2018’s Top 10 Albums – Part 2 – James R Turner’s Picks

Blimey, as we hurtle towards the season finale of 2018, with 2019 ready and waiting in the wings, it’s that time of year for an arbitrary jog through some of the albums that have made my year. Lists being lists these, of course, are totally personal. My Christmas list, for instance, looks nothing like Lord Progradar’s (being mostly filled with 5.1 box sets and socks, whilst Lord Progradar probably wants more vinyl and lycra shorts).

There have been plenty of albums that were close to getting into this list and, of course, the top ten could easily become a top twenty or thirty and before you know it I’d have run out of space and, indeed, time. I am also, of course, unable to include any BEM albums in here, as that would be a big old conflict of interest, and we don’t want that to colour any perception you may have.

Instead here’s my top ten, albums that have resonated withme this year, and albums that have made the commute so much better.

The Pineapple Thief – Dissolution

I have seen these fine chaps, led by the brilliant Bruce Soord, a couple of times here at Bristol, having really got into them with their ‘Magnolia’ album. For their last album ‘Your Wilderness’, they were joined by an up and coming drummer, a chap called Gavin Harrison, you might have heard of him?

Luckily he decided to hang around and join the band for ‘Dissolution’, which, as I said earlier in the year, is the sound of a band reborn and energised and whilst the album has its dark moments and bleak lyrics, musically it is one of the best they have made, and like all the best albums, flows perfectly.

No dipping in and out of tracks here, this is a journey, musically and lyrically and Bruce again has shown why The Pineapple Thief are one of the finest bands out there, and one who you must see live.

The Pineapple Thief – Far Below


http://www.kscopemusic.com/artists/thepineapplethief/

She Makes War – Brace For Impact

Matt Stevens pointed me in the direction of Bristol multi-instrumentalist and performer Laura Kidd, who I’ve been lucky enough to see perform at Bristol’s legendary Harbour fest, as well as at iconic venues like the Louisiana and the Thekla, and she always knows how to put on a show.

This, like her last album ‘Direction of Travel’ was funded by Laura’s fan family on pledge music and is, simply, her finest album yet.

Laura has no big label backing and everything she does is pushing the boundaries of DIY music making for the better. It’s a testament to her creativity and focused vision that she inspires so many fans to join heron her musical journey.

From the autobiographical rock of London Bites to the haunting beauty of Then The Quiet Came, Laura as a songwriter, evolves with each album she makes. The opening single, the crunching rock of Devastate Me being a statement of intent, as well as a fantastic album opener.

If you haven’t heard She Makes War then I suggest you bookmark this article here, nip off to her Bandcamp page where she still has copies of the ‘Brace for Impact’ vinyl available, have a listen, and if you like what you hear (and I guarantee you will), you can amend your Christmas list!

She Makes War – Devastate Me


https://shemakeswar.bandcamp.com/album/brace-for-impact


Zombie Picnic – Rise of a New Ideology

There has been some fantastic instrumental music released this year, with Irish post prog band Zombie Picnic being one of the names at the forefront of this ever expanding genre.

From mixing science fiction with dystopia and big meatyriffs and then adding technically adept and quirky art rock stylings, this 4 piece (JimGriffin and Dave Tobin on guitar, Brendan Miller (drums) & Brian Fitzgerald(Bass)) really know how to build intricate and intelligent rock pieces.

From the opening 9 minute Democracy Cannot Survive (oh how prescient that title is) to the closing three minute Anger in Storage (Denial Will Follow), this is intelligent, progressive instrumental rock at it’s finest and one that would sit happily in any collection that includes such bands as The Fierce and the Dead.

Zombie Picnic – Anger In Storage


https://zombiepicnic1.bandcamp.com/album/rise-of-a-new-ideology


The Sevateem – The Caves

OK, so this is niche, in fact you could dive deeper and say it’s certainly beyond niche but, bear with me. It’s a brilliant record and concept.

Named after a tribe in the 1977 Tom Baker Dr Who serial The Face of the Evil, The Sevateem are Christian Erickson and Janey Winterbauer and this album was influenced by the 1984 Peter Davison regeneration story The Caves of Androzani (arguably the highpoint of 1980’s Dr Who – but I’ll leave that for another place, or another time) and is a fantastic space opera, mixing rock, ballads, electronica and musical tropes that could easily have fallen off the back of a radiophonic workshop.

Taking exquisite care not to breach copyright, this is pitched perfectly with the right balance of nods to our intrepid time travelling hero, big musical numbers, and a fantastic reinterpretation of aclassic story.

Available online from The Sevateem Bandcamp site, all proceeds from this go to the charity Doctors Without Frontiers as well.

From being curious about what it sounded like to getting absorbed in the sheer musical skill and smart song writing and performances on here, this has ended up as one of my albums of the year. I absolutely love it.

The Sevateem – Anywhere in the Universe

https://thesevateem.bandcamp.com/album/the-caves


North Atlantic Oscillation – Grind Show

The latest release from post rock trio North Atlantic Oscillation, sees the band continue to build on their well honed mix of rock and electronica. Opening with the wonderful Low Earth Orbit, this see’s more crossover from Sam Healy’s Sand project into the NAO sound, which is no bad thing. Healy’s vocals are superb and are part of the hypnotic mix.

Stand out tracks for me are the closing trio of Sequoia, Fernweh (a mesmerising 7 minutes of haunting beauty) and the closing Kcenrebbur where, like so much of NAO’s work, the music teases and builds.

This is an album that gets better with each listen as you get more and more from the music and it draws you in with it’s hypnotic and cyclical sound. There’s no band out there sounding like NAO, it’s always a delight to get a new album from these guys. 

North Atlantic Oscillation – Sirens

https://www.musicglue.com/northatlanticoscillation/


Jet Black Sea – The Overview Effect

Prior to reviewing this album, I had never heard any Jet Black Sea, however I am now an absolute convert, this record has been on constant rotation since I first got it.

