Review – Riverside – ID.Entity

Who are you in these strange times? Are you still yourself or have you started playing the role of someone else? Or maybe you’re living a double life and HERE you are someone completely different than THERE? Certainly, the concept of “Identity” is multifaceted and it would be impossible to fit all of its aspects in a 53-minute-long story. On their new album ‘ID.Entity’, Riverside are trying to answer some of these questions beginning with the one about… their own identity.

“Before we started working on the new album, I asked myself a few questions,” says Mariusz Duda, the leader of the band. “Some personal ones, some about the current times, but most of all, questions about the band, for instance, ‘What is our strongest suit?’ There were two answers: ‘Melodies and… live performances!’ ‘What is the most comfortable setting for Riverside?’ Again, the answer was pretty obvious: ‘the stage’. Ironically, we haven’t really spoilt our fans with live releases, so I thought perhaps it was time to record a studio album which would musically reflect the character and dynamic of our live shows. Especially that we really wanted to say goodbye to the decade of sadness and melancholy, which dominated our recent releases.”

So, that’s the publicity blurb about this stunning new album from Poland’s premier prog-metal band Riverside and, after the ‘sadness and melancholy’ of their previous three releases, ‘ID.Entity’ hoves into view like a welcome dose of lightness and fresh air. Don’t get me wrong, there is no such thing as even an average Riverside release (and ‘Love, Fear and the Time Machine’ is still my favourite release from the band) but the darkness and heartache felt since the tragic loss of original guitarist Piotr Grudziński has finally cleared and enabled the band to return with one of their most uplifting albums. It is still a cutting diatribe about lack of trust, social divisions, uncertainty, lies, propaganda and invigilation and a world full of anger and helplessness but there’s an upbeat drama to the music.

The album consists of seven cleverly woven tracks that detail Mariusz opening up to social problems: Big Techs, populists,conspiracy theories, hatred, greedy corporations causing the planet and the human nature to die at an accelerated speed. The opening track Friend or Foe is dominated by the sublime keyboards of Michał Łapaj, who gives the song a real 80’s feel that combines with the grinding riffs of Maciej Meller and Mariusz’s Morten Harket-esque vocals to create a darkly contorted version of a-ha lost in a time warp. It’s a magnificent track full of vigour and vitriol and gives a flying start to this sublime record. Landmine Blast is a wonderfully dynamic song where the guitar is central to proceedings, fiery and compelling with a uniquely edgy feel thanks to the vibrant drumming of Piotr Kozieradzki. The staccato beat adds a real sense of urgency and mystery to things and Mariusz lends a flowing vocal to add ebullience and energy, this is classic Riverside in the vein of ‘Anno Domini High Definition’. I know a lot of people are not convinced by the artificial voice that opens Big Tech Brother and, yes, it is a bit corny but it doesn’t spoil what is another powerfully compelling piece of music. The funky keyboards and pounding drums add focus before some mountain sized riffs deliver a primeval dominance to the song. Mariusz interjects a sense of calm with his elegant vocal delivery but this track is a dark leviathan at heart.

The Riverside of the class of ‘Shrine Of New Generation Slaves’ then deliver an authoritative demonstration of intent with the all-powerful techno-metal of the catchy Post-Truth. Another finely crafted piece of music that I found rapidly became a quite addictive listening experience that ebbs and flows with a life force all of its own, Maciej’s guitar playing on this track is just sublime. This album will rapidly become part of your life and on constant replay and one of the reasons for that is the utterly brilliant The Place Where I Belong, the longest track on the album and one where Mariusz is at his songwriting best. Thirteen minutes of compelling, spellbinding music that fascinates and enthrals you in a irresistible manner. Perfectly constructed, both musically and lyrically and delivered by musicians at the height of their considerable powers, it is a landmark song in a stellar career and has something for every Riverside fan.

Anarchic and in your face, I’m Done With You is a metaphorical sucker punch to the gut that grabs your attention with its electronic edginess and in your face attitude. Vibrant keyboards, forceful drums and rabid riffs combine with Mariusz angry vocal to deliver the most incendiary track on the album and one that leaves you edgy and restless. The helter-skelter fast-paced intensity and magnetism of the fantastic Self-Aware is almost something new from Riverside, more reminiscent of 90’s hard rock and grunge than the intellectual prog-metal usually associated with the band and I absolutely love it. A sign that the band have shed any self-imposed shackles and feel free to do whatever they want with no fear of repercussions, it’s melodic, upbeat and just a little bit in your face and I’d love to hear more of it. A new direction? Why not when it’s this good!

Riverside are a band who have always gone their own way and been proud to defy convention and after the dark melancholy and sadness of recent releases, the band have returned with a brightly shining beacon of light. ‘ID.Entity’ is a generally uplifting album that puts a huge smile on my face every time I hear it and one that, I’m sure, will still be lighting up people’s lives for years to come.

Released 20th January, 2023.

Order ‘ID.Entity’ here:

Riverside – ID.Entity (lnk.to)

RIVERSIDE – Release new single/video “Friend or Foe? (Single Edit)” off upcoming album “ID.Entity”; Announce first leg of European Tour

Poland’s pioneering and leading Progressive Rock band RIVERSIDE will soon release their new studio album “ID.Entity” via InsideOutMusic on January 20th, 2023. Today, RIVERSIDE are pleased to reveal a new single and video in promotion of the upcoming album.

Check out the album’s opening track “Friend or Foe?” in its ‘Single Edit’ and with a video clip animated and directed by Thomas Hicks / http://www.thomashicks.co.uk here: 

RIVERSIDE’s Mariusz Duda checked in with the following comment about the new single:

“’Friend or Foe?’ is one of the key songs on the new RIVERSIDE album. Not only is it the opening track but, musically, it is possibly also the most courageous and intriguing one. 

One of its strong points is the lyrics which talk about how we’re perceived by others, especially these days, when pretending to be someone you’re not on social media has become the norm. Can we still be ourselves or do we have to keep adapting to the requirements of new algorithms? Perhaps we’ve already lost our identities and we’re only waiting for instructions from a Siri or Alexa? 

“Who do you pretend to be?” are the first words of the song and the listener has already started searching for that 80s band it reminds them of. Is this a mere inspiration or is it provocation? Is the writer of the song pretending to be someone else or is this who he really is? Who is behind it all? The artist himself or a producer churning out music for many other artists? Is what I’m writing now a reflection of what I’m feeling or am I writing it because I want to put the song on a higher recommended playlist? And if we apply it to politics, who are the candidates? Are they credible? Trustworthy? Will they keep their promises? And finally, will we be able to trust each other one day, hear each other out and understand, or will we still keep our distance and suspicions?

