THRESHOLD return with their 12th full length album ‘Dividing Lines’, which is set to be released on 18th November via Nuclear Blast Records.
‘Dividing Lines’ marks the second album since the return of former vocalist Glynn Morgan, who reunited with the band on their previous effort ‘Legends Of The Shires’ (2017). A darker album than ‘Legends Of The Shires’, the band have described it as “Legends’ darker, moodier older brother”.
Get your first taste of the album with the single ‘Silenced’, which comes with a stunning new video.
Richard West comments on the song: “Silenced is about how we seem to be heading towards less voices, less artists, less venues, less platforms where everyone can be heard. People seem so scared to speak out or debate anything anymore. I know I sound old but I miss the good old days! When freedom of speech goes then society is lost.”
The video was filmed by Sitcom Soldiers in the UK who also filmed the band’s last video ‘Small Dark Lines’. The video portrays a boy coming up against a threatening foe, only defeating them by summoning a mighty scream (unsilenced).
Nuclear Blast are pleased to announce the release of Black Star Riders third studio album, “Heavy Fire”, in February 2017. The band will support the album with a full UK and Eire tour in March 2017. New single When The Night Comes In lyric video available here:
The band’s previous album, “The Killer Instinct”, was released in 2015 to widespread critical acclaim and went on to score multiple radio playlists. A solid year of worldwide touring culminated in December 2015 in an UK arena tour alongside DefLeppard and Whitesnake.
2016 saw the band return to the studio with “The Killer Instinct’s” producer Nick Raskulinecz (Rush, The Foo Fighters, Mastodon), at his studio just outside Nashville. The resultant album is Black Star Riders most accomplished work to date. From the immediate riffs of album opener “Heavy Fire” to the instant hooks of first single “When The Night Comes In”, from the dirty bass groove of “Thinking About You Could Get Me Killed” to the familiar and trademark dual guitars of Gorham and Johnson on “Testify Or Say Goodbye”, this is an album that will further cement BSR’s reputation as one of the world premiere rock acts.
“Angst, passion, power, glory, love, truth, lies, loyalty, questions that begged to be answered. There’s a guitar army coming…and it’s bringing the ” Heavy Fire”” – Ricky Warwick (vocals), Black Star Riders.
“”Not many new bands get to record three albums these days. Without doubt this is BSR’S best album so far. We had a great time recording it and can’t wait to play the new songs live on tour in March.” – Scott Gorham(guitars), Black Star Riders
Following on from their critically acclaimed albums ‘All Hell Breaks Loose’ and ‘The Killer Instinct’ which have paved the way for Black Star Riders to be recognized as a power force in the modern day of Rock n’ Roll, ‘Heavy Fire’ will be once again released by Nuclear Blast Entertainment. The band have also brought in Pledgemusic, one of the most innovative and successful platforms of the modern music world, to give fans extra special product and experiences to go along with the album’s release.
Formats: Limited Edition Digibook CD (inc bonus track), CD, Vinyl, Vinyl Pic Disc, Digital Album
Mail order: Limited Orange & Clear Vinyl
Tracklistings below:
CD
1. Heavy Fire
2. When The Night Comes In
3. Dancing With The Wrong Girl
4. Who Rides The Tiger
5. Cold War Love
6. Testify Or Say Goodbye
7. Thinking About You Could Get Me Killed
8. True Blue Kid
9. Ticket To Rise
10. Letting Go Of Me
The Limited Edition Digibook CD will have above Tracklisting plus
Bonus Track
11. Fade
Limited Edition Gatefold Vinyl
Limited Edition Picture Disc Side One
1. Heavy Fire
2. When The Night Comes In
3. Dancing With The Wrong Girl
4. Who Rides The Tiger
5. Cold War Love Side Two
1. Testify Or Say Goodbye
2. Thinking About You Could Get Me Killed
3. True Blue Kid
4. Ticket To Rise
5. Letting Go Of Me
Digital Album @ iTunes – pre-order now and get the track ‘When The Night Comes In’ instantly: http://nblast.de/BSRHeavyFireIT
After a full year off the road, Black Star Riders (Ricky Warwick, Scott Gorham, Damon Johnson, Robert Crane and Jimmy DeGrasso) are back with a 16 date UK & Ireland run, joined on the first five dates by Scottish rockers Gun and The Amorettes and then Sweden’s own Backyard Babies with Gun on the remaining 11 shows.