Bold, epic and not afraid to push their musical boundaries, this album’s title track ebbs and flows, builds and climbs, crossing multiple genres and sounds, from ambient soundscapes to works that would nestle in any record collection alongside No-Man or even Mike Oldfield. I am reminded of Mike’s early 90’s ambient electronica albums, like ‘Songs of Distant Earth’, in approach if not in sound.

The two musicians here are immensely talented individuals and they bounce ideas off each other to create a vast, beautiful and all-encompassing sound, one that is the musical equivalent of a big hug.

This is the sort of music that the album format was invented for, big and yet surprisingly intimate, not afraid to push big ideas in a beautiful way. The track builds and builds, with some sublime vocals from O’Shaughnessy, whilst the musicians weave intricate musical webs that pull you in and keep you hooked.

With only three tracks on here to play with, this is asprogressive as anything out there, and is well worth your time and money.

Jet Black Sea – Home (E.D.L)

https://jetblacksea.bandcamp.com/album/the-overview-effect

Talitha Rise – An Abandoned Orchid House

Reviewed elsewhere on this site by the esteemed Lord Progradar, this is one of the warmest and most beautiful albums I have had the pleasure to hear this year. I got the album on a download to review, landing in my inbox with nary a Bing.

I always think that albums of this magnificence when they arrive should come with a bang, like We Are Kin’s Pandora a few years ago,which had the same effect.

This new album from someone I’d never heard of, blew me away.

Listening to this album was a revelation and took me back to the mid 90’s. As a bit of history, I loved, and still love, music with bags of guitar and filled with testosterone, nowt wrong with that but then I discovered Tori Amos, who opened my ears to a new kind of music.

That feeling runs rife through this amazing album, as Jo-Beth is one of the finest songwriter’s I have come across in the last few years, from songs like the wonderful Lifeboat or the nearest we get to a title track, the atmospheric and haunting Orchid House, with its wonderful violin counterpoint to Jo-Beth’s vocals, which define the word ethereal.

This is musical beauty operating on another level, and her innate sense of music, and her wonderfully evocative lyrics, on tracks like Hungry Ghost or Bloodfox, are ripe in imagery and the sonic tapestry weaved around her words is a joy to behold.

My stand out track on an album full of beauty is the amazing River which, with its wonderful chorus and driving rhythm, encapsulates the beauty in this album.The lyrical beauty married with the musical accompaniment makes this one of the songs of the years, and Jo-Beth’s vocals are the icing on this musical cake.

This one that I keep returning to, time after time, and let me tell you, albums don’t get much better than this.

Talitha Rise – Chapel Bell

https://www.talitharise.com/


Regal Worm – Pig Views

I love Jarrod Gosling’s work, from his artwork for Tim Bowness, his Cobalt Chapel project, I, Monster and Regal Worm he covers more bases musically and artistically than many other artists can manage. He is a 21stcentury renaissance man and, on ‘Pig Views’, the third Regal Worm album he’s made a masterpiece.

This new addition to the family, with its stunning artwork and availability as a pink double vinyl set, looks very smart indeed, art work, of course, is by the man himself.

Among Jarrod’s musical arsenal are items like Mellotrons, Hammond Organs, Rickenbacker basses, Mandolins, Lap steel guitars and many others. This mix of instrumentation, particularly the sax and flute, give this a very English sound, reminiscent of Canterbury scene bands. Throw in Jarrod’s love of jazz and psych, and his rock sensibilities, all of this combines to create a unique musical delight.

As a musician Jarrod has always done something different and interesting with every release and this is no different, whilst there are hints of the styles that dominate Cobalt Chapel and I, Monster, Regal Worm is its own different musical entity, one that draws you in with some of the most innovative and eclectic sounds I have heard on record all year.

Regal Worn – Pig Views Trailer
https://regalworm.bandcamp.com/album/pig-views



Southern Empire – Civilisation

This one is getting into a lot of these lists, absolutely no doubt of the fact that Southern Empire have toured the pants off it in the UK, making new friends and winning converts to the cause. Their spellbinding and stage stealing set at HRH Prog in November brought them to my attention, having never heard them before.

This is their second album and starts with the wonderfully progtatstically titled Goliath’s Moon, a song I know that polarises opinion. However, having seen them perform it live, with frontman Danny Lopresto in fine form, it’s a fab opener to an album filled with wonderful music.

These 4 tracks, yup 4 tracks, are the finest sound of contemporary progressive music lasting over 70 minutes. There’s plenty to love about this album from the wonderful epic tracks Cries for the Lonely and Crossroads and the keyboard and vocal work of Sean Timms, who formed this band after Unitopia folded. The guitars of Danny and Cam Blokland work so well together and the sound is fleshed out by the sterling Brody Green on drums and Jez Martin on bass and vocals.

The harmony vocals are a core part of their unique sound and they mix rock, metal and prog into an amazing sound and, in Danny they have an irrepressible and charming frontman.

The guys put on a show and have made a belter of an album and, if it wasn’t for seeing them at HRH, this album would probably have completely passed me by. So well done chaps, a late entry into my top ten, but well worth it.

Southern Empire – Goliath’s Moon

https://www.gep.co.uk/store/southern-empire-c-1_5/southern-empire-civilisation-p-32.html


Thumpermonkey – Make Me Young, etc.

After a long hiatus, Thumpermonkey released their latest album this year, an epic eclectic album about the upcoming apocalypse.

Now Thumpermonkey cannot be filed under easy listening and that suits me fine, they fit into a nice niche of the musical world where Gong collide with The Cardiacs and Knifeworld (or at least in my head they should do) and create something new out of the explosion.

As a reviewer who gets quite a lot of stuff sent to me from various places to listen to, I would rather receive one album like this than half a dozen generic middle of the road, let’s make an album that sounds like 1974 Yes or 1976 Genesis because we’re prog and it’s what we do (if I want Yes circa ’74, I will go put ‘Relayer’ on).