Perhaps there is a chance to build a better world, but how to recognise who is a friend and who is a foe?”

“ID.Entity”, the group’s 8th studio album was recorded and mixed in two studios – The Boogie Town Studio in Otwock with Paweł Marciniak and in Serakos studio in Warsaw with Magda and Robert Srzedniccy -, mastered by Robert Szydło and produced by RIVERSIDE’s Mariusz Duda himself. The “ID.Entity” artwork was created by Polish artist Jarek Kubicki.

Previously released singles/videos off “ID.Entity” can still be checked out here:

“I’m Done With You”: https://www.youtube.com/watch?v=3q6XJfKxKb4

“Self-Aware (Single Edit)”: https://youtu.be/Weuo4hgVHyY

RIVERSIDE have also launched a “Riverside Heavy” playlist featuring “I’m Done With You” as well as many other heavier tracks from the band’s comprehensive catalogue, which you can check out here:

Here is the standard track-listing for the album: 

RIVERSIDE – “ID.Entity” (53:11)

Tracklist:

1. Friend or Foe? (07:29)

2. Landmine Blast (04:50)

3. Big Tech Brother (07:24)

4. Post-Truth (05:37)

5. The Place Where I Belong (13:16)

6. I’m Done With You (05:52)

7. Self-Aware (8:43)

The bonus material appearing on “ID.Entity” includes the instrumental tracks “Age of Anger” (11:56) and “Together Again” (06:29) as well as “Friend or Foe? (Single Edit)” (05:59) and “Self-Aware (Single Edit)” (05:29).

“ID.Entity” will be available in the following formats:

–        Ltd. Deluxe 2CD+Blu-ray Artbook 
(Disc 1: Album, Disc 2: All 4 bonus tracks, Blu-ray: All main 9 album tracks in Dolby Atmos, 5.1 and 24bit HighRes Audio mix versions) 
-> Pictured above!

–        Ltd. 2CD Mediabook (Disc 1: Album, Disc 2: All 4 bonus tracks)
-> Pictured above!

–        CD Jewelcase

–        Deluxe Digital Album (Including all 4 bonus tracks)

–        Digital album

The album’s vinyl version comes as Gatefold 2LP (With the bonus tracks “Age of Anger” and “Together Again” on Side D) in the following variants:
– Black vinyl: All outlets
– Orange vinyl: All outlets

– White vinyl: 500x copies via JPC & Burning Shed
– Yellow vinyl: 500x copies via EMP & Just For Kicks
– Sky Blue vinyl: 600x copies via Laser’s Edge & CM Distro/Webshop Europe

The pre-order for “ID.Entity” in its various formats is available here:
https://riverside.lnk.to/IDEntity

Or here:

https://riverside.lnk.to/IDEntitybio

“ID.Entity”, an album that extends and expands RIVERSIDE’s characteristic sound, but all in a revamped and more dynamic formula, follows 2018’s widely acclaimed ‘Wasteland’ album, which entered the charts in Germany at # 13, The Netherlands at # 28, Switzerland at # 23, Austria at # 39, UK at # 83, Finland at # 30, France at # 97, Czech Republic at # 59 and Poland at # 1.

Next to their return to North America in February/March, RIVERSIDE have recently also announced their “Spring Edition” European Tour, a first of three European touring legs across this year. Check out the band’s upcoming confirmed live-dates here:

RIVERSIDE – “ID.Entity” – Live 2023:

 

North American Tour:
17.02.2023 Tampa, FL – The Orpheum

18.02.2023 Orlando, FL – The Abbey

19.02.2023 Atlanta, GA – Hell At The Masquerade

21.02.2023 Dallas, TX – Amplified Live

22.02.2023 Austin, TX – Come And Take It Live

24.02.2023 Mesa, AZ – The Nile Theater

25.02.2023 Pomona, CA – The Glass House

26.02.2023 Berkeley, CA – Cornerstone

28.02.2023 Vancouver, BC – The Rickshaw Theatre

01.03.2023 Seattle, WA – Neumos

03.03.2023 Salt Lake City, UT – The State Room

04.03.2023 Boulder, CO – Fox Theatre

07.03.2023 St. Paul, MN – Amsterdam Bar And Hall

08.03.2023 Chicago, IL – Bottom Lounge

10.03.2023 Toronto, ON – Lee’s Palace

11.03.2023 Montreal, QC – Corona Theatre

12.03.2023 Quebec City, QC – Imperial Bell

14.03.2023 Boston, MA – Brighton Music Hall

16.03.2023 New York, NY – Sony Hall

17.03.2023 Philadelphia, PA – Underground Arts

18.03.2023 Pittsburgh, PA – Thunderbird Music Hall

19.03.2023 Washington, DC – Black Cat

21.03.2023 Carrboro, NC – Cat’s Cradle

European Tour – Spring Edition:

16.04.2023 Eindhoven (The Netherlands) – Effenaar / Prognosis Festival
18.04.2023 Dublin (Ireland) – Button Factory
20.04.2023 Glasgow (UK) – Garage
21.04.2023 Birmingham (UK) – O2 Institute 2
22.04.2023 Manchester (UK) – Academy 2
23.04.2023 London (UK) – Indigo O2 / Prognosis Festival

25.04.2023 Copenhagen (Denmark) – Amager Bio
26.04.2023 Gothenburg (Sweden) – Pustervik
27.04.2023 Oslo (Norway) – Cosmopolite
28.04.2023 Stockholm (Sweden) – Lilla Cirkus
30.04.2023 Tampere (Finland) – Olympia
01.05.2023 Helsinki (Finland) – Tavastia


Ticket info: https://riversideband.pl/en/gigs

And more dates coming soon…

More RIVERSIDE news coming soon…

RIVERSIDE line-up:
Mariusz Duda – vocal, bass
Maciej Meller – guitar
Michał Łapaj – keyboards and Hammond Organ
Piotr Kozieradzki – drums

RIVERSIDE – Release new single/video “Self-Aware (Single Edit)” off upcoming album “ID.Entity”; Announce North American Tour

Today, Poland’s pioneering and leading Progressive Rock band RIVERSIDE are pleased to present a second single for their upcoming studio album “ID.Entity”, to be released via InsideOutMusic on January 20th, 2023.

