RIVERSIDE – Announce UK/Ireland Tour

Support from Klone (Unplugged) / Launch “Making of ID.Entity” documentary online

Poland’s pioneering and leading Progressive Rock band RIVERSIDE are pleased to announce a UK/Ireland tour in support of their latest studio album “ID.Entity”, released last year via InsideOutMusic.

RIVERSIDE’s Mariusz Duda checked in with the following comment:

“We’re coming back! We remember the fantastic shows in the UK and Ireland in the spring of 2023. Because we haven’t visited the Islands too often since the ‘Wasteland’ tour, we will return with our biggest UK/Ireland tour to date. We’d be very happy to meet you all (again). So before we close the chapter on ‘ID.Entity’ and take a break, come join us!”

 RIVERSIDE’s UK/Ireland tour will feature Klone as special guests with a special “unplugged” set. Klone’s Guillaume Bernard adds:

We are really happy to share the stage with Riverside on this UK/Ireland tour. We are very excited to play in great venues, like the amazing KOKO in London, where we played 12 years ago with Gojira.  This time we will play ‘unplugged’ versions of our songs, but be sure that it will sound huge and heavy!”

RIVERSIDE – United Kingdom / Ireland Tour 2024
+ Special Guests KLONE (‘Unplugged’)

12.05.2024 Norwich (UK) – Epic Studios

13.05.2024 Birmingham (UK) – 02 Institute 1

15.05.2024 Belfast (UK) – Limelight 1

16.05.2024 Dublin (UK) – Academy

18.05.2024 Glasgow (UK) – The Old Fruit Market

19.05.2024 London (UK) – Koko

20.05.2024 Bristol (UK) – SWX

21.05.2024 Manchester (UK) – 02 Ritz

Tickets on sale tomorrow morning:

Riverside – Gigs (riversideband.pl)

Previous to this tour, RIVERSIDE will be performing in North America and Latin America as well appearing on several festival events in the summer as follows:

RIVERSIDE – Live 2024:

08.03.2024 Port Canaveral (USA) – Cruise To The Edge Festival

15.03.2024 Guadalajara (Mexico) – C3 Stage

17,03.2024 Monterrey (Mexico) – Café Iguana

19.03.2024 Mexico City (Mexico) – Auditorio Blackberry

21.03.2024 Bogotá (Colombia) – Teatro Astor Plaza

23.03.2024 San José (Costa Rica) – Pepper Club

28.03.2024 Buenos Aires (Argentina) – Groove

03.04.2024 São Paulo (Brazil) – Carioca Club

06.04.2024 Santiago (Chile) – Teatro Caupolicán

01.06.2024 Warsaw (Poland) – Torwar Hall

05-08.06.2024 Sölvesborg (Sweden) – Sweden Rock Festival

19-22.06.2024 Murcia (Spain) – Rock Imperium Festival

28-30.06.2024 Helsinki (Finland) – Tuska Festival

18-21.07.2024 Jarocin (Poland) – Jarocin Festival

19.07.2024 Sankt Goarshausen (Germany) – Night Of The Prog Festival

07-10.08.2024 Jaroměř (Czech Republic) – Brutal Assault

16.08.2024 Carhaix-Plouguer (France) – Motocultor Festival

And many more shows to be announced soon…

Tickets: Riverside – Gigs (riversideband.pl)

Most recently, RIVERSIDE have launched their “Making of ‘ID.Entity'” documentary, directed by Marcin Zawadziński. The documentary was screened a year ago at RIVERSIDE’s promotional meetings in Helios cinemas in Poland for the release of their latest studio album “’ID.Entity’ and now everyone will finally be able to watch it online, everywhere. 

Check it out here:

“ID.Entity”, the group’s 8th studio album was recorded and mixed in two studios – The Boogie Town Studio in Otwock with Paweł Marciniak and in Serakos studio in Warsaw with Magda and Robert Srzedniccy -, mastered by Robert Szydło and produced by RIVERSIDE’s Mariusz Duda himself. The “ID.Entity” artwork was created by Polish artist Jarek Kubicki.

“ID.Entity” achieved the following outstanding chart positions upon release: Germany: # 4, Poland: # 2, Switzerland: # 6, The Netherlands: # 9, Finland: # 14, Austria: # 22, Belgium: # 97, France: # 155, UK: # 89, UK / Rock Charts: # 3, USA / Top New Artist Albums: # 7, USA / Current Album Sales: # 61, USA / Hard Music Albums: # 9, USA / Current Rock Albums: # 20.

Check out the singles/videos off “ID.Entity” here:

“I’m Done With You”: https://www.youtube.com/watch?v=3q6XJfKxKb4

“Self-Aware (Single Edit)”: https://youtu.be/Weuo4hgVHyY

“Friend or Foe? (Single Edit)”: https://youtu.be/EWQQFjyHtro

And also check out two interesting videos in which the RIVERSIDE band members chat about “ID.Entity”:


About “ID.Entity” Pt. 1: https://youtu.be/_fK-qO6qVI8

About “ID.Entity” Pt. 2: https://youtu.be/awsIdOpgpO8

Can still order “ID.Entity” in its various formats here:
https://riverside.lnk.to/IDEntity

Or here:

https://riverside.lnk.to/IDEntitybio

And check out a YouTube playlist of visualizer clips for the entire album’s material here:

RIVERSIDE line-up:

Michał Łapaj – keyboards and Hammond Organ
Mariusz Duda – vocal, bass
Maciej Meller – guitar
Piotr Kozieradzki – drums

Review – Riverside – ID.Entity

Who are you in these strange times? Are you still yourself or have you started playing the role of someone else? Or maybe you’re living a double life and HERE you are someone completely different than THERE? Certainly, the concept of “Identity” is multifaceted and it would be impossible to fit all of its aspects in a 53-minute-long story. On their new album ‘ID.Entity’, Riverside are trying to answer some of these questions beginning with the one about… their own identity.