This stuck out so much this year from the crop of albums by its sheer otherness, it’s innate musical skills and of course the fact it’s bloody good. Thumpermonkey successfully mix widescreen cinemascope sounds with big riffs, piano sound to die for and an overarching concept that never feels forced or shoehorned into.

Very much like the best films and plays, the narrative drives and unfolds across these 7 tracks, and it is an album that rewards, nay demands, repeat listening (luckily, I’ve been enjoying it on the commute to work through my headphones, so I am there, immersed in their world and sound).

It is still an exciting and eclectic album, and whilst it’s not one you can listen to in the background, it’s an album that is (rightfully so) demanding of your time and attention, time and attention well spent.

Thumpermonkey – Veldt

https://thumpermonkey.bandcamp.com/album/make-me-young-etc


All that’s left for me to do now is wish you a Happy Christmas, glorious New Year and hope that I’ve not got this up too late to influence your Christmas lists (mind you, if you get Christmas money – head over to Bandcamp on Xmas day, buy direct from the artists and have excitin music to listen to over the Chrimbo Limbo). I would like to wish all of you loyal Progradar readers a Happy New Year as well, and I will see you on the other side.

THE PINEAPPLE THIEF ANNOUNCE NEW LIVE DATES IN EUROPE & THE UK FOR FEBRUARY & MARCH 2019

The Pineapple Thief have just returned from the first leg of their Dissolution tour where they enthralled audiences across Europe and the UK. Including many sold out shows and their biggest show to date at London’s prestigious O2 Shepherd’s Bush Empire. The band are now ready to announce new dates for 2019.

Frontman Bruce Soord states “Our first Dissolution tour went so well, and we had such a great time so we’ve decided to do it again. This time visiting some of the cities we couldn’t make the first time around. I know there are a lot of people disappointed we are not coming to their neck of the woods, but we hear you all and are definitely working on it!”

The Pineapple Thief will once again be joined by now full-time member Gavin Harrison on all dates.

21.02 Firenze (Italy) – Viper

22.02 Roma (Italy) – Largo Venue

23-02 Milano (Italy) – Santeria Social Club 

24.02 Pratteln (Switzerland) – Z7

26.02 Stuttgart (Germany) – LKA – Longhorn

27.02 Frankfurt (Germany) – Batschkapp

28.02 Strasburg (France) – La Laiterie

1.03 Zoetermeer (Holland) – Boerderij

2.03 Hamburg (Germany) – Grosse Freiheit 36

3.03 Copenhagen (Denmark) – Lille Vega

5.03 Stockholm (Sweden) – Nalen

6.03 Oslo (Norway) – John Dee

20.03 Newcastle (UK) – O2 Academy

21.03 Glasgow (UK) – Saint Luke’s

22.03 Manchester (UK) – The Ritz

23.03 Birmingham (UK) – The O2 Institute 2

24.03 Bristol (UK) – The Fleece

Support to be announced

Tickets on sale now – http://www.pineapplethief.com/

The Pineapple Thief are:

Bruce Soord – vocalist, guitarist, composer

Gavin Harrison – drums

Jon Sykes – bass

Steve Kitch – keyboards

 

Review – The Pineapple Thief – Dissolution – by James R. Turner

I was relatively late to the Pineapple Party, first picking up on their ‘Someone Here Is Missing’ album, and since then I’ve enjoyed the journey through ‘Magnolia’, and ‘Your Wilderness’, their first album (&tour) with Gavin Harrison, the drummer’s drummer and the contemporary Bruford.

His performances on the tour (along with Darran Charles) on 2nd guitar gave frontman Bruce Soord room to breathe on stage and step up to be the frontman we always knew he was capable of being. Seeing them play in Bristol was sublime, the best I had ever seen them, those doubting this should seek out the ‘Where We Stood’ live documentary of this tour.

The best bands have the best drummers, (look at Led Zeppelin, Deep Purple, Yes, King Crimson and Gandalfs Fist) and it’s the interplay between the music and the skill of the drummer that raises it somewhere else.

Harrison, now on board for another album and tour, has been fundamental in pushing the band forward with getting more involved in collaborating with the song writing and main songwriter Bruce Soord has responded in kind, after all, if you have a Ferrari you don’t drive it two miles down the road to buy a loaf of bread do you?

Following on from ‘Your Wilderness’, this new album, again, is evolution rather than revolution, taking the trademark depth of the The Pineapple Thief and building on established motifs and sounds. ‘Dissolution’ is a darker album than its predecessor and that is reflected in the artwork and sound. There is only one song on here that could be considered an epic, although that shouldn’t put anyone off.

Bruce has the knack for putting plenty of hooks and sounds into the shorter songs and it’s his song writing that is so effective across the album and what makes it work. In fact, the opener Not Naming Any Names opens in an incredibly low key way for an album starter  and it sets the album’s stall out in it’s briefest 2 minute introduction. This is one of the darker and bleaker albums that Bruce has been involved in and the theme of Dissolution, from relationships, to the impact social media has on these things and the way it amplifies and polarises, them is evident throughout.

Try As I Might is a harder and darker track again, and the ever present Steve Kitch on keys and Jon Sykes on bass both pull together to create the pulsating dark undertow to the album. Threatening War is another fantastic track, one that I am sure will be fantastic live and, as throughout the album, Harrison’s drumming is peerless, while Bruce wrings every amount of emotion through the songs. Judging from the lyrics it would appear that he’s been through the mill a bit. The low key lo-fi mood continues with the short Pillar of Salt which leads into the 11 minute epic of White Mist, featuring guest guitar work from David Torn, it has an exciting experimental edge to it with some fantastic performances all round. This isn’t your typical prog epic, it builds and twists to its musical climax as guitars duel, electronics shimmer and ebb and flow and the beat of Harrison’s drums act as a counterpoint to Bruce’s vocals.