Check out the album’s closing track “Self-Aware” in its ‘Single Edit’ version and with an entertaining video clip directed by Marcin Zawadziński and Mariusz Duda here: 

RIVERSIDE’s Mariusz Duda checked in with the following comment about the new single: 
’Self-Aware’ is a song which summarises the entire album, and talks about how it’s difficult these days to live in a society and ignore all the social changes, how you can’t simply be passive, “shut yourself off”, or “hole up deep in the woods”. We need each other in order to change something in our lives. Not everything can be done single-handedly; “I have to be better than others, I have to be the best” is not a good mantra. We need cooperation to achieve goals. And it’s important that this message comes not from a solo artist, but from a band, whose success lies mostly in cooperation within the band and interaction with their listeners.”

“ID.Entity”, the group’s 8th studio album was recorded and mixed in two studios – The Boogie Town Studio in Otwock with Paweł Marciniak and in Serakos studio in Warsaw with Magda and Robert Srzedniccy -, mastered by Robert Szydło and produced by RIVERSIDE’s Mariusz Duda himself. The “ID.Entity” artwork was created by Polish artist Jarek Kubicki. 

A first single off “ID.Entity” was recently released via the track “I’m Done With You”, which can also be seen here in a video-clip animated and directed by Thomas Hicks / www.thomashicks.co.uk here: https://www.youtube.com/watch?v=3q6XJfKxKb4

RIVERSIDE also launched a “Riverside Heavy” playlist featuring “I’m Done With You” as well as many other heavier tracks from the band’s comprehensive catalogue, which you can check out here:

 Here is the standard track-listing for the album: 

RIVERSIDE – “ID.Entity” (53:11)

Tracklist:

1. Friend or Foe? (07:29)

2. Landmine Blast (04:50)

3. Big Tech Brother (07:24)

4. Post-Truth (05:37)

5. The Place Where I Belong (13:16)

6. I’m Done With You (05:52)

7. Self-Aware (8:43)

The bonus material appearing on “ID.Entity” includes the instrumental tracks “Age of Anger” (11:56) and “Together Again” (06:29) as well as “Friend or Foe? (Single Edit)” (05:59) and “Self-Aware (Single Edit)” (05:29).

The album will be available in the following formats: 

–        Ltd. Deluxe 2CD+Blu-ray Artbook 
(Disc 1: Album, Disc 2: All 4 bonus tracks, Blu-ray: All main 9 album tracks in Dolby Atmos, 5.1 and 24bit HighRes Audio mix versions) 
-> Pictured above!

–        Ltd. 2CD Mediabook (Disc 1: Album, Disc 2: All 4 bonus tracks)
-> Pictured above!

–        CD Jewelcase

–        Deluxe Digital Album (Including all 4 bonus tracks)

–       Digital album

The album’s vinyl version comes as Gatefold 2LP (With the bonus tracks “Age of Anger” and “Together Again” on Side D) in the following variants:
– Black vinyl: All outlets
– Orange vinyl: All outlets

– White vinyl: 500x copies via JPC & Burning Shed
– Yellow vinyl: 500x copies via EMP & Just For Kicks
– Sky Blue vinyl: 600x copies via Laser’s Edge & CM Distro/Webshop Europe

The pre-order for “ID.Entity” in its various formats is available here:
https://riverside.lnk.to/IDEntity

“ID.Entity”, an album that extends and expands RIVERSIDE’s characteristic sound, but all in a revamped and more dynamic formula, follows 2018’s widely acclaimed ‘Wasteland’ album, which entered the charts in Germany at # 13, The Netherlands at # 28, Switzerland at # 23, Austria at # 39, UK at # 83, Finland at # 30, France at # 97, Czech Republic at # 59 and Poland at # 1. 

RIVERSIDE have recently also announced their return to North American stages in February/March 2023 in promotion of “ID.Entity”. Check out the band’s upcoming confirmed live-dates here:

RIVERSIDE – Live 2023:

North American Tour:
17. February 2023 Tampa, FL – The Orpheum

18. February 2023 Orlando, FL – The Abbey

19. February 2023 Atlanta, GA – Hell At The Masquerade

21. February 2023 Dallas, TX – Amplified Live

22. February 2023 Austin, TX – Come And Take It Live

24. February 2023 Mesa, AZ – The Nile Theater

25. February 2023 Pomona, CA – The Glass House

26. February 2023 Berkeley, CA – Cornerstone

28. February 2023 Vancouver, BC – The Rickshaw Theatre

1. March 2023 Seattle, WA – Neumos

3. March 2023 Salt Lake City, UT – The State Room

4. March 2023 Boulder, CO – Fox Theatre

7. March 2023 St. Paul, MN – Amsterdam Bar And Hall

8. March 2023 Chicago, IL – Bottom Lounge

10. March 2023 Toronto, ON – Lee’s Palace

11. March 2023 Montreal, QC – Corona Theatre

12. March 2023 Quebec City, QC – Imperial Bell

14. March 2023 Boston, MA – Brighton Music Hall

16. March 2023 New York, NY – Sony Hall

17. March 2023 Philadelphia, PA – Underground Arts

18. March 2023 Pittsburgh, PA – Thunderbird Music Hall

19. March 2023 Washington, DC – Black Cat

21. March 2023 Carrboro, NC – Cat’s Cradle
—————————-

15-16. April 2023 Eindhoven (The Netherlands) – Prognosis Festival
22-23. April 2023 London (UK) – Prognosis Festival 
https://www.prognosis-festival.nl/

More RIVERSIDE live show announcements and further details about “ID.Entity” coming soon…

RIVERSIDE line-up:
Michał Łapaj – keyboards and Hammond Organ
Mariusz Duda – vocal, bass
Piotr Kozieradzki – drums
Maciej Meller – guitar

RIVERSIDE – Announce details for new album “ID.Entity”; Launch first single/video for “I’m Done With You”; Album pre-order started

Poland’s pioneering and leading Progressive Rock band RIVERSIDE finally return with a new studio album entitled “ID.Entity”, to be released via longtime international partners InsideOutMusic on January 20th, 2023.

“ID.Entity”, the group’s 8th studio album was recorded and mixed in two studios – The Boogie Town Studio in Otwock with Paweł Marciniak and in Serakos studio in Warsaw with Magda and Robert Srzedniccy -, mastered by Robert Szydło and produced by RIVERSIDE’s Mariusz Duda himself. The “ID.Entity” artwork (Front cover to be seen above!) was created by Polish artist Jarek Kubicki. 

Today, a first single off “ID.Entity” is being released via the track “I’m Done With You”, which can also be seen here in a  video-clip animated and directed by Thomas Hicks / www.thomashicks.co.uk here: 

RIVERSIDE’s Mariusz Duda checked in with the following comment about “I’m Done With You”: 
We live in times of anger and helplessness. In times dominated by Big Techs, populists, conspiracy theories, hatred, greedy corporations causing the planet and the human nature to die at an accelerated speed. We live in times when one country can attack another out of the blue just because they think they are more deserving of something. These days it’s simply hard to sing only about love, friendship and escapes into imaginary worlds. “I’m Done With You” is about an anger and frustration!”

Here is the standard track-listing for the album:

RIVERSIDE – “ID.Entity” (53:11)

Tracklist:

1. Friend or Foe? (07:29)

2. Landmine Blast (04:50)

3. Big Tech Brother (07:24)

4. Post-Truth (05:37)

5. The Place Where I Belong (13:16)

6. I’m Done With You (05:52)

7. Self-Aware (8:43) 

The bonus material appearing on “ID.Entity” includes the instrumental tracks “Age of Anger” (11:56) and “Together Again” (06:29) as well as “Friend or Foe? (Single Edit)” (05:59) and “Self-Aware (Single Edit)” (05:29). 

The album will be available in the following formats:

–        Ltd. Deluxe 2CD+Blu-ray Artbook 
(Disc 1: Album, Disc 2: All 4 bonus tracks, Blu-ray: All main 9 album tracks in Dolby Atmos, 5.1 and 24bit HighRes Audio mix versions)

–        Ltd. 2CD Mediabook (Disc 1: Album, Disc 2: All 4 bonus tracks)

–        CD Jewelcase

–        Deluxe Digital Album (Including all 4 bonus tracks)

–       Digital album 

The album’s vinyl version comes as Gatefold 2LP (With the bonus tracks “Age of Anger” and “Together Again” on Side D) in the following variants:

–        Black vinyl: All outlets

–        Orange vinyl: All outlets

–       White vinyl: 500x copies via JPC & Burning Shed

–        Yellow vinyl: 500x copies via EMP & Just For Kicks

–        Sky Blue vinyl: 600x copies via Laser’s Edge & CM Distro/Webshop Europe

The pre-order for “ID.Entity” in its various formats also starts today here:
https://riverside.lnk.to/IDEntity

“ID.Entity”, an album that extends and expands RIVERSIDE’s characteristic sound, but all in a revamped and more dynamic formula, follows 2018’s widely acclaimed ‘Wasteland’ album, which entered the charts in Germany at # 13, The Netherlands at # 28, Switzerland at # 23, Austria at # 39, UK at # 83, Finland at # 30, France at # 97, Czech Republic at # 59 and Poland at # 1. 

Most recently, RIVERSIDE released the special 20th anniversary Digital Single “Story of My Dream”, which can be checked out in a video clip directed by Tomasz Pulsakowski / Sightsphere here: https://youtu.be/-s7fedFOP88


Additionally, RIVERSIDE also released two digital “best of” compilations to showcase the comprehensive and rich back-catalogue from across the last two decades of band activity. Featuring material all especially remastered by Magda and Robert Srzedniccy (Serakos Studio) for this occasion, “Riverside 20 – Vol.1, The Shorts” includes 19 tracks and “Riverside 20 – Vol.2, The Longs” includes 14 songs. Both individual “Riverside 20” compilations as well as a bundle are available here: 
https://riverside.lnk.to/Riverside20

Riverside – Live 2023:
15-16. April 2023 Eindhoven (The Netherlands) – Prognosis Festival
22-23. April 2023 London (UK) – Prognosis Festival 
https://www.prognosis-festival.nl/

More RIVERSIDE live show announcements and further details about “ID.Entity” coming soon…

RIVERSIDE line-up:
(From left to right on photo by Radek Zawadzki)
Michał Łapaj – keyboards and Hammond Organ
Mariusz Duda – vocal, bass
Maciej Meller – guitar
Piotr Kozieradzki – drums

RIVERSIDE – Important Line-Up Announcement; European Tour starting this Month!

Polish progressive Rock masters RIVERSIDE are happy to share line-up news with all of you:

Riverside are a quartet again!

Dear friends, this is an incredibly important moment in the history of our band.
 From the beginning of February 2020, Riverside are officially not a trio any more, we are a quartet! It is with incredible joy that we would like to announce that the fourth official member of the band is…

Well, you can’t have expected anyone else? 🙂 

He’s been with us for over three years. He let us recover from the tragic loss we have all experienced, he helped us survive and become, from year to year, a better and better live band. He has been our friend and our brother. We are welcoming him in our midst with great joy, in which we hope you will also share! 

Ladies and gentlemen, on the guitars in Riverside: Maciej Meller!

Being a good guitarist and loving music is one thing, but being able to fit in with your personality, incredible modesty and humility, that’s an incredibly important thing in our band. Maciej meets all the criteria and we are truly happy that he wants to continue our journey with us.

***

We still remember. And we still go back to the moment when, after we lost Piotr, in 2016, the massive amount of your support made us continue as Riverside. We were not ready to invite anyone to our family at that time. “Wasteland” had to be recorded as a trio. We simply had to cope with the loss on our own.

Now, it’s high time for Riverside to have a guitarist in the line-up again, not only during live shows but also in the studio, when working on new material. So we are really pleased to let you know that after coming back from the final, spring edition of the Wasteland Tour 2020, together with Maciek, in the new line-up, we will start working on the eighth album. 

The upcoming spring concerts will have a different character, a different tone, and Riverside will sound mightier than ever before. We would really like to see you there!

Last but not least – Piotr Grudziński will always be in our hearts, we all still love him and we will never forget him. But we have to move on. We are on a journey, they are waiting for us. There is more to create in this life, more to see, more to know, more to save. We hope that you will decide to stay with us again and that you will let us help one another through all of this. 

We are here with you and for you.

Riverside

***

RIVERSIDE’s next touring run starts later this month and includes dates across Europe as well as an appearance at the Cruise To The Edge and shows in Latin America as follows:

RIVERSIDE – Wasteland Tour 2020
26.02. Madrid (Spain) – MON Live
27.02. Barcelona (Spain) – Salamandra 1
29.02. Milano (Italy) – Legend Club
01.03. Treviso (Italy) – New Age Club
03.03. Lubljana (Slovenia) – Kino Šiška
05.03. Zagreb (Croatia) – Tvornica Kulture
06.03. Novi Sad (Serbia) – Pozorište Mladih
07.03. Thessaloniki (Greece) – Principal Club Theater
08.03. Athens (Greece) – Gagarin 205 Live Music Space
10.03. Istanbul (Turkey) – Zorlu PAC
11.03. Sofia (Bulgaria) – Music Jam Club
12.03. Bucharest (Romania) – Quantic Club
13.03. Cluj-Napoca (Romania) – /FORM SPACE
15.03. Budapest (Hungary) – Barba Negra
27.03.-01.04. Miami (USA) to Belize & Honduras – Cruise To The Edge 2020

02.04. Mexico City (Mexico) – Auditorio Blackberry 
04.04. Guadalajara (Mexico) – C3 Stage 
07.04. Santiago (Chile) – Teatro Nescafe
09.04. Sao Paulo (Brazil) – Carioca Club

16.04. Wrocław (Poland) – A2

17.04. Gliwice (Poland) – Arena Gliwice

18.04. Kraków (Poland) – Studio

19.04. Warszawa (Poland) – Progresja / Sold Out!

25.04. Gdańsk (Poland) – Stary Maneż / Sold Out!

26.04. Poznań (Poland) – Sala Ziemi / Sold Out!

Ticket links: 

https://riversideband.pl/en/gigs

RIVERSIDE most recently released a special edition 2CD+DVD version of their current and highly successful studio-album “Wasteland” via InsideOutMusic. The ”Wasteland – Hi-Res Stereo and Surround Mix” 2CD+DVD comes as Digipak format with an additional Slipcase and includes a DVD bonus disc of “Wasteland” as Hi-Res Stereo 24bit version and as Surround Mix (4.1), plus 3 video clips. This edition also contains 5 previously unreleased acoustic tracks/versions on a separate CD. 

Order RIVERSIDE’s ”Wasteland – Hi-Res Stereo and Surround Mix” 2CD+DVD here: 
https://Riverside.lnk.to/WastelandHi-ResStereoAndSurroundMix

The acoustic tracks/versions of the “Acoustic Session” are also available as separate Digital EP here:

https://Riverside.lnk.to/AcousticSessionEP

RIVERSIDE line-up 2020:
(From left to right on photo by Radak Zawadzki)

Piotr Kozieradzki – drums
Mariusz Duda – vocals & bass
Maciej Meller – guitar
Michał Łapaj – keyboards

Review – Riverside – Wasteland – by Progradar

“The darkness of the ultimate light is better than the lights of the ultimate darkness.”
― Mohsin Ali Shaukat

One cannot truly appreciate the light unless one has first walked in the dark. We talk of the light at the end of the tunnel, you see this through the dark and it is the ultimate goal, you must, however, travel through the dark to reach the light.

The tragedy that befell in February 2016 called into question the very existence of Riverside. The co-founder and guitarist of the band, Piotr Grudziński, died suddenly just before his 41st birthday. The band cancelled all the concerts planned for that year and dedicated the album “Eye of the Soundscape”, released in September 2016, to their late friend.

To begin a new chapter of Riverside, they would have to record an album from the point of view of someone bereft, someone who has survived a tragedy. The fact that the album would be recorded without their guitarist might result in having to experiment musically a little more than usual but, most of all, it might translate into deeper symbolism and carry a more profound meaning. “I had a feeling we would be alright and we could make something beautiful and exceptional,” recalls vocalist and main composer Mariusz Duda.

In the spring of 2017, Riverside resumed playing live. During the “Towards the Blue Horizon” tour the band were joined on stage by Maciej Meller who officially joined RIVERSIDE as their live guitarist. Why has he not become the official fourth member of the band? “It’s not so simple,” Duda explains, “To catch up with 15 years takes time. I love Maciej but everything has to have its place and time. For now we are a quartet only live.”

So that band is coming back this year with their seventh studio album called “Wasteland”, recorded as a trio: Mariusz Duda – vocals, guitars and basses, Piotr Kozieradzki – drums and Michał Łapaj – keyboards and Hammond organ.

The band entered the recording studio in December 2017 and Duda assumed the duties of the band’s guitarist. “We recorded a demo. It turned out alright and we had come to the conclusion that I would manage to play all the rhythmic parts, all the melodies and some of the solos. Naturally, to enhance the sound of the album, we left some space for guests.”

And so on the new album, you can hear a few guitar solos by Maciej Meller, as well as one by Mateusz Owczarek, a young, talented guitarist, who played with the band during their Warsaw memorial concert for Piotr. For the first time in their music, there are also violins played by Michał Jelonek.

Touted by the band as the spiritual successor to ‘Second Life Syndrome’, the new album is a much heavier and emotive proposition than fan favourite ‘Love, Fear and the Time Machine’. From the opening strains of Duda’s a-cappella vocals on The Day After and the segue into the sparse, industrial riff of Acid Rain, this is immediately apparent. An underlying feel of apprehension and darkness takes over the first few tracks on the album, for an album whose theme is attempting to survive in a world after the Apocalypse this is, perhaps, quite understandable.

This opening may surprise long term fans but it is superbly well crafted and delivered music that seeks to find a way through an increasingly turbulent world full of new divisions and conflicts. The closing couple of minutes of Acid Rain seem to bring a feeling of light and hope but that is immediately dashed by the granite heavy, staccato riff that delivers Vale of Tears onto an unsuspecting world. A powerful and imposing track that is delivered in one serious and heavy manner. So far ‘Wasteland’ and its predecessor are proving to be polar opposites.

The symbolism of the album refers not only to the post-apocalyptic visions of the world, but also to the death of Piotr Grudziński, to the band’s attempt to find themselves in new circumstances. The wistfully heartbreaking Guardian Angel with its understated vocals and delicate piano and guitar is calmness personified among the dark, post-apocalyptic feel of the earlier tracks. There’s a melancholy feel and a longing at its heart that brings a lump to your throat, a sepia tinged look back in time perhaps?