Dates for Black Star Riders 2017 UK & Ireland Tour are:
W/ Gun and The Amorettes (below)
Thursday 2nd March Tramshed, Cardiff
Friday 3rd March William Aston Hall, Wrexham
Saturday 4th March Academy, Dublin
Sunday 5th March Limelight, Belfast
Tuesday 7th March Ironworks, Inverness W/ Backyard Babies and Gun (below)
Wednesday 8th March O2 ABC, Glasgow (Co-Headline Show with Gun)*
Thursday 9th March O2 ABC, Glasgow (Co-Headline Show with Gun)*
Friday 10th March O2 Academy, Newcastle*
Saturday 11th March O2 Academy, Leeds*
Sunday 12th March O2 Ritz, Manchester*
Tuesday 14th March Rock City, Nottingham
Wednesday 15th March UEA, Norwich
Thursday 16th March O2 Academy Bristol*
Friday 17th March O2 Kentish Town Forum, London*
Saturday 18th March O2 Institute, Birmingham*
Sunday 19th March O2 Academy, Bournemouth*
Legendary New York thrashers ANTHRAX this year celebrated their 35th anniversary and released their new album ‘For All Kings’ to widespread critical acclaim. In February 2017 the band will be back on UK soil for their first full UK headline tour in over a decade! These UK dates will see the band perform classic 1987 album ‘Among The Living’ in its entirety alongside fan favourites.
Scott Ian commented: “Finally! We’ve been looking forward to headlining in the U.K. for so long!!! We have a killer set planned, new stuff, old faves, deep tracks and Among front to back. You’d better start getting in shape now for the epic wardance! See you soon my friends.
Cheers,
Scott”
These special shows will mark 30 years of the iconic album, with support from up and coming British metallers The Raven Age.
Dates as follows:
Thursday 9th February – Birmingham O2 Institute
Friday 10th February – London O2 Forum Kentish Town
Saturday 11th February – Bristol O2 Academy
Monday 13th February – Nottingham Rock City
Tuesday 14th February – Manchester Academy
Wednesday 15th February – Glasgow Barrowlands
Thursday 16th February – Newcastle Northumbria University
Friday 17th February – Norwich UEA
Anthrax has sold in excess of 10-million units, received multiple Gold and Platinum certifications, six Grammy nominations and a host of other accolades from the media, industry and fans. In 1991, their music helped break down race and genre barriers when they collaborated with Public Enemy on “Bring The Noise.” And, of course, along with Metallica, Slayer and Megadeth, Anthrax helped pioneer the thrash/metal genre as a member of The Big Four.
Sweden’s musical alchemists, OPETH, have premiered a new song entitled, “The Wilde Flowers”. The track is featured on the bands highly anticipated 12th studio album, Sorceress, which is scheduled for release on September 30th via the band’s imprint label Moderbolaget Records with Nuclear Blast Entertainment.
Speaking with Metal Hammer, vocalist Mikael Åkerfeldt says “This was the first song I wrote for this album. It’s kind of an OPETH standard, in a way, like from the last two albums. It’s very dynamic. It has a chorus, I guess. Then there’s a big Queen-sounding bit in the middle just before this massive solo… oh, and harps! They’re hidden in the mix but they’re there. The title comes from the band Caravan – they were originally called Wilde Flowers. I always liked those weird spellings.”
In addition to the psychedelic, progressive masterpiece “The Wilde Flowers,” OPETH’s monumental new record also features the critically heralded new songs “Will O The Wisp” and “Sorceress.” Fans who pre-order the album will receive an instant download of “The Wilde Flowers,” “Will O The Wisp” and “Sorceress.” Links to pre-orders can be found below:
OPETH will return to the UK for a headline show at Wembley Arena on Saturday 19th November. Tickets are on sale now from www.livenation.co.uk.
Full tour dates as follows:
05.11. S Stockholm – Annexet
06.11. N Oslo – Konserthus
07.11. DK Copenhagen – DR Koncerthuset, Koncertsalen
08.11. D Hamburg – Docks
10.11. A Vienna – Arena
11.11. D Stuttgart – LKA Longhorn
12.11. D Munich – Theaterfabrik
13.11. CH Zurich – Volkshaus
14.11. I Milan – Alcatraz
16.11. D Cologne – E-Werk
17.11. B Brussels – AB
18.11. NL Tilburg – 013 19.11. UK London – SSE Arena Wembley
21.11. F Paris – Le Trianon
23.11. LUX Luxemburg – Den Atelier
24.11. D Berlin – Astra Kulturhaus
OPETH North American Tour:
24.09. USA San Bernardino, CA – Ozzfest
29.09. USA Pittsburgh, PA – Stage AE
30.09. USA Silver Spring, MD – The Fillmore
01.10. USA New York, NY – Radio City Music Hall
02.10. USA Boston, MA – House Of Blues
04.10. CDN Montreal, QC – Metropolis
05.10. CDN Toronto, ON – Massey Hall
07.10. USA Detroit, MI – The Fillmore
08.10. USA Akron, OH – Good Year Theater @ East End
09.10. USA Chicago, IL – Riviera Theater
10.10. USA Minneapolis, MN – First Avenue
12.10. USA Oklahoma City, OK – Diamond Ballroom
13.10. USA Houston, TX – Warehouse Live
14.10. USA Austin, TX – Emo‘s
15.10. USA Dallas, TX – Gas Monkey Live!
18.10. USA Las Vegas, NV – Brooklyn Bowl
19.10. USA Tempe, AZ – The Marquee
21.10. USA Sacramento, CA – Ace Of Spades
22.10. USA San Francisco, CA – The Warfield
24.10. USA Portland, OR – Roseland Theater
25.10. USA Seattle, WA – The Moore
26.10. CDN Vancouver, BC – Orpheum
Swedish metal visionaries IN FLAMES premiere the music video for their first single ‘The End’. Directed byPatric Ullaeus, the video is infused with pure adrenaline, stepping inside a first-person shooter game and bringing the viewer front and centre of exhilarating action and suspense.
Premiering last month via Decibel Magazine, ‘The End‘ is the first offering from INFLAMES’ 12th studio album,Battles, out November 11th via Nuclear Blast.
Download the new singles ‘The Truth’ and ‘The End’here.
The band will embark on a UK-wide tour with AVENGED SEVENFOLD and DISTURBED in January: JANUARY 2017
Tuesday 10th – GLASGOW, HYDRO
Thursday 12th – NEWCASTLE, METRO RADIO ARENA
Friday 13th – BIRMINGHAM, GENTING
Sunday 15th – SHEFFIELD, ARENA
Monday 16th – MANCHESTER, ARENA
Wednesday 18th – NOTTINGHAM, MOTORPOINT ARENA
Thursday 19th – CARDIFF, MOTORPOINT ARENA
Saturday 21st – LONDON, 02 ARENA
Sunday 22nd – LONDON, 02 ARENA
The Swedish extreme tech-metal pioneers MESHUGGAH will release their upcoming eighth album, The Violent Sleep Of Reason on October 7th via Nuclear Blast. Today, the band release the second trailer in which Tomas discusses the lyrical inspiration of the eighth album.
Tomas Haake comments about the album, “Basically, the whole idea of why we chose the title is it kinda connects with the lyrical content of the album. Which is to a fair degree about current events and what you see is going on as far as terrorism today, extremist views on ideals, and religious dogma and the violent implications that you get from being asleep so to speak and not acting/reacting to what is going on in the proper way”
The album was produced by the band and was engineered by Tue Madsen of Puk Studios in Kaerby,Denmark. For the cover, the band once again enlisted KeerychLuminokaya who created the artwork forKoloss and The Ophidian Trek as well as the new images for each of the 7 albums and 3 EP’s featured in the25 Years of Musical Deviance box set.