This is the sound of a band reborn and energised and, while the album has its dark moments and bleak lyrics, musically it is one of the best they have made and, like all the best albums, flows perfectly. No dipping in and out of tracks here, this is a journey, musically and lyrically and Bruce, again, has shown why The Pineapple Thief are one of the finest bands out there, and one who you must see live.

In fact, my only niggle with the whole ‘Dissolution’ album and tour is the fact that, on the first leg, they aren’t playing Bristol!

Released 31st August 2018

Order ‘Dissolution’ from Kscope here:

The Pineapple Thief

 

 

THE PINEAPPLE THIEF RELEASE NEW SINGLE & VIDEO FOR “TRY AS I MIGHT” TAKEN FROM THEIR FORTHCOMING ALBUM DISSOLUTION

The Pineapple Thief  have launched their brand new video for “Try As I Might”, the new single from their forthcoming new studio album Dissolution. The highly anticipated follow up to 2015’s Your Wilderness, is the band’s second album to feature King Crimson and Porcupine Tree drummer Gavin Harrison.

Vocalist, songwriter and guitarist Bruce Soord explains his dystopian view, “The video follows the theme of the song and the album – if you sign up to this hyper connected world we live in, then you have to live with the consequences.  Try as you might to get out of it.”

The futuristic clip was created by Blacktide Phonic/Visual (www.black-tide.co.uk) director George Laycock, who expands on how he created the film “When The Pineapple Thief came to me with their track ‘Try as I might’, they had a broad basis for an idea for a music video that dealt with a social media obsessed ‘connected’ world.

This had nods to previous films and television like ‘The Truman Show’, ‘Black Mirror’, the ‘Big Brother’ landscape and its preceding shows, so it was about creating a storyline using these broad influences and encapsulating into an obscure 3 minute film on a budget.

I was interested in the concept of ‘in eye cameras’, scary technology I am sure isn’t too far away from us. We decided to go down the optical medical route and follow our character on a journey from first pre-operation, to surgery, recovery and then trying to battle the decision he has made, whilst battling with the corporation he has signed up too. The film hopefully leaves the viewer to create their own conceptions on his outcome.

We filmed it all on the Dorset/Devon coastline around where I live and were fortunate to be able to secure great locations to shoot in with a few favours, including a remote seaside post-modern house, a private beach and a real working hospital and opticians.

To keep the cast down to a minimum I decided that the camera that is watching Bruce would become the main supporting actor and his nemesis, appearing in scenes without anyone operating it. This allowed us to see the cameras point of view and tell the story to the fictional viewer. This old broadcast camera weighed an absolute ton, and carrying through remote woods, down a mile-long steep cliff path to a beach was a challenge on some of the hottest days of the year. Filming in the water at the end was a welcome refreshment. 

Many thanks to all those who helped with the film, especially everyone involved at Yeovil hospital for allowing us such amazing access, and to Bruce for being so amenable about having scalpels inches from his eyeball.”

The Pineapple Thief have grown to become one of the leading lights of Europe’s experimental rock domain, Your Wilderness produced 4m+ album streams, a #7 in the UK Independent Charts and two extensive headline European tours culminating at London’s Islington Assembly Hall where the concert was recorded for the live release Where We Stood, and their new album Dissolution promises to propel the band to even greater heights. 

Dissolution will be released in the following formats – all available to pre-order now HERE

  • CD
  • Black LP –pressed to audiophile 180g vinyl
    Limited Edition Crystal Clear LP edition – pressed to audiophile 180g vinyl
  • Blu-ray – features a 16-page booklet, the album plus bonus music in a 24/96 DTS-HD MA 5.1 surround sound mix and 24/96 hi-res stereo audio
  • Deluxe 4 disc edition – features 52 pages containing exclusive additional artwork, the original album on CD plus a second CD of bonus music, and is topped off with a DVD and Blu-ray featuring the album and bonus material in a 24/96 DTS-HD MA 5.1 surround sound mix and 24/96 hi-res stereo audio.
  • All digital & streaming platforms
     

     

The Pineapple Thief will be taking Dissolution on the road starting in September 2018, with new dates added for March 2019. This tour includes their biggest show to date at London’s prestigious O2 Shepherd’s Bush Empire – tickets are on sale now and selling fast: http://www.pineapplethief.com/tour/

The Pineapple Thief – Dissolution Tour 2018/2019

Sep 15 – FR – Paris – La Maroquinerie

Sep 16 – BE, Brussels-  La Madeleine

Sep 17 – DE, Bremen – Schlachthof

Sep 18 – DE, Hanover – Musikzentrum

Sep 19 – DE, Berlin – Lido

Sep 21 – PL, Warsaw – Stodola

Sep 22 – CZ, Olomouc – S-Klub

Sep 23 – CZ, Prgaue – Rock Cafè

Sep 25 – AU, Wien – Szene

Sep 26 – DE, Munich – Backstage Werk

Sep 27 – DE, Aschaffenburg-  Colos-Saal

Sep 28- DE, Cologne – Live Music Hall

Sep 29 – NL, Amsterdam – Melkweg

Oct 4 – UK, Edinburgh – Liquid Rooms

Oct 5 – UK, Sheffield – Leadmill

Oct 6 – UK, London – O2 Shepherds Bush Empire

2019

Feb 22 – IT, Roma – Largo Venue

Feb 23 – IT, Milano – Santeria Social Club

Mar 3 – DK, Copenhagen – Vega

Mar 5 – SE, Stockholm – venue tba

Mar 6 – NO, Oslo – John Dee 

The Pineapple Thief are:

Bruce Soord – vocalist, guitarist, composer

Gavin Harrison – drums

Jon Sykes – bass

Steve Kitch – keyboards

THE PINEAPPLE THIEF , THE UK’S FUTURE ART ROCK STARS, REVEAL MORE DETAILS ON NEW ALBUM DISSOLUTION

The Pineapple Thief  have revealed their first single, entitled “Far Below” from forthcoming new studio album Dissolution. The highly anticipated follow up to 2015’s Your Wilderness, is the band’s second album to feature King Crimson and Porcupine Tree virtuoso drummer Gavin Harrison.

