Yes Release New Studio Album – ‘The Quest’- on 1st October & Launch Video For ‘The Ice Bridge’, First Track taken From the Album

YES, who are Steve Howe, Alan White, Geoff Downes, Jon Davison and Billy Sherwood, release their new studio album The Quest on InsideOutMusic/Sony Music on 1st October 2021“It is simply an honour for me to have the opportunity to bring together the band members in the development of a well-refined set of songs that capture the band’s true potential,” said Steve Howe, who produced the album. He added “Much of the music was written in late 2019 with the rest in 2020. We commissioned several orchestrations to augment and enhance the overall sound of these fresh new recordings, hoping that our emphasis on melody, coupled with some expansive instrumental solo breaks, keeps up the momentum for our listeners.” Additional percussion was provided by guest Jay Schellen who supplements YES’ live performances.

Label Manager Thomas Waber said “I am delighted to welcome YES to the label and am looking forward to seeing the reaction of the band’s fans to the new album. Being a long-time fan myself, I am really excited by the new material. Steve Howe managed to capture many of the important elements that we all love about YES!”

YES are pleased to reveal the first track to be taken from the album – The Ice Bridge – watch the video here:

Alan White comments: “I’m extremely proud to be a part of this music and believe the video graphics are outstanding. A collaboration of many talents coming together to produce ‘The Ice Bridge’. I hope our fans/audiences will appreciate the creativity put forward. I’m pleased to share it with the world and hope everyone will enjoy the ride.”

Steve Howe adds: “’The Ice Bridge’ opens the album in the dark and moody key of C minor, aided by the orchestra. The rolling bass part kicks things into gear as the vocals and guitars start a winding journey through the various structures till the breakdown happens, where ice breaking is heard.”

Jon Davison was working with Geoff Downes on The Ice Bridge (Davison/Downes), looking at the dangers of climate change. He explained how he sets about collaborating with his band mates.

“Usually what happens is each member is left to write their respective parts and put their stamp on things. Geoff sent me a selection of exciting and often gorgeous snippets he had created and made it clear that he wished I experiment freely and develop as needed. This in turn gave me the confidence to take on the vocal role – lyrics, vocal melody and harmony, how the vocals are presented and uniquely phrased – but all the while striving to stay faithful to Geoff’s initial ideas.”

“Jon’s vocals are fantastic,” adds Geoff Downes, “he’s really come into his own as a YES vocalist. This time he’s started to get the writing side together and working with the other musicians has been developmental for him. I think he’s hit a rich seam on this one.”

Containing 11 songs, 8 on the main CD with 3 extra tracks on a bonus CD, The Quest will be available on Vinyl and 5.1 Blu-ray and CD, all on the day of release.
The Quest – 2CD Digipak tracklisting:

CD1:01. The Ice Bridge 7.0102. Dare To Know 6.0003. Minus The Man 5.3504. Leave Well Alone 8.0605. The Western Edge 4.2606. Future Memories 5.0807. Music To My Ears 4.4108. A Living Island 6.52

CD2:01. Sister Sleeping Soul 4.5102. Mystery Tour 3.3303. Damaged World 5.20

The Quest is released on 1st October 2021. Formats are:Limited Edition Deluxe 2LP & 2CD plus Blu-ray Box-setLimited Edition 2CD & Blu-ray ArtbookGatefold 2LP & 2CD plus LP and booklet2CD DigipakDigital Album

Cover artwork designed and created by the band’s long term collaborator Roger Dean.

Pre-orders will start from 23rd July.

Q&A With Jon Davison of Arc of Life – by John Wenlock-Smith

John Wenlock-Smith partakes in a Q&A with Jon Davison about the new Arc of Life project for which Jon is the vocalist.

1/ Arc of Life is a new project, how did to come into existence?

While on the road with YES a few years back, Billy and I found a mutual inspiration to start writing during the long drives on the tour bus. Jay was soon involved, supplying his creative input and positive perspective. We then unanimously felt Jimmy was a natural fit.

2/ Who suggested Dave Kerzner for the keyboard role?

Again we unanimously agreed, as with Jimmy, that Dave would bring the perfect musical ingredients into the Arc fold. We were all thinking the same thing in a sort of collective consciousness, but to answer your question accurately, I believe it was Billy who first gave voice to the idea.

