Review – The Mute Gods – Tardigrades Will Inherit The Earth – by James R. Turner

The Mute Gods: ‘Tardigrades will inherit the Earth’

I had to do some googling to find out what a Tardigrade was, upon first reveal of the albums title I thought Tardigrades were what I achieved in my A levels all those dim and distant years ago, and it was ‘great my time has come’.

Upon reverting to the nearly always accurate Wikipedia it turns out a Tardigrade is not a D in media Studies but an odd looking water dwelling eight legged micro animal, sometimes known as water bears or moss piglets, it appears that these animals can survive in extreme conditions that would kill everything else, hence the title, which suggests that long after we’ve gone and done our damage to the worlds ecosystem, these little guys (no more than 0.5mm in length) will still be here.

Dark stuff indeed from the Mute Gods on their second album.

Following on from 2014’s ‘Do Nothing til you hear From Me’, Nick Beggs, Roger King and Marco Minneman have gone into even darker territory than on their debut.

Here Beggs and co are full of anger and despair at the current global situation, and this is reflected in some heavy musical passages, angry and impassioned vocals from Beggs and a musical sound that veers from outright darkness to shades of lighter music, where the mix of almost progressive metal turns on it’s head to a more melodic sound.

Having worked together as part of the Steve Hackett band, Beggs and King found a musical rapport that comes to fruition in the Mute Gods, and adding Minneman, who Beggs worked with in the Steven Wilson band, you find a musical collective who are so in tune with each other that it drives the music on.

Instead of utilising guest musicians, this record is firmly focused on the diverse and multi faceted approach that the three members bring to the table, a contemporary progressive power trio if you will. However there is none of the pomp and circumstance that you’d get from an ELP, or the look at me battle for supremacy that destroyed Cream.

Instead this is all about the music, and more importantly all about the songs on here. Tackling both his trademark Chapman stick and guitars on this album, as well as the vocals, Beggs is firmly at the forefront on this record, stepping away from the sideman role he does so well into the role of frontman, which he carries off with style and real musical presence throughout this record, the sublime sound of his guitar and bass on tracks like The Dumbing of the Stupid is one of the defining sounds of this record.

Roger Kings keyboard, guitar work and production make this a sonically adventurous release, with some real beautiful musical peaks, this is not a record for the faint hearted by any stretch, if however you want your horizons broadening and your music and lyrics full of inconvenient truths, then this is for you.

Drumming powerhouse Marco Minneman is the driving force on this record, his mighty drum sound thundering through like the hammer of Thor, as tracks like the first single We Can’t Carry On demonstrate.

The heaviness is reined in on tracks like the Early Warning, which has a melodic feel to it, not dissimilar to Lifesigns debut (which Beggs was an integral part of).

The title track has an 80’s vibe to it, with a fantastic guitar line some classic synth sounds and great vocals by Beggs, this is probably the closest to a single on the album, and one which mixes Beggs pop and prog sensibilities to create a superb song. Highlight for me on the album has to be the wonderful The Singing Fish Batticaloa with its superb vocals, and the way it grows into a moving anthemic modern prog song, is sheer ecstasy for the ears.

This album pulls no punch when it comes to painting a picture of the state of the world currently, and there are some people out there (mainly on Facebook & twitter) who think that artists shouldn’t comment on what’s happening in the world, I say why not? Some of the greatest art and music has come from a time of trouble and darkness in the world, and there’s no point our musical heroes going all ostrich on us and ignoring the current global climate of hatred and fear.

This makes this album an uneasy listen, but when it’s wrapped up in such intense and well crafted music and a superb production that allows the songs to shine, this is something you have to hear, whether you like the message or not.

Released February 24th 2017

Buy ‘Tardigrades Will Inherit The Earth’ from Burning Shed’s Inside Out Store

Review – The Mute Gods – Do Nothing Till You Hear From Me – By Shawn Dudley

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One of the many benefits of living within “the era of Steven Wilson” is in addition to his seemingly bottomless pit of musical projects and his excellent remixing work he also has quite a knack for surrounding himself with top-drawer musicians.

The multi-talented Nick Beggs immediately made his presence felt in Steven’s solo band, not just with his bass and stick playing, but his excellent backing vocals. He provides the harmonic anchor in very much the same way that John Wesley did in Porcupine Tree. When I first heard about The Mute Gods project I was intrigued to hear him take on the main vocal duties himself and the results were even better than I anticipated.

To complete the lineup for The Mute Gods he brought along Marco Minneman, his rhythm section partner from Wilson’s band and also keyboardist/producer Roger King (Steve Hackett) as well as additional contributions from session drummers Nick D’Virgilio and Gary O’Toole.

“Do Nothing Till You Hear From Me” isn’t an actual concept album, but it does have a loose thematic element to it.  The topics include “hacktivists”, government surveillance, religious extremism, Internet trolls, general apathy and many other wonderful elements of life in the 21st century.  But to his credit Beggs mostly wraps these heavy topics in wonderfully accessible, melodic pop/prog confections, allowing the messages to come across without beating you into submission with negativity.