Vocalist, songwriter and guitarist Bruce Soord explains the song’s evolution:

“‘Far Below’ began life as a bit of a jam session between myself and Gavin.  Gavin had this distinctive 6/8 rhythm going and it didn’t take long for me to find the melodies. And so, a song was born.  Is it my favourite track from the album?  Impossible to judge as the album covers so much ground.  But it does showcase what the four of us want The Pineapple Thief to be about and I for one can’t wait to play this one live.”

Bruce Soord reveals more about the themes within Dissolution “broadly speaking the title reflects the disintegration of relationships and the undoing of our social fabric. We’re living in a time when supposedly we are more connected than ever before, but, I personally am at my happiest when I unplug that connection.

Bruce Soord elaborates on the writing and recording process with “We’ve once again been joined by Gavin HarrisonIt’s been a real collaborative journey between the 4 of us writing and recording this record, with the songs taking on a life of their own.  When everyone pulls in the same direction, amazing things can happen.  The Pineapple Thief is a different proposition with Gavin. This time he was with me from the inception of ‘Dissolution’ and together we took the songs into territory I wouldn’t have found on my own. We found ourselves pushing each other so much further, both technically and artistically. There were times in the depths of the writing and recording process, which took 6 months, that I felt so exhilarated but at the same time exhausted and overwhelmed, that I couldn’t imagine us ever finishing the record. Every day we found ourselves finding that extra something we didn’t know we had. None of us would let anyone or anything get in the way of what we felt the album should become. I look back on the process with immense pride”

Gavin Harrison stated “It’s been fantastic to collaborate with these guys again – especially as this time I’ve been involved from the ground up. It’s been a most inspiring effort and I think it will prove to be the best yet.”

Dissolution was recorded across the UK at the band member’s various studios, Bruce explains “The drums were recorded and mixed by Gavin at his studio, ‘Bourne Place’ in London. He has the best sounding live room I have heard and gets an incredible drum mix. Gavin would send me a stereo drum mix that he would constantly tweak as the songs progressed. Jon records his bass at his studio north of Leicester. Steve records his keyboards at his mastering studio in Exeter and I record and mix the rest here in my studio (Soord Studios) in Yeovil, Somerset. It may seem odd that we were able to create something as ‘a band’ when we are so far apart. But we talked almost daily. Technology means ideas can be shared instantly.  We were effectively jamming a lot of the time.  Just a bit further apart.”

Dissolution features cover art artwork from iconic design agency Stylorouge, who have produced artwork for the likes of Pink Floyd, David Bowie, Blur and the British film Trainspotting.

The Pineapple Thief have grown to become one of the leading lights of Europe’s experimental rock domain, Your Wilderness produced 4m+ album streams, a #7 in the UK Independent Charts and two extensive headline European tours culminating at London’s Islington Assembly Hall where the concert was recorded for the live release Where We Stood. 

Dissolution will be released in the following formats – all available to pre-order now HERE

  • CD
  • Black LP –pressed to audiophile 180g vinyl
    Limited Edition Crystal Clear LP edition – pressed to audiophile 180g vinyl
  • Blu-ray – features a 16-page booklet, the album plus bonus music in a 24/96 DTS-HD MA 5.1 surround sound mix and 24/96 hi-res stereo audio
  • Deluxe 4 disc edition – features 52 pages containing exclusive additional artwork, the original album on CD plus a second CD of bonus music, and is topped off with a DVD and Blu-ray featuring the album and bonus material in a 24/96 DTS-HD MA 5.1 surround sound mix and 24/96 hi-res stereo audio.
  • All digital & streaming platforms.

The Pineapple Thief will be taking Dissolution on the road starting in September 2018, with new dates added for March 2019. This tour includes their biggest show to date at London’s prestigious O2 Shepherd’s Bush Empire – tickets are on sale now and selling fast: http://www.pineapplethief.com/tour/

The Pineapple Thief – Dissolution Tour 2018/2019

Sep 15 – FR – Paris – La Maroquinerie

Sep 16 – BE, Brussels-  La Madeleine

Sep 17 – DE, Bremen – Schlachthof

Sep 18 – DE, Hanover – Musikzentrum

Sep 19 – DE, Berlin – Lido

Sep 21 – PL, Warsaw – Stodola

Sep 22 – CZ, Olomucany – S-Club

Sep 23 – CZ, Prgaue – Rock Cafè

Sep 25 – AU, Wien – Szene

Sep 26 – DE, Munich – Backstage Werk

Sep 27 – DE, Aschaffenburg-  Colos-Saal

Sep 28- DE, Cologne – Live Music Hall

Sep 29 – NL, Amsterdam – Melkweg

Oct 4 – UK, Edinburgh – Liquid Rooms

Oct 5 – UK, Sheffield – Leadmill

Oct 6 – UK, London – O2 Shepherds Bush Empire

2019

Feb 22 – IT, Roma – Largo Venue

Feb 23 – IT, Milano – Santeria Social Club

Mar 3 – DK, Copenhagen – Vega

Mar 5 – SE, Stockholm – venue tba

Mar 6 – NO, Oslo – John Dee

The Pineapple Thief are:

Bruce Soord – vocalist, guitarist, composer

Gavin Harrison – drums

Jon Sykes – bass

Steve Kitch – keyboards

The Pineapple Thief online:
Website: www.thepineapplethief.com
Facebook: www.facebook.com/thepineapplethief
Twitter: www.twitter.com/pineapplethief
Instagram: www.instagram.com/thepineapplethief
Spotify: https://play.spotify.com/artist/4lrBMUSk8PiNnCEZfsmPAk
YouTube: https://www.youtube.com/playlist?list=PLE6401DB011BD837E
Apple Music: https://itunes.apple.com/gb/artist/the-pineapple-thief/id278648772

Photography by James Crumpsty

 

 

 

The Pineapple Thief’s Bruce Soord checks in from the studio and reveals details of their new studio album Dissolution

UK & European Headline Tour Announced

Bruce Soord, The Pineapple Thief’s composer, lyricist and driving force, has checked in from the studio with an update on the progress of the band’s new album, the follow up to 2016’s acclaimed Your Wilderness.