The elegant acoustic guitar that opens Lament gives no indication of what is to follow, Duda’s keening vocal heralds the entrance of the heaviest riff on the album so far, one that Mikael Åkerfeldt would have been proud of. A song that will inevitably draw comparisons with Opeth (well, I’ve done it!!) with its spacious and melodious verse and thunderous chorus. It’s the song on the album that really hits home with me, emotionally and musically, and Mariusz Duda’s solo just bleeds passion.

There’s a slight change in feel on the album as we head into the ying and yang of the 9 minute-plus instrumental The Struggle For Survival, a feel of the fight to pull away from the hold of the darkness and fight to get to the light. An invigorating first half where Duda’s bass line orchestrates proceedings with a deftness of touch is replaced by the more frantic and chaotic guitar and keyboard heavy second part where Łapaj comes to the fore. The graceful River Down Below sees the seeker getting closer to the light but there’s still a slightly forlorn edge to the music and a fragility to the vocal, a touching and truly moving song that wears its heart on its sleeve.

Title track Wasteland has a world-weary aura, a feel of an ending to a journey of extreme hardship but also one of hard fought knowledge collected along the way. The song drifts along with a lightness of being that can only come from the triumph over adversity. There’s a break into a frenzied instrumental section that fights to overcome the calm before sanity finally regains control. This gives an epic and cinematic feel to the song, an allegory of the fight between darkness and light which has been at the crux of the whole album. For me, the best is saved till last, the wonderful The Night Before where the sparsity of just piano and vocals gives humanity and reality to the song. It’s sublime, almost intangible grace seeps into your very soul until the song finishes and all is left is the vacuum of total silence.

Simply put ‘Wasteland’ is two things, a triumph of the light over the dark and a fitting tribute to Piotr. A compelling and engrossing musical journey through darkness, grief and loss to emerge into the light. A spiritual catharsis that sees a new chapter in the life of Riverside and puts them back at the forefront where they truly belong.

Released 28th September 2018

Order the album from Burning Shed here

 

RIVERSIDE – Reveal “Wasteland” album artwork and first release details!

Polish Rock masters RIVERSIDE are pleased to announce that their upcoming seventh studio album ‘Wasteland’ will be released via their longtime label partner InsideOutMusic on September 28th, 2018.

The album will once again feature artwork designed by longtime visual partner Travis Smith (Opeth, Devin Townsend, etc.) and the record’s main track-listing reads as follows:

RIVERSIDE – “Wasteland”:
1. The Day After
2. Acid Rain
3. Vale Of Tears
4. Guardian Angel
5. Lament
6. The Struggle For Survival
7. River Down Below
8. Wasteland
9. The Night Before

RIVERSIDE’s Mariusz Duda checked in with the following comment about the album’s overall concept: I’d been thinking about exploring “post-apocalyptic” regions for a long time. I read books, watched films, played video games, all connected by stories about an attempt to survive in a world that had just ended. But writing such a story myself didn’t make much sense until now. RIVERSIDEare starting a new chapter and after our recent experiences, a story like that has gained more meaning. “Wasteland” is mostly about what’s happening in the world these days but it also makes a reference to the tragedy that befell the band in 2016. Musically, we’ve returned to darker sounds but we have also turned a new page and recorded the album in a different style. It’s still RIVERSIDE but expressed in a much deeper and more mature way. Most artists say the same thing while promoting their new releases: that they have just created their best work to date. I won’t say that because everything we have done so far has been consistently very good and unique. But I will say that we have never had such an incredible emotional load on any of our previous releases, and it’s not likely that we will ever make such a charged album again. “Wasteland” is an epic, multidimensional, poetic and very deep album. Perhaps of the once in a lifetime kind.”

RIVERSIDE’s “Wasteland” marks the first studio album effort with newly composed music after the tragic passing of founding member and guitarist Piotr Grudziński on February 21st, 2016.

Attention: More album details, its pre-order option as well as a first single will be launched on July 27th, so stay tuned for more news soon…

After having just performed on a string of European festivals including the prestigious Night Of The Prog festival at the historic Loreley Amphitheater in Germany last weekend, RIVERSIDE are next embarking on the “Wasteland 2018 Tour” throughout October/November to support the release of their upcoming album. See an overview of all confirmed upcoming dates below:

RIVERSIDE – “Wasteland 2018 Tour”:
12.10.2018 Gdansk (Poland) – B90
13.10.2018 Poznan (Poland) – Tama
14.10.2018 Wroclaw (Poland) – A2
16.10.2018 Katowice (Poland) – Miasto Ogrodów
17.10.2018 Lódz (Poland) – Magnetofon
18.10.2018 Torun (Poland) – Od Nowa
20.10.2018 Kraków (Poland) – Studio
21.10.2018 Warszawa (Poland) – Hala Kolo
30.10.2018 Berlin (Germany) – Kesselhaus
31.10.2018 Schorndorf (Germany) – Manufaktur
03.11.2018 Lisbon (Portugal) – LAV
04.11.2018 Madrid (Spain) – MON LIVE
05.11.2018 Barcelona (Spain) – Salamandra 1
06.11.2018 Lyon (France) – CCO
07.11.2018 Paris (France) – La Machine
09.11.2018 Manchester (UK) – Academy 2
10.11.2018 London (UK) – The Electric Ballroom
11.11.2018 Sint-Niklaas (Belgium) – Casino
12.11.2018 Utrecht (The Netherlands) – TivoliVredenburg
14.11.2018 Hamburg (Germany) – Markthalle
15.11.2018 Oberhausen (Germany) – Turbinenhalle 2
16.11.2018 Pratteln (Switzerland) – Z7
17.11.2018 Neunkirchen (Germany) – Gloomaar Festival
Tickets: https://riversideband.pl/en/gigs

RIVERSIDE – Festivals 2019:
04.-09.02.2019 Tampa to Key West & Cozumel – Cruise To The Edge
More dates to follow soon…

Look out for more news on RIVERSIDE in the coming weeks…

RIVERSIDE – Sign new deal with InsideOutMusic; Announce new studio album and European tour!

Progressive Rock masters RIVERSIDE have just signed a new deal with longtime partners InsideOutMusic and are pleased to announce their upcoming seventh studio album “Wasteland” as well as its corresponding first European tour for October/November.

