Marillion with Friends from the Orchestra Live in 2019

Marillion have announced that they will return to the road in the UK and Europe in 2019 with an extended line up of musicians joining the band.

The shows will feature the In Praise of Folly String Quartet plus Sam Morris on French Horn and Emma Halnan on Flute, featured on select numbers throughout the show as on previous occasions. In December 2017, Marillion played a sold-out show at The Royal Albert Hall which was the fastest selling concert of the bands career and featured this same ensemble of musicians who also featured on the UK tour in the spring of 2018. The concert at the Royal Albert hall was hailed by the fans and critics alike as “one of the best concerts in Marillion’s history”.  The recording of the show, ‘All One Tonight’ has since been released on DVD, Blu-Ray, CD and vinyl and topped the charts in 5 countries. Marillion will be playing songs spanning their 14 album-career with Steve Hogarth, as 2019 celebrates 30 years of him joining the band.

Tour Dates are:
November 2019
Fri 01                     Liverpool Philharmonic
Sun 03                   Nottingham Royal Concert Hall
Mon 04                 Manchester Bridgewater Hall
Wed 06                 Birmingham Symphony Hall
Thur 07             Portsmouth Guildhall
Sat 09                   Bath The Forum
Sun 10                  Oxford New Theatre
Tue 12                  Glasgow Royal Concert Hall
Wed 13                Gateshead The Sage
Fri 15                    Southend Cliffs Pavilion
Sat 16                   Cardiff St David’s Hall
Mon 18                London Royal Albert Hall
Tue 19                  London Royal Albert Hall
Tickets available from https://myticket.co.uk/ and venue box offices.

Live Review – Marillion at York Barbican 22nd April 2018 – by Progradar

“Play Seasons End, play Seasons End, please.play.Seasons.End…Fuck, they’re playing Seasons End!!”

And that, my friends, made what was already an incredible, emotive and stunning gig by one of my all time favourite bands the best gig I’ve ever been to. Yes, it was that bloody good!

Now I know I’m a lucky sod, I get to go to all sorts of live music events for free just because I write (hopefully, pretty well) about them but this was something different. I’d gone with one of my oldest friends (and a Marillion gig virgin) and we were meeting my great friend Iain Sloan of Wynntown Marshals and Abel Ganz fame (to name but two!), who had made the long journey down from North of the border, for a quiet beer or two before the show (see picture above).

York Barbican is a great venue, quite intimate while also having a very decent capacity and brilliant sound. This created a suitably intense atmosphere as the crowd built awaiting the support act Roxanne de Bastion. This talented singer/songwriter came on to a big round of applause from an already three quarters full venue.

Roxanne had broken her left ankle before the tour began but took it all in her stride as she sang her haunting and beguiling songs with more than a flavour of roots music to them. With stories garnered from personal experience she managed to keep the attention of the crowd and her voice and pared back, simple guitar and piano playing were pretty impressive. The only issue for me being that she did look slightly out place on her own in what is quite a big venue, not that this affected her performing in any way. As an appetite whetter before the main event, I was very impressed and this gifted musician is one I will be seeking out in the future.

A quick nip back to the bar to re-imbibe before the anticipated brilliance of Marillion

A dynamic and powerful opening salvo of El Dorado got the crowd going immediately and you sensed that the band were on good form as an ebullient Steve Hogarth prowled around the stage, his animated delivery a real highlight. This was immediately followed by a seriously compelling version of Power that had electricity sparking around the venue, Steve Rothery’s superb guitar playing making the hairs on the back of my neck rise, you just knew tonight was going to be a mesmerising experience.

All of the band were playing with fluidity and an almost carefree attitude, perhaps it was because it was the last night of the tour but, for me, they were putting all of their heart and soul into every note and every word.

Captivating versions of Quartz and The Party followed as the band went through their repertoire of carefully chosen tracks from over 30 years of making emotionally charged music and the adoring audience lapped it all up. It was like being in the middle of a cult but a wonderfully civilised one. There were standing ovations at the end of every track, Marillion could do no wrong tonight…

And then they played bloody Seasons End…What a spine-tingling, jaw dropping eight minutes that was, one of my favourite all time songs played by one of my all time favourite bands and with a guitar solo that soared to the heavens and was so full of emotion that I was lost in reverie. After the rapturous applause had died down Marillion delivered a thunderous performance of Living In Fear, the second track from current album ‘F.E.A.R’, one that seems to have given the band a new lease of life and attracted quite a few new followers to these veterans of the progressive scene.

The setlist took a ninety degree turn next as a band full of the confidence of a succesfull tour traded banter with the appreciative audience, Steve Hogarth asking Mark Kelly if they could swap Out of This World for a fan suggested White Paper and, to the cheers of the audience, they did! There was a real warmth and humour evident throughout the evening, the band were relaxed and obviously enjoying themselves and that came through in the performance.

A stirring rendition of The Leavers followed by Wave and Mad ramped the atmosphere through the roof, here is a band at the height of their not inconsiderable musical powers, Pete Trewavas bouncing around the stage and engaging in some gentle banter with Hogarth while Ian Mosley was an animated demon behind the drum kit, as ‘h’ would say, a bloody impressive pub band indeed!!

The set was completed by a blistering Afraid of Sunlight and a truly emotive performance of perennial fan favourite The Great Escape that surely had more than just a few eyes moist. At the end of every track virtually the whole theatre were on their feet cheering and clapping, just lost in the wonderful moment.

You know when the band leave the stage that there is going to be an encore and what an encore it was, a poignant and evocative Easter which contained possibly Rothers’ most impassioned solo ever and then a reverently received version of Sugar Mice that left the audience emotionally charged.

At this point I left, hoping to avoid the crowds but the opening notes of Garden Party had me rushing back in to the side of the stage to experience what was a group of friends enjoying themselves and playing music that they truly love, it was just magnificent!!

This time the crowd really did go wild…

So, there you have it, Marillion live at York Barbican, music really has the power to move you and bring a lasting joy to your heart and soul and, on this night, I had my most special musical epiphany ever and it just doesn’t get any better than that.

 

Marillion Release Live DVD – All One Tonight on 2nd April – Live Screenings at 6 Everyman Cinemas on 26th March

2nd March 2018 – On 2nd April Marillion release ALL ONE TONIGHT the live DVD of their Royal Albert Hall Show filmed in October 2017. On 26th March, there will be screenings of the show in 6 Everyman Cinemas across the UK. Marillion will host the screening at the Kings Cross Everyman. Tickets available from:

www.everymancinema.com/film-info/marillion-live-at-the-royal-albert-hall#scroll

On October 13 2017 Marillion played the Royal Albert Hall for the first time in their near forty year career. The show sold out in minutes, a full year before the band took to the stage at the iconic London venue. The audience, many of whom had travelled over oceans for the show, were treated to a Marillion show like no other.

In two parts, ‘All One Tonight’ firstly showcases the band’s acclaimed 2016 studio album ‘F E A R’ in full. Accompanied by an awe inspiring light show and films, Marillion perform their incisive and era defining zeitgeist with unparalleled passion and power.

The second half introduces In Praise of Folly and guests, a string quartet with flute and French horn that throughout the rest of the show inject an extra depth and emotion to some of Marillion’s best loved live material. Once again, with amazing lights and audience participation, Marillion steal the night, proving that they more than belong on the stage that has been trod by the most acclaimed musicians. Directed and edited by Tim Sidwell, recorded and mixed by Michael Hunter, ‘All One Tonight’ is a Racket Records and Toward Infinity production.

Marillion embark on their UK tour on 8th April.
FULL 2018 Tour Dates are:-

Date City Venue

Sun 8th April Belfast Ulster Hall – NEW DATE
Mon 9th April Dublin Vicar Street – NEW DATE
Wed 11th April Gateshead The Sage – last few tickets available
Fri 13th April Cambridge Corn Exchange – SOLD-OUT
Sat 14th April Birmingham Symphony Hall – SOLD-OUT
Mon 16th April Brighton Dome – last few tickets available
Tue 17th April  Bristol Colston Hall – SOLD-OUT
Thu 19th April Reading Hexagon – SOLD-OUT
Fri 20th April Liverpool Philharmonic Hall – SOLD-OUT
Sun 22nd April York Barbican – NEW DATE

 

Tickets available from myticket.co.uk, seetickets.com & venue box offices.

 

Marillion Add New Dates in Ireland and York to Sell-Out UK Tour

MARILLION have added 3 NEW DATES to their almost sold-out tour in April 2018.

Tickets for the shows in BelfastDublin and York go on sale on Friday, 26th January and fans of the prog giants should grab these tickets fast, as Marillion’s recent show at The Royal Albert Hall, sold out in just four minutes.

After nearly 40 years, Marillion have evolved into a vibrant and international musical force, flourishing seemingly outside of fashion and mainstream media exposure. And they are still as popular as ever – their most recent album, F E A R (Fuck Everyone and Run)peaked at No. 4 in the UK album charts and No. 1 in the rock chart last year and was given a 5-star review by The Guardian.

Steve Hogarth says: “I have been part of this band now for 27 years yet we’re as inspired as we ever were and still enjoying creating together. Luckily our music has remained free to evolve and change without the constraints of a corporate music business which otherwise might have killed us!. He continues, We’re really looking forward to this little outing, especially as we’re playing a few places we haven’t visited for a while. It’s long overdue!

FULL 2018 Tour Dates as follows:-
Sun 8th April Belfast Ulster Hall – NEW DATE
Mon 9th April Dublin Vicar Street – NEW DATE
Wed 11th April Gateshead The Sage – last few tickets available
Fri 13th April Cambridge Corn Exchange – SOLD-OUT
Sat 14th April Birmingham Symphony Hall – SOLD-OUT
Mon 16th April Brighton Dome – last few tickets available
Tue 17th April  Bristol Colston Hall – SOLD-OUT
Thu 19th April Reading Hexagon – SOLD-OUT
Fri 20th April Liverpool Philharmonic Hall – SOLD-OUT
Sun 22nd April York Barbican – NEW DATE

 

Tickets available from myticket.co.uk, seetickets.com & venue box offices.

 

MARILLION ANNOUNCE UK TOUR DATES

Prog rock giants MARILLION announce 7 new UK dates in April 2018 on the back of their October show at The Royal Albert Hall, which sold out within four minutes of going on sale, and The London Palladium in November, which also sold out in record time.

MARILLION’S music is more than prog, it’s musically-experimental and yet-emotional. Within the genre it has a uniquely soul-baring aspect which sets the band apart and has elicited an almost religiously zealous following.  After nearly 40 years, the band has evolved into a vibrant and international musical force, flourishing seemingly outside of fashion and mainstream media exposure. Since their formation, they have had 19 Top 30 singles, four of which made the Top 10.

Their most recent album, F E A R (Fuck Everyone and Run)peaked at No. 4 in the UK album charts and No. 1 in the rock chart last year and was given a 5-star review by The Guardian.

Steve Hogarth says: “I have been part of this band now for 27 years and it barely feels like 10. I think we’re as inspired as we ever were, and we’re still enjoying creating together. Luckily our music has remained free to evolve and change without the constraints of a corporate music business which otherwise might have killed us. 

 By reinventing the business-model we have maintained a one-to-one relationship with our fans, and that feeling is never more apparent than at the live shows. It’s always a pleasure to share a room with “the family” and exchange the passion on stage with the passion off stage. 

We’re playing a few places we haven’t visited for a while. Long overdue. ‘Really looking forward to this little outing.”

MARILLION are not just musically innovative… they are widely acknowledged to be the first band to use the-now-commonplace crowdfunding scheme. Pledge Music and Oxford University have acknowledged that the band invented the business model. In the late 90s, fans sponsored an entire US tour.  Their first crowd-funded album was Anoraknophobia, released in 2001.

Winners of a staggering EIGHT Categories in 2016 Prog Mag Awards (see Notes to Editors), MARILLION elicit remarkable devotion from their international fan base.  To those who already love MARILLION, the band is something special. To the uninitiated, it’s a love affair waiting to happen.

2018 Tour Dates as follows:- 

Date                           City                                         Venue

Wed 11th April           Gateshead                            The Sage

Fri 13th April              Cambridge                            Corn Exchange

Sat 14th April              Birmingham                          Symphony Hall

Mon 16th April           Brighton                                 Dome

Tue 17th April            Bristol                                     Colston Hall

Thu 19th April            Reading                                 Hexagon

Fri 20th April              Liverpool                                Philharmonic Hall

Tickets available from myticket.co.uk, seetickets.com & venue box offices.

On October 13th, MARILLION released an EP on earMusic featuring a live version of their epic “Living In F E A R” “Living In F E A R” which hit the no. 1 spot on the physical singles chart for 2 weeks.   The EP comes in limited CD Digipak as well as in a limited and numbered 12” Vinyl Edition, which includes three additional unreleased live songs.

MARILLION are:

 Steve Hogarth – lead vocals, lyrics, keyboards, guitars, percussion

Steve Rothery – electric guitars, acoustic guitars

Pete Trewavas – Bass, Guitar, Backing Vocals, Piano.

Mark Kelly – keyboards, samples and effects, backing vocals, programming

Ian Mosley – drums, percussion

BE PROG! MY FRIEND ANNOUNCES FINAL BANDS

FESTIVAL WHICH HIGHLIGHTS THE WORLD’S BEST PROGRESSIVE BANDS COMPLETES THIS YEAR’S LINE-UP WITH THE DEVIN TOWNSEND PROJECT, LEPROUS & JARDÍN DE LA CROIX.

30th June – 1nd JULY 2017 – BARCELONA

Since its inception in 2014 the Barcelona based festival Be Prog! My Friend has played host to the likes of Opeth, Steven Wilson, Anathema, Devin Townsend, TesseracT, The Pineapple Thief, Magma, Agent Fresco, Camel, Meshuggah, Katatonia, Riverside, Ihsahn and Alcest.

Taking place in the beautiful open air surroundings of Poble Espanyol – a huge stone built architectural museum – the site is one of the most important and striking landmarks of tourism in Barcelona. Whilst by day the Catalonian hotspot may play host to some of Barcelona’s most interesting historical articles, by the end of June to the start of July it will instead play host to some of the world’s finest progressive bands. Last year saw the festival co-headlined by Steven Wilson and fellow progressive heavy weights Opeth.

So far for 2017 Be Prog! My Friend have announced legendary headliners Jethro Tull and Marillion alongside Norwegian music collective Ulver, Anathema, Animals as Leaders, Mike Portnoy’s Shattered Fortress and Caligula’s Horse.

Now Be Prog! My Friends line-up for this year is complete with the addition of the Devin Townsend Project, Leprous and Spain’s Jardín de la Croix.

Devin Townsend returns to Be Prog! My Friend for an exclusive performance of his 1997 album ‘Ocean Machine: Biomech’ in full to celebrate its 20th anniversary. Devin himself describes ‘Ocean Machine’ as ‘a labor of love that was born more out of adversity than almost anything else. I’m very proud of this album, and has a very obvious ‘blue’ feeling to me’

Joining Devin will be one of the best progressive metal acts in the world, Leprous. The festival organisers comment: we were stunned by their technical genius, the absorbing personality of frontman Einar and their almighty live shows’. At Be Prog! My Friend their performance will be a ‘By Request’ show, where all fans of Leprous can vote. The songs with the most votes will be played at the festival.

The final band that completes the line-up for Be Prog! My Friend 2017 is Jardín de la Croix described by the festival as ‘one of the most beloved bands in the Spanish rock scene at the moment. With their excellent live shows they are definitely one of the best instrumental rock bands in Spain at the moment.  We proudly welcome them to the festival and hope you enjoy Jardín de la Croix with us!’

The complete line-up for Be Prog! My Friend 2017:

JETHRO TULL / MARILLION

MIKE PORTNOY’S SHATTERED FORTRESS / ANATHEMA / THE DEVIN TOWNSEND PROJECT / ULVER / ANIMALS AS LEADERS / LEPROUS / CALIGULA’S HORSE / JARDÍN DE LA CROIX

Tickets are on sale now at the fixed price of 130 Euros:

http://www.ticktackticket.com/entradas/goto.do?claves=.127248&origin=TTT&codIdioma=ING

 Press for Be Prog! My Friend festival 2016:

‘And so Prog finds itself in love with Barcelona, the delightful weather and everything that Be Prog! My Friend has to offer’ – Prog Magazine

‘The leading festival for progressive music in Spain, showcased avant-garde music in a magnificent location’ – The Independent

‘Set in the hazy sunlit square of Barcelona’s historic and quite stunning Poble Espanyol, it certainly beats the sodden mud of the British festival season’ – Total Guitar Magazine

‘If nothing else, it proves that prog is alive and kicking. Especially in Catalonia’ – Classic Rock Magazine

http://www.beprogmyfriend.com/

facebook.com/beprogmyfriend 

Be Prog! My Friend takes place in the heart of Barcelona and with an airport only 12km away, regular, cheap flights make it an easy festival to get and from the UK. Bands will start playing from mid/late afternoon each day which will also mean visitors have plenty of time to explore the stunning city of Barcelona while they are there.

http://www.barcelonaturisme.com

Exclusive hotel deals for Be Prog! My Friend attendees are available here:

http://www.beprogmyfriend.com/17/en/nearby-hotels/

Progradar Best of 2016 – Craig Ellis Bacon’s Top 10

Anderson/Stolt – Invention of Knowledge

Expansive and spiritual in the vein of Tales From Topographic Oceans, this album–like all things Yes these days–has sharply divided the prog world’s opinions. And everyone’s got an opinion on this thing. Well, I’m firmly in the camp that Jon Anderson, Roine Stolt, and Co. have gifted us with a masterpiece. The album is a singular experience, a meditative exercise in four movements. The unrelenting positivity might sound out of place for these dark days, but it’s nonetheless needed. Strong contender for album of the year, for those with ears to hear.

Big Big Train – Folklore

Big Big Train keep adding members, and with each addition they get a little–scrap that, they get A LOT–better. I think they’ve hit on a perfect line-up, because they’ve just released a perfect album. They continue here with themes of the English countryside and fading cultural artifacts, rocking a ‘pastoral prog’ approach that owes a lot to Selling England By The Pound and Wind & Wuthering. Be sure to listen to the extended version as released on vinyl and hi-res download.

Childish Gambino – “Awaken, My Love!”
Donald Glover and Ludwig Göransson deliver the funk with plenty of 70’s heart and…well, y’know. There’s lots of organic percussion, fat synths and keys, deep grooves, and vocal effects to fill out the tracks. Childish Gambino keeps things varied here, but centered on those 70’s funk tropes, and somehow manage to inhabit rather than merely imitate. If Prince had released this album in the last few years, it would have been hailed as a renaissance and return to form.

Ben Craven – Last Chance To Hear

Great & Terrible Potions is quite an album to follow up, but Ben Craven has managed it with Last Chance To Hear. Loosely a concept album about the end of the music industry as we’ve known it, this album features William Shatner, prog-a-billy, a spot-on James Bond theme, and even a lovely piano elegy. It’s also a contender for best album art and packaging, with gorgeous designs by Freyja Dean. Cinematic, progressive, singer-songwriter with lush production.

The Fringe – The Fringe

Nick D’Virgilio, Jonas Reingold, Randy McStine. I was sold on the first two names alone, and I wish I had known about the third sooner. Perhaps the album I’ve listened to the most this year, The Fringe incorporates the more alternative rock side of prog into a garage band ethos with my pick for the best production work of the year. The album is stacked with deep grooves, vocal harmonies, and guitar solos. The Fringe are too good to remain a side-project, so here’s hoping that we hear more, and soon.

Frost* – Falling Satellites

Prog has always been a Populist musical venture, however strange that may sound these days. Why shouldn’t pop be progressive, anyway? The latest from Frost* is the most modern-sounding album of the year; it’s ahead of its time, really. All pop music will sound like this in ten years (we can hope). Hooky, layered, accessible, rich, and emotional–it suits a wide range of musical needs.

Steve Hindalong – The Warbler

Incorporating elements of his work with The Choir, The Lost Dogs, and his previous solo album, Steve Hindalong turns in another batch of so very human songs. His descriptive lyrics are so mundane–that is, they essentially capture the mundanity of everyday life–that they bypass our receptors for aesthetic filigree and hit straight at the heart. It’s not unusual for a song to prompt tears, chuckles, and tears again in the course of a verse and chorus. Essentially a singer-songwriter album, the rich production frames the lyrics while never obscuring them. Don’t let the religious backdrop scare you away; this is less of a ‘Christian’ album than what Neal Morse was writing before he was a Christian, and it captures themes of friendship and everyday existence so very well.

Marillion – F.E.A.R

Wow. Of course I want my Prog to be beautiful, grandiose, immersive, but to get one that’s also so…so important? If I were ranking albums, this would have to be #1, and I’ll happily listen to it twice for every person who’s turned off by the message. Political prog at it’s finest, and Mark Kelly is going to win an award for his keys on this album, right

Muriah Rose – Beneath The Clay

Muriah Rose hits the ground running with this gorgeous debut, comprising folk, country, Americana, and singer-songwriter forms recalling The Carter Family, Julie Miller, and The Byrds. Beneath The Clay is Appalachian music through and through, not only musically but thematically and emotionally. Her husband, Bill Mallonee, holds down the rhythm section and adds textured guitar, but Muriah’s voice and lyrics stand front and center in the spotlight, where they belong.

Devin Townsend Project – Transcendence

Continuing in the vein of Sky Blue but with some Ocean Machine thrown in for good measure, Transcendence finds Devin Townsend working the “emotional mid-tempo rock” thing the DTP have perfected over the last several years, except that here they perfect it even a little more. While I’d love to hear more of Anneke Van Giersbergen’s vocals, the decision to lean on her vocals a little less really brings Dave Young’s guitar and Mike St-Jean’s keys more to the forefront. It’s not just marketing, folks: this album sounds less like a Project and more like a band effort. Nolly’s mixing and production also add some breathing room to Devy’s typically dense arrangements. It’s heavy, proggy, inspirational, and good.

 

 

 

Be Prog! My Friend festival announce Friday headliners Marillion

marillion-band-low-res

FESTIVAL WHICH HIGHLIGHTS THE WORLD’S BEST PROGRESSIVE BANDS ANNOUNCE FRIDAY HEADLINERS MARILLION 

Since its inception in 2014 the Barcelona based festival Be Prog! My Friend has played host to the likes of Steven Wilson, Opeth, Camel, Meshuggah, Anathema, Devin Townsend, Pain Of Salvation, Katatonia, Leprous, TesseracT, The Pineapple Thief, Magma, Between The Buried And Me, Anneke Van Giersbergen, Agent Fresco, Fish, Riverside, Ihsahn, Alcest, Textures, Haken, Iamthemorning, Obsidian Kingdom, The Algorithm & Antimatter.

Taking place in the beautiful open air surroundings of Poble Espanyol – a huge stone built architectural museum – the site is one of the most important and striking landmarks of tourism in Barcelona. Whilst by day the Catalonian hotspot may play host to some of Barcelona’s most interesting historical articles, by the end of June to the start of July it will instead play host to some of the world’s finest progressive bands.

This year saw the festival co-headlined by Steven Wilson and fellow progressive heavy weights Opeth. So far for 2017 Be Prog! My Friend have announced the legendary Jethro Tull as Saturday’s headliner alongside Norweigian music collective Ulver, Anathema, Animals as Leaders and Caligula’s Horse.

Now the festival have revealed Friday’s headiner for the 2017 edition of Be Prog! My Friend will be Marillion. The festival organisers comment:

Marillion’s music is, by its nature, tough to sum-up but perhaps can be described as experimental-yet-emotional rock, married to thought provoking, soulful lyrics – a powerful and moving cocktail which, for those who “get it”, elicits extraordinary devotion.

After over thirty years, the band shows no signs of slowing down; this last month they released “Fear (Fuck Everyone And Run)”; an album that has been called “the best album by Marillion in twenty years”. 

Steve Hogarth said, “We don’t know how many more albums we’ll make, or how long we’ll live. Everything has to be the best it can be”.  With ‘FEAR.’ Marillion show that they are as vital and potent as ever. Peerless and, yes, fearless…

 We welcome Marillion with our arms wide open!’

Tickets are on sale now with final price. 130 Euros:

http://www.ticktackticket.com/entradas/goto.do?claves=.127248&origin=TTT&codIdioma=ING

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30th June – 1nd JULY 2017 – BARCELONA 

Review – Marillion – F.E.A.R – by Kevin Thompson

cover

Let’s get this out of the way first, I have been a Marillion fan, since ‘Market Square Heroes’, not as fanatical as some but have every album from both eras and solo projects. I have seen them many times live and they have seen me through the highs and lows of my adult life, always there to bring wonder, amazement and comfort. I refuse to choose which era I prefer as both are in their own right part of a greater whole that make this band not only one of the greats of Progressive music, but one of the best bands I have ever heard. Pioneers of crowd-funding they created a whole new ecosystem in which to survive and prosper, where others fell to the whims of the press when the genre stumbled to the fickle fancies of the general great unwashed.

If we are to believe that life is one big cycle, everything must come around again, as in fashion and also the popularity of music. The quality of Marillion’s output and personal symbiosis with their adoring fans have carried them over a 38 year career and eighteen albums, quite often against all odds, and shown the way for others to follow. Free from the shackles of large labels and self sufficient it has enabled them to create under their own rules a beautiful distinctive sound. They have never really ‘gone away’ or ‘made a comeback’, producing consistently strong material. It is to be expected then that a band who have always been able to make social comment, (‘Easter’, ‘Season’s End’, ‘Brave’….) and are not afraid to tackle uncomfortable subjects, should go all out on the new album to try and prick the conscience of the human race and open our eyes to the mess we are making of this wonderful planet on which we have the privilege to be born.

Why is it we, who consider ourselves the ‘superior’ race continually attempt to waste all before us with greed and want, when in reality there would be plenty for all if only we would look after the world we live in and work with and not against the planet and everyone on it. Such is the constitution of man, but there is no fantasy in the fact we are pushing ourselves to destruction and there will be no happy ending if we do not change our ways, Mother Nature will have her revenge on the pretentious, foolish notions that we can control her.

live

Can the New Kings save us from ourselves through the message of music, it would be naïvely sweet to think so and the intention is sincere. Whether it does depends on you dear listener, but for myself the lyrics may serve to open my eyes, but the music opens my heart. Listening to Marillion makes me feel I want to be a better person and fills me with a warm glow. Previews and internet gossip may, erroneously lead you to believe this is decidedly different from previous albums, it’s not. What you will hear is the culmination of personal experience spread over four decades, condensed and poured like liquid gold into your ears, on what many may feel are some of the best tunes the band have ever written. All brought together on an album that dares to try and topple ‘Afraid of Sunlight’ from my ‘favourite’ spot.

Let me try and convince you a little further, are you sitting comfortably? Then I will begin….

Our first story warns of  an impending dramatic change in the five piece El Dorado. The album title sung so sweet a chorus, you could almost be forgiven for mistaking the impact it aims to create. This is not flippant or irreverent comment meant to shock, rather to indicate the evil that men and women do and what it generates in humanitarian, ecological and financial terms. Ignorantly disregarding the warnings of disaster we are bringing on ourselves, the analogy of a devastating, approaching storm illustrating our shame exquisitely. What future are we creating and what legacy will we leave our children and future generations?

The next tale urges us to seek an end to wars and work to universal peace, no longer to be Living in Fear. You could be forgiven for thinking the band were trying to create a ‘Hippy’ utopia with the 60’s echoed sentiments, but in a world that that has grown increasingly bitter and violent, maybe those with flower power had something greater to offer us after all. Mocked, before their time, and over-dramatic with portents of an all too scary real life in which we now live. Who are we now to cast aspersions, seeing them as just a quirky trend in the past only makes fools of us now. An infectious chorus will dig into your consciousness, lodging there and carrying the new day message of hope, should we ignore it or join hands across the world in harmony?

live2

Almost an antithesis to Thankyou Whoever You Are from the album ‘Somewhere Else’, as a pentagonal prosopography, The Leavers is the narrative of a band and crew’s life from a behind the scenes perspective. The constraints of a life on the road, showing a more personal tale of the strain on all involved. Constantly on the move, setting up/packing up and repetitive routines. Hardly ever home and when you are, restless, never fully settled whilst something tugs at you, drawing you back to the nomadic world you have become accustomed to. The testing of relationships as you struggle to fit into the family dynamic and their daily rituals, the feeling of being an intruder. Each section of this extensive song segues into the next as the band smoothly slide between passages.

Steve Hogarth’s heartfelt vocals perfectly catch the requisite emotion for the rest of the band to feed from, creating layers of luscious strings at the fingers of Messrs Pete Trewavas  rhythmic bass and Steve Rothery’s soaring guitars, intertwining with the percussive symmetry of Ian Moseley’s drums, all laid on a quilted bed of  Mark Kelly’s delicious keys. The coherence of the the band’s music on this album has never been more tangible and a further fitting analogy as to what we could all achieve if we worked in harmony together for the common goal, in their case this beautiful thought provoking album.

The delicate piano and wistful vocals illustrate our ageing, which can creep up on us as the realisation dawns we can no longer mentally or physically do all we could or would like to. We all too soon become observers of The White Paper on which we have painted our lives. Visiting our past whilst we innocuously watch the world pass by. Bitter-sweet, verging on regretful reflection of what we lose, as the music builds  for the yearning of youth when everything was fresh and colourful, rapidly resigned to greyer shades of obscurity. Could we, should we have done more whilst we were capable?

band

What have we not unearthed in dark depth from our tales so far? Ah, yes, greed and corruption. There is no ‘need’ for some but a ‘want’ to own, take control, hold dominion over those below and less fortunate at any cost. There is always someone whose avarice will override their common sense of decency in a corrupt corporate society where power matters to The New Kings above all else. Revelling in others’ misfortunes whilst building empty steel and glass castles to their vacuous domains, in which the echoes of the titled chorus ring. Any assumed pleasantries in previous tracks are disregarded on this epitaph of the evil that men do, dispensing with the subtleties to expose the core of this world’s impropriety.

This album resonates on every level of my senses, be it my own advancing years that force me into the realisation that in my humanity I too have been guilty, on however a small scale, to some of the above at some stages in my life. Before I put my soapbox away I would like to end on this. It is not someone else to blame, it is not someone else’s fault. We are all accountable. Wake up and smell the roses, whilst they still grow. Stand up and be counted. Do not live in F.E.A.R.

 Released 23rd September 2016

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