After 5 intensive months of song writing and recording, the new The Pineapple Thief album is almost done!  We’ve once again been joined by Gavin Harrison, but this time from day one.  It’s been a real collaborative journey between the 4 of us writing and recording this record, with the songs taking on a life of their own.  When everyone pulls in the same direction, amazing things can happen.

Bruce also reveals more about Dissolution, the title of the forthcoming release ““The new album, will be out later this summer. Broadly speaking the title reflects the disintegration of relationships and the undoing of our social fabric.  We’re living in a time when supposedly we are more connected than ever before, but, I personally am at my happiest when I unplug that connection. 

Reflecting more on the creative process between the band members – Gavin Harrison, Jon Sykes & Steve Kitch, Soord explains “ I would come up with ideas, jamming them on a guitar with a rough vocal, but instead of locking myself away and finishing the demos like I usually do, I would send them to Gavin for him to play around with in his studio.  Gavin has one of the best sounding drum rooms I have heard, and he can produce incredible sounding drum mixes. He would then lay down some drum ideas, chop things around, add some drum sections here and there before sending it back to me to take forward. It’s as close to having a jam in studio as you can get whilst being 200 miles apart!  Jon would then lay down his bass from his studio and Steve would do his thing from his mastering studio in Devon. We are just settling down now to the do the final mixes. Gavin is mixing the drums, Steve and I are mixing the rest. I am definitely looking forward to having that celebratory beer when we send the masters away!”

Gavin Harrison adds “It’s been fantastic to collaborate with these guys again – especially as this time I’ve been involved from the ground up. It’s been a most inspiring effort and I think it will prove to be the best yet. The emotional investment that you place in an album is immense and we’re all excited about getting out there and playing these songs live. “

The Pineapple Thief have announced they will be taking  Dissolution on the road starting in September 2018 which will include their biggest show to date at London’s prestigious Shepherds Bush Empire – tickets are on sale now and selling fast: http://www.pineapplethief.com/tour/

Sep 15 – FR – Paris – La Maroquinerie

Sep 16 – BE, Brussels-  La Madeleine

Sep 17 – DE, Bremen – Schlachthof

Sep 18 – DE, Hanover – Musikzentrum

Sep 19 – DE, Berlin – Lido

Sep 21 – PL, Warsaw – Stodola

Sep 22 – CZ, Olomucany – S-Club

Sep 23 – CZ, Prgaue – Rock Cafè

Sep 25 – AU, Wien – Szene

Sep 26 – DE, Munich – Backstage Werk

Sep 27 – DE, Aschaffenburg-  Colos-Saal

Sep 28- DE, Cologne – Live Music Hall

Sep 29 – NL, Amsterdam – Melkweg

Oct 4 – UK, Edinburgh – Liquid Rooms

Oct 5 – UK, Sheffield – Leadmill

Oct 6 – UK, London – O2 Shepherds Bush Empire

 

Live Review – The Pineapple Thief (featuring Gavin Harrison) and Godsticks at Bristol Bierkeller – by James R Turner

I once stole some coconut shampoo, I don’t know why, I didn’t have a coconut, however Bruce Soord has been getting away with Pineapple Thievery for over 18 years, and despite the gig being on a Sunday night, I was glad to finally see them on their latest musical jaunt, a worldwide tour de force promoting the latest long player ‘Your Wilderness’. In fact these dates were added later, as it seemed very odd when the tour was first announced that they bypassed the West Country entirely, and we can’t all afford to ship off over to that London for a gig

In fact this was the last gig of the tour, and practically a local one, as Bruce doesn’t live a million miles away, so it was almost a homecoming for him.

It’s always strange to go to a venue that is so intimate to see bands that you think should be playing such bigger venues, particularly when the venue is the Bierkeller, which is an odd little place. A cross between a traditional rock club and a German drinking haus, managing to not quite be one thing or t’other, and it’s also funny to go to the merch stand and see the latest release by the band being an audio/visual document of the show that you’re about to watch. (Where we Stood).

(Godsticks)

Support was by Welsh boys and K-Scope label mates Godsticks, whose set was made up of a majority of new material from their forthcoming album ‘Filled with Rage’, I had never heard of them before, and as I have probably said elsewhere one of my criteria for what makes a great gig is how good the support band are.

Godsticks are good, very good indeed, they have a wonderfully chunky sound, big riffs and big beats, and have that knack of turning up the amps but not losing the melody, whilst the set was bias towards the new record, ‘Faced with Rage’, which is out on October 13th, the older material from ‘Emergence’ fitted in superbly.

As a rock band go Godsticks are entertaining, musically adept and according to someone who was with me in the audience who had seem them before, they have come on leaps and bounds. All I know is they were a superb start to the show, and got the audience warmed up before the main event.

Last time I saw Bruce and the boys was on the ‘Magnolia‘ tour, back in The Fleece in Bristol in 2014, and then I thought they should be playing somewhere far bigger.

Now, with the addition of the busiest man of the night Godsticks guitarist and vocalist Darran Charles, who joined The Pineapple Thief live line-up, the amazing Gavin Harrison on drums, the Thief’s live sound is suddenly enhanced, and those simple tweaks helps take the burden of Bruce, so he can be the frontman he was always destined to be, and with Gavin on board this group of excellent musicians suddenly have raised their game even more.