3/ What are the main themes to the album?

The most prominent theme is the evolution of mankind. The concept of an arc of life signifying the rise in man’s consciousness and eventually leading to a far greater understanding, passed all political power play and the greed and indifference which plague and sustain the inequalities of our world. Through this ascension of evolution, man’s intelligence will become highly developed, revealing technological advancements beyond our wildest imaginations.

4/ Were you tempted to get a named producer in for the album or Roger Dean for the cover? 

We did seriously consider both at one early point.  We discussed the idea of working with Hugh Padgham, but eventually agreed that producing ourselves, with Billy’s skills at the helm, meant ultimately having complete creative freedom.

By choosing to not work with Roger Dean we thought we might minimize the Yes comparisons. I suppose they are inevitable anyway, but we certainly didn’t want to add to them (lol.)

5/ Aside from Yes, what other influences are apparent?

Back to Padgham and The Police sound. Another influence was Peter Gabriel, particularly in a song like, Talking With Siri.

6/ Is this a one off project or can we expect to hear more new material and, if so, is there a time frame for this?

We actually have a lot more material already in the works that will eventually surface on the next record. We have no time frame as of yet for ARC II. More importantly for now, we have so much to look forward to with this record.

7/ This band could have great potential for the live arena, could there be live shows post covid? Could you tour with Yes for example?

We want to be out on the road, sharing our music with as many people as possible, worldwide. We are totally keen to the idea of opening for a bigger arena type band. The only way it would be right touring with Yes is if each member of Yes also performed in the context of their respective solo and side projects. An event highlighting the current day Yes family tree, if you will, followed by a headline performance by Yes.

8/ I think the overall response has been overwhelmingly positive?

That is great to hear. The album has been a long time coming and it’s rewarding to finally witness its coming to light and the enthusiastic reaction of so many.

9/ What’s happening with Yes, is there any progress on new material yet?

We’ve been creating and recording since the pandemic hit and have our sights set on a new album. The rest I’ll leave as a surprise.

10/ What’s the story behind the album cover?

The album cover is symbolic of the dawning of enlightenment just off in the horizon as mankind perceives its light at the end of the long and treacherous tunnel through which we have journeyed – to reach at last the exit of the deep cave of darkness and ignorance. What can I say… I’m an optimist (lol!)

‘Arc of Life’ was released on February 12th 2021.

Order the album here:

ARC OF LIFE – Arc Of Life – CD Jewelcase | Frontiers Music Official Shop

Review – Arc of Life – S/T by John Wenlock-Smith

Lockdown in the UK, and indeed across the world, has brought significant change to all of us. It has also decimated musicians from being able to perform live and has cost them in funds they would have expected to earn from touring and the merchandise sold at shows around the globe. This has meant that many artists have had to adapt to new ways of maintaining contact and, in many cases, using the downtime to work on new or hitherto abandoned projects.

 The upside to this time is the growing number of releases that have emerged and are really something of worth, Steve Hackett’s ‘Mediterranean Skies’ album, Transatlantic ‘The Absolute Universe’ , Lifesigns’ ‘Altitude’ and now this new offshoot from the Yes stable, Arc of Life, featuring current Yes members, Jon Davison and Billy Sherwood, along with some talented friends.

Going under the banner of ‘Arc of Life’ this new album is of interest to most Yes fans and to lovers of the band’s current output. In the continued absence of the full group and any new music from them, this is a more than adequate consolation and has great potential, showing much promise for possibly another band in a similar vein to, and influenced by, Yes.

I say influenced by because this is not a ‘Yes by numbers’ trip, this is a new band making its own way. Admittedly it wears its influences clearly on its sleeve and shows similar characteristics at times, but it is most definitely not a new Yes album under a different name.

This album has ten tracks and each of them have something worthy of listening to, some bearing similarities to Billy’s earlier work with Chris Squire on ‘Conspiracy’ and with Tony Kaye on the ‘Live in Japan’ album, although the presence of Jon Davison does makes a huge difference. Also noteworthy are the other band members, Jimmy Haun, Jay Schellan and Dave Kerzner, who are all vastly experienced and talented musicians in their own right and have all floated around the edges of Yes circles.

The album is a mixture of some shorter radio friendly AOR type songs and three longer tracks that allow for some stretching out. The album opens strongly with Life Has A Way which has a strong chorus to it and lots of keyboard flourishes from Dave Kerzner. It has echoes of a Yes type of sound but it is also subtly different. One thing I will say is that it sounds awesome in the car played at a decent volume, it fair powers along with great bottom end and a very unlike Steve Howe guitar solo from Jimmy Haun. As to be expected, Jon Davison is in fine voice here too.

The next song is a bit more laid back. Talking with Siri is about communicating on an i-Phone, an interesting comment on how we communicate these days but, overall, it is a little bit throwaway in my opinion. You Make It Real is far better with a fine chugging rhythm to it. The song is about nervousness when meeting a potential significant other and about when we can resume meeting face to face again, the song ends on a sustained keyboard tone and is highly effective.

Just In Sight is the first of the longer songs at 6:15, this one has lots of keyboards and sound used throughout with some Chris Squire-like bass lines along with a recurring guitar line and tone to it. This track shows the talents that these guys possess clearly. Especially good is the interplay between Jay Schellan and Billy Sherwood which impresses as you listen and there is a good guitar section at the 3:30 mark that harks back to Steve Howe’s playing before returning to the main song at 4:42 mark. This is definitely one of the stronger songs on the album.

I Want to Know You Better reminds me, sound wise, of Love Will Find A Way from Yes’ ‘Big Generator’ album with its marriage of prog and AOR tones. This is rather a catchy little number, all told with a great keyboard motif in the middle, the chorus also being memorable all making this track ideal for a good radio cut.

Locked Down is the second longer track at 9:46 with compelling Lyrics and a superb bass section running alongside a great guitar solo from Jimmy. It has great vocals from Jon and Billy with fine harmonies too. In fact throughout the entire album the contrast between Jon and Billy is incredibly special and enticing. The song also has very strong and prominent bass lines from Billy, all adding up to what is a very good track indeed.

The penultimate song, Therefore We Are, is a real classic number and one which stamps class all over its 9:30 running time. The bass is again very prominent and, in this song, there are lots of processed and layered vocals in this song but don’t worry, it all sounds excellent and is not overly compressed. The musicianship on this song is epic with another brief guitar flurry from Jimmy and some call and response vocals between Jon and Billy. I think this might be the best track on the album, along with Just In Sight.

The closing number on the album is The End Game which opens with some really strong guitar chords and more of Billy’s cultured bass as Jon sings about the endgame. This is quite a muscular track to conclude the album with and it works well overall and finishes what has been an interesting and varied listen.

Certainly musically this one is a very strong album with lots of good songs, memorable and well recorded and produced. Only Time will tell if this is a one-off or just the first outing of a new band, we will have to wait and see I guess.

Released 12th February 2021.

Order the album here:

ARC OF LIFE – Arc Of Life – CD Jewelcase | Frontiers Music Official Shop

ARC OF LIFE release second single JUST IN SIGHT

Arc of Life is Jon Davison, Billy Sherwood and Jay Schellen (additional drummer) from YES together with Dave Kerzner on keyboards and Jimmy Haun on guitar.

The new band release their debut, eponymous, album on February 12th and have just released a video for the second single from the album, ‘Just In Sight’.

Frontiers Announces Signing of Arc Of Life

NEW PROG ROCK GROUP FEATURING MEMBERS OF YES & SOUND OF CONTACT – DEBUT SINGLE & VIDEO ‘YOU MAKE IT REAL’ OUT NOW

Frontiers Music Srl is excited to announce the release of ARC OF LIFE’s self-titled debut album on February 12, 2021. Arc Of Life is a new progressive rock supergroup featuring three members of the current YES line-up, vocalist/guitarist Jon Davison, bassist/vocalist Billy Sherwood, and additional drummer Jay Schellen, one of the most interesting talents in the “new” progressive rock scene in the US, Dave Kerzner (Sound of Contact) on keyboards, and Jimmy Haun (also featured on YES albums in the past) on guitar. Fans can get their first taste of the band’s forthcoming debut with the new single and video, ‘You Make It Real’

Pre-order/save “Arc Of Life” HERE: https://orcd.co/arcoflife

The concept behind Arc of Life is, in keeping with the progressive rock philosophy, to craft creative, challenging, and ear-pleasing music that pushes boundaries. 

Billy Sherwood describes the music as, “interesting, with well-crafted songs, performed with precision and grace. All songs feature memorable melodies and lyrics that take the listener on a sonic adventure. Dynamic arrangements with peaks and valleys… it’s all there.”

The other idea behind the band is that YES would be a clear point of influence. But while YES is clearly the main point of comparison, a lot of musical similarities can be drawn to describe Arc Of Life’s grandiose and epic approach to music. 

In Jon Davison’s words, “Each YES member understands and supports when others may desire to explore and thrive along new artistic avenues. We then each find further inspiration to bring back to the YES fold.”

But all the descriptions are best left to the listeners to discern for themselves as repeat listens will reveal more layers. 

Arc Of Life is a true garden of delight for progressive rock fans and the band is looking forward to performing live. “Once the world gets over the COVID hump, Arc Of Life will be planning as much touring as we can fit in between YES and our other projects. Quite honestly, we’re all chomping at the bit to be out performing again!” concludes Jon Davison.

Tracklist:

1. Life Has A Way

2. Talking With Siri

3. You Make It Real

4. Until Further Notice

5. The Magic Of It All

6. Just In Sight

7. I Want To Know You Better

8. Locked Down

9. Therefore We Are

10. The End Game

Line-up:
Billy Sherwood – Bass and vocals

Jon Davison – Vocals

Jay Schellen – Drums

Jimmy Haun – Guitars

Dave Kerzner – Keyboards

Review – Yes – The Royal Affair Live – by John Wenlock-Smith

I think most people will concede that 2020 has been a somewhat challenging year, especially with the world wide impact and devastation that Covid 19 has bought, along with the subsequent lockdowns that have been enforced on different countries, affecting both world trade and travelling in particular.

Musically, tours and shows have been cancelled or postponed; often indefinitely. However, this has allowed artists time to record new music, albeit socially distanced or even remotely.

Yes were to have been performing their latest run of complete albums featuring ‘Relayer’ but that has inevitably fallen by the wayside and been postponed till 2021. To whet the appetite, they have elected to release a new live album recorded at the Hard Rock Hotel in Las Vegas, documenting last year’s Royal Affair Tour .

This is a single disc affair but with a new Roger Dean cover and an interesting set list including Yes’ own version of John Lennon’s Imagine (a song Alan White actually performed on prior to joining Yes), the track also includes John Lodge of The Moody Blues on guest vocals. The balance of the tracks are staples of the Yes canon, mainly focused on their prime years i.e. pre 1980’s, although time is made for a rare version of the Simon and Garfunkel classic America, which gets a decent dusting down here.

The album opens with No Opportunity Necessary, No Experience Needed, which also includes the main theme from The Big Country (which is an interesting twist). It sounds very impressive and allows Steve Howe to vamp things up a little. The band sound on good form, relishing the experience and playing very competently indeed, in fact seldom have Yes sounded as on form as they do on this recording.

Geoff Downes’ keyboards continue the theme with lots of orchestrated sounds filling the sound scape out before Steve Howe delivers a fiery solo. But this album is more about ensemble playing than solo flights and those excesses are tightly reined in, this album is about Yes as a band it and plays to that strength very well.

Next track is the powerful Tempus Fugit from the ‘Drama’ album. Again, it is delivered with much bite and flair, Billy Sherwood’s bassline sounding especially muscular and fluid throughout, Steve is on on rampaging form too with strong drum support. This performance reveals just what a monstrous track Tempus Fugit really is and how its status has grown as the years have gone by, so much so that now it is an integral part of any Yes show and rightly so too. Next comes a familiar pedal steel lick that heralds Going For The One with Steve’s interjections taking this song soaring to the heights as it plays as another fabulous performance. Strangely the audience do seem a bit restrained here and they do not really roar like a great Yes crowd can, thank goodness that this performance was captured on tape and is now available for us non-Americans to enjoy at our leisure.