“Before we started working on the new album, I asked myself a few questions,” says Mariusz Duda, the leader of the band. “Some personal ones, some about the current times, but most of all, questions about the band, for instance, ‘What is our strongest suit?’ There were two answers: ‘Melodies and… live performances!’ ‘What is the most comfortable setting for Riverside?’ Again, the answer was pretty obvious: ‘the stage’. Ironically, we haven’t really spoilt our fans with live releases, so I thought perhaps it was time to record a studio album which would musically reflect the character and dynamic of our live shows. Especially that we really wanted to say goodbye to the decade of sadness and melancholy, which dominated our recent releases.”

So, that’s the publicity blurb about this stunning new album from Poland’s premier prog-metal band Riverside and, after the ‘sadness and melancholy’ of their previous three releases, ‘ID.Entity’ hoves into view like a welcome dose of lightness and fresh air. Don’t get me wrong, there is no such thing as even an average Riverside release (and ‘Love, Fear and the Time Machine’ is still my favourite release from the band) but the darkness and heartache felt since the tragic loss of original guitarist Piotr Grudziński has finally cleared and enabled the band to return with one of their most uplifting albums. It is still a cutting diatribe about lack of trust, social divisions, uncertainty, lies, propaganda and invigilation and a world full of anger and helplessness but there’s an upbeat drama to the music.

The album consists of seven cleverly woven tracks that detail Mariusz opening up to social problems: Big Techs, populists,conspiracy theories, hatred, greedy corporations causing the planet and the human nature to die at an accelerated speed. The opening track Friend or Foe is dominated by the sublime keyboards of Michał Łapaj, who gives the song a real 80’s feel that combines with the grinding riffs of Maciej Meller and Mariusz’s Morten Harket-esque vocals to create a darkly contorted version of a-ha lost in a time warp. It’s a magnificent track full of vigour and vitriol and gives a flying start to this sublime record. Landmine Blast is a wonderfully dynamic song where the guitar is central to proceedings, fiery and compelling with a uniquely edgy feel thanks to the vibrant drumming of Piotr Kozieradzki. The staccato beat adds a real sense of urgency and mystery to things and Mariusz lends a flowing vocal to add ebullience and energy, this is classic Riverside in the vein of ‘Anno Domini High Definition’. I know a lot of people are not convinced by the artificial voice that opens Big Tech Brother and, yes, it is a bit corny but it doesn’t spoil what is another powerfully compelling piece of music. The funky keyboards and pounding drums add focus before some mountain sized riffs deliver a primeval dominance to the song. Mariusz interjects a sense of calm with his elegant vocal delivery but this track is a dark leviathan at heart.

The Riverside of the class of ‘Shrine Of New Generation Slaves’ then deliver an authoritative demonstration of intent with the all-powerful techno-metal of the catchy Post-Truth. Another finely crafted piece of music that I found rapidly became a quite addictive listening experience that ebbs and flows with a life force all of its own, Maciej’s guitar playing on this track is just sublime. This album will rapidly become part of your life and on constant replay and one of the reasons for that is the utterly brilliant The Place Where I Belong, the longest track on the album and one where Mariusz is at his songwriting best. Thirteen minutes of compelling, spellbinding music that fascinates and enthrals you in a irresistible manner. Perfectly constructed, both musically and lyrically and delivered by musicians at the height of their considerable powers, it is a landmark song in a stellar career and has something for every Riverside fan.

Anarchic and in your face, I’m Done With You is a metaphorical sucker punch to the gut that grabs your attention with its electronic edginess and in your face attitude. Vibrant keyboards, forceful drums and rabid riffs combine with Mariusz angry vocal to deliver the most incendiary track on the album and one that leaves you edgy and restless. The helter-skelter fast-paced intensity and magnetism of the fantastic Self-Aware is almost something new from Riverside, more reminiscent of 90’s hard rock and grunge than the intellectual prog-metal usually associated with the band and I absolutely love it. A sign that the band have shed any self-imposed shackles and feel free to do whatever they want with no fear of repercussions, it’s melodic, upbeat and just a little bit in your face and I’d love to hear more of it. A new direction? Why not when it’s this good!

Riverside are a band who have always gone their own way and been proud to defy convention and after the dark melancholy and sadness of recent releases, the band have returned with a brightly shining beacon of light. ‘ID.Entity’ is a generally uplifting album that puts a huge smile on my face every time I hear it and one that, I’m sure, will still be lighting up people’s lives for years to come.

Released 20th January, 2023.

Order ‘ID.Entity’ here:

Riverside – ID.Entity (lnk.to)

RIVERSIDE – Release new single/video “Friend or Foe? (Single Edit)” off upcoming album “ID.Entity”; Announce first leg of European Tour

Poland’s pioneering and leading Progressive Rock band RIVERSIDE will soon release their new studio album “ID.Entity” via InsideOutMusic on January 20th, 2023. Today, RIVERSIDE are pleased to reveal a new single and video in promotion of the upcoming album.

Check out the album’s opening track “Friend or Foe?” in its ‘Single Edit’ and with a video clip animated and directed by Thomas Hicks / http://www.thomashicks.co.uk here: 

RIVERSIDE’s Mariusz Duda checked in with the following comment about the new single:

“’Friend or Foe?’ is one of the key songs on the new RIVERSIDE album. Not only is it the opening track but, musically, it is possibly also the most courageous and intriguing one. 