There is a reason why the tickets say The Pineapple Thief with Gavin Harrison, and that is because Gavin is the contemporary musical equivalent to Bill Bruford, and is mesmerising to watch and hear as a drummer, astonishingly despite being a massive fan of his work, both solo and with bands like Porcupine Tree or King Crimson, this was the first time I have ever seen him live, and whilst I love The Pineapple Thief, and their latest album, seeing Gavin Harrison in action was something I couldn’t miss.

Being biased towards some of the later albums, and of course ‘Your Wilderness’, the entire album hits the stage at one point or another tonight, and songs like In Exile, Where We Stood and Tear you Up come across with power and intensity, the sound that a band confident in their ability can deliver with panache.

With Darran doing some of the heavy lifting, Bruce is like a man freed, playing to the audience and turning in some fine banter (‘forgetting’ to remember the album title of Godsticks new release being one of many exchanges), whilst material from ‘Magnolia’, including The One you left Behind (the strongest track from that album), absolutely rips the place apart with the power and skills of the band. With long term collaborators Steve Kitch on keys and Jon Sykes on bass, a lot of the focus is of course on the man in the corner of the stage. Every note is timed to perfection, every fill, every beat is on point, and nothing is superfluous, I feel a lot of prog drummers can get a lesson in how to do it from Gavin Harrison. Everything he does added so much to the songs that every so often I would get a great big grin on my face, as the whole sonic template meshed together to create an almighty sound.

I said before when I saw them at The Fleece a few years ago how I couldn’t understand why they aren’t playing bigger venues, and ironically the Bierkeller is slightly smaller than the Fleece, and I wish I could fathom why a band this powerful, with songs this melodic, this intelligent and this epic aren’t selling out and playing to the sort of crowds that bland wallpaper peddlers like Coldplay are doing. There is more musical intelligence in one of Bruce’s riffs or one of Gavin’s fills than there is in Coldplay’s recorded output for the last 5 years, and music this big and this powerful and emotional deserves a bigger platform. I guess that the benefit for us is that we get stadium-sized performances in smaller venues and to hear this music, this close is something we should all be thankful. If, and I say if, Gavin Harrison is still playing with The Pineapple Thief next time they tour then you owe it to yourself to go see them. If not, then we’ll always have ‘Where We Stood’, and the Bristol Bierkeller.

Live DVD Review – The Pineapple Thief – Where We Stood – by Emma Roebuck

Darran Charles, Steve Kitch, Jon Sykes, Gavin Harrison and, of course, Bruce Soord are the current touring version of The Pineapple Thief. On the 11th February 2017 they played the Islington Assembly Rooms, touring in support of their ‘Your Wilderness’ album. It was a packed audience and was a much anticipated tour and album.

The set list for the night was:

  • Tear You Up
  • The one you left to Die
  • No Man’s Land
  • Alone At Sea
  • That Shore
  • Reaching Out
  • In Exile
  • Take Your Shot
  • Show a little love
  • Fend For Yourself
  • Part Zero
  • Simple as that
  • Final Thing on my mind
  • Encores Snow drops / Nothing at best.

The show was recorded and will be released in various packages on the 6th October as ‘Where We Stood’.

First the limitations. I had no access to the package in itself with the multitude of mixes and vinyl stuff which Kscope have produced as a rather excellent showcase of a live band in full flow in front of a passionate audience. I will review what I have seen which is the concert DVD footage and the documentary footage. After all, this is the actual product they are selling in its many forms.

I am a music fan and believe the arena of the stage and live presentation is often the best judge of what a band is capable of in the purest form. A band can live or die on what it does on stage and putting out a DVD of a stage set is a brave thing to do for any band but it seems to be a common thing to do these days.

The set is mainly drawn from the recent album and shows the music in a new light with an additional dimension to the material. The band is completely together in this and are a very slick and tight outfit putting on a show worthy of a much larger stage and audience.

Visually it is a delight and it is also of a very high quality sound (which is available as a standalone live album). It comes as close to letting you be there during the actual performance as any DVD can. The band as individuals get fair shares of shots and it lingers on key musical moments like solos, licks or breaks.  High points for me are, obviously, Snow Drops and Take Your Shot but Exiles and the opening tracks Tear You Up and The One You left To Die also deserve special mention. The set flows like water and is a fine surrogate for those who missed the tour and also as a souvenir for those who have seen this line up recently.

Bravely the new album fills the set list but has a different tone and quality to the studio version. Gavin brings a new feel to the older songs and adds to the live versions. Bruce is a great front man and connects to the audience well. This brings me to a couple of frustrations which I hope can be resolved with the DVD menu manipulations. The show is interspersed with interviews with the guys which ruins the flow of the concert. They could as easily been dropped into the additional 15 minute documentary of the back stage, pre and post show scenes.   Instead I would have let the whole gig play and get the interactions of the band with the audience. I want to feel like I am at the gig and that gets broken up.  Having said that it is relatively minor gripe for what is a great visual presentation of a great band in full flow.

For fans it is an essential purchase but also if you have even a slight interest in good intelligent music then buy it and see what ‘good’ looks like as well as sounds like.

Released 6th October 2016.

Order all formats from the Kscope store at Burning Shed

(Featured image credit: DIANA SEIFERT)

 

 

NEW TOUR DATES ANNOUNCED FOR THE PINEAPPLE THIEF, FEATURING GAVIN HARRISON

The Pineapple Thief have announced the second leg of their European tour in support of the critically-acclaimed album Your Wilderness. The new dates will see the band venture into Poland and Switzerland along with shows in Germany, Czech Republic, The Netherlands and UK. See a full list below.

The band will again be joined by virtuoso Gavin Harrison (Porcupine Tree, King Crimson) on drums and Darran Charles (Godsticks) on guitar. As anyone who witnessed the shows earlier this year will attest, the new five-piece line-up has allowed Bruce, Steve and Jon to expand upon their signature sound, enabling the band to truly shine on stage.