RIVERSIDE checked in with the following words:

Well, we’re back in the game! We’re happy to tell you that our seventh album will be called “Waste7and” (Wasteland) and will be released at the end of September this year. It will be our first album recorded as a trio. Our music has become more serious and more mature, so get ready for a manly and emotional album. “Waste7and” is going to be a really accomplished one. It combines the emotional character of the first two and the production maturity of the latest two releases. If everything goes according to plan (as we’re still recording), the new Riverside album will simply d e s t r o y you 🙂

Also this year we’re going on the “Wasteland 2018 Tour” to promote the new album. Below you will find a list of the cities we’re going to visit in the autumn of 2018. Tickets go on sale this Friday, June 1st. More info soon!“

In regards to the extended co-operation via a new deal between RIVERSIDE and InsideOutMusic, Thomas Waber, label manager/A&R international InsideOutMusic, checked in with the following comment:

“We have been working with Riverside for a long time now and there is a lot of personal history. The InsideOutMusic family would be very different without them, so I am extremely pleased that the family is staying together. We all miss Piotr dearly, but i am looking forward to this new chapter. You are still with us, Grudzień!”

Here is a list of the upcoming shows by RIVERSIDE announced so far:

RIVERSIDE – Festivals 2018/2019:
21.06.2018 Konin (Poland) – Progressive Evening
23.06.2018 Valkenburg (The Netherlands) – Midsummer Prog Festival
13.07.2018 St. Goarshausen (Germany) – Night Of The Prog Festival XIII
04.-09.02.2019 Tampa to Key West & Cozumel – Cruise To The Edge

RIVERSIDE – “Wasteland 2018 Tour”:
12.10.2018 Gdansk (Poland) – B90
13.10.2018 Poznan (Poland) – Tama
14.10.2018 Wroclaw (Poland) – A2
16.10.2018 Katowice (Poland) – Miasto Ogrodów
17.10.2018 Lódz (Poland) – Magnetofon
18.10.2018 Torun (Poland) – Od Nowa
20.10.2018 Kraków (Poland) – Studio
21.10.2018 Warszawa (Poland) – Hala Kolo
30.10.2018 Berlin (Germany) – Kesselshaus
31.10.2018 Schorndorf (Germany) – Manufaktur
03.11.2018 Lisbon (Portugal) – LAV
04.11.2018 Madrid (Spain) – MON LIVE
05.11.2018 Barcelona (Spain) – Salamandra 1
06.11.2018 Lyon (France) – CCO
07.11.2018 Paris (France) – La Machine
09.11.2018 Manchester (UK) – Academy 2
10.11.2018 London (UK) – The Electric Ballroom
11.11.2018 Sint Niklaas (Belgium) – Casino
12.11.2018 Utrecht (The Netherlands) – Tivoli Vredenburg
14.11.2018 Hamburg (Germany) – Markthalle
15.11.2018 Oberhausen (Germany) – Turbinenhalle 2
16.11.2018 Pratteln (Switzerland) – Z-7
17.11.2018 Neunkirchen (Germany) – Gloomaar festival
More dates to follow soon…

RIVERSIDE had previously announced guitarist Maciej Meller to complete the band’s line-up for shows after taking a longer break from any live performances due to the tragic passing of founding member and guitarist Piotr Grudziński on February 21st, 2016.

Look out for more news on RIVERSIDE in the coming weeks…

 

Review – Riverside – Lost ‘n’ Found: Live In Tilburg – by Kevin Thompson

So let’s face the elephant in the room straight away.

This is always going to be emotional on so many levels and affecting people to different degrees. The album was recorded in Dutch Club 013, Tilburg, in the autumn of 2015 and features Piotr Grudzinski who is sadly no longer with us. Not a subject I intend to dwell on and this should be seen as a glorious celebration of the man’s talent at the top of his game.

Every ten years Riverside add an exclusive release to their discography, and ‘Lost ‘n’ Found: Live in Tilburg’, is the latest. The double CD with graphics designed by Travis Smith was to be available only at this year’s shows on the “Towards the Blue Horizon Tour”. This raised an amount of consternation and unrest amongst those who would not be able to attend, no doubt fuelled further by enhanced emotions due to the sad loss of Piotr.

I was lucky enough to attend the concert at The Marble Factory in Bristol on May 20th, last Saturday in fact, and a copy was bought for me which has enabled me to write this review.

Closing the door on the above and opening the one saying ‘Backstage Only’ I stride down the corridor toward the stage where all the action is to take place on these discs. It would be the obvious thing to do, going through the tracks individually and commenting on them. But those who love Riverside’s music don’t need telling how good the songs are, or to be advised on the quality excellent musicianship of the individuals.

Better to look at this as a ‘Live’ experience. So what separates a poor live band from a great one and a quality ‘Live’ album from a dismal disc that ends up on your coffee table as a coaster? Every individual may differ in their opinion, but there are certain things that I like/dislike on ‘Live’ recordings.

It is a feeling, the ability to raise the hairs on the back of your neck with the electrical charge sparked between the band and their audience. It takes you back to that night if you were there, if not it transports you through the speakers to plant you, front row amidst the heaving throng of swaying bodies, as one in unison with the music pumping from the speakers.

A quality sound is imperative, too muddy or overproduced and it will be ruined. A fine line and delicately balanced it’s not easy to achieve the right mix and excellence whilst retaining the ‘Live’ atmosphere. The one that puts a smile on your face as you sit listening, a slave before your master, the sound system. The first applause introduces the arrival of the band on stage and the notes of the introductory track kick in, you close your eyes and raise your arms in supplication to the gods of your living room.

Your head nods and you mouth the lyrics to yourself, by now blissfully unaware that no one else is in the room (except the pets) and if the magic is taking a hold, then neither are you.

This brings me to another possible pitfall, the applause and running dialogue betwixt band and discerning crowd, or should I say, distinct lack of it on some so called ‘Live’ recordings. It saps the very energy from the atmosphere like a music hating succubus. The vampire intent on draining every last bloody drop of musical theatre from the sound. It has always puzzled me the urge to eradicate any and all components that allow a ‘Live’ recording to breathe naturally, nurturing the adoration and adulation blossoming from the performers and watchers alike.

It is the lifeblood which links the individual tracks, the pitfalls, dropped notes and reciprocal banter, in stilted attempts at the local dialect causing a warm felt humour. The band tune and retune whilst taking the opportunity to introduce the individual musicians, allowing you brief respite to settle back in your armchair whilst staying connected, before unleashing the next eagerly anticipated adrenaline injection of melody through the speakers.

By now the cat and dog have left the room, convinced you have lost a grip on reality and you don’t even notice the twitch of a whisker. You have no need to rise from your seat as the multi-disc player slides into the second CD, carrying you away on waves of euphoria, the bliss of release from day to day strife falling away as time slips by without a care in the world. All that matters is the here (or there) and now. Nothing can pull you from the crowd, eject you from your respectful reveries as your mind applauds an imaginary stage.

All too soon they reach the final song then leave the stage, the ecstatic crowd baying for more, clapping, stamping cheering and whistling. You are participating in the temporary auditorium created among the sofa and coffee table, with the closed curtains across the bay window shutting out the light, enhancing the illusion.

You, along with the attendant throng will the band to return for just a little while, play some more, don’t let go, not yet. Wetted appetites are slated as the members wander casually back into view, towels caressing well earned perspiration from weary but satisfied brows, in the knowledge that the final line is in sight and they will cross to the winner’s enclosure.

Every last drop of remaining emotion is wrung from the instruments, vocals accompanied by audience participated backing voices, from dry throats tortured to burning point by the smoke machines. Louder they get, to near hysteria levels, the ultimate note is struck and there is the briefest of silent pauses before realisation dawns that the band have played their last. Tumultuous waves of sound  from suffering air-pipes erupt in fervent appreciation for the unforgettable evening that has been bestowed upon the dedicated listener. The band leave the stage throwing drumsticks and plectrums to the hands reaching out and they’re gone.

Animated and enthused the multitude filter into the cold night air, steam rising from the heated bodies, wisps fading like the the lights, into the night.

It’s done and you rise flicking on the light switch to bathe the room in a warm glow, time to make a cup of tea and let the pets out into the garden. But don’t be too despondent as you can relive the event when and as often as you like.

‘But he’s hardly mentioned Riverside‘, I hear you cry.

Look again dear reader, they are there in every good word, every sentence to raise plaudits, every vowel, noun and space, for this is Riverside ‘Live’ in Tilburg. They have realised the dream and created moments to remember, scenes that will live forever in the mind. If you want a true ‘Live’ album then look no further, for the fan a must buy, for those interested a great introduction to one of the foremost modern bands on the scene.

Out of the darkness comes light and Riverside are bathed in it. Catch them on tour, you never know, you might even be on the next ‘Live’ release.

Available exclusively from each date on Riverside’s ‘Towards The Blue Horizon’ tour.

 

 

 

 

Review – Riverside – Eye Of The Soundscape – by Kevin Thompson

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This was meant originally as a preview, but time and tide, as they say… By now many of you may already have this and be making your own minds up. So here is my review…..

Tragedy when it hits is never expected and the devastation, after initial shock, rushes out like waves and ripples flooding over all it touches. Seeping like damp into everyone’s hearts it leaves you cold and numb. Many bands have faced upsets in their lives, some have survived others not. Many losses are through age and/or self abuse taking it’s toll, but when you lose someone before their expected time, it hits hard. Over the last few years Riverside have become one of my favourite bands and watching them ‘live’ last year we got the feeling they were on the verge of breaking through to the next level and greater things.

But fate is a cruel mistress and I was surprised the sudden passing in February of guitarist Piotr Grudziński affected me so emotionally. Then going online to find the outpouring of sympathy from other fans and the support for the other band members, families and friends was overwhelming. Bassist/vocalist, Mariusz Duda then lost his Father in May and further personal issues have dogged him since. He, along with drummer Piotr Kozieradzki and keyboardist Michał Łapaj, could be forgiven for wanting to take some time away, but it is to their credit and the measure of the men that they have decided to continue as a trio and have started to make future plans as well as continuing solo projects in the wings.

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The band have already issued “Love, Fear and the Time Machine” in 5.1 and last Friday (21st October) they released the double disc instrumental “Eye Of The Soundscape”, a fitting homage to their  friend Piotr.

To misquote from Star Wars, ‘this may not be the Riverside you are looking for’. It is a collection of  ideas the band have composed and accumulated over a number of years, some of which have already appeared as bonus tracks with other albums. There are traces of the Riverside we know and love and the beautiful strains of Piotr’s guitar haunts the melodies, but this extensive work  has more in common with the likes of Tangerine Dream mixed with hints of Kraftwerk and Pink Floyd.

You may be accustomed to my reviewing album tracks on an individual basis, but in this case I feel the album works better if listened to as a whole. It will not be for everyone and with the best will in the world, you will find the direction and length of this formidable album (though the tracks on the second disc are generally shorter) tests you and it may be that only the hardcore Riverside fan will persevere and last the distance.

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The ambient mood and atmosphere of this album floats you down a dark river of keyboards and effects, the bass and drums causing the eddy and flow, with the guitar propelling “Eye Of The Soundscape” along a dreamy and immersive journey, some of which will engage you whilst other tracks will wash over you like liquid velvet. Jazz infused saxophone passages echo in the night-lit jungle as you drift along, the large bright moon of sound casting fleeting shadows of effects through the dense foliage of music.

 Piotr’s fluid (at times Gilmoresque) fretwork is quite sublime if understated in places, on what some may see as an album of pleasant enough background music, soporific or even uninteresting. Before the devout following tear me to pieces, I hasten to point out I do not fall into those categories as I am also a fan of Tangerine Dream and Pink Floyd and own many of their recordings in my collection along with other ambient classics and instrumentals.

 Some may only listen to “Eye Of The Soundscape” once and place the album on a shelf, leaving it to collect dust or brushing it off occasionally to attempt further understanding and convince themselves they do like it; you don’t have to. It will split opinion with it’s diversification but I feel  it stands as a fitting tribute from the band and on behalf of everyone Piotr’s presence touched, to a sadly missed and greatly loved friend.

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There have been better Riverside albums musically, but none more emotionally charged from a band who truly have remained as positive as possible in the face of adversity. Never losing touch with their fans, sharing visions and hopes and updating everyone with every tentative step along this personal journey, they humble us. The quality of the instrumentation from the band is also first class.

I would recommend you listen before buying to ensure it is for you and those with a taste for the more chilled side of music give it a try, even if Riverside’s previous output has not been to your taste. There is light through this dark tunnel which will see this band emerge to you either as a bright new butterfly or a dull coloured moth, I know which I will follow as it flutters over the musical landscape.

On this occasion it seems only fitting to leave the last words in this review to the band as a parting farewell to Piotr:

“This is our last journey together so we dedicate this album to you, Brother. In our hearts you will stay forever.”

Released 21st October 2016

Buy ‘Eye Of The Soundscape’ from InsideOut Music