Dream Theater Enters Studio to Begin Writing Fourteenth Studio Album and Announce an Upcoming Facebook Live Q&A

In late 2017, Dream Theater signed with Sony Music’s progressive imprint InsideOutMusic.  Now, in preparation for the band’s fourteenth studio album and their first album ever produced in collaboration with this leading worldwide label, they are pleased to announce that they have entered the studio to begin the writing process.  Recently, John Petrucci and James LaBrie shared a quick video update from the writing sessions on the band’s official Facebook page: https://www.facebook.com/dreamtheater

James comments: “We’ve been here for one week and it is going sensational. Everybody is in the one room…and I gotta tell you, if the first week is any indication of where this album is going, you’re in for a treat.”

John adds: “There’s a lot of ideas flowing, and it’s already been really productive after only a week in. So far the music is heavy, progressive, melodic, shredding and it’s epic.”

The band will hold a live Facebook Q&A with fans during their time in the studio on June 28th at 3PM Eastern Time / 8pm UK time.  Make sure to tune in!

For a first impression of the studio, watch John’s tour here:https://www.facebook.com/johnpetrucciFB/videos/1974052929313376/

Dream Theater is:
James LaBrie – Lead Vocals
John Petrucci – Guitars, Backing Vocals
Jordan Rudess – Keyboards
John Myung – Bass Guitars
Mike Mangini – Drums, Percussion

Find Dream Theater online:
www.dreamtheater.net
https://www.facebook.com/dreamtheater
http://twitter.com/dreamtheaternet
http://instagram.com/dtimages

INSIDEOUT MUSIC online:
www.insideoutmusic.com
www.youtube.com/InsideOutMusicTV
www.facebook.com/InsideOutMusic
www.twitter.com/InsideOutUSA
www.insideoutmusicshop.com

GLEB KOLYADIN, THE VIRTUOSO IAMTHEMORNING PIANIST, DEBUT SELF TITLED SOLO ALBUM – OUT TODAY – NEW VIDEO FOR “STORYTELLER” FEAT. JORDAN RUDESS OF DREAM THEATER

With the debut self-titled album from Gleb Kolyadin (iamthemorning) released today on Kscope, the Russian virtuoso pianist premieres a new video for the song “Storyteller” which features special guest Jordan Rudess from Dream Theater

Gleb comments on the song and the Kolyadin/Rudess collaboration “Storyteller is the final point of this musical journey.  After passing through intricate corridors and stairs, the character finds a secret room where he comes to understand himself and everything that is happening with him. The room is a real mystical location in which time and space are intertwined. 

I think no one could play the solo part better than Jordan. His rocking piece is the true magic. I’m happy that everything turned out the way it did: his part was the most important detail that breathe new life into the track.”

Gleb Kolyadin is an emotive exploration of self-identity; a story of two parts with interweaving leitmotifs. The album’s central concept weaves through an elaborate tonal and thematic structure, built around the extraordinary rhythm section of Gavin Harrison and Nick Beggs, which is accented at its focal points by guest appearances from Steve Hogarth, Jordan Rudess, Mick Moss and Theo Travis.

The album is a collaborative piece with each musician recording their own parts separately, starting with Gleb recording himself on grand piano in Moscow Winter-Spring 2017 at the famed Mosfilm studio. The album was mixed and engineered by Vlad Avy, who also previously worked on the two Iamthemorning records.

Gleb Kolyadin is available on CD / LP and digitally and is available HERE

Follow Gleb Kolyadin: https://www.facebook.com/iamthemorningpage/

Review – Gleb Kolyadin – s/t – by Progradar

I suppose, like me, the music you listen to depends on the mood you are in? Uptempo, fast-paced music for workouts or when you are in a really energetic mood or perhaps the chilled out, more relaxing music for a quiet night in and then there is that album that sits a bit on the fence, it has the higher cadence but also the easygoing, even emotive tracks that make it a great listen.

I was lucky enough to receive the promo for Gleb Kolyadin’s (pianist and co-songwriter of Iamthemorning) self-titled solo release and was intrigued to find out whether it would be more of his day job or a change from the norm that would head in other directions. Along that journey I have had the pleasure to become engrossed in what is a wonderful musical adventure…

The record features a staggering who’s-who of performers, including: Gavin Harrison (King Crimson Porcupine Tree) on drums; Nick Beggs (Steven Wilson) on bass; Theo Travis (Robert Fripp / Porcupine Tree / Steven Wilson) on flute and saxophone; the unmistakable voice and lyrics of Steve Hogarth (Marillion) alongside Mick Moss (Antimatter); and Jordan Rudess (Dream Theater) on additional keys.

The album is a collaborative piece with each musician recording their own parts separately, starting with Gleb recording himself on grand piano in Moscow Winter-Spring 2017 at the famed Mosfilm studio. The album was mixed and engineered by Vlad Avy, who also previously worked on the two Iamthemorning records.

There’s a wonderful freshness and freedom to the music that Gleb delivers, whether it is the instrumental tracks where his piano playing is key or the vocal tracks where intimate stories are weaved by the collaborative voices of Mick Moss and Steve Hogarth. The near-frantic tempo of opener Insight is a case in point with Gleb’s dextrous digits flying over the ivories to give a breathtaking demonstration of his skill. The accompanying musicians add a veneer of sheer class, Theo’s sax really stands out and you could imagine yourself standing to applaud as it comes to a close. There’s a humble feel to the opening of Astral Architecture, the gentle piano is hushed in comparison giving an ethereal grace to the song. Mick Moss adds a subtle authority as his vocals begin, full of feeling yet with an undercurrent of melancholy, they draw you into there intimate embrace and you willingly follow. A fantastical aura settles over the song as the vocals take on a more passionate note and the classical strings add gravitas, a powerfully emotive track. The elegant notes of White Dawn wouldn’t be out of place in a piano recital, oozing class and panache, it’s a short interlude that could be termed a musical amuse-bouche and it leaves a lovely feeling on the aural palate.

The theme continues but at a much faster tempo as we segue into Kaleidoscope, a track that lives up to its name as you are taken through a huge spectrum of musical wonder by Gleb’s incredible skill and artistry. Tatiana Dubovaya’s haunting vocals give an air of mystery and intrigue but it is a piece of music that fairly skips along without a care in the world and you gladly join the ride as Theo Travis’ flute takes up the reins to take us to a breathtaking close. The momentum slows a little for the captivating charm of Eidolon to beguile and enchant before the slightly discordant notes of Into the Void carry on the recurring musical theme, quite insistent and incessant in their delivery. Again, this is classical music given over to a mass audience with the added skill and expertise of modern day, real world musicians added into the mix to create something quite unique. The unrelenting timbre is carried over to The Room but you always feel the performers are totally in control of proceedings. A note of seriousness has entered the music in places, the happy-go-lucky quality taking a step into the shadows without leaving altogether, Theo’s sax playing adding a gritty feeling of ‘out there’ jazz playing to the furious piano that closes out the track.

There’s a wistful, darker aura that descends around Confluence, a dreamlike and wistful opening seems to be meandering to nowhere in particular with is deliberately slow tempo and Steve Hogarth’s hushed spoken word vocal barely heard in the background. It’s a wistful, contemplative tapestry on which a beautifully mournful soundscape is created. The music has a thoughtful and reflective ambience as it dances gently across your aural synapses and belies its ten minute plus length. This song is a testament to Gleb’s creativity as it twists and turns to gather pace before applying the brakes, always demanding your attention, an introspective piece of music that leaves a lasting impression on your mind. Constellation The Bell is a moving song that has a barely hidden fragility behind the impressive piano playing, an eloquent and expressive three minutes that leaves a hollow feeling behind. There’s a grandiose and ebullient impression to the short lived Echo Sigh Strand, a track where Gleb’s piano playing seems to emanate from his very being to come alive and it crackles with electricity, powerful and exciting.

Penrose Stairs carries on the pomp and circumstance with added theatrics, a vibrant and imposing track aided and abetted by Gleb’s stellar accompanying cast of musicians. However, it is the intricacies of his skillful piano playing that is always at the core of these songs. The involving complexities of the elaborate Storyteller take on a slightly menacing tone as Jordan Rudess’ instantly recognisable keyboard skills take over, it’s quite a thrilling joyride from beginning to end. All good things must come to an end and the dulcet tones of Steve Hogarth herald the closing track on the album The Best of Days. A fantastically nostalgic song where Gleb and Steve work together perfectly to deliver a sentimental track that tugs at the heartstrings. It’s hard for me to put my finger on it but there’s just something about this song that really works and, to my ears, it is near musical perfection.

I met Gleb at this year’s Summer’s End festival and he is a quiet, polite and very unassuming man, perhaps it is through his creative side and his music that he can really express himself. This self-titled solo debut is pretty much a work of art where the undoubted piano playing skills of this virtuoso musician are complemented by some of the most prominent musicians around to give us something quite wonderful and ultimately rewarding and something which I cannot recommend highly enough.

Released 23rd February 2018

Order ‘Gleb Kolyadin’ from Burning Shed here

 

iamthemorning Pianist Gleb Kolyadin Announces Self-titled Debut Album

Following the success of two highly-praised albums with Iamthemorning, Russian virtuoso pianist Gleb Kolyadin affirms his musical authority with his debut, self-titled album on Kscope, on 23rd February 2018.

The record features a staggering who’s-who of performers, including: Gavin Harrison (King Crimson Porcupine Tree) on drums; Nick Beggs (Steven Wilson) on bass; Theo Travis (Robert Fripp / Porcupine Tree / Steven Wilson) on flute and saxophone; the unmistakable voice and lyrics of Steve Hogarth (Marillion) alongside Mick Moss (Antimatter); and Jordan Rudess (Dream Theater) on additional keys.

‘The Best of Days’ features the instantly recognisable vocals from Marillion’s Steve Hogarth, on the collaboration Steve comments “Gleb is a beautiful pianist and a great musician. I was invited to collaborate on his new solo album and my mind was made up as soon as I heard the music.”

Gleb Kolyadin is an emotive exploration of self-identity; a story of two parts with interweaving leitmotifs. The album’s central concept weaves through an elaborate tonal and thematic structure, built around the extraordinary rhythm section of Gavin Harrison and Nick Beggs, which is accented at its focal points by guest appearances from Steve Hogarth, Jordan Rudess, Mick Moss and Theo Travis.

Gleb is an extremely rare talent as a pianist and as a composer. His compositions are very inspiring as he breaks new ground on the instrument.” Gavin Harrison (King Crimson / Porcupine Tree)

he album is a collaborative piece with each musician recording their own parts separately, starting with Gleb recording himself on grand piano in Moscow Winter-Spring 2017 at the famed Mosfilm studio. The album was mixed and engineered by Vlad Avy, who also previously worked on the two Iamthemorning records. 

Gleb Kolyadin will be released on CD / LP and digitally and is now available to pre-order HERE

“Gleb Kolyadin is a rare talent. A virtuoso classical pianist with tremendous compositional skills… believe you will find the listening experience quite breath taking.” Nick Beggs (Steven Wilson)

Photography credit: Alexander Kuznetcov

 

 

Review – Fire Garden – Far and Near – by Progradar

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“I’ll keep evolving and put that into my songs.”
Alanis Morissette

One of the great pleasures of being a music journalist/reviewer is watching an artist mature from their initial early steps and through their growing career. You see how the raw musical talent becomes focused and more mature to give ever impressive musical releases.

One such artist, for me, is Chicago native Zee Baig and his musical project Fire Garden. From hearing 2012’s debut E.P. ‘The Prelude’ (where I initially became friends with this engaging musician) through 2014’s first full length release ‘Sound Of Majestic Colours’ to this latest album ‘Far and Near’, you can see the increasing skill and artistry, not only in the music but in the songwriting too.

Zee is the mastermind, songwriter, guitarist, lyricist and a founding member of Fire Garden. He is self-taught musician. His main influences are the music of late 60s and early 70s and bands like Dream Theater, Pink Floyd, King Crimson, Opeth, Porcupine Tree, Steven Wilson and classic bands like The Beatles, Led Zeppelin and many more.

Zee has called on the undoubted drumming skills of Jimmy Keegan (Spock’s Beard) on the new release, which also features Jordan Rudess’ keyboard wizardry and is mixed by Bruce Soord. The spectacular artwork is from the feverish mind of the legendary Travis Smith.

Frank Lucas (piano, keyboards, synths), Marc Malitz (bass) and Barry Kleiber (bass) make up the rest of Fire Garden and each adds their own considerable expertise to the melting pot.

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The album opens with title track Far and Near which is a haunting two minute instrumental that drips with pathos, feeling and intense emotion. Dominated by a sentimental piano note, it really strikes a chord with me, leaving me feeling slightly melancholy, but in a good way. There’s Something begins with a delightful strummed guitar before the drums become the driving force. Zee’s vocals lull you into a state of grace with their lush tone before the riff gets a little heavier and the song takes on a more serious feel. The chorus has a great hook and you just seem to be carried along on the wave of sentiment that the track engenders. There’s a slight interlude in the middle of the song, an ominous feeling that we are working up to something as everything slows down to a meditative pace. It’s a laconic and laid back, if intricate, build up to a slow burning guitar solo that hits you in the solar plexus and holds you in place while stripping your soul bare. A nicely judged and intelligent song that shows just how far Zee has come as a songwriter. A thunderously powerful riff is the opening to A New Day, a song that has the feeling of U2 but as if it was played by Metallica, the imperative verse drives on with the urgent vocals and dynamic drums. There’s a mesmerising feel to the heavy riffing and eerie organ note that adds to the wall of sound that is being generated. The slow build to the solo really sets you on edge and then Zee’s coruscating guitar really burns bright. A really compelling and forceful track that holds your attention to the explosive end.

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Now to my favourite song on an album of great tracks, Life of a Drifter is a whimsical and nostalgic song that brings out feelings of hope and regret deep from your soul. The laid back chorus is gentle and touching breaking into a softly sung but heartfelt chorus. There is a sense of not wanting to look back at a sepia tinged past so that some sort of pain or less can remain hidden. Don’t look back, just focus on tomorrow, it really touched a nerve with me and I am moved every time I listen to it. The serenity is broken by clashing drums, guitar and keyboard, a maelstrom that leaves you breathless with its ferocity before a more focused and powerful rendition of the chorus is sung. This is all leading up to an absolute monster of a keyboard outro by the legendary Jordan Rudess, given free rein to let loose his mind-bending virtuosity. Turst me, you’ll be left slack jawed by the brilliance! The slow brooding A Thousand Lost Souls is a superb instrumental that seems to just be boiling under the surface, leaving the tension readily apparent. I love the way it makes the hairs on your arms stand up with its intensity and focus. Once you’ve heard the first note, you daren’t turn it off, it is like it is talking to you in a mystical musical code. War and Peace is a darkly powerful prog-metal track that feels like it has clawed its way up from the bowels of the earth, elemental and alive. The repeated, singular, words, are delivered in a menacing chant before the industrial riff and deliciously evil guitar threaten to take over your mind, leaving you a slave to the rhythm.

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Faint Shadows follows that seriously heavy prog-metal direction with a riff that could topple mountains, primordial and destructive. There’s a feeling of barely controlled chaos that is bubbling under the surface before the ever more potent drumming of Jimmy Keegan breaks free. The vocals begin, almost shamen-like in their delivery, as if they are speaking an incantation and one that draws you in close. You know that something is lurking in the shadows but know not if it is of the darkness or the light, however, you have to follow your instinct and find out. It is a really vivid and dominant song that brooks no argument. Heartfelt, sombre and slightly mournful, the opening notes to Whitelight just leave your heart in your mouth. This is a passionate plea of a song that seems to linger in your subconscious. Zee’s vocals are wistful and dreamlike and you just find yourself left in a trance, able neither to move forwards or back, your attention on every word that you hear. The delicate guitar and keyboards just add to the atmosphere, a song powerful in its contemplation. The mood is broken by a dark-edged riff and frenzied drumbeat before a hypnotic piano brings a feeling of tension and the close of the song. At nearly eleven minutes, Diary Of The Blood Moon is the lengthiest track on the album and hits you straight away as being the most progressive of the songs too with an intricate play off between the drums, guitar and keys. Driven along by Jimmy’s expansive style and Zee’s brooding guitar it is a hectic ride for the uninitiated. Interspersed with interludes of calm and reflection, it is an intense crucible of musical majesty that bestrides this album like a colossal behemoth. The last two minutes raise the bar even higher with a build up of momentum that intensifies with a fiery guitar solo and dominant rhythm section to just leaves you open mouthed in admiration.

So Zee and Fire Garden have raised the bar even higher with this latest release. ‘Far and Near’ is a magnificent album that never loses focus or intensity and, while it is great to see Jordan Rudess and Jimmy Keegan giving their considerable talents to this enterprise, it is very much the product of Zee Baig and Fire Garden’s consummate skill set. Trust me, as an all consuming listen from beginning to end, this is a definite must buy for your music collection.

Released 21st October 2016

Buy ‘Far and Near’ direct from Fire Garden

 

 

 

 

International Super Prog project An Endless Sporadic release new album Magic Machine on September 16th

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One of the worlds most elusive yet breathtakingly captivating progressive rock bands, An Endless Sporadic, is set to return on 16th September 2016 with a new album, ‘Magic Machine’.

‘Magic Machine’ is a showcase for mind-bending musicianship and rich expressiveness via avante garde film-score soundscapes. An abstract journey through different styles of music and environments, the album offers a coruscating kaleidoscope of colours and joy, flashes of stylistic innovation featuring ensemble work that is staggeringly packed full of drama yet still meaningful from a compositional standpoint. This is an aurally challenging album with an experimentally wide sound palette, but as a whole is assuredly palatable, mesmerising and resides in a class paralleled by none.

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Joining master multi instrumentalist Zach Kamins on this album is a stellar line-up of virtuoso musicians (we stopped counting at 30 instruments…all recorded live and including Hand Hammered Lasagne Trays!) and special guests including Jordan Rudess (Dream Theater, Liquid Tension Experiment), Roine Stolt (The Flower Kings), Michael Iago Mellender (Sleepytime Gorilla Museum) and Navene K (Animals as Leaders, Entheos) to name just a few!

Comments Jordan Rudess: “Zach has an enormous musical talent that I’ve been aware of for a long time. It was my pleasure to play some tracks on ‘Magic Machine’ as well as to be part of this important step in his career journey. The album is filled with awesome compositions and great playing!”

Hailing from the hallowed halls of Berklee College of Music in Boston, the brains behind An Endless Sporadic, Zach Kamins, is no stranger to the synergy or intuitiveness that his particular brand of prog-rock-jazz-fusion offers.  Anyone who has ever played Guitar Hero can attest to the beauty of An Endless Sporadic and their songs. The band gained most of their popularity with the song, “Impulse,” which was placed on Guitar Hero 3. After that they recorded, “Anything,” which was placed on Guitar Hero World Tour. From here they produced more songs to create their first EP, “Ameliorate.” And so An Endless Sporadic was born.

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Comments Zach: “I feel that Magic Machine was created out of a strong desire to bring out the true intention of the name, An Endless Sporadic. I have always had a passion for music that was part of a bigger story, where ideas can take time to develop and be presented in many different ways. “
Magic Machine’s visually stunning cover art was created by Costin Chioreanu (Arch Enemy, Ihsahn, Opeth, Hexvessel)

Magic Machine track listing:

  1. The Departure
  2. Magic Machine
  3. Galactic Tactic
  4. Finding The Falls
  5. The Assembly
  6. Agile Descent
  7. Sky Run
  8. Through The Fog
  9. Sea Voyage
  10. Impulse I