On my first listen to this album I was really surprised by how infectious it was, a very accessible pop/rock sound delivered with the type of sophistication expected from the artists involved. It made me realize that it’s a shame “mainstream rock radio” doesn’t really exist any longer, because I think many of these tracks would sound great while cruising down the highway with the radio blaring.

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The title track Do Nothing Till You Hear From Me sets the stage nicely.  After an extended keyboard intro (that had me temporarily flashing back to the early 80s) the main driving rhythm kicks in, propelled forward by a muscular bass pulse. In an alternate reality I could see an arena full of people jumping up and down to this groove and singing along with the anthemic chorus. This track stuck in my head like glue from the very first listen. Is is prog? Well, I suppose that’s debatable, but I don’t hear very many “mainstream” rock acts that have the subtlety and musical chops displayed here.

Praying To A Mute God keeps the vibe upbeat with an even more pop-oriented approach but veers off for a little display of instrumental dexterity in the proggy mid-section. This approach is repeated elsewhere on the album, short moments of progressive stretching out used to punctuate otherwise fairly straightforward compositions. The song always remains the focus.

My favorite tracks on the album are a couple of progressive rock gems on the second half; the lovely and ethereal Strange Relationship and the exotic-tinged atmosphere of Swimming Horses. Two of the longer cuts they give the band a chance to stretch out both compositionally and instrumentally. Roger King’s tasteful keyboard choices are worth note on these songs; he uses a nice balance of vintage and modern sounds, always providing just the right tone the composition requires.

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For contrast there are a few darker compositions on the album; Feed The Troll, Your Dark Ideas, the instrumental In The Crosshairs and Mavro Capelo. These tracks are a little heavier and a little more menacing, but are scattered throughout the tracklist so the mood never completely dominates. Of these the most successful is the deliciously dark and devious Feed The Troll, it’s menacing but playful at the same time, kind of like a cat toying with a mouse for a while before finishing it off. The only track that doesn’t quite work on the album is Your Dark Ideas; it comes off more silly than intense, but is partially redeemed by the instrumental mid-section and a particularly gonzo guitar solo.

Speaking of playful, there’s a track on here called Nightschool for Idiots (I’m pretty sure I was valedictorian). This song is the very definition of a grower.  When I first heard the album I’ll admit it irritated me to no end, I just found it too sweet, too syrupy, too cute…but with each subsequent listen I liked it more and more and now it’s one of my favorites. This song and Father Daughter stand apart from the rest of the album and feel more self-contained. Father Daughter is exactly what it says it is, a duet between Beggs and his daughter Lula Beggs, the lyrics forming a dialogue. It’s a touching and unique track.

All in all The Mute Gods isn’t quite what I was expecting, but it was a very pleasant surprise nonetheless. I’m hoping we get a follow-up.

Released 22nd January 2016

Buy Do Nothing Till You Hear From me from Inside Out Music

 

 

Progradar’s New Year Wallet Emptier – 12th January 2016

Happy New Year my friends, after the bumper musical cornucopia of 2015, it is quite difficult to see how 2016 could top it but, you never know!

To get this year started with a bang, here’s a super-duper edition of Wallet Emptier featuring some great albums from last year that didn’t get to feature due to being released at the end of the year and some belters that are kicking off 2016 in fine fashion. Buckle up, it’s going to be an exciting ride…….

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M!NDGAMES – Paradox of Choice

Belgian proggers M!NDGAMES returned in 2015 with this new release, which was my first exposure to their classy brand of Neo-Prog. Bombastic bursts of symphonic tinged rock combine with delicate moments of reflection and sadness to give a feel of early Marillion, all underscored by swooping keyboards. An album that definitely gets better as it it progresses and one that is worthy of your attention.

Released 1st November 2015

Stand out track  – The Whistle Blower

Buy Paradox of Choice from CD Baby

Listen to The Whistle Blower on Soundcloud

 

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Jack Arthurs – Treasure House

With ‘Treasure House’, Jack draws from a deep well of poignant and reflective experiences to deliver a delightful collection of acoustic tracks that come straight from his heart and are like a breath of fresh air. He is tremendously excited to bring these stripped back, uplifting songs to life. Just one man and his guitar, Jack has written ten insightful and moving tracks that, together with his haunting vocals, lead you on a captivating musical journey into the depths of his soul.
Released 5th February 2016 through Bad Elephant Music
Stand out track – North Star
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Profuna Ocean – In Vacuum

I opened my email inbox this morning to find two new promotional releases, the first was for Profuna Ocean, a Dutch band I profess to having passed under my radar. Always open to new experiences I launched into ‘In Vacuum’ to be utterly stunned by what I was hearing. A more hard-edged, aggressive prog with intelligent lyrics, excellent vocals and excellent production. At 62 minutes long it never outstays its welcome and I found myself immediately pressing repeat play to be absorbed in its stylish aura once again, just WOW!

Released 8th January 2016 through Freia Music

Stand out track – Thousand Yard Stare

Buy In Vacuum through Freia Music

 

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N.y.X – The News

From the first note it was apparent that there is nothing quite like the highly original sound of N.y.X.They are at the forefront of avant-garde, experimental progressive rock, a real musical breath of fresh air. The multi-instrumental trio is joined by a number of impressive guest artists to build on the signature sound of a power trio enhanced by electronic percussions, synthesizers and effects.

Released 26th February 2016

Stand out track – The Daily Dark Delirium

Pre-order The News through Burning Shed

 

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Osta Love – Isle of Dogs

Berlin based Osta Love are one of the bands to watch for 2015 and their follow up the dark concepts of ‘Good Morning Dystopia’ is a complete breath of fresh air. ‘Isle of Dogs’ is full of their signature sound that unites Rock with Jazz, Pop with Baroque and adds a dose of melancholic dreamscape to form a unique sound that touches hearts and heads. Even though it was released at the end of 2015, I have only just heard this jewel and it is rapidly becoming a highlight for me.

Released 27th November 2015

Stand out track – Translucent Engineering

Buy The Isle of Dogs direct from the band

 

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Toxic Smile – Farewell

Another German band, this time hailing from Dresden, Toxic Smile have thrown out the rule book and produced an album that consists of just one 42 minute track and, guess what, it works! A soaring progressive rock and metal epic that takes you through a multitude of emotions in its relatively short running time. The distinctive vocals and superb musicianship are key elements to its instant attraction, a record that will surprise and delight on many levels. Another great release from Progressive Promotion Records.

Released 6th December 2015

Stand out track – well there’s only the one anyway…..

Buy Farewell from Progressive Promotion Records

 

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David Bowie – Blackstar

I had already decided to include this release before news of David Bowie’s death started to cross the web, while I have never been as big a fan as many, I have always recognised him as a great musical innovator and a true legend. ‘Blackstar’ was his 27th album and one of his recent best. Exploring new avenues using a jazz band he has produced a deep and sometimes dark release that, obviously, touched on his own mortality as he came to the end of his life. It now seems a brilliant, if poignant, testimony to his musical legacy.

Released 8th January 2016

Stand out track – Lazarus

Buy Blackstar direct from the artist

 

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The Mute Gods – Do Nothing Till You Here From me

Another ‘Prog Supergroup’, this time featuring Nick BeggsRoger King and Marco Minnemann, rears its head to deliver engaging, expansive rock for the thinking person, apparently. While not perhaps living up to those lofty expectations entirely, it is an enjoyable listen and, when not sounding generically like a lot of the so called supergroups, has a real depth and intelligence all of its own. Don’t take it on face value and give it more than one coat of listening to and you will find an album that is worthy of your collection, just not quite a contender for album of the year yet.

Released 22nd January 2016

Stand out track – Swimming Horses

Buy Do Nothing Till You Hear From Me from Inside Out

 

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Casualties of Cool – Casualties of Cool

Originally released in 2014, this year sees the re-release of Devin Townsend’s rootsy country and North American folk music project as a 2CD and 1DVD package. Featuring the delightful vocals of Ché Aimee Dorval it is winsome and wistful in equal measure, evocative memories are brought to life on a battered old telecaster and fender amp in what is a complete change from the Canadian artist’s metal roots. Lay back on your lounger on the porch, sipping iced lemon tea in the sun, life’s easy really. Worth it for the 8 minute brilliance of ‘The Bridge’ alone….

Released 15th January 2016

Stand out track – The Bridge

Buy Casualties of Cool from Inside Out

 

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Ut New Trolls – e

Italian progressive rock that is incredibly intricate and engrossing. Lock yourself in a darkened room and let the endless combination of notes and distant rhythms create an amazing union of classical and rock music. A record where the language doesn’t matter, it is the intent of the words that is obvious and draws you deep into this incredible album.

Released 24th November 2015

Stand out track – Oggi Non Sono Spento

Buy ‘e’ from self

 

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Hats Off Gentlemen It’s Adequate – When The Kill Code Fails

The second promotional release that I found in my email inbox, ‘When The Kill Code Fails’ sounded very intriguing. A science fiction/artificial intelligence themed concept album, it is the second release from the London based rock band with a great name Hats Off Gentlemen It’s Adequate and is described as proggy, funky and sometimes poignant. Expressive vocals and a pared back sound give it a real intensive feeling that immediately draws you in. Electronica, prog, bluesy rock and metal all get a look in during its very enjoyable and inventive 56 minute running time.

Released as a download on 15th October 2015

Stand out track – I Still Remember You

Buy on CD and download at CD Baby

 

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Martigan – Distant Monsters

German band Martigan were formed in 1994 and deliver an almost pastoral brand of progressive rock with lilting vocals and a sunny aspect, think Lifesigns meets United Progressive Fraternity and you won’t be far wrong. An engrossing 75 minutes of easy listening progressive rock that just flies past leaving you in quite a relaxed state of mind.
Released 18th December 2015
Stand out track – The Lake