One of its strong points is the lyrics which talk about how we’re perceived by others, especially these days, when pretending to be someone you’re not on social media has become the norm. Can we still be ourselves or do we have to keep adapting to the requirements of new algorithms? Perhaps we’ve already lost our identities and we’re only waiting for instructions from a Siri or Alexa? 

“Who do you pretend to be?” are the first words of the song and the listener has already started searching for that 80s band it reminds them of. Is this a mere inspiration or is it provocation? Is the writer of the song pretending to be someone else or is this who he really is? Who is behind it all? The artist himself or a producer churning out music for many other artists? Is what I’m writing now a reflection of what I’m feeling or am I writing it because I want to put the song on a higher recommended playlist? And if we apply it to politics, who are the candidates? Are they credible? Trustworthy? Will they keep their promises? And finally, will we be able to trust each other one day, hear each other out and understand, or will we still keep our distance and suspicions?

Perhaps there is a chance to build a better world, but how to recognise who is a friend and who is a foe?”

“ID.Entity”, the group’s 8th studio album was recorded and mixed in two studios – The Boogie Town Studio in Otwock with Paweł Marciniak and in Serakos studio in Warsaw with Magda and Robert Srzedniccy -, mastered by Robert Szydło and produced by RIVERSIDE’s Mariusz Duda himself. The “ID.Entity” artwork was created by Polish artist Jarek Kubicki.

Previously released singles/videos off “ID.Entity” can still be checked out here:

“I’m Done With You”: https://www.youtube.com/watch?v=3q6XJfKxKb4

“Self-Aware (Single Edit)”: https://youtu.be/Weuo4hgVHyY

RIVERSIDE have also launched a “Riverside Heavy” playlist featuring “I’m Done With You” as well as many other heavier tracks from the band’s comprehensive catalogue, which you can check out here:

Here is the standard track-listing for the album: 

RIVERSIDE – “ID.Entity” (53:11)

Tracklist:

1. Friend or Foe? (07:29)

2. Landmine Blast (04:50)

3. Big Tech Brother (07:24)

4. Post-Truth (05:37)

5. The Place Where I Belong (13:16)

6. I’m Done With You (05:52)

7. Self-Aware (8:43)

The bonus material appearing on “ID.Entity” includes the instrumental tracks “Age of Anger” (11:56) and “Together Again” (06:29) as well as “Friend or Foe? (Single Edit)” (05:59) and “Self-Aware (Single Edit)” (05:29).

“ID.Entity” will be available in the following formats:

–        Ltd. Deluxe 2CD+Blu-ray Artbook 
(Disc 1: Album, Disc 2: All 4 bonus tracks, Blu-ray: All main 9 album tracks in Dolby Atmos, 5.1 and 24bit HighRes Audio mix versions) 
-> Pictured above!

–        Ltd. 2CD Mediabook (Disc 1: Album, Disc 2: All 4 bonus tracks)
-> Pictured above!

–        CD Jewelcase

–        Deluxe Digital Album (Including all 4 bonus tracks)

–        Digital album

The album’s vinyl version comes as Gatefold 2LP (With the bonus tracks “Age of Anger” and “Together Again” on Side D) in the following variants:
– Black vinyl: All outlets
– Orange vinyl: All outlets

– White vinyl: 500x copies via JPC & Burning Shed
– Yellow vinyl: 500x copies via EMP & Just For Kicks
– Sky Blue vinyl: 600x copies via Laser’s Edge & CM Distro/Webshop Europe

The pre-order for “ID.Entity” in its various formats is available here:
https://riverside.lnk.to/IDEntity

Or here:

https://riverside.lnk.to/IDEntitybio

“ID.Entity”, an album that extends and expands RIVERSIDE’s characteristic sound, but all in a revamped and more dynamic formula, follows 2018’s widely acclaimed ‘Wasteland’ album, which entered the charts in Germany at # 13, The Netherlands at # 28, Switzerland at # 23, Austria at # 39, UK at # 83, Finland at # 30, France at # 97, Czech Republic at # 59 and Poland at # 1.

Next to their return to North America in February/March, RIVERSIDE have recently also announced their “Spring Edition” European Tour, a first of three European touring legs across this year. Check out the band’s upcoming confirmed live-dates here:

RIVERSIDE – “ID.Entity” – Live 2023:

 

North American Tour:
17.02.2023 Tampa, FL – The Orpheum

18.02.2023 Orlando, FL – The Abbey

19.02.2023 Atlanta, GA – Hell At The Masquerade

21.02.2023 Dallas, TX – Amplified Live

22.02.2023 Austin, TX – Come And Take It Live

24.02.2023 Mesa, AZ – The Nile Theater

25.02.2023 Pomona, CA – The Glass House

26.02.2023 Berkeley, CA – Cornerstone

28.02.2023 Vancouver, BC – The Rickshaw Theatre

01.03.2023 Seattle, WA – Neumos

03.03.2023 Salt Lake City, UT – The State Room

04.03.2023 Boulder, CO – Fox Theatre

07.03.2023 St. Paul, MN – Amsterdam Bar And Hall

08.03.2023 Chicago, IL – Bottom Lounge

10.03.2023 Toronto, ON – Lee’s Palace

11.03.2023 Montreal, QC – Corona Theatre

12.03.2023 Quebec City, QC – Imperial Bell

14.03.2023 Boston, MA – Brighton Music Hall

16.03.2023 New York, NY – Sony Hall

17.03.2023 Philadelphia, PA – Underground Arts

18.03.2023 Pittsburgh, PA – Thunderbird Music Hall

19.03.2023 Washington, DC – Black Cat

21.03.2023 Carrboro, NC – Cat’s Cradle

European Tour – Spring Edition:

16.04.2023 Eindhoven (The Netherlands) – Effenaar / Prognosis Festival
18.04.2023 Dublin (Ireland) – Button Factory
20.04.2023 Glasgow (UK) – Garage
21.04.2023 Birmingham (UK) – O2 Institute 2
22.04.2023 Manchester (UK) – Academy 2
23.04.2023 London (UK) – Indigo O2 / Prognosis Festival

25.04.2023 Copenhagen (Denmark) – Amager Bio
26.04.2023 Gothenburg (Sweden) – Pustervik
27.04.2023 Oslo (Norway) – Cosmopolite
28.04.2023 Stockholm (Sweden) – Lilla Cirkus
30.04.2023 Tampere (Finland) – Olympia
01.05.2023 Helsinki (Finland) – Tavastia


Ticket info: https://riversideband.pl/en/gigs

And more dates coming soon…

More RIVERSIDE news coming soon…

RIVERSIDE line-up:
Mariusz Duda – vocal, bass
Maciej Meller – guitar
Michał Łapaj – keyboards and Hammond Organ
Piotr Kozieradzki – drums

RIVERSIDE – Release new single/video “Self-Aware (Single Edit)” off upcoming album “ID.Entity”; Announce North American Tour

Today, Poland’s pioneering and leading Progressive Rock band RIVERSIDE are pleased to present a second single for their upcoming studio album “ID.Entity”, to be released via InsideOutMusic on January 20th, 2023.

Check out the album’s closing track “Self-Aware” in its ‘Single Edit’ version and with an entertaining video clip directed by Marcin Zawadziński and Mariusz Duda here: 

RIVERSIDE’s Mariusz Duda checked in with the following comment about the new single: 
’Self-Aware’ is a song which summarises the entire album, and talks about how it’s difficult these days to live in a society and ignore all the social changes, how you can’t simply be passive, “shut yourself off”, or “hole up deep in the woods”. We need each other in order to change something in our lives. Not everything can be done single-handedly; “I have to be better than others, I have to be the best” is not a good mantra. We need cooperation to achieve goals. And it’s important that this message comes not from a solo artist, but from a band, whose success lies mostly in cooperation within the band and interaction with their listeners.”

“ID.Entity”, the group’s 8th studio album was recorded and mixed in two studios – The Boogie Town Studio in Otwock with Paweł Marciniak and in Serakos studio in Warsaw with Magda and Robert Srzedniccy -, mastered by Robert Szydło and produced by RIVERSIDE’s Mariusz Duda himself. The “ID.Entity” artwork was created by Polish artist Jarek Kubicki. 

A first single off “ID.Entity” was recently released via the track “I’m Done With You”, which can also be seen here in a video-clip animated and directed by Thomas Hicks / www.thomashicks.co.uk here: https://www.youtube.com/watch?v=3q6XJfKxKb4

RIVERSIDE also launched a “Riverside Heavy” playlist featuring “I’m Done With You” as well as many other heavier tracks from the band’s comprehensive catalogue, which you can check out here:

 Here is the standard track-listing for the album: 

RIVERSIDE – “ID.Entity” (53:11)

Tracklist:

1. Friend or Foe? (07:29)

2. Landmine Blast (04:50)

3. Big Tech Brother (07:24)

4. Post-Truth (05:37)

5. The Place Where I Belong (13:16)

6. I’m Done With You (05:52)

7. Self-Aware (8:43)

The bonus material appearing on “ID.Entity” includes the instrumental tracks “Age of Anger” (11:56) and “Together Again” (06:29) as well as “Friend or Foe? (Single Edit)” (05:59) and “Self-Aware (Single Edit)” (05:29).

The album will be available in the following formats: 

–        Ltd. Deluxe 2CD+Blu-ray Artbook 
(Disc 1: Album, Disc 2: All 4 bonus tracks, Blu-ray: All main 9 album tracks in Dolby Atmos, 5.1 and 24bit HighRes Audio mix versions) 
-> Pictured above!

–        Ltd. 2CD Mediabook (Disc 1: Album, Disc 2: All 4 bonus tracks)
-> Pictured above!

–        CD Jewelcase

–        Deluxe Digital Album (Including all 4 bonus tracks)

–       Digital album

The album’s vinyl version comes as Gatefold 2LP (With the bonus tracks “Age of Anger” and “Together Again” on Side D) in the following variants:
– Black vinyl: All outlets
– Orange vinyl: All outlets

– White vinyl: 500x copies via JPC & Burning Shed
– Yellow vinyl: 500x copies via EMP & Just For Kicks
– Sky Blue vinyl: 600x copies via Laser’s Edge & CM Distro/Webshop Europe

The pre-order for “ID.Entity” in its various formats is available here:
https://riverside.lnk.to/IDEntity

“ID.Entity”, an album that extends and expands RIVERSIDE’s characteristic sound, but all in a revamped and more dynamic formula, follows 2018’s widely acclaimed ‘Wasteland’ album, which entered the charts in Germany at # 13, The Netherlands at # 28, Switzerland at # 23, Austria at # 39, UK at # 83, Finland at # 30, France at # 97, Czech Republic at # 59 and Poland at # 1. 

RIVERSIDE have recently also announced their return to North American stages in February/March 2023 in promotion of “ID.Entity”. Check out the band’s upcoming confirmed live-dates here:

RIVERSIDE – Live 2023:

North American Tour:
17. February 2023 Tampa, FL – The Orpheum

18. February 2023 Orlando, FL – The Abbey

19. February 2023 Atlanta, GA – Hell At The Masquerade

21. February 2023 Dallas, TX – Amplified Live

22. February 2023 Austin, TX – Come And Take It Live

24. February 2023 Mesa, AZ – The Nile Theater

25. February 2023 Pomona, CA – The Glass House

26. February 2023 Berkeley, CA – Cornerstone

28. February 2023 Vancouver, BC – The Rickshaw Theatre

1. March 2023 Seattle, WA – Neumos

3. March 2023 Salt Lake City, UT – The State Room

4. March 2023 Boulder, CO – Fox Theatre

7. March 2023 St. Paul, MN – Amsterdam Bar And Hall

8. March 2023 Chicago, IL – Bottom Lounge

10. March 2023 Toronto, ON – Lee’s Palace

11. March 2023 Montreal, QC – Corona Theatre

12. March 2023 Quebec City, QC – Imperial Bell

14. March 2023 Boston, MA – Brighton Music Hall

16. March 2023 New York, NY – Sony Hall

17. March 2023 Philadelphia, PA – Underground Arts

18. March 2023 Pittsburgh, PA – Thunderbird Music Hall

19. March 2023 Washington, DC – Black Cat

21. March 2023 Carrboro, NC – Cat’s Cradle
—————————-

15-16. April 2023 Eindhoven (The Netherlands) – Prognosis Festival
22-23. April 2023 London (UK) – Prognosis Festival 
https://www.prognosis-festival.nl/

More RIVERSIDE live show announcements and further details about “ID.Entity” coming soon…

RIVERSIDE line-up:
Michał Łapaj – keyboards and Hammond Organ
Mariusz Duda – vocal, bass
Piotr Kozieradzki – drums
Maciej Meller – guitar

RIVERSIDE – Announce details for new album “ID.Entity”; Launch first single/video for “I’m Done With You”; Album pre-order started

Poland’s pioneering and leading Progressive Rock band RIVERSIDE finally return with a new studio album entitled “ID.Entity”, to be released via longtime international partners InsideOutMusic on January 20th, 2023.

“ID.Entity”, the group’s 8th studio album was recorded and mixed in two studios – The Boogie Town Studio in Otwock with Paweł Marciniak and in Serakos studio in Warsaw with Magda and Robert Srzedniccy -, mastered by Robert Szydło and produced by RIVERSIDE’s Mariusz Duda himself. The “ID.Entity” artwork (Front cover to be seen above!) was created by Polish artist Jarek Kubicki. 

Today, a first single off “ID.Entity” is being released via the track “I’m Done With You”, which can also be seen here in a  video-clip animated and directed by Thomas Hicks / www.thomashicks.co.uk here: 

RIVERSIDE’s Mariusz Duda checked in with the following comment about “I’m Done With You”: 
We live in times of anger and helplessness. In times dominated by Big Techs, populists, conspiracy theories, hatred, greedy corporations causing the planet and the human nature to die at an accelerated speed. We live in times when one country can attack another out of the blue just because they think they are more deserving of something. These days it’s simply hard to sing only about love, friendship and escapes into imaginary worlds. “I’m Done With You” is about an anger and frustration!”

Here is the standard track-listing for the album:

RIVERSIDE – “ID.Entity” (53:11)

Tracklist:

1. Friend or Foe? (07:29)

2. Landmine Blast (04:50)

3. Big Tech Brother (07:24)

4. Post-Truth (05:37)

5. The Place Where I Belong (13:16)

6. I’m Done With You (05:52)

7. Self-Aware (8:43) 

The bonus material appearing on “ID.Entity” includes the instrumental tracks “Age of Anger” (11:56) and “Together Again” (06:29) as well as “Friend or Foe? (Single Edit)” (05:59) and “Self-Aware (Single Edit)” (05:29). 

The album will be available in the following formats:

–        Ltd. Deluxe 2CD+Blu-ray Artbook 
(Disc 1: Album, Disc 2: All 4 bonus tracks, Blu-ray: All main 9 album tracks in Dolby Atmos, 5.1 and 24bit HighRes Audio mix versions)

–        Ltd. 2CD Mediabook (Disc 1: Album, Disc 2: All 4 bonus tracks)

–        CD Jewelcase

–        Deluxe Digital Album (Including all 4 bonus tracks)

–       Digital album 

The album’s vinyl version comes as Gatefold 2LP (With the bonus tracks “Age of Anger” and “Together Again” on Side D) in the following variants:

–        Black vinyl: All outlets

–        Orange vinyl: All outlets

–       White vinyl: 500x copies via JPC & Burning Shed

–        Yellow vinyl: 500x copies via EMP & Just For Kicks

–        Sky Blue vinyl: 600x copies via Laser’s Edge & CM Distro/Webshop Europe

The pre-order for “ID.Entity” in its various formats also starts today here:
https://riverside.lnk.to/IDEntity

“ID.Entity”, an album that extends and expands RIVERSIDE’s characteristic sound, but all in a revamped and more dynamic formula, follows 2018’s widely acclaimed ‘Wasteland’ album, which entered the charts in Germany at # 13, The Netherlands at # 28, Switzerland at # 23, Austria at # 39, UK at # 83, Finland at # 30, France at # 97, Czech Republic at # 59 and Poland at # 1. 

Most recently, RIVERSIDE released the special 20th anniversary Digital Single “Story of My Dream”, which can be checked out in a video clip directed by Tomasz Pulsakowski / Sightsphere here: https://youtu.be/-s7fedFOP88


Additionally, RIVERSIDE also released two digital “best of” compilations to showcase the comprehensive and rich back-catalogue from across the last two decades of band activity. Featuring material all especially remastered by Magda and Robert Srzedniccy (Serakos Studio) for this occasion, “Riverside 20 – Vol.1, The Shorts” includes 19 tracks and “Riverside 20 – Vol.2, The Longs” includes 14 songs. Both individual “Riverside 20” compilations as well as a bundle are available here: 
https://riverside.lnk.to/Riverside20

Riverside – Live 2023:
15-16. April 2023 Eindhoven (The Netherlands) – Prognosis Festival
22-23. April 2023 London (UK) – Prognosis Festival 
https://www.prognosis-festival.nl/

More RIVERSIDE live show announcements and further details about “ID.Entity” coming soon…

RIVERSIDE line-up:
(From left to right on photo by Radek Zawadzki)
Michał Łapaj – keyboards and Hammond Organ
Mariusz Duda – vocal, bass
Maciej Meller – guitar
Piotr Kozieradzki – drums

RIVERSIDE – Important Line-Up Announcement; European Tour starting this Month!

Polish progressive Rock masters RIVERSIDE are happy to share line-up news with all of you:

Riverside are a quartet again!

Dear friends, this is an incredibly important moment in the history of our band.
 From the beginning of February 2020, Riverside are officially not a trio any more, we are a quartet! It is with incredible joy that we would like to announce that the fourth official member of the band is…

Well, you can’t have expected anyone else? 🙂 

He’s been with us for over three years. He let us recover from the tragic loss we have all experienced, he helped us survive and become, from year to year, a better and better live band. He has been our friend and our brother. We are welcoming him in our midst with great joy, in which we hope you will also share! 

Ladies and gentlemen, on the guitars in Riverside: Maciej Meller!

Being a good guitarist and loving music is one thing, but being able to fit in with your personality, incredible modesty and humility, that’s an incredibly important thing in our band. Maciej meets all the criteria and we are truly happy that he wants to continue our journey with us.

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We still remember. And we still go back to the moment when, after we lost Piotr, in 2016, the massive amount of your support made us continue as Riverside. We were not ready to invite anyone to our family at that time. “Wasteland” had to be recorded as a trio. We simply had to cope with the loss on our own.

Now, it’s high time for Riverside to have a guitarist in the line-up again, not only during live shows but also in the studio, when working on new material. So we are really pleased to let you know that after coming back from the final, spring edition of the Wasteland Tour 2020, together with Maciek, in the new line-up, we will start working on the eighth album. 

The upcoming spring concerts will have a different character, a different tone, and Riverside will sound mightier than ever before. We would really like to see you there!

Last but not least – Piotr Grudziński will always be in our hearts, we all still love him and we will never forget him. But we have to move on. We are on a journey, they are waiting for us. There is more to create in this life, more to see, more to know, more to save. We hope that you will decide to stay with us again and that you will let us help one another through all of this. 

We are here with you and for you.

Riverside

***

RIVERSIDE’s next touring run starts later this month and includes dates across Europe as well as an appearance at the Cruise To The Edge and shows in Latin America as follows:

RIVERSIDE – Wasteland Tour 2020
26.02. Madrid (Spain) – MON Live
27.02. Barcelona (Spain) – Salamandra 1
29.02. Milano (Italy) – Legend Club
01.03. Treviso (Italy) – New Age Club
03.03. Lubljana (Slovenia) – Kino Šiška
05.03. Zagreb (Croatia) – Tvornica Kulture
06.03. Novi Sad (Serbia) – Pozorište Mladih
07.03. Thessaloniki (Greece) – Principal Club Theater
08.03. Athens (Greece) – Gagarin 205 Live Music Space
10.03. Istanbul (Turkey) – Zorlu PAC
11.03. Sofia (Bulgaria) – Music Jam Club
12.03. Bucharest (Romania) – Quantic Club
13.03. Cluj-Napoca (Romania) – /FORM SPACE
15.03. Budapest (Hungary) – Barba Negra
27.03.-01.04. Miami (USA) to Belize & Honduras – Cruise To The Edge 2020

02.04. Mexico City (Mexico) – Auditorio Blackberry 
04.04. Guadalajara (Mexico) – C3 Stage 
07.04. Santiago (Chile) – Teatro Nescafe
09.04. Sao Paulo (Brazil) – Carioca Club

16.04. Wrocław (Poland) – A2

17.04. Gliwice (Poland) – Arena Gliwice

18.04. Kraków (Poland) – Studio

19.04. Warszawa (Poland) – Progresja / Sold Out!

25.04. Gdańsk (Poland) – Stary Maneż / Sold Out!

26.04. Poznań (Poland) – Sala Ziemi / Sold Out!

Ticket links: 

https://riversideband.pl/en/gigs

RIVERSIDE most recently released a special edition 2CD+DVD version of their current and highly successful studio-album “Wasteland” via InsideOutMusic. The ”Wasteland – Hi-Res Stereo and Surround Mix” 2CD+DVD comes as Digipak format with an additional Slipcase and includes a DVD bonus disc of “Wasteland” as Hi-Res Stereo 24bit version and as Surround Mix (4.1), plus 3 video clips. This edition also contains 5 previously unreleased acoustic tracks/versions on a separate CD. 

Order RIVERSIDE’s ”Wasteland – Hi-Res Stereo and Surround Mix” 2CD+DVD here: 
https://Riverside.lnk.to/WastelandHi-ResStereoAndSurroundMix

The acoustic tracks/versions of the “Acoustic Session” are also available as separate Digital EP here:

https://Riverside.lnk.to/AcousticSessionEP

RIVERSIDE line-up 2020:
(From left to right on photo by Radak Zawadzki)

Piotr Kozieradzki – drums
Mariusz Duda – vocals & bass
Maciej Meller – guitar
Michał Łapaj – keyboards

Review – Riverside – Wasteland – by Progradar

“The darkness of the ultimate light is better than the lights of the ultimate darkness.”
― Mohsin Ali Shaukat

One cannot truly appreciate the light unless one has first walked in the dark. We talk of the light at the end of the tunnel, you see this through the dark and it is the ultimate goal, you must, however, travel through the dark to reach the light.

The tragedy that befell in February 2016 called into question the very existence of Riverside. The co-founder and guitarist of the band, Piotr Grudziński, died suddenly just before his 41st birthday. The band cancelled all the concerts planned for that year and dedicated the album “Eye of the Soundscape”, released in September 2016, to their late friend.

To begin a new chapter of Riverside, they would have to record an album from the point of view of someone bereft, someone who has survived a tragedy. The fact that the album would be recorded without their guitarist might result in having to experiment musically a little more than usual but, most of all, it might translate into deeper symbolism and carry a more profound meaning. “I had a feeling we would be alright and we could make something beautiful and exceptional,” recalls vocalist and main composer Mariusz Duda.

In the spring of 2017, Riverside resumed playing live. During the “Towards the Blue Horizon” tour the band were joined on stage by Maciej Meller who officially joined RIVERSIDE as their live guitarist. Why has he not become the official fourth member of the band? “It’s not so simple,” Duda explains, “To catch up with 15 years takes time. I love Maciej but everything has to have its place and time. For now we are a quartet only live.”

So that band is coming back this year with their seventh studio album called “Wasteland”, recorded as a trio: Mariusz Duda – vocals, guitars and basses, Piotr Kozieradzki – drums and Michał Łapaj – keyboards and Hammond organ.

The band entered the recording studio in December 2017 and Duda assumed the duties of the band’s guitarist. “We recorded a demo. It turned out alright and we had come to the conclusion that I would manage to play all the rhythmic parts, all the melodies and some of the solos. Naturally, to enhance the sound of the album, we left some space for guests.”

And so on the new album, you can hear a few guitar solos by Maciej Meller, as well as one by Mateusz Owczarek, a young, talented guitarist, who played with the band during their Warsaw memorial concert for Piotr. For the first time in their music, there are also violins played by Michał Jelonek.

Touted by the band as the spiritual successor to ‘Second Life Syndrome’, the new album is a much heavier and emotive proposition than fan favourite ‘Love, Fear and the Time Machine’. From the opening strains of Duda’s a-cappella vocals on The Day After and the segue into the sparse, industrial riff of Acid Rain, this is immediately apparent. An underlying feel of apprehension and darkness takes over the first few tracks on the album, for an album whose theme is attempting to survive in a world after the Apocalypse this is, perhaps, quite understandable.

This opening may surprise long term fans but it is superbly well crafted and delivered music that seeks to find a way through an increasingly turbulent world full of new divisions and conflicts. The closing couple of minutes of Acid Rain seem to bring a feeling of light and hope but that is immediately dashed by the granite heavy, staccato riff that delivers Vale of Tears onto an unsuspecting world. A powerful and imposing track that is delivered in one serious and heavy manner. So far ‘Wasteland’ and its predecessor are proving to be polar opposites.

The symbolism of the album refers not only to the post-apocalyptic visions of the world, but also to the death of Piotr Grudziński, to the band’s attempt to find themselves in new circumstances. The wistfully heartbreaking Guardian Angel with its understated vocals and delicate piano and guitar is calmness personified among the dark, post-apocalyptic feel of the earlier tracks. There’s a melancholy feel and a longing at its heart that brings a lump to your throat, a sepia tinged look back in time perhaps?

The elegant acoustic guitar that opens Lament gives no indication of what is to follow, Duda’s keening vocal heralds the entrance of the heaviest riff on the album so far, one that Mikael Åkerfeldt would have been proud of. A song that will inevitably draw comparisons with Opeth (well, I’ve done it!!) with its spacious and melodious verse and thunderous chorus. It’s the song on the album that really hits home with me, emotionally and musically, and Mariusz Duda’s solo just bleeds passion.

There’s a slight change in feel on the album as we head into the ying and yang of the 9 minute-plus instrumental The Struggle For Survival, a feel of the fight to pull away from the hold of the darkness and fight to get to the light. An invigorating first half where Duda’s bass line orchestrates proceedings with a deftness of touch is replaced by the more frantic and chaotic guitar and keyboard heavy second part where Łapaj comes to the fore. The graceful River Down Below sees the seeker getting closer to the light but there’s still a slightly forlorn edge to the music and a fragility to the vocal, a touching and truly moving song that wears its heart on its sleeve.

Title track Wasteland has a world-weary aura, a feel of an ending to a journey of extreme hardship but also one of hard fought knowledge collected along the way. The song drifts along with a lightness of being that can only come from the triumph over adversity. There’s a break into a frenzied instrumental section that fights to overcome the calm before sanity finally regains control. This gives an epic and cinematic feel to the song, an allegory of the fight between darkness and light which has been at the crux of the whole album. For me, the best is saved till last, the wonderful The Night Before where the sparsity of just piano and vocals gives humanity and reality to the song. It’s sublime, almost intangible grace seeps into your very soul until the song finishes and all is left is the vacuum of total silence.

Simply put ‘Wasteland’ is two things, a triumph of the light over the dark and a fitting tribute to Piotr. A compelling and engrossing musical journey through darkness, grief and loss to emerge into the light. A spiritual catharsis that sees a new chapter in the life of Riverside and puts them back at the forefront where they truly belong.

Released 28th September 2018

Order the album from Burning Shed here

 

Review – Riverside – Eye Of The Soundscape – by Kevin Thompson

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This was meant originally as a preview, but time and tide, as they say… By now many of you may already have this and be making your own minds up. So here is my review…..

Tragedy when it hits is never expected and the devastation, after initial shock, rushes out like waves and ripples flooding over all it touches. Seeping like damp into everyone’s hearts it leaves you cold and numb. Many bands have faced upsets in their lives, some have survived others not. Many losses are through age and/or self abuse taking it’s toll, but when you lose someone before their expected time, it hits hard. Over the last few years Riverside have become one of my favourite bands and watching them ‘live’ last year we got the feeling they were on the verge of breaking through to the next level and greater things.

But fate is a cruel mistress and I was surprised the sudden passing in February of guitarist Piotr Grudziński affected me so emotionally. Then going online to find the outpouring of sympathy from other fans and the support for the other band members, families and friends was overwhelming. Bassist/vocalist, Mariusz Duda then lost his Father in May and further personal issues have dogged him since. He, along with drummer Piotr Kozieradzki and keyboardist Michał Łapaj, could be forgiven for wanting to take some time away, but it is to their credit and the measure of the men that they have decided to continue as a trio and have started to make future plans as well as continuing solo projects in the wings.

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The band have already issued “Love, Fear and the Time Machine” in 5.1 and last Friday (21st October) they released the double disc instrumental “Eye Of The Soundscape”, a fitting homage to their  friend Piotr.

To misquote from Star Wars, ‘this may not be the Riverside you are looking for’. It is a collection of  ideas the band have composed and accumulated over a number of years, some of which have already appeared as bonus tracks with other albums. There are traces of the Riverside we know and love and the beautiful strains of Piotr’s guitar haunts the melodies, but this extensive work  has more in common with the likes of Tangerine Dream mixed with hints of Kraftwerk and Pink Floyd.

You may be accustomed to my reviewing album tracks on an individual basis, but in this case I feel the album works better if listened to as a whole. It will not be for everyone and with the best will in the world, you will find the direction and length of this formidable album (though the tracks on the second disc are generally shorter) tests you and it may be that only the hardcore Riverside fan will persevere and last the distance.

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The ambient mood and atmosphere of this album floats you down a dark river of keyboards and effects, the bass and drums causing the eddy and flow, with the guitar propelling “Eye Of The Soundscape” along a dreamy and immersive journey, some of which will engage you whilst other tracks will wash over you like liquid velvet. Jazz infused saxophone passages echo in the night-lit jungle as you drift along, the large bright moon of sound casting fleeting shadows of effects through the dense foliage of music.

 Piotr’s fluid (at times Gilmoresque) fretwork is quite sublime if understated in places, on what some may see as an album of pleasant enough background music, soporific or even uninteresting. Before the devout following tear me to pieces, I hasten to point out I do not fall into those categories as I am also a fan of Tangerine Dream and Pink Floyd and own many of their recordings in my collection along with other ambient classics and instrumentals.

 Some may only listen to “Eye Of The Soundscape” once and place the album on a shelf, leaving it to collect dust or brushing it off occasionally to attempt further understanding and convince themselves they do like it; you don’t have to. It will split opinion with it’s diversification but I feel  it stands as a fitting tribute from the band and on behalf of everyone Piotr’s presence touched, to a sadly missed and greatly loved friend.

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There have been better Riverside albums musically, but none more emotionally charged from a band who truly have remained as positive as possible in the face of adversity. Never losing touch with their fans, sharing visions and hopes and updating everyone with every tentative step along this personal journey, they humble us. The quality of the instrumentation from the band is also first class.

I would recommend you listen before buying to ensure it is for you and those with a taste for the more chilled side of music give it a try, even if Riverside’s previous output has not been to your taste. There is light through this dark tunnel which will see this band emerge to you either as a bright new butterfly or a dull coloured moth, I know which I will follow as it flutters over the musical landscape.

On this occasion it seems only fitting to leave the last words in this review to the band as a parting farewell to Piotr:

“This is our last journey together so we dedicate this album to you, Brother. In our hearts you will stay forever.”

Released 21st October 2016

Buy ‘Eye Of The Soundscape’ from InsideOut Music

Riverside Live at Islington Assembly Hall – 20th October 2015 – by Aidan Campbell

Providing the first live guest review is Aidan Campbell. Not a bad gig either, Riverside live at the Islington Assembly Hall…..

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This will be the third time I have seen the Polish prog-rock band live and, for some reason, this will be the third time they are in playing in a venue in the North London borough of Islington.  I saw them in 2013 and 2014 at the Academy but this time they are at the Assembly Hall, a venue just up the road and about 10 minute walk from Angel tube station.

The band come on stage around 9pm and launch straight into Lost, the opening song from their new album ‘Love, Fear and The Time Machine’.

Consisting of vocalist and bassist Mariusz Duda, keyboardist Michal Lapaj and founder members Piotr Grudziński on guitar and Piotr Kozieradzki on drums, the quartet are on fine form tonight. The undoubted star of the show, however is Michal, using a Korg Kronos for piano, he creates some wonderful, delicate passages on We Got Used to Us and some mighty Hammond organ on songs such as Hyperactive and The Depth of Self-Delusion.

It is when he gets onto the Sequential Circuits Prophet 5 that the real magic happens.  The pulsating arpeggios adding a futuristic element to the Riverside sound, a song like the superb 9 minute Egoist Hedonist would sound totally different without Michal doing what he does with that synth.

Song wise the highlight for me, probably, is Escalator Shrine. Divided into 3 parts with a mid-tempo first section, a fast heavy second section, with some excellent Hammond organ playing from Michal (he is a fan of the late Jon Lord), and a slow mellow third section.  As the 13 minute track finishes the crowd of 500 give it the biggest cheer of the evening.

Riverside only played 3 songs from the new album but that is not too much of an issue when you have so many great songs in their back catalogue and only 2 hours to play them!

The band end their set with Found, the closing song from the new album and a sister song to Lost, which, together, bookend a very fine album and one of my favourites of the year.  They finished at 10:50pm after playing for just short of 2 hours, everyone going home happy after a great show. I even managed to make it back to King’s Cross in time for the 11:30 train back to Peterborough!

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