For a glimpse of what to expect, fans can watch clips of the band’s sparkling performance at London’s Islington Assembly Hall here:

Tour dates

Wednesday, 6 September 2017 – Dresden, Alter Schlachtof

Thursday, 7 September 2017 – Warsaw, Progesja Music Zone

Friday, 8 September 2017 – Krakow, Kwadrat Music Club

Saturday, 9 September 2017 – Czech Republic Brno – Melodka

Sunday, 10 September 2017 – Munich, Backstage Halle

Monday, 11 September 2017 – Zurich, Dynamo

Tuesday, 12 September 2017 – Stuttgart, Universum

Wednesday, 13 September 2017 – Cologne, Luxor

Thursday, 14 September 2017 – Zoetermeer, De Boerderij

Saturday, 16 September 2017 – London, ULU

Sunday, 17 September 2017 – Bristol, Bierkeller

For more information and ticket details – http://pineapplethief.com/tour

Following a triumphant first leg, with several sold out shows, The Pineapple Thief has emerged as one of the most exciting live progressive rock acts on the circuit and a force to be reckoned with. Prog Magazine described the show as “a dynamic, dramatic experience” while Manchester Rocks commented that it’s “The Pineapple Thief, like you’ve never heard them before”.

“We can’t wait to get back on the road again!” explains band leader Bruce Soord. “Personally, I am really excited that people will have another opportunity to see and hear this fantastic line-up. Darran and Gavin have brought a whole new dimension to this band.”

The band will be performing Your Wilderness plus a string of re-imagined favourites from their back catalogue. These will be the last tour dates this year, and the final opportunity for fans to witness this line-up performing Your Wilderness in its entirety. Special guest support is from Kscope label mates Godsticks, who will be performing brand new material from their upcoming fourth album.

Your Wilderness is the 11th studio album from The Pineapple Thief. For the first time, the band brought in several special guest performers: Gavin Harrison (Porcupine Tree) contributed drums throughout the album, John Helliwell (Supertramp) some beautiful clarinet parts, and Geoffrey Richardson (Caravan) provided a string quartet. They were also joined by a 4-piece choir and to cap it all off, Darran Charles (Godsticks) added some jaw dropping guitar playing.

One of the most exciting bands to come out of the UK progressive rock scene in recent times, The Pineapple Thief was formed in 1999 by founder and chief songwriter Bruce Soord. The band has steadily evolved and refined its sound with the bass playing of Jon Sykes and the production and keyboards of Steve Kitch vital ingredients of the unmistakable TPT sound.

The Pineapple Thief online:

Website: www.thepineapplethief.com

Facebook: www.facebook.com/thepineapplethief

Twitter: www.twitter.com/pineapplethief

Instagram: www.instagram.com/thepineapplethief

Spotify: https://play.spotify.com/artist/4lrBMUSk8PiNnCEZfsmPAk

YouTube: https://www.youtube.com/playlist?list=PLE6401DB011BD837E

Apple Music: https://itunes.apple.com/gb/artist/the-pineapple-thief/id278648772

Review – Tim Bowness – Lost In The Ghost Light – by Progradar

“Look around you. Everything changes. Everything on this earth is in a continuous state of evolving, refining, improving, adapting, enhancing…changing. You were not put on this earth to remain stagnant.”
Steve Maraboli, Life, the Truth, and Being Free

Yes, everything changes but, in music, sometimes that change either takes what seems like a lifetime or never happens at all. Some of the more established acts could be said to have congealed into their final selves. To be fair, they can often still produce great music but you always know what to expect and that means no more surprises and I for one like a few surprises in my musical journeys.

Tim Bowness has admitted to me himself that he does have a signature sound and it is one that can be heard as the foundation on his previous three solo releases ‘My Hotel Year’ (2004), ‘Abandoned Dancehall Dreams’ (2014) and  2015’s ‘Stupid Things That Mean The World’. 2017 sees him return with a new album, ‘Lost In The Ghost Light’, and a new approach.

Here’s Tim’s thoughts:

“This new album, in some ways, it is quite a departure. There are lots of flutes on it and due to the nature of ‘the concept’, it’s definitely the most traditionally Progressive album I’ve made. It was very much a labour of love and like you say, it ‘felt’like a Tim Bowness album while taking the music into some uncharted places (for me).”

‘Lost In The Ghost Light’ is a concept album revolving around the onstage and backstage reflections of a fictional ‘classic’ Rock musician in the twilight of his career. It is a grand statement about a grand era of music making and an undoubted highlight of Bowness’s career.

Lyrically, the album addresses how the era of streaming and ageing audiences affects creativity, how a life devoted to music impacts on real / family life, and how idealistic beginnings can become compromised by complacency and the fear of being replaced by younger, more vital artists.

Though firmly focused on Bowness’s distinctive voice and musical approach, the album also draws inspiration from the period the concept covers and contains a notable 1970s Symphonic/Progressive Rock influence.

Mixed and mastered by Bowness’s No-Man partner Steven Wilson, ‘Lost In The Ghost Light’ uses a core band comprising Stephen Bennett, Colin Edwin (Porcupine Tree), Bruce Soord (The Pineapple Thief), Hux Nettermalm (Paatos) and Andrew Booker (Sanguine Hum), as well as guests including Kit Watkins (Happy The Man/Camel), Steve Bingham (No-Man) and the legendary Ian Anderson (Jethro Tull). Andrew Keeling (Robert Fripp/Hilliard Ensemble/Evelyn Glennie) arranges for string quartet and flute on three of the album’s
songs.

Jarrod Gosling (I Monster / Cobalt Chapel) provides the fantastically detailed artwork, which includes a visual history of the career of the concept’s subject. Mixed and mastered by Steven Wilson, the special cd/dvd edition also features a 5.1 mix by Bruce Soord.

Tim certainly knows how to start things off with a bang. Opener Worlds Of Yesterday is hypnotic, immersive and mesmerising from the first note, a song that draws you into its soporific embrace to deliver its undoubted charms. The gentle background music has a plaintive guitar note overlaid before Tim’s distinctive vