John Wenlock-Smith – Good afternoon Jordan, how are you doing now?
Jordan Rudess – Hello John, yes, I am doing fine thank you. We are all safe and well as can be at this moment in time.
JWS – Lets talk about ‘LTE3’ (The forthcoming new album from Liquid Tension Experiment) that is due out in April, I have a download of it and I think it is a fabulous set of pieces, I really like it.
JR – Oh I am glad that you like it. I was not quite sure what you were going to say but I like a lot too. I am enormously proud of what we managed to get done, especially with this pandemic. It allowed us a window of opportunity to allow LTE (Liquid Tension Experiment) to be once more. It has only taken us twenty years in which a lot has changed but some things have not changed much at all really. We are still the same musicians, just a bit older now but still willing to try this experiment once again. Hopefully the response will be positive from all quarters, like the Dream Theater fans and the fusion fans too.
JWS – I Like it, the opener Hypersonic is certainly fast and furious, was that deliberately so?
JR – Yes, we wanted something that would either attract or dispel the listener, I think that we succeeded on that score.
JWS – I agree, I think it set you up for all that is to come. I especially like the track Rhapsody In Blue, a reworking of a piece previously played live.
JR – I have always liked that Gershwin piece, although it has been so long since we last did that song that I had to rethink my approach on keyboards to do it.
JWS – Well I think it is a stunning take on what is a classic musical piece. What other songs do you especially like? I see you have your piano right there, play me something please will you?
JR – With pleasure, this is the song Shades Of Hope (Jordan then proceeds to play this jaw droppingly fantastic piano line from the song, his playing is impeccable and for an audience of one!)
JWS – Wow! thanks Jordan, that was fabulous. I have just bought an 88 key digital piano for myself ,although It will be years before I am anywhere near proficient.
JR – Well, keep playing, is what I would say to you. I started when I was 9 years of age and I am now 64 but I still love music as much now as when I first started, possibly even more so truth be told.
JWS – I am looking forward to getting the new album. I am going to get the 2CD version with the extra tracks on it, those sound interesting, although I’ve yet to hear them.
JR – Oh you will like those I think, we got to do even more wild playing for those.
JWS – So how did those sessions work out?
JR – Well, we recorded it at Dream Theater’s New York base of operation. I kind of thought it might be odd for Mike (Portnoy) as he’d not been there since he left the band but he was totally cool with it all and even offered some memorabilia for the complex. But, overall, it was just great fun, four friends who value each other musically and socially. Tony (Levin) brought his famous coffee machine again to keep us going, it was all such a great vibe. I think the results honour the commitment made by each member to the proceedings.
JWS – Did you use your normal Dream Theater keyboard set up?
JR – Pretty much, although I did tweak a few sound settings. John (Petrucci) pointed out that my sound was a bit stale sounding and, as he is the master of tone, I listened to his suggestions and we got to the sound that we felt was what we wanted.
JWS – So will there be any opportunity for some live LTE shows? Possibly when covid is over and activities resume normally?
JR – Well I certainly hope there would be but only once we have sorted out activities for the main band. We are all busy, Mike is always busy with either Neal Morse or his own projects, as is Tony with all that he does. We are all remarkably busy hence the twenty years gap between ‘LTE2’ and this new album.
JWS – Have you been active during lockdown Jordan?
JR – Yes, I have been busy with my sound company and I have also recorded a new solo album. I have also been busy with my Patreon site, using it to connect to other people. Depending on their support level, they can access tutorials and even have a one-to-one conversation. My latest solo album ‘Chapter In Time’ is on bandcamp only.
Check it out, it is just me playing mainly piano pieces and a few textural keyboard sounds to create some ambient type of music. I think you might like it, is mellow and chilled, good to relax to or listen to in the background.
JWS – I also saw your performance of Tarkus on the recently issued Keith Emerson tribute concert. That was some performance of the whole of Tarkus!
JR – Thank you, Tarkus is an important piece for me, that is the track that stopped me being just a classically trained pianist and made me want to rock out. So I owe Keith Emerson a huge debt of gratitude for that song, it was a privilege to be able to honour him in that way.
JWS – I agree, I have also got that on CD and I have your own version on ‘The Road Home’ album.
JR – That’s a good album, I like that one, with some great players, Neal Morse, Rod Morgenstein and Kip Winger, Nick DiVirgilio, and Ron ‘Bumblefoot’ Thal, amongst others. I had a lot of fun with that album paying tribute to some of my influences.
JWS – So what does the future look like for you, apart from this new ‘LTE3’ album? oh, very impressive artwork by the way!
JR – Yes, I think it is terrific too. For me, it’s more Dream Theater, once we can get back together safely and tour once again. I am 64 now and still love this life and I appreciate every day that I get to live it too.
JWS – Jordan, my time has gone so all that remains for me is to say a huge thank you for making the time to speak with you. I have really enjoyed my time with you, I wish you well for this album and hope to see you live at some point in the not too distant future.
JR – Thanks John for a great interview, all the best to you too, my friend.
You can order Jordan’s solo album here:
And you can pre-order LTE3 here: