Tag: David Addis

Review – I Am The Manic Whale – Bumper Book Of Mystery Stories – by John Wenlock-Smith.

These are my thoughts on, ‘Bumper Book of Mystery Stories’, the new album from Reading based outfit I Am The Manic Whale. Following on from 2020’s ‘Things Unseen’, this new collection of eight themed and linked tracks is a strong return to form as ‘Things Unseen’ was a little to unfocused really. Despite having several great tracks, a few others fell a bit short quality wise in parts. This album has redressed that particular issue clearly and the post-lockdown era has enabled the band to strengthen their musicianship to even higher levels. This is especially noticeable in the more focused bass playing of Michael Whiteman and the ever improving fluidity of guitarist David Addis. The keyboards of John Murphy, and Ben Hartley’s drums, add consistently sympathetic and worthy support to the proceedings.

The album is themed as a set of songs inspired by a book Michael found in an old and strange antique shop that was full of stories for boys. He decided to revisit these tales in song, adding mystery and suspense, to make something rather unique and different. The band even created their own tales that are available in a book as a companion piece to the album (not that I’ve read it, but the concept is a great one!). The music is everything that you have come to expect from this massively underrated band, strong melodies, dynamic pieces, class musicianship and interesting and intelligent songs. There is a lot going on here, there is also a marked improvement in confidence, possibly as a result of a higher standing after the collaboration with Ryo Okumoto’s recent solo album that Michael was heavily involved with, and which no doubt improved his own personal belief in his and his band’s abilities and worthiness.

The album has a mixture of styles and song lengths, from short tracks like Ghost Train (part 1) that opens the album, through to the two epics; Nautilus and We Interrupt This Broadcast…

So let’s delve a little deeper shall we?

Ghost Train (part 1) has echoes of John Finnemore’ s Souvenir Programme’s story elements. I know that Michael is a fan of this fine radio programme and went to some special recordings last year, which possibly were part of the inspiration for this track. The song has a suitably sombre tone as we are told that we are going to embark on an unusual and different type of journey, there’s also has some lively guitar work throughout, David Addis proving just what an inventive and tasteful player he truly is. In fact his playing on the whole album is excellent and inspired as he reaches new heights on several songs, enlivening with some truly melodic, flowing and fluidly inventive playing that significantly enhances the tracks with his combination of skill, technique and intelligence. He adds much icing to an already delicious musical cake. Second track, Patient AB, is based on a true story about a lady who was able to self diagnose a brain tumour that was subsequently found and dealt with successfully. Dream Fortune is based on the old folk tale The Pedlar of Swaffham, who travels to London where he believes he will meet a man who would make him rich. Instead, he is mocked by another dreamer who reveals a story of treasure buried under a tree in Swaffam. The dreamer discovering the treasure in his own garden and using it to fund the repair of the local church A great organ and choir are used to create great atmosphere in this track.

Secret Passage is a thrilling track with a strident bass at the forefront. This track blends images of Narnia and the Famous Five, amongst others, it is quite a robust number with another lovely guitar line in the middle section. It’s this level of skill and lightness of touch that really highlights the strength of this material written by the various band members. This song has an extended keyboard solo from John Murphy that is real delight, it’s great to hear him stretching out here, he is a great player and his contributions are invaluable. The Incredible David follows and is inspired by a story in a book John owned as a child, that told the tale of a boy who had insight into ancient history, with knowledge of things he could never have seen or known. The band have updated the tale by telling it from the father’s point of view and it’s an approach that works well, the song is multi layered with great piano and soaring Steve Vai type guitar in places. This is an album that requires time to allow its treasures to emerge slowly, in their own satisfying manner and that will capture your imagination, as they very much deserve to. Nautilus is influenced by Jules Verne’s 20,000 Leagues Under The Sea and Captain Nemo. This watery tale has some great guitar in its thirteen-plus minute running time, along with keyboard contributions from Ryo Okumoto, who delivers a great synth section. The song is in five sections and is a very interesting track indeed, Michael’s love of science fiction comes across strongly here.

Penultimate song, Ern​ő​’s Magic Cube, is a sort of continuation of a song from ‘Things Unseen’ that extolled the virtues of Lego, this track being about the Rubik’s Cube and is a direct relation to that earlier song, Build It Up. It is a very 80’s sounding song, again this one makes a good impression. We Interrupt This Broadcast… details the strange incident of a spoof radio transmission which detailed Alien activity and interest. This is the longest track of the album and, again, David sizzles on his guitar, playing a great solo. It concludes an album that really delivers, upping the ante considerably from previous releases.

With stronger material and inspired performances that offer a deeply rewarding listen, this is an album that will draw you back repeatedly and one that is a highly recommended release indeed.

Released 7th July, 2023.

Order from bandcamp here:

Bumper Book of Mystery Stories | I Am The Manic Whale (bandcamp.com)

Review – I Am The Manic Whale – Things Unseen – by John Wenlock-Smith

I Am The Manic Whale deliver their third studio album with ‘Things Unseen’. The project is the brainchild of bassist and singer Michael Whiteman who hails from Woodley, Reading.

The band’s name actually being an anagram of his own name, Michael is joined in this endeavour by Ben Hartley on drums, David Addis on guitars and John Murphy on keyboards, all of whom have been on each previous Manic Whale album and this lends a continuity to the group’s overall cohesion and sound.

The album is a mixture of styles and sounds but, to these ears, there seems to be substantially more guitar this time around, the music is vibrant and lively, sprightly even, in parts covering various topics including urban myths, fantasy literature, ecology, celebrity and fame, a child’s smile, lego modelling, carefree days and finally the power ,brilliance and longevity of the Intercity 125 Train!

This music will take you on a journey that is very rewarding indeed, this group have skill and talent aplenty. Their music is positive and hopeful, along with being thought provoking and at times challenging. The musicianship is exemplary and fluid, this is an album that really grows on you, especially if you allow it time to percolate in your brain. I have found myself singing the chorus to The Deplorable Word to myself whilst boiling the kettle in recent days, so it definitely gets into your mind if you allow it to!

This time around both John and David have contributed songs for the album, Billionaire and Into The Blue respectively, with the remainder by Michael and, on the epic lengthy track Celebrity, his wife Esther.

Let’s investigate his fine album and see what treasures it contains shall we?

The album kicks off with John’s song Billionaire which opens with a gentle sounding piano melody and with Michael singing in a style that is very reminiscent of 10CC, no less. Around 1’17”, John switches up to what sounds like a sampled organ sound and the song shifts gear a bit with the introduction of drums and a graceful, fluid guitar line from David. The song is a good and interesting one to open proceedings with.

Next track, The Deplorable Word, has more than just a whiff of early 80’s Rush to it, especially in the guitar work from David Addis. The song is based on a chapter in the book The Magician’s Nephew by CS Lewis (he of Narnia fame), the song speaking of the evil queen Jadis and how she once ruled the land of Chand, killing its inhabitants so that she would not be beaten in battle.

This song is highly attractive as it has a lot of pace to it with especially fine guitar and keyboards throughout, although we are not told what the word was, just its effects. It is very strong with a terrific chorus that is effective and memorable. It also has some great bass runs, shimmering keyboards and some funky guitar from David, all wrapped in some highly effective drum patterns from Ben. This one is definitely a highlight of the album, hugely impressive, and will be brilliant in a live situation.

The David Addis penned Into The Blue is an ecological protest song that concerns itself with how we are abusing the earth (or were until Covid 19 came along, during which we have seen some major changes and a balance returning?). The track opens in a style that is reminiscent of Scarborough Fair with its flutes and gentle acoustic elements. David fires off a staggering guitar riff before reverting to a more acoustic trend again. The song has an important message and has great interplay between David’s guitar and John’s keyboards all with strong support from Michael and Ben.       

The next song is the album’s lengthy epic Celebrity. Split into five sections beginning with Identity Crisis, this tells the tale of a wannabe who seeks fame and fortune despite his sheer lack of talent, sound familiar? Obviously this whole song is a critical swipe at the notion of fame for fame’s sake or being famous but not for any particular talent or ability. Yes, it’s taking a shot at reality TV and the “stars” that the genre throws up regularly. Think X-Factor, Love Island and The Only Way is Essex etc, car crash TV at its finest but TV that people actually watch regardless.

This is followed by Cultural Vampire (Who Am I) which deals with how one looks and the steps someone will take to be noticed. Part 3 is called Freak Show and is about getting onto those type of TV shows, the next part is called Heart and Soul and is where our hero (I use the term loosely) fails spectacularly to make any real impression and has his hopes dashed on the rocks of reality.

This leads him to part 5 in which he has an Epiphany where he realises that there are few shortcuts to success and that he has to go the hard way and actually become good and competent at something and be able to offer something that people actually want and value. The song has some very subtle piano lines and, at the sixteen minute mark, has a superb guitar solo from David, merging in to the melody that John is playing with a melodic synth line, before a further guitar line leads to song to a fine conclusion. This whole song is a very sharp and well observed critique of the fame game.

Smile is a sweet and simple song that is about a child’s smile and the effect and satisfaction that it brings. Simple but ultimately very profound, this is a song born out of the love of a parent for their child and is a very real and emotionally moving song. The next piece, Build It Up, is a joyous track that concerns itself with a certain Danish toy that is used to build things with and that allows free creative imagination to conjure up all kinds of edifices. Michael is obviously well versed in the world of Lego constructions and the subsequent destruction and rebuilding that such play entails. Well, if not him, his children certainly are and somehow this song really captures those emotions fully.

The penultimate song is the sweet and wistful number Halcyon Days, this song encapsulates so much of both days that have gone by and also of a long hot summer all seen through the eyes of a child. With terrific wordplay and imagery that evokes the setting richly, this song is another triumph for the band and leads us nicely into the last and most impressive song from I Am TheManic Whale…

The final track, Valenta Scream, is all about with the technological wonder that was the original Intercity 125 Diesel train that powered through the English countryside for nearly 40 years and was an icon of the rails. These trains were highly recognisable and well known for the scream of the Valenta engines that powered it through the decades.

As a rail enthusiast Michael sings of this innovative train with great fondness and was very familiar with its history. The song is a real stormer and it is a fitting close to the album, ending the record on a high note making this new release simply magnificent.

‘Things Unseen’ is chock full of superb songs with impressive attention to detail and fabulous music, all beautifully played, recorded and performed. This is a release to treasure, absorb and appreciate, Michael and the team really delivering something incredibly special and I urge you to check out this fantastic album for yourself.   

Released 24th April 2020

Order the album from bandcamp here:

https://iamthemanicwhale.bandcamp.com/album/things-unseen

     

     

Review – I Am The Manic Whale – Everything Beautiful In Time – by Gary Morley

cover

The school of Prog has a new swot or 4.

This collective of cetaceans are young & hungry and have absorbed the last 40 years of music , digested it and produced this nugget of ambergris.

Like that semi mythical product, this is rare and smells a bit in places, but that’s part of the charm.

As you listen to the opening shot across the bow, Open Your Eyes, the years roll away. I think back to first hearing It Bites floating across the ether, then there’s a blast of Moon Safari vocal harmony, some Queen influenced guitar harmonics, all are mere constituents, base ingredients that the perfumer uses to weave a complex and pleasing fragrances that mature as they are exposed to warmth and skin.

I’m not suggesting that this CD be listened to naked, but the warmth and sheer joy it contains would have saved Baron F a fortune in electricity bills.

It starts with the most “Prog” intro – Piano, treated guitar and a drum beat underneath it, a time change sneaks in before the first words. The voice is young, kicks with a mighty tune, chorus and a thundering gallop through verse, chorus, instrumental flourishes falling by the wayside as it speeds up , before leaping up and into the night.

When ( rather than if) they decide to dip their collective appendages into the water of live performances, this is the show opener, a statement of intent topped off with a guitar solo and piano counterpoint that many bands twice their collective age would sell relatives for.

It’s not breaking new ground, has a warm familiar feel, but that’s a positive , a hook to hang the rest of the album on. It’s Prog Jim, but enthused with harmony, a tune with a great melody and a sense of a great journey just starting.

In short, a perfect debut album opener.

Pages next, an epic story that starts with Monks studiously hand writing the words , we then get the industrialisation of printing, the typesetter as revolutionary, the advent of mechanical printing, words freed up to spread by typing , all under pinned by the loftier concept of information freedom and intellectual emancipation ringing through the ages. The story flows as the years go by, then a gentle pause illustrated by an acoustic foray into BBT /Jethro Tull land, with a gentle melody that then repeats with electric amplification, underlining the journey that we have been taken on.

The piano here is gentle and refined; acting as a bridge to modern ideas of machines writing the word, the “big idea” that information being transmitted freely could change the world for the better.

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As if to then reinforce that idea, the next track relates a thoroughly modern situation, addressing cyber bullying and the effect of words on children as they gro.

I find the viewpoint disturbing, as it’s neither the protagonist nor the victim, but a (not so innocent ) bystander telling the story.

Simple , effective and with  instrumentation that just reeks of class, the track builds to a climatic shoot out between guitar and keyboard that deserves to be played loud .

As you can probably infer, I like this CD.

The Cetacean collective are based in my home town, and I found them via Facebook, the snippets posted there hooked my interest and I was a small part of the crowd funding for the physical CD.

A thing of beauty it is too, illustrated with haunting photographs of a deserted swimming pool, the subject of the final epic on the CD, Derelict, an ode to the forgotten glory of a neglected municipal pool.

Before that, there are 3 more classy tracks, Circle(Show Love) which pays homage to Jon Anderson’s tenure with “That Band” in terms of musical concept and lyrical theme with more great keyboard and guitar for the air instrumentalists out there , this time the Queen vibe is running under the harmony guitars as they build to the thunderous conclusion with extra keyboards and drums taking us home on our starship.

Listening again as I type this, the achievements of this band in bringing 10 years of ideas to us are many.

If you like music that has melody, choruses and space for the musicians to demonstrate their harmonic intention, then this is for you.

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As I mentioned earlier, there are countless memory triggers and hooks in here, echoes of previous musical pioneers flash by, a hint Of ELP there, a bit of Yes there, a big chunk of Queen , a smatter of 10cc , a nod to the Flower Kings , something of the choral beauty of Moon Safari all add to the mix.

Clock of the Long Now is a prime example. a song about a clock , not one that’s ticking away the days or counting down to zero, but this one is a proper “Prog” clock – counting out time in centuries rather than minutes. The chorus here is a real ear worm, you too will sing along to “10 thousand years”, invoking your internal Gabriel, Collins, Lee and Anderson whilst the music crashes around you on your trip through time. The track triggers a memory of that other great Canadian rock trio, Triumph, with the harmonies and vocals on their “Thunder Seven” album’s centrepiece – Time Canon /Killing time.

Next up, a lovely piece to a son or daughter- The Mess. All finger picking and acoustic steel strings with a sentimental piece about how our children grow up too fast.

It’s at odds to the epics bookending it, but it is not out of place, it’s a very human piece about simple pleasures fitting between time and space and the big questions that we all tend to leave out of our daily lives.

This was supposed to be a short sharp shock of a review. But listening to the CD as I type, I realise that I can wax lyrically for as long as it plays and still not describe the warm , sunny morning in the warmth feeling that it generates every time.

If you want to hear a band proudly displaying their influences whilst performing melodic and memorable tunes, expertly recorded by Mr Rob Aubrey (that name might be familiar to some of you, passengers on a Big Big Train where he rides the mixing desk) then go and invest in a little slice of the future that is being written here in Reading.

My Lords, Ladies and Gentlemen, I am The Manic Whale are well worth your valuable time and a little bit of your money.

Excitingly, the whole band has now met, rehearsed and are contemplating live shows.

I for one will be there, supporting a local band, not because they’re local but because they are good. Very good indeed.

Released 6th December 2015

Buy ‘Everything Beautiful In Time’ from bandcamp