Track listing as follows:
1. Clockworks
2. Born in Dissonance
3. MonstroCity
4. By the Ton
5. Violent Sleep of Reason
6. Ivory Tower
7. Stifled
8. Nostrum
9. Our Rage Won’t Die
10. Into Decay
“The Violent Sleep Of Reason” will be available in the following formats:
Nuclear Blast UK Store:
– Mail-Order Exclusive Box Set*
Limited to 1,000 worldwide
Includes: Latex face mask, (2) stickers, (2) 1.25” buttons, poster flag, certificate of
authenticity
– Limited Edition Double Gatefold Gold Vinyl
– Limited Edition Double Gatefold Silver Vinyl
– Limited Edition Double Gatefold Light Blue/Orange Bi-Coloured Vinyl
Available here: http://nblast.de/MeshuggahNBUK
Recordstore.co.uk:
– Limited Edition Black Double LP
– Limited Edition Double Gatefold Picture Disc
– CD Digipack
Available here: http://nblast.de/MeshuggahRS
Swedish experimental heavy-rock pioneers OPETH have released the second instalment, “Studio Report – Episode 2,” of their in-depth, behind the scenes series on the making of their 12th studio album, ‘Sorceress’. The highly-anticipated record is due out on September 30th via the band’s imprint label Moderbolaget Records with Nuclear Blast Entertainment.
Opeth recently released a lyric video for the record’s title track “Sorceress“, which has has already received mass critical praise from fans and critics alike.
Additionally, OPETH, with their label, have launched a variety of pre-orders for physical copies of ‘Sorceress”. The record will be available in an array of formats and editions including Standard Jewel CD, 2CD Digipak, 2LP Vinyl (in various colors at 180 gram) and a Deluxe Edition Wooden Box Set.
OPETH will return to the UK for a headline show at Wembley Arena on Saturday 19th November. Tickets are on sale now from www.livenation.co.uk.
Full tour dates as follows:
05.11. S Stockholm – Annexet
06.11. N Oslo – Konserthus
07.11. DK Copenhagen – DR Koncerthuset, Koncertsalen
08.11. D Hamburg – Docks
10.11. A Vienna – Arena
11.11. D Stuttgart – LKA Longhorn
12.11. D Munich – Theaterfabrik
13.11. CH Zurich – Volkshaus
14.11. I Milan – Alcatraz
16.11. D Cologne – E-Werk
17.11. B Brussels – AB
18.11. NL Tilburg – 013 19.11. UK London – SSE Arena Wembley
21.11. F Paris – Le Trianon
23.11. LUX Luxemburg – Den Atelier
24.11. D Berlin – Astra Kulturhaus
Or catch the band on the following festivals, before they embark on a US headline tour together with THE SWORD:
30.07. FIN Oulu – Qstock Festival
05.08. P Corroios – Vagos Open Air Festival
19.08. B Hasselt – Pukkelpop Festival
24.09. USA San Bernardino, CA – Ozzfest
w/ THE SWORD
29.09. USA Pittsburgh, PA – Stage AE
30.09. USA Silver Spring, MD – The Fillmore
01.10. USA New York, NY – Radio City Music Hall
02.10. USA Boston, MA – House Of Blues
04.10. CDN Montreal, QC – Metropolis
05.10. CDN Toronto, ON – Massey Hall
07.10. USA Detroit, MI – The Fillmore
08.10. USA Akron, OH – Good Year Theater @ East End
09.10. USA Chicago, IL – Riviera Theater
10.10. USA Minneapolis, MN – First Avenue
12.10. USA Oklahoma City, OK – Diamond Ballroom
13.10. USA Houston, TX – Warehouse Live
14.10. USA Austin, TX – Emo‘s
15.10. USA Dallas, TX – Gas Monkey Live!
18.10. USA Las Vegas, NV – Brooklyn Bowl
19.10. USA Tempe, AZ – The Marquee
21.10. USA Sacramento, CA – Ace Of Spades
22.10. USA San Francisco, CA – The Warfield
24.10. USA Portland, OR – Roseland Theater
25.10. USA Seattle, WA – The Moore
26.10. CDN Vancouver, BC – Orpheum
This is the official title track from Swedish progressive legends OPETH’s twelfth studio album, SORCERESS, out September 30, 2016 via Moderbolaget Records / Nuclear Blast Entertainment.
2016 marks the monumental return of one of heavy rock’s most unique, revered and fearless bands of the last three decades, Opeth. Over the years, the experimental, prog veterans have continuously reinvented themselves, pushing the boundaries of their craft and expectations of fans and critics alike.
OPETH’s new album, ‘Sorceress’, their first for Nuclear Blast via the band’s imprint label Moderbolaget Records, is proof chief architect Mikael Åkerfeldt has a near-endless well of greatness inside. From the album’s opener Persephoneto The Wilde Flowers and Strange Brew to the album’s counterpart title tracks Sorceress and Sorceress II, OPETH’s twelfth full-length is an unparalleled adventure, where visions cleverly and secretly change, colors mute as if weathered by time, and sounds challenge profoundly.
Sorceress Track List:
1. Persephone
2. Sorceress
3. The Wilde Flowers
4. Will O The Wisp
5. Chrysalis
6. Sorceress 2
7. The Seventh Sojourn
8. Strange Brew
9. A Fleeting Glance
10. Era
11. Persephone (Slight Return)
”The new album “Sorceress” is our 12th studio album since our beginnings in 1990,” says Åkerfeldt. “I find it difficult to understand that we’ve been going on for 26 years, let alone that we’ve made 12 records now, all of which I am very proud of. ”Sorceress” is no exception. I love this album, as does the whole band. I wrote the music during 5-6 months and we spent only 12 days recording it at Rockfield studios in Wales. I find that once again we’ve taken a step forward. Or sideways, Or backwards. Somewhere!? It’s different! It’s extremely diverse. And if I may say so myself, extremely good.
I feel the right to say that since I like to think I know this band better than anyone on the planet. Also, I always manage to detach myself from the record and listen as a fan. It’s a fine little record. My favorite in our discography right now. Of course. That’s how it should be, right? It’s both fresh and old, both progressive and rehashed. Heavy and calm. Just the way we like it. Hopefully there’ll be others around the globe sharing this opinion. It was a joy to make it. A fucking joy to record it, and a sheer joy listening to it. So there you have it!”
For Sorceress, OPETH returned to Rockfield Studios in Wales, also home to pivotal releases from Queen, Rush and Judas Priest, where the Swedes had tracked Pale Communion in 2014 with Tom Dalgety. The band spent 12 days recording at the countryside venue among its serene and inspiring surroundings. The result is nothing short of a powerful and intriguing record that will add yet another layer to the band’s celebrated career.
“Meditation is a very slow and painful process. It is indeed the practice of death yet a celebration of life.” – Ronald P. Vincent, 1947
This quote is printed on the inside gatefold of “Nucleus” and is, essentially, the mission statement singer/guitarist/songwriter Magnus Pelander follows for the fifth Witchcraft album. It’s a heavy, hypnotic, trippy musical journey brimming with atmosphere and worship of the almighty guitar riff.
Pelander originally formed Witchcraft solely for the purpose of recording a Pentagram cover for a Bobby Leibling tribute album. That single track immediately caught the attention of Lee Dorian (Cathedral, Napalm Death) who signed them to his label Rise Above and whisked them off to record their debut full-length album.
That eponymous release, recorded in analog in a basement studio using only vintage gear was a glorious concoction. Sounding more like a long-lost album from 1972 than a current album from 2004 it captured my imagination immediately.
It sounded authentic; the songwriting having just the right flavor for that musical era and unlike many retro groups that pick a single point of influence it was obvious that Pelander had a wide and varied appreciation for music from the late 60s and early 70s.
They would record two more fine albums using the same analog template; “Firewood” from 2005 and the very proggy “The Alchemist” from 2007; both highly recommended. Then the band went dormant for 5 years, reappearing with “Legend” in 2012 with only Pelander and bassist Ola Henriksson remaining from the earlier lineup.
“Legend” was a departure from their prior albums as the vintage approach was dropped in favor of a very modern, punchy sound. In addition Magnus decided to put down the guitar to concentrate solely on vocals and hired a dual-guitar tandem. It was a very good album, but personally seemed to be lacking some of the atmosphere of the earlier Witchcraft releases and Magnus’ guitar playing was sorely missed.
Thankfully he decided to pick up the guitar again and has reconfigured Witchcraft as a power trio for the first time in their career with new members T. Anger (bass) and Rage Widerberg (drums) holding down the rhythm section chairs. (Anger and Rage, that can’t be a coincidence)
The opening track Malstroem begins with a cool little arrangement fake-out; a lovely acoustic guitar and flute introduction leads to a driving little staccato riff that gives the impression the song is going to increase in speed and intensity but, when the expected massive riff comes, the tempo drops in half. It’s a great little moment that feels like the floor just vanished below your feet and you have a split second to contemplate that prior to plummeting downward into the abyss.
The title of this track is apt, it’s a roiling concoction; Pelander’s grinding guitar (which would get Tony Iommi’s seal of approval I’m sure) intermingles with sci-fi tinged pipe organ and acoustic guitar stabs propelled by the lumbering brontosaurus groove of the rhythm section.
Pelander uses the simplicity of the arrangement to his advantage, the dirge-like gate providing the perfect foundation for his impassioned vocals. I sampled a lot of retro bands from Sweden during the late ‘00s and Witchcraft really stood out primarily because of his voice. You can hear echoes of Roky Erickson, Jim Morrison, Marc Bolan and the aforementioned Bobby Leibling in addition to the expected Ozzy references. “Nucleus” is his finest performance to date.
The punchy Theory Of Consequence is the shortest track here, clocking in at just under 3 minutes it’s a fun little rocker in the Uriah Heep mode. The advance single The Outcast is more reminiscent of the earlier Witchcraft albums, the first half of the song an uptempo flute-driven rocker and then settling into more of a Zeppelin-meets-Wishbone Ash laidback jam for the second half. These two songs add some variety in tempo to the proceedings, which for the most part is slow and deliberate.
My favorite track on the album is the bluesy Helpless, it has attitude to spare with Magnus building the intensity to full jet engine roar by the conclusion. The guitar solo on this song is killer, I just love the Gibson + Orange Amplifier sound.
The remainder of “Nucleus” consists of a balance of shorter mid-tempo doomy rockers like the excellent An Exorcism of Doubts (very much a Black Sabbath homage) and the extended progressive excursions of the title track and album-closer Breakdown.
These longer pieces will probably either delight or infuriate depending on the listener. There are certain musical styles that seem to reach their full potential through repetition; funk grooves get funkier the longer you ride them, psychedelia needs space to weave its spell and doom riffs seem to get heavier the longer you play them.
Pelander approaches these tracks like meditative mantras, allowing them to stretch and build slowly, combined they equal 30 minutes of the running time.
The title track is the most “prog” song on the album and the addition of cello and female backing vocals really enhance the atmosphere. The arrangement ebbs and flows going from the quiet and pastoral to the aggressive and edgy, it’s an enticing journey. The only real problem is it just goes on a little too long, a slow 30-second fadeout around the 10-minute mark would have worked in its favor.
Breakdown is the better of the two epics and is a great way to close out the album (although the addition of a bonus track tacked on the end kind of negates that a little bit). The song is a dirge constructed in two contrasting segments. The opening half is built on a single clean-toned guitar pattern that repeats and is reminiscent of the more recent albums from the Portland-based band Earth. The second half is pure menace, malevolent and crushing with the Magnus sounding particularly unhinged with his most extroverted vocal performance of the album. It’s an intense journey.
As a whole “Nucleus” is the most experimental and searching album Witchcraft has done to date. It’s quite the left turn from the rather straightforward approach of “Legend” and personally I applaud the decision to defy expectations. It’s an intense, ballsy record and one that I recommend to adventurous listeners…and worshippers of “the riff”.