Tag: Retro

Review – Kite Parade – Retro

Kite Parade, the brainchild of multi-instrumentalist, singer songwriter Andy Foster, follow-up the critically acclaimed ‘The Way Home’, released in 2022, with second album ‘Retro’. The new release features six brand news songs, continuing from its predecessor with emphasis on melodies and big choruses, drawing influences from bands such as Frost*, It Bites and Genesis. Once again, guest drummers Nick D’Virgilio (Big Big Train) and Joe Crabtree contribute and all the mastering and mixing duties are supplied by Rob Aubrey (Big Big Train, IQ).

Majoring on Andy’s love of all things ‘Prog, Rock and interesting Pop’, this new album is a must for lovers of the power pop tinged progressive rock celebrated by the likes of John Mitchell and Jem Godfrey with superb songwriting and shed loads of delicious guitar riffs and licks and heavenly vocal harmonies. The high energy, pulsating punch of opening track Retro hits you right where it hurts but the melodies are always there to provide beauty along with the brawn. Power prog? pop rock? I have no idea, it’s just bloody entertaining and leads you firing on all cylinders to Speed Of Light, a dynamic, hard-edged and even harder rocking track that has a dark underbelly but still returns with a fabulously catchy chorus, Andy’s music is seriously addictive, let me tell you that!

Let’s just kick back a bit and take the foot off the accelerator with the passionate sentiment of the Pete Smith penned semi-ballad Wonderful. The fervour and intensity of the vocals match the dazzling charm of the music to deliver a song that has heart and soul and puts a huge grin on your face with its anthemic feel. That warmth inside continues with wistfully nostalgic opening to the glorious Shadows Fall where you really feel Andy playing on his inner It Bites (circa ‘Once Around The World’, if I’m being precise!). This sumptuous track reminds me of hazy summer days and a longing for times gone by. A stylishly complex piece of music but one that always wears its heart on its sleeve, the elegant saxophone that winds its way around is just genius and the harmonious vocals deliver a proper welling up of emotion.

Legendary progressive musician Steve Thorne contributed the lyrics for the final two tracks and you can see a slight difference on the darkly delicious Under The Same Sun which opens with a seductive guitar riff and pointed vocals. Fractious and recalcitrant until another fantastic chorus is delivered, there is a restive energy running throughout this addictive and up-tempo song and that is shown to perfection by Daz Atkinson’s fiery guitar solo. The end of album album epic Merry-Go-Round finishes things off in mighty fine style, although Andy says you’ll have to ask Steve Thorne for the definitive meaning behind the song! A fine example of symphonic, power-prog, this elegant, at times haunting, fourteen and half minutes of music ebbs and flows magnificently. The music builds patiently, drawing the listener into its comforting embrace along with the impassioned, heartfelt vocals, Jessica Chambers superb backing vocals especially worthy of note. There’s an unruffled pride to the song, the music is superbly intricate and leading you on a willing journey into the subterranean depths where time seems to stand still. The hushed stasis is broken by a dawning of light, an impish feel engendered by the music and the vocals brighter and more powerful and a lighter feeling atmosphere. What a stunning way to close out the album.

In ‘Retro’, Kite Parade have given us a stylish addition to the ranks of pop tinged power prog, a sublime collection of perfectly crafted songs that should be a must for any fan of melodic prog and a release that puts a smile on your face and , in this day and age, we could all do with a dose of that, couldn’t we?

Released 7th April, 2023.

Order from bandcamp here:

Retro | Kite Parade (bandcamp.com)

Review – Simon McKechnie – Retro – by John Wenlock-Smith

I must confess that until he was signed to Bad Elephant Music, I was not familiar with any of Simon McKechnie’s otherwise extensive back catalogue. This is perhaps a good thing, as one comes to his work without any preconceived ideas or expectations.

This new album ‘Retro’ is his debut for BEM and rather an interesting one it is, the album consisting of four main pieces, three long and the other one an abbreviated piece.

The longest track is The Origin of Species and is a piece inspired by the writings and recollections of one Charles Darwin made during the five years he spent in the southern hemisphere and how those journeys on The Beagle both affected and influenced his Theory of Evolution, encompassing such elements as survival of the fittest and natural selection.

If I were to sum this song up in a couple of words I would say it is expansive and intriguing, there are many facets and sections to the track that make it an impressive listening experience. The song uses the actual words written by Darwin and this gives weight to the lyrics as they espouse findings made by the great man himself. There are also some lively guitar passages in between The Beagle and Natural Selection segments of the song.

The Natural Selection and Struggle for Existence segments are accompanied by some often stark rhythmic elements which nicely offset the words being sung , the song then moving onwards into some keyboards before a strident guitar riff. These sections end with a part called The Struggle which is a drum solo but possibly not as you would expect, as it is in enclosed in keyboards and concludes with some excellent guitar that is wailing almost to the point of feedback. This ushers in what could be considered a more curious segment that is supported and accompanied by woodwind.

This is one album that you will appreciate the lyrics to hand to fully grasp what is going on and what is being sung.

The section called Contemplate features a recurring sound effect leading to the lyrics. These words speak of what Darwin has seen and his thoughts as a result. This leads into the final section of the piece, Laws of Nature, which seeks to draw his conclusions as he speaks of things created that are now being evolved and is backed by a great guitar motif and solo that bring the song to a close accompanied by a gentle piano. This track is certainly different, lyrically impressive and definitely worthy of consideration, a fine opener,

The shorter, title track, Retro opens with some distinctly odd keyboards and an early 1980’s drum program, the lyrics evoking days gone by. The song has a lively beat to its and vintage (i.e.. old!) keyboards and tones and a decidedly retro rock and roll type guitar section and solo, all of which work together to create an almost olde world sound to the piece. Simon has vocal phrasings that are reminiscent of one Freddy Mercury before that beat kicks in again with its strong guitar lines running through it before the song ends with massed voices singing the word Retro, again highly effective. It’s quite an excellent and catchy little number and I really like it.    

The third track is another longer Piece, The Enchantress of Number, which is a song about Lord Byron’s daughter, Ada Lovelace. Ada was a mathematician who considered that pure calculation could have other applications beyond mathematics. She had a difficult upbringing, living in Byron’s shadow, beset with illness. At the age of 17 she went to a ball and meets Charles Babbage who introduced her to his ‘Difference Engine’, a trial design for a calculating machine.

So enthralled was she that she threw herself into the task of translating a paper about ‘The Analytical Engine’. In her notes she wrote examples of its use and in doing so introduced the world’s first computer program. All in all she was a remarkable woman and this song tells her tale eloquently and with true style.

The last song is called The Return of The Beagle and is an instrumental piece in which Simon imagines Darwin’s journey back home, going through his notes whilst the wind is blowing through the sails as the boat travels across the sea, homeward bound. This piece works as an excellent closer to what has been an imaginative and illuminating musical journey in the company of Simon and his friends.

This really is a fine album, and the future looks bright for Simon if he can keep delivering intelligent, articulate, and multi-faceted music like this here on ‘Retro’. It is one that will take time to digest, enjoy and ultimately appreciate but, in any manner, it is a very well-presented record with much to recommend to listeners.

Released 19th March 2021

Order the album on bandcamp here:

Retro | Simon McKechnie (bandcamp.com)