finally emerge in late summer of this year.

On Monday 14th April, the single Sweet Bird Of Youth will be released as a taster for what’s to come.

You can order the track here:

https://thegiftuk.bandcamp.com/track/sweet-bird-of-youth

SWALLOW THE SUN – STREAM AND WATCH THEIR NEW LIVE OFFERING ‘INNOCENCE WAS LONG FORGOTTEN (LIVE AT HELLSINKI METAL FESTIVAL 2024)’

“SHINING OVER EUROPE” TOUR STARTS NOW

TICKETS ON SALE NOW

Finnish doom metal icons SWALLOW THE SUN are dropping their digital-only SHINING DARK DELUXE today, along with a new live release, “Innocence Was Long Forgotten (Live At Hellsinki Metal Festival 2024)”. This exclusive edition offers fans an immersive, atmospheric experience, featuring fresh renditions of selected studio tracks that highlight the band’s signature somber tones and raw live intensity.

STREAM THE SINGLE “INNOCENCE WAS LONG FORGOTTEN (LIVE AT HELLSINKI METAL FESTIVAL 2024)” Here:

https://swallowthesun.lnk.to/ShiningDeluxeEdition

Watch the visualiser here:

SWALLOW THE SUN Shining Over Europe – After dominating North America, the band is preparing for a massive European tour with Before The Dawn and Stam1na. The tour kicks off this next Monday in Antwerp, Belgium on April 14th and will make its way through major cities, concluding in Hamburg, Germany on May 6th.

GRAB YOUR TICKETS NOW! → http://swallowthesun.net/tour

VIP UPGRADES AVAILABLE! → https://www.swallowthesun.shop/

Swallow The Sun – Shining Over Europe 2025

14.4.2025 Belgium, Antwerp – Zappa

15.4.2025 Germany, Koln – Gebaude 9

16.4.2025 Germany, Berlin – Cassiopeia

17.4.2025 Poland, Poznan – 2PROGI

18.4.2025 Czechia, Prague – Futurum

19.4.2025 Slovakia, Bratislava – Randal

20.4.2025 Hungary, Budapest – Barba Negra

22.4.2025 Austria, Vienna – B72

23.4.2025 Germany, Munich – Backstage Halle

24.4.2025 Switzerland, Aarau – Kiff

25.4.2025 Italy, Milan – Legend

26.4.2025 France, Marseille – Le Molotov

27.4.2025 Spain, Barcelona – Razzmatazz 2

29.4.2025 Spain, Madrid – Copernico

30.4.2025 France, Toulouse – Le Rex

01.5.2025 France, Nantes – Le Ferrailleur

02.5.2025 France, Paris – Backstage Btm

04.5.2025 Netherlands, Tilburg – 013 Next

05.5.2025 Netherlands, Amsterdam – Melkweg

06.5.2025 Germany, Hamburg – Logo

12.12.2025 UK, Belfast – Limelight

13.12.2025 Ireland, Dublin – Opium

14.12.2025 UK, Glasgow – Cathouse

16.12.2025 UK, Manchester – Rebellion

17.12.2025 UK, Bristol – Thekla

18.12.2025 UK, London, 02 Academy Islington

19.12.2025 UK, Wolverhampton – KK’s Steel Mill

20.12.2025 UK, Nottingham – Rescue Rooms

Order SHINING and SHINING DARK DELUXE:

https://swallowthesun.lnk.to/ShiningDeluxeEdition

Shining Dark Deluxe – Tracklisting:

1. Innocence Was Long Forgotten

2. What I Have Become

3. MelancHoly

4. Under The Moon & Sun

5. Kold

6. November Dust

7. Velvet Chains

8. Tonight Pain Believes

9. Charcoal Sky

10. Shining

11. Innocence Was Long Forgotten (Live at Hellsinki Metal Festival 2024)

12. What I Have Become (Live at Hellsinki Metal Festival 2024)

13. Innocence Was Long Forgotten (Innocent Edit)

14. MelancHoly (Holy Edit)

More than two decades of despair, beauty, and heartache have not only shaped but fueled Finnish melancholy torchbearers, the chart-topping and Finnish Grammy winner Swallow The Sun. Formed in Jyväskylä in 2000, the quintet has enjoyed numerous fan-lauded music videos (10+ million YouTube views) and streaming dominance (50+ million Spotify plays), while also embarking on a four-continent, 900-show run over the course of their 25-year career. Their new music, however, is the group’s first step on the new path to the unknown.

SWALLOW THE SUN line-up:

Juha Raivio – Guitar, Keys 

Juho Räihä – Guitar

Mikko Kotamäki – Vocals

Matti Honkonen – Bass

Juuso Raatikainen – Drums

Review – Nova Cascade – Box Man – by John Wenlock-Smith

This, sadly, will be the final album for Nova Cascade, the group that came to be from conversations arising out of an internet chat room back in 2010. It became a series of collaborations which resulted in the making of five excellent albums, including this  latest and final instalment, ‘Box Man’. The new album sees originator and prime mover Dave Hillborne exercise his penchant for a more ambient and introspective version of progressive music. The origins of ‘Box Man’ date back some twenty-nine years to an idea that Dave had that he has now managed to fully realise.

The album consists of seven tracks, one of which, The Choice is of an epic length of twenty-eight minutes. This Extended length gives ample time for its themes to surface and connect with the listener. The music is very ambient and would appeal to folks who enjoy the gently evolving music of bands like Tangerine Dream or Camel. The song opens with a stirring violin line from Nina Chikviladze, who has stepped in to replace the much missed Eric Bouilette. The violin part captures the age, essence and spirit of Eric in a most gentle and respectful manner. The track is in 8 sections that combine to make a singular piece of music. It impressively strong, Dave and his fellow contributors, Colin Powell (guitars) and Dave Flick (bass) have crafted a lush expansive and warm soundscape with Nina’s violin adding significantly to the recurring melody lines to make for a very impressive opening track to the album. A soaring guitar solo from Colin Powell oozes effortlessly over the song before the keyboards return and things move on in a different manner with sequenced sounds utilised to see a semblance of pace and urgency introduced. The guitar then returns, playing an almost eastern sounding guitar line that fits well with Dave’s keyboards. There is another shift in pace to a more upbeat segment before a quieter more ambient feel returns. It is all very ambient with lots of space in the sound making for a real masterclass in musical composition and sound scales and this track has them all in spades.

Smoking Gun which features Dave’s vocals, which put me in mind of amore hesitant Feargal Sharkey, over which we hear a strident guitar line. The song also has a recurring keyboard motif which is very memorable indeed. The melodic sounds of If You Don’t Succeed benefit from a prominent bass line and part. This is an instrumental of different moods and tones with some further splendid and very tasteful guitar lines and fills, all underpinned by the excellent bass of Dave Fick. The use of whistling also graces this track and makes for a great, atmospheric piece of music.The next track is Sentry which has sound effects of war and battles and has suitably sombre lyrics as a war survivor recalls the events that still traumatise him each night. He is thankful to be alive but has to live with the dreadful memories of those evil days, it is a truly engrossing piece of music.

As It Was & Is is instrumental in nature but, his time, the violin carries the melody as Dave’s keyboard play an excellent piano line. The whole band then join in and make a great noise together before the piano melody returns, this time with fluttering synths before a fine, surging guitar line is introduced, to which bass and drums are also added. A really powerful statement. Box Man, the title track, has prominent organ parts and a rippling piano line along with a bubbling bass and more great vocals from Dave. The song is a comment on someone who has fallen on hard times and to whom life has not been kind, so much that he finds himself on the streets. The album closes with The End Of The Line, another instrumental and quite a sprightly one too, with more great bass work and good guitar. The keyboards are wonderful evocative and ever changing in tone and sound. It’s a great way to close the album.

If ‘Box Man’ does turn out to be the final album from Nova Cascade then they have most certainly gone out on a remarkably high note with such a strong and rewarding release.

Released 21st April, 2025.

Order from bandcamp here:

https://novacascade.bandcamp.com/album/box-man-2

Review – Oak – The Third Sleep

With their highly anticipated fourth album, ‘The Third Sleep’, Norwegian progressive rock band OAK delivers a striking exploration of societal complacency and the struggle of the individual. The album contrasts light and darkness, both thematically and musically, seamlessly blending folk-inspired acoustic passages with the raw intensity of progressive metal, evoking echoes of Opeth and beyond.
 
On the 25th of April, OAK follows up their highly acclaimed ‘The Quiet Rebellion of Compromise’ with a new album, ‘The Third Sleep’.
 
About the album, the band has this to say:
 
“The Third Sleep continues the development from TQROC lyrically and further descends into the darkness of the mind errands. The form is suggestive and poetic, with room for interpretation within certain limits. The album is also more outgoing than its more introspective predecessor, with socially critical lyrics that require the listener’s attention and an ability to read between the lines.”


With a rich musical foundation that spans classical piano, electronica, progressive and hard rock, OAK has carved out a distinctive sound—both captivating and challenging in equal measure.

I’m a huge fan of OAK and their wonderfully haunting music that really gets under your skin so I was very excited when I heard that they were releasing a new album and, boy, have they not let me down!

From the opening notes of No Such Place with it’s beautifully complex musical arrangements and Simen Vallal Johannessen’s lilting vocal, I was hooked and realised that these guys have done it again. The addition of the delicate but emphatic woodwind just gives a deep meaning and gravitas to the song and there’s a fantastic flow to the music. London has a darker, harder edged opening, almost industrial in feel where Sigbjørn Reiakvam’s drums give a fine counterpoint to the elegance of the vocals. Mature and reflective, OAK have moved there sound on from the previous album and truly progressed. There’s almost a menace to the keyboards and the bass of Øystein Sootholtet just sits in the back ground directing proceedings. A hauntingly memorable piano line opens Run Into the Sun and the shimmering swathe of keyboards adds a polished sheen to this stunning track. Simen is on top form here, his vocals are just beautiful, especially on the fine chorus and we are treated to one of OAK’s best songs yet, it certainly one of my favourites from their impressive catalogue. What really impresses me on ‘The Third Sleep’ is how the band have brought the guitars more to the fore and it really adds another dimension to their already impressive music. First single Shimmer opens with a halting, moody tone and the vocals come in a bit deeper and hushed. It all gives a pensive and wistful feeling but that changes when the powerful chorus opens up and the vocals soar, driven on by the compelling rhythm section and demonstrative guitar. this track actually does shimmer with a fragile confidence that you can feel and then the plaintive woodwind comes in again to add another level of finesse.

Shapeshifter is another piece that is rather pensive and thoughtful in feel and tone but it has Simen’s rather gorgeous vocals to lift it above the norm. I just can’t get enough of his epic voice. These three musicians seem to gel perfectly have produced their own unique sound and that is no more evident than on this superb song. the guitar, drums and piano all blend together in an imposing soundscape that just grans your attention and won’t let go. The faster paced, demonstrative ethos of Borders gets you on edge immediately and I like it’s almost random, off-kilter feel. The drums lead and the vocals follow willingly, aided by a fine, skittering piano note. you feel that this piece is building up to something as the tension raise before being let loose on an uplifting and arresting chorus. It’s an elegantly emotive song that lives long in the memory after it closes. The album closes with the epic and profound Sensory Overload, a complex and thought provoking musical journey that feels like you’re in the labyrinthine mind of a tortured musical genius. You get thrown from left to right and all over on this memorable and suitably dramatic odyssey. I mean, there’s even some growling vocals thrown in and I’m not usually a fan of them but, here, they work perfectly! What a rather magnificent way to close the album.

With ‘The Third Sleep’, OAK have returned with a dramatic, exciting and rather imposing collection of songs that shows a young band full of creativity and vitality. It is their best album yet and one of the best things you will hear this year, sublime, grandiose and, to put it simply, brilliant!

Released 25th April, 2025.

Order from bandcamp here:

https://oakinoslo.bandcamp.com/album/the-third-sleep

Stream ‘Shimmer’ from this link:

https://orcd.co/oak-shimmer

Aces High: GameZone Card Game Mastery

GameZone, the Philippines’ leading card game developer, has revolutionized the way Filipinos experience their beloved traditional card games. By skillfully adapting classics like Tongits, Pusoy, and Pusoy Dos for the digital age, GameZone has created a bridge between cherished cultural traditions and modern technology. This innovative approach has not only preserved these games for future generations but has also introduced them to a wider audience, both locally and internationally.

The importance of card games in Filipino culture cannot be overstated. For generations, these games have been a source of entertainment, social bonding, and friendly competition in households across the country. Recognizing the cultural significance of these games, GameZone has taken on the challenge of digitizing them while maintaining their essence and appeal.

At the heart of GameZone’s offerings are digital versions of Tongits, a fast-paced game that has been a staple in Filipino gatherings for decades. The platform offers four distinct versions of Tongits, catering to different preferences and skill levels. Tongits Plus stays true to the traditional rules, providing an authentic experience for purists. For those seeking a twist on the classic game, Tongits Joker and Tongits Quick introduce exciting new elements that add fresh challenges and strategies. Super Tongits takes innovation a step further by fusing the card game with slot machine-style gameplay, creating a unique hybrid experience.

In the classic version of Tongits, players aim to empty their hand of cards by forming valid combinations or achieve the lowest point total when the game concludes. The digital adaptation maintains the core mechanics of drawing and discarding cards, forming “bahay” (melds) such as three-of-a-kind or straight flushes. The thrill of declaring “Tongits” to claim victory remains intact, now enhanced by digital animations and sound effects that bring the game to life on screen.

Pusoy, also known as Chinese Poker or 13-Card Poker, has received similar treatment from GameZone download. The platform offers Pusoy Plus and Pusoy Wild, both of which elevate the traditional game with enhanced features. These versions introduce “winner take all” stakes, card-swapping mechanics, and real-time multiplayer battles, adding new layers of strategy and excitement to the game.

In the original Pusoy, players arrange their 13 cards into three hands—front, middle, and back—with the goal of winning the most hands in a round. The digital adaptations maintain this core concept while introducing additional elements that cater to both seasoned players and newcomers alike. The ability to play against opponents from around the world has expanded the competitive aspect of the game, creating a global community of Pusoy enthusiasts.

GameZone’s success in adapting these classic card games has not gone unnoticed. The platform has quickly become a go-to destination for Filipino card game enthusiasts, attracting players of all ages and skill levels. The ability to play these cherished games anytime, anywhere has breathed new life into the tradition, ensuring its continuity in the digital era.

Beyond Tongits and Pusoy, GameZone has expanded its offerings to include a wide array of games that cater to diverse tastes and preferences. Lucky 9 and Sakla provide additional options for those seeking traditional Filipino card games. Lucky 9 challenges players to achieve a hand value closest to nine, blending luck with tactical decision-making. Sakla, on the other hand, merges elements of poker and rummy, requiring strategic formation of sets and runs.

For those who prefer international classics, GameZone offers popular games like Blackjack and Baccarat. These games bring the excitement of casino-style play to users’ devices, complete with realistic graphics and smooth gameplay. Texas Poker is another favorite, allowing players to showcase their bluffing skills and hand management in competitive tournaments or casual matches.

GameZone’s innovation extends to casual and visually engaging titles such as Color Game and Mines. Color Game tests players’ intuition through color sequence predictions, while Mines offers a risk-reward challenge where players navigate grids to uncover hidden rewards. These games provide quick, engaging experiences that are perfect for short gaming sessions.

For those seeking lighthearted entertainment, options like Candy Craze and Candy Rush offer vibrant graphics and easy mechanics. These games appeal to players looking for stress-free, visually appealing experiences that can be enjoyed in short bursts throughout the day.

Slot game enthusiasts are well-catered for on the GameZone platform. Through partnerships with renowned developers like JILI and Netent, GameZone casino offers immersive titles such as Fortune Ace and Super Gems. These games combine stunning visuals with the thrill of progressive jackpots, providing an authentic slot machine experience on mobile devices and computers.

In a move to recreate the atmosphere of physical casinos, GameZone online has introduced live casino experiences featuring real dealers for games like roulette and blackjack. This blend of digital convenience and authentic casino energy has proven popular among players seeking a more immersive gaming experience. The live dealer games offer real-time interaction and the excitement of playing in a genuine casino environment, all from the comfort of one’s home.

The platform’s diversity is further demonstrated by the inclusion of fishing games like Fishing Frenzy and Ocean King. These games offer a unique blend of skill and luck, challenging players to catch various fish in underwater environments. The colorful graphics and engaging gameplay mechanics have made these titles popular among players looking for something different from traditional card and casino games.

Bingo enthusiasts are not left out, as Game zone online games offers themed rounds and community-driven events. Players can compete to complete patterns and win prizes, fostering a sense of community and friendly competition. The digital bingo offerings maintain the social aspect of the game while adding convenience and accessibility.

GameZone’s success can be attributed to its ability to balance cultural heritage with global appeal. The platform has created an inclusive gaming environment through the implementation of social features, tournaments, and fair gameplay mechanics. This approach has not only attracted a wide range of players but has also fostered a sense of community among users.

As GameZone continues to evolve and expand its offerings, it solidifies its position as a leader in Southeast Asian gaming. The platform’s commitment to preserving Filipino card game traditions while embracing technological advancements has set a new standard in the industry. By providing a diverse catalog of games that cater to various preferences—from nostalgia-driven classics to cutting-edge digital experiences—GameZone slot has established itself as a comprehensive entertainment destination for players of all backgrounds. 

Review – IQ – Dominion – by Jane Lee

A new IQ album is always something to celebrate. One of the bands at the forefront of the British Neo- Prog revival, IQ have been producing albums since 1983 as well as rewarding their loyal fan base with regular appearances on the concert circuit. The band has seen a few changes in personnel over the years, with guitarist and main songwriter Mike Holmes providing the only constant presence, but the current line-up have remained together since 2011. Inevitably their musical style has undergone changes over the past four decades, but the IQ sound is highly distinctive, creating powerful atmospheres and forging deep emotional connections with the listener. Unlike its predecessor Resistance, released almost five years ago, at 53 minutes Dominion fits neatly onto just two sides of vinyl. The album title and theme, inspired by the poem “And Death Shall Have No Dominion” by Welsh poet Dylan Thomas, encourages us to assume power over our own lives and to make the best use of the time we have now. Reflecting this, both music and lyrics feel more positive and optimistic than the previous few albums – by IQ standards, anyway!

IQ certainly know how to hit the road in style; their first album, Tales From The Lush Attic, opened with the mighty 20-minute tour de force that is The Last Human Gateway. But at 23 minutes, The Unknown Door is their longest opener yet and provides a superlative showcase of what makes this band so special, transporting us instantaneously from grandiose visions of darkness and existential dread to intimate soundscapes of heart-stopping sweetness and delicacy. The track opens dramatically with a heroic fanfare evoking the spirit of adventure while also recalling the evocative bugle call of The Last Post, traditionally performed in remembrance of those who died fighting for their country. This leads into a recording of Neville Chamberlain’s legendary speech launching Britain into WW2. Peter’s vocals, supported sympathetically by Neil’s atmospheric keyboards, have a visionary quality as he declaims the essential message of the album: The time is now to send it out. It’s in your hands, the world you’re waiting for. After a joyous and laid back guitar solo the storm clouds inevitably gather, and with a dramatic shift into minor tonality a relentless battery of drums and dramatically gothic keyboards plunge us headlong into darkness and confusion. Militaristic rhythms, brassy synths and the deep roar of bass pedals reinforce the warlike imagery of the lyrics, and the band members work in perfect synergy to create a sense of menace that builds inexorably towards a frenzied climax, finally stalling onto a grinding dissonance. The third section opens with a chilling depiction of post-apocalyptic devastation. Emerging from a chaos of electronica, a phantasmal echo of the opening fanfare gives way to a restlessly strumming acoustic guitar, eerily wailing synths and sporadic bursts of distant gunfire. There is a spine-tingling moment when Peter’s magical invocation of that other door to our lives open wide is answered by a grandiose blast of church organ and celestial choirs. Thrilling vocals and imperious drums propel the music towards a heroic climax before fading back to the visionary and optimistic mood of the opening. Mike’s transcendently ecstatic guitar blazes and subsides, bringing music and lyrics back full circle to revisit the opening question:

            And in the world you’ve been waiting for

            Who should find this unknown door?

After the epic grandeur of the previous track, the wistful simplicity of One of Us returns us gently down to earth. In this delicately poignant song about a broken relationship, Peter’s vocals are in more relaxed mode, accompanied sensitively by acoustic guitar and understated keyboards.

Borrowing its title and some of its lyrical content from Dylan Thomas’ poem, No Dominion explores our relationship with fate and chance, urging the listener to trust the timing of your life to be right. At its core the track consists of a two-verse song with a bridge and final chorus, but the stunningly cinematic instrumental arrangement transforms it into something much more complex and symphonic. Implacable fate is evoked by a majestically ascending theme on keyboards, given added depth and solemnity by bombastic drums and Tim’s portentous bass. This is succeeded by a restlessly wandering keyboard loop that perhaps suggests the infinite possibilities of the quantum universe described in the first verse. These two thematic elements are skilfully woven through the fabric of the track, unifying and expanding the structure as well as lending an aura of gravitas and mystery. The dramatic coda features a passionately emotional solo from Mike – one of so many on this album – then fades out into a surreal sequence of chimes, whirrs and rattles suggesting the death throes of a clockwork toy. I would love to know the significance of this ending which to me feels somewhat anticlimactic after the sublime glory of all that has gone before.

Far From Here opens introspectively with a ghostly waltz from Neil’s keyboards evoking the eerie chimes of musical boxes and striking clocks. Like those portraits where the subject’s eyes seem to follow you around the room, Peter sings with a quiet intensity that makes each listener feel he is addressing them personally. The tumultuous entry of drums and bass masterfully transports us to that nightmarish battleground of dark forces that is IQ’s natural habitat. Peter’s vocals positively smoulder with excitement and urgency and Paul’s relentless drums pound out like heavy artillery, intensified by wildly swirling synths and Tim’s restlessly prowling bass. The pressure builds remorselessly, culminating in Peter’s desperate cry: there still is time yet. Lyrics and music hereafter become more uplifting, crowned by a gloriously emotional and life-affirming guitar break. After a mystical keyboard solo where time seems to be magically suspended, we return to the reflective mood of the opening. Heart-rending lyrics and yearningly wistful music combine to create a powerfully moving coda that resonates still deeper when we learn that this track was partially inspired by the death of Peter’s mother two years before:

All the hours I was with you

Right by your side

With the time escaping us, ever knowing

I tried to reach you, to be there,

Where you need to be, always in my heart

And you’re not far from here

When discussing Never Land, Peter emphasised that the title comprises two separate words, and has no connection with either Marillion or Peter Pan (!) When we are young, life is an adventure, and we feel invincible – we learn to fly but never think about landing. The song traces the emotions of the person left behind after their partner has departed from the adventure of life, progressing from bewildered grief to the realisation that the departed one lives on through his memories of the experiences they shared. The tinkling bells and dreamy haze of keyboards recall the opening of ‘Fallout’, the closing track of Resistance, and evoke a similar atmosphere of nostalgia and longing for the unattainable. Peter’s vocals resonate with an intense sense of yearning, enhanced by pulsing keyboards and Mike’s tenderly consoling guitar. A hypnotic four-note falling figure on keys which gradually gains in intensity will make a dramatic return at the climax of the track. The full band enters with a warm rush of sound, sending a powerful surge of emotion streaming through the music like those last golden rays of the setting sun which are a central image in Peter’s poignantly evocative lyrics. The pain of loss is universal, and after Mike’s final, passionately yearning guitar solo Peter’s radiantly expressive vocals irresistibly draw the listener in to relive all the anguish of that emotion and find consolation in the album’s closing moments:

I see you now, I see you now

In all ways we shared

You’re still everywhere

Dominion should not disappoint IQ fans; the level of musicianship is as superlative as ever, the track sequence delivers the familiar but magical juxtaposition of the darkly transcendental and intimately personal, and every note carries a powerful emotional charge. Peter Nicholls has never been in finer voice, and his poetic lyrics explore themes that are both deeply autobiographical and universally meaningful, evoking moods and emotions that perfectly match the intensity of the music. To my ears this album feels a little more straightforward and less – dare I say it? –  pretentious than some of its predecessors, which hopefully will attract new listeners into the welcoming fold of the IQ family without alienating diehard fans. This will be my second review this year to include those contentious words “potential Album of the Year material” but in this instance I make absolutely no apologies. Whether or not you are already an IQ devotee, Dominion is an essential and profoundly rewarding album which delivers more satisfaction with each new listen.

Released March 28th, 2025

Order the album here:

https://gep.co.uk

Conquer the Tongits World on GameZone: Insider Secrets Revealed!

Are you ready to embark on an exhilarating journey to become the ultimate Tongits master? Buckle up, because we’re about to unveil the most comprehensive guide to dominating this thrilling Filipino card game that’s taking the online world by storm! Whether you’re a curious beginner or a seasoned player looking to sharpen your skills, this insider’s look into the world of online Tongits will transform your game and catapult you to the top of the leaderboards.

Tongits: More Than Just a Game

Forget everything you know about casual card games. Tongits isn’t just a pastime; it’s a high-stakes battle of wits, strategy, and nerves of steel. It’s where quick thinking meets calculated risk, and only the sharpest minds emerge victorious. This isn’t your grandma’s card game – it’s an adrenaline-pumping, mind-bending challenge that will keep you on the edge of your seat!

At its core, Tongits is a three-player rummy-style game that originated in the Philippines. But don’t let its simplicity fool you – beneath the surface lies a complex web of strategies, mind games, and split-second decisions. Your goal? Outmaneuver your opponents by forming sets, eliminating cards, and controlling the game’s flow. Victory comes in three flavors: calling “Tongits,” forcing an opponent to “Burn,” or having the lowest total card value when the deck runs dry.

Why GameZone Reigns Supreme

In the vast ocean of online gaming platforms, GameZone stands tall as a lighthouse of legitimacy and excellence. When it comes to online Tongits, GameZone isn’t just another option – it’s the gold standard. Fully licensed by PAGCOR (Philippine Amusement and Gaming Corporation), GameZone offers an unparalleled gaming experience that’s safe, fair, and 100% legit. Here’s why it matters:

  • Fair Play Guaranteed: No rigged games or shady algorithms here! Every card dealt and every move made is subject to strict regulatory oversight.
  • Ironclad Security: Your funds are protected like Fort Knox. Cutting-edge encryption and secure payment gateways ensure your money is always safe.
  • Legal Peace of Mind: Play with confidence, knowing you’re on the right side of the law. No more worrying about sketchy, unregulated sites!

The Path to Tongits Greatness

Why settle for mediocrity when you can be a Tongits titan? The journey to the top is challenging, but the rewards are oh so sweet. Here’s what awaits you at the pinnacle of Tongits mastery:

  1. Cash In on Your Skills: Turn your talent into cold, hard cash! With real-money games and tournaments, your Tongits prowess can literally pay off.
  2. Climb the Leaderboards: There’s nothing quite like seeing your name at the top. Earn respect and admiration from the Tongits community as you ascend the ranks.
  3. Sharpen Your Mind: Tongits isn’t just fun – it’s a mental workout. Boost your cognitive skills, improve your decision-making, and enhance your memory while having a blast!
  4. Pro Player Status: Who knows? You might be the next Tongits superstar! With dedication and skill, you could find yourself competing in high-stakes tournaments or even becoming a Tongits influencer.

Insider Tips to Skyrocket Your Game

Master the Mechanics

Before you can dominate, you need to know the battlefield inside and out. Many newbies fall short simply because they don’t grasp the game’s intricacies. Don’t be that player! Here’s a quick refresher:

  • The game uses a standard 52-card deck.
  • Each player gets 12 cards, except the dealer who gets 13 and starts the game.
  • Players take turns drawing and discarding, aiming to form sets or runs.
  • The game ends when someone calls “Tongits,” an opponent “Burns,” or the deck is exhausted.
  • If the deck runs out, the player with the lowest value of ungrouped cards wins.

Draw and Discard Like a Pro

Your card management can make or break your game. It’s not just about what cards you have, but how you play them. Here are some pro-level strategies to elevate your game:

  • Keep them guessing: Bluff with your discards. Sometimes, dropping a card you actually need can throw your opponents off your scent.
  • Ditch the deadweight: High-value cards are great for sets, but they’re a liability if the game ends in a draw. Don’t be afraid to discard them early.
  • Read the table: Study your opponents’ moves like a hawk. Which cards are they picking up? What are they avoiding? Their actions speak volumes about their hand.
  • Think ahead: Every card you discard is potentially helping an opponent. Always consider the long-term implications of your moves.

Chip Management: The Unsung Hero

Remember, GameZone offers real-money play, which adds an extra layer of excitement – and responsibility. Managing your chips wisely is crucial for long-term success:

  • Start small, dream big: Don’t dive into high-stakes games right away. Build your skills and your bankroll gradually.
  • Never chase losses: It’s tempting to try to win back what you’ve lost, but this is a slippery slope. Set a budget and stick to it.
  • Leverage bonuses: GameZone offers various bonuses and promotions. Use them strategically to boost your bankroll and extend your playtime.

The Road to Mastery

Even the best Tongits players started as beginners. The key to greatness lies in continuous improvement:

  • Post-game analysis: After each match, win or lose, take a moment to reflect. What worked? What didn’t? How could you have played differently?
  • Learn from the best: Observe top players in action. How do they manage their cards? What strategies do they employ in different situations?

Advanced Techniques for the Aspiring Pro

Ready to take your game to the next level? Here are some advanced techniques to separate yourself from the pack:

  • Card counting: While not illegal in Tongits, keeping track of played cards can give you a significant edge in predicting what’s left in the deck.
  • Psychological warfare: Tongits is as much about mind games as it is about cards. Learn to read your opponents’ tells and use your own body language to mislead them.
  • Timing is everything: Knowing when to go for a big play and when to play conservatively can be the difference between victory and defeat. Develop a keen sense of game flow.

Your Tongits Destiny Awaits!

Becoming a Tongits master on GameZone isn’t just a pipe dream – it’s an thrilling journey waiting for you to embark on. With PAGCOR-licensed gameplay, you can focus on honing your skills without worrying about fairness or security.

So, what are you waiting for? Download GameZone now and take the first step towards Tongits legend status. The cards are shuffled, the table is set, and your opponents are waiting. Will you answer the call and claim your place among the Tongits elite?