All Good People follows in this fine set of crowd pleasers and, again, Yes deliver an excellent version of this great tune. I know the band have become a bit polarising these days, with lots of detractors but, let’s be honest, this version carries the flame just as well as any others do and they seem to still be enjoying performing these pieces, so, on that basis, long may it continue! Any Yes is better than none at all in my view. Back to the track, which is a genuinely great performance and one that allows some delicate guitar lines from Steve to work in concert with some thunderous bass and powerful drums.

Siberian Khatru follows and represents another classy example of the current line up, still having the classic Yes sound The band give an excellent reading of it, with all its excellent parts sounding as strong and good as they ever were. We are then treated to a short version of Onward from ‘Tormato’, an album where Yes faltered and fell apart, however, this was one of its better songs.

The audience are then treated to the first real epic in the form of the rarely performed (these day at least) America, made famous by Simon and Garfunkel. I first heard this song on an Atlantic sampler LP, ‘The New Age Of Atlantic’, where it shone out as a remarkable reworking of a great tune and it still has the power to impact some 48 years after first being released. I have always liked this song and here Jon Davison brings this song to life wonderfully. It is a fabulous retelling of a great song, Jon’s voice is strong and warm and he brings new life to this version. Some great guitar work from Steve and fine contributions from all quarters make this a superior version of a great song.     

Imagine is a new version of the Lennon track performed by Yes with John Lodge on guest vocals. It is a more than adequate version but, really, adds nothing new to a well known and loved song. Then it is into the home stretch with Roundabout and Starship Trooper, both of which are well received. They are excellent versions, despite the fact that they had been covered many many times now. Then again, these are classic songs that everyone know and love and always want to hear played. It’s an excellent way to bring the show to a finish, everyone going home happy and the legend is preserved, credibility is maintained and Yes live to tour another day.

This album is a fine collection, nothing new or essential but certainly a fine and worthy memento of an interesting tour, all for less than the price of a T shirt! Highly recommended and certainly worth a listen in my view.     

Released 30th October 2020

Order the album here:

https://yesband.lnk.to/RoyalAffairPR

Review – Steve Howe – Love Is – by John Wenlock-Smith

‘Love Is’, is the latest solo album from Yes guitarist Steve Howe. Steve has been the guitarist in Yes since the ‘Close To The Edge’ album in 1972 and in that time his guitar mastery has entranced millions of fans with his unique style and skill on both electric and acoustic guitars, his harmony vocals also playing a supporting role to the vocals that made Yes so famous. His incisive guitar work was also heard on the original brace of albums by Asia, especially on the huge radio hit Heat of The Moment, among many others

Asia were the group he revisited on several occasions over the years but this new solo album is a little different in that it features current Yes vocalist Jon Davison on the vocal tracks which comprise five of the albums ten tracks. Jon also provides bass guitar on these same five tracks. In reality  the album is all fairly laid back with only a few songs raising the pace but, somehow, this doesn’t really matter for what we have here is a master craftsman at work, still striving to push himself forward and make new music that is worthy and has merit.

This is certainly the case here, especially on the vocal tracks as these have a real edge to them delivered by Jon Davison. These songs also have a feel of Yes to them, even without the rest of the band onboard. Certainly one can see It Ain’t Easy finding a place on a Yes album and it being a highpoint of that, just as it is here. Also worth a mention is the delicate steel guitar on the instrumental Pause For Thought, which shows Steve’s nimble finger work off to great effect, its complex playing proving quite strident, making it one of the better tracks. This playing is quite lyrical really making this a song without words and sounding very good too!

Imagination also has that same strident feel to it, being the better for it too. The song has some fine playing from Steve. While his playing here is song cantered and is not focused on showing off on fiery solo’s, the solo’s that he does deliver are brief and fleeting, aimed to fit in with the tone of the songs or the moods of the pieces. In all honesty, this plays to the strength of the songs as an overall album and it is probably best appreciated as such.

This is a good album by a great musician and, while there is nothing here that makes you go wow!, if you let the music do the talking and you are prepared to listen to it, you will find snatches of real skill and moments of beauty. Like those found in The Headlands where Steve finally lets rip  with some sublime guitar lines backed by some fine acoustic guitar. This song is possibly my favourite on the album, although I also like See Me Through and Fulcrum, both of which are really satisfying to hear. The title track Love Is A River is also a stand out moment that shouldn’t be missed.

I do feel that it would have been good to hear more of Steve really cutting loose and tearing up his fretboard but, hey, at seventy odd he probably isn’t interested in doing that any more. Instead we’ll just have to be happy to settle for the amazing craft he brings to these pieces.   

The final track, On The Balcony, has the most rock orientated feel to it, with its chugging riff and rhythm moving it along nicely. This has a good use of dynamics to it really but, overall, I feel that many fans will simply not bother to listen to this album wanting the next Yes album instead, and that is very is sad as this disc has many moods to it and a hell of a lot to commend it.

Personally, I am very glad to have heard this and wish Steve all the best for this album’s success. He has created an album that rewards the diligent listener and, on that basis, I can highly recommend it to you. If your knowledge of Steve Howe is limited to key Yes albums and the Asia material then you really should give this album a try. Steve has released a lot of albums over the years, from his first ‘Beginnings’ and ‘The Steve Howe Album’, both in the mid 1970’s, to the more recent ‘Nexus’ (with son Virgil) and the Steve Howe Trio albums and, in my honest opinion, ‘Love Is’ stands comparison with the best of those.     

Released 31st July, 2020

Pre-order the album from Burning Shed here:

https://burningshed.com/store/stevehowe

Steve Howe, YES guitarist, releases his solo album LOVE IS on 31st July.

Legendary Yes guitarist Steve Howe has announced he is to release Love Is on 31st July through BMG Records. Love Is is Howe’s first solo album since the all-instrumental Time in 2011 and has a balance of five instrumental tracks and five songs. 

The album will be available as CD – gatefold digi-sleeve with 12 page booklet and LP – Black vinyl 180gm with gatefold sleeve, liner notes and lyrics. 

Link to Steve Howe Official store pre-orders: https://SteveHowe.lnk.to/D2CPR

Link to Amazon pre-orders:https://SteveHowe.lnk.to/LoveIsPR

Steve Howe sings lead vocals and plays electric, acoustic and steel guitars, keyboards, percussion and bass guitar on the instrumentals while Yes vocalist Jon Davison provides vocal harmonies and plays bass guitar on the vocal tracks. The album also features Dylan Howe on drums.

Many years in the making, Love Is brings together a consistently strong and polished listening experience, forging the very best from the writing and playing throughout the album. This may well be considered the real ‘stand out’ album of Howe’s solo career. The instrumentals keep a highly progressive rock guitar style to the fore, with songs that explore stories of lives lived and lives only just begun. Love Is A River is the central longer song with several textural shifts, featuring a theme played on 12 string and steel guitars.

Portrait of English progressive rock musician Steve Howe, taken on February 3, 2020. (Photo by Will Ireland/Prog Magazine)

I called the album Love Is because it hints at the central idea that that love is important but also love of the universe and the ecology of the world is very important,” says Steve Howe. “Alexander Humboldt went around the world and recognised we are destroying the planet but that was 200 years ago! We are still destroying the planet and, I suppose, my songs show the yearning I have for the love of nature and how beauty, art and music all stem from nature. There is a theme about those things, love, beauty, ecology, nature and wonderful people.

Love Is A River just seemed a very important track to me, a sort of quintessential track with lots of moods, lots of interesting things going on with steel guitars and acoustic guitars. Further tracks grew from time spent writing in my studio.

See Me Through looks at the idea that we get through life by not driving ourselves that hard but attempting to achieve things with people who help you along the way and Imagination is dedicated to my granddaughter Zuni. It’s about how I see some of the things she’s experienced in her short seven years.”

I invited Jon Davison to sing harmonies with me and add bass on the songs. If he was singing on the songs I thought why doesn’t he play bass as well and it turned out nice. He’s been with Yes for seven or eight years and he’s a great guy, great performer and a great interpreter of Yes songs.I’ve been singing for years, mainly in harmony but I’ve sung lead on lots of my own albums before and I feel that, as I’ve got older, I’ve got a grip on that and, hopefully, it’s improved over the years.

The album includes many distinctive Steve Howe signatures among the instrumental tracks from the delicate beauty of FulcrumBeyond The Call and Pause For Thought to upbeat rock, The Headlands, and the jazz-tinged Sound Picture.

The instrumentals are like a mood, a place I went to one day, thought this is nice and then I develop that to a point where it’s a finished track. There might be key ingredients that I thought about using musically that I like, that I’m drawn to, and then developing them into something.

Love Is was written, engineered and produced by Steve Howe with further engineering and mixing by Curtis Schwartz. “I write in my own studio and then go to see Curtis in his studio,” Howe explains. “We expand the tracks and put them on Pro Tools and everything starts to be possible. At some point, probably around 2 years ago, Dylan came down to Curtis’s studio and we recorded the drums on some of the tracks. I could see a balance of five instrumental tracks and five songs and there was a feeling that it was an album, sitting there, looking at me.”

The track listing for Steve Howe’s Love Is album is:

1 Fulcrum (instrumental)

2 See Me Through

3 Beyond The Call (instrumental)

4 Love Is A River

5 Sound Picture (instrumental)

6 It Ain’t Easy

7 Pause For Thought (instrumental)

8 Imagination

9 The Headlands (instrumental)

10 On The Balcony

Formats:

CD Catalogue No. 538608592 Gatefold digi leeve with 12 page booklet with liner notes by Steve Howe & lyrics

LP – Catalogue Number – 538608601180gm Black vinyl in Gatefold sleeve with liner notes by Steve Howe & lyrics

Release date: 31st July 2020


Link to Steve Howe Official store pre-orders: https://SteveHowe.lnk.to/D2CPLink to Amazon pre-orders: https://SteveHowe.lnk.to/LoveIsPR

YES Announces UK Tour The Album Series 2020

YES, one of the most innovative of all prog-rock bands, and true legends of the genre, have announced a 8-date UK tour for May and June of 2020. The Album Series 2020 Tour will feature their 1974 Relayer album in its entirety together with a selection of other classic YES favourites. An extensive European tour will be announced soon.

This tour follows their 2018 highly successful #YES50 Anniversary tour and again features the line-up of Steve Howe (guitars), Alan White (drums), Geoff Downes (keyboards), Billy Sherwood (bass guitar and backing vocals), Jon Davison (vocals) and Jay Schellen (additional drums and percussion).

The show will comprise two sets by the band with full production and a high definition video wall. The first will feature favourite classic tracks from YES’ extensive catalogue. The second will feature
Relayer, the seventh studio album by YES, and one of the band’s most distinctive. Relayer marked a slight change in direction as Patrick Moraz replaced Rick Wakeman on keyboards bringing an edgier, avant-garde feel to the album. This was perfect for the opening track Gates Of Delirium, almost 22minutes in length, with its battle scene featuring the keyboard of Moraz and Steve Howe’s guitar. The battle gives way to the beautiful closing ballad Soon, a prayer for peace and hope.

The album continues with Sound Chaser, a prog-rock-jazz fusion experiment heavily influenced by Moraz’s style and To Be Over, a calm and gentle conclusion to the album, based on a melody by Steve Howe.
Released in late 1974 on Atlantic Records, Relayer continued YES’ success reaching number 4 in the UK album chart and number 5 in the US Billboard chart.

“We are really looking forward to playing ALL of the Relayer album” says Steve Howe. “Having premiered The Gates Of Delirium this year, we continue by expanding our Album Series with all the tracks: The Gates Of Delirium, Sound Chaser and To Be Over.” Howe goes on to say: “During the first half of the evening we’ll be performing a refined selection from Yes’ enormous 50 year + repertoire. See you there!”

Alan White comments: “I always enjoy coming home to England so I’m especially looking forward to Yes’ upcoming “Album Series 2020” tour. “Relayer” I believe, is one of the most creative and interesting musical compilations in the bands repertoire. Challenging and extremely enjoyable to play, I’m happy to be bringing this music back to live stages throughout Europe. I hope all who attend our shows will enjoy these cuts as much as we like performing them for our audiences.”

UK dates are as follows:
Tuesday 26 May Liverpool Philharmonic Hall

Wednesday 27 May Nottingham Royal Concert Hall

Friday 29 May York Barbican

Saturday 30 May Gateshead The Sage

Sunday 31 May Glasgow Royal Concert Hall

Tuesday 2 June Birmingham Symphony Hall

Wednesday 3 June Manchester Bridgewater Hall

Friday 5 June London Royal Albert Hall

Tickets go onsale at 10.00am Friday 11th October and are available from: 24hr Ticket Hotline: 0844 249 2222 bookingsdirect.com Meet & Greet packages available, for info go to yesworld.com Showtime is 8pm.
Roger Dean will attend every show on the UK and European dates, and will have an exhibition of his iconic art, will be available to chat with fans front of house and sign merch, plus will be in the VIP meet and greets.

ABOUT YES
Steve Howe: guitars, backing vocals (1970 – 1981, 1990- 1992, 1995 – present), Alan White: drums, percussion (1972 – present), Geoff Downes: keyboards (1980 – 1981, 2011 – present), Jon Davison: lead vocals, acoustic guitar (2012 – present)Billy Sherwood: guitar, backing vocals ((1994, 1997 – 2000), bass guitar, backing vocals (2015 – present)

Formed in 1968 by Jon Anderson and the late, and much-missed, Chris Squire, YES have been one of the most innovative, influential and best-loved bands in rock music history. Their 1970s albums The Yes Album, Fragile, Close To The Edge, Yessongs (a triple live album set), Tales From Topographic Oceans, Relayer and Going For The One were ground-breaking in musical style and content. Their music also became synonymous with artist Roger Dean whose distinctive YES logo design and artwork adorned the lavish gatefold presentation sleeves of many YES albums.With sales of over 50 million records, the Grammy-award winning YES were inducted into The Rock And Roll Hall Of Fame in 2017 where they performed Roundabout from the album Fragile and the FM radio-friendly Owner Of A Lonely Heart from the 1985 album 90125.

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Review – Yes – Fly From Here: Return Trip (Actually by “Yes – The Drama Line-Up”) – by Roy Hunter

I’ve been a fan of Yes (in it’s many guises) since I bought their 1st album back in 1969… I discovered King Crimson at The Rolling Stones’ “free in the park” concert, July 5th 1969 – and avidly sought out any music in this new as yet unidentified genre we now lovingly call “Prog”… So the ‘Yes Album‘ (the black cover) was maybe my third or fourth proggy purchase…

Oh what a joy, nearly 50 years on, to get my hands on this “new” release from one of my much-loved bands!

So what do we get here? A revamp of the 2011 release – the much maligned “Fly From Here” issue – the one with Canadian Benoît David as lead singer. I’m not reviewing THAT album per se, but obviously one can’t help compare it with this new release.

‘Fly From Here: Return Trip’ – sees the return of Trevor Horn as lead vocalist. No, his voice doesn’t have the range of Jon Anderson, Benoît David or Jon Davison, but as he wrote most of the material, I defy anybody to say he shouldn’t be the lead singer on this album! He does a creditable job, you can hear every word, and the differences in the production actually make this the better album in my opinion.

The fact that Chris Squire (R.I.P) is a feature of this line-up brings a sense of continuity from that far off ’69 Yes album… And of course the much admired (and often denigrated) “Drama” album of 1980… This re-release of “Fly…” is almost like a Drama, part II

There has been some tweaking of the tunes here and there, the production has shortened some by a few seconds, and if you listen closely you’ll pick out the changed/upgraded moments throughout the “Fly…” suite.

Also included on the album is an extra track, but the highlight for me is the doubling in length of the piece called Hour Of Need… Originally 3 minutes 7 seconds, thin voiced and low production has metamorphosed into a full-on prog track of 6 minutes 44 seconds!! Once the vocal part concludes we get Steve Howe in a display of just how great a musician he is! Brilliant, and it makes the second half of the album march on… literally!!

The extra track?? Don’t Take No For An Answer… It is a good bonus track, but some weakness in the vocal does show up here. Am I being super critical? I don’t think so, as the tune itself is so much better than a lot of pulp we get thrown at us these days.

In conclusion, of the 2 albums, this is the superior release, and I would have bought it, in my hour of need, for the re-vamped Hour Of Need.

That aside, it is a completist’s delight!

Released 25th March 2018

Order ‘Fly From Here: Return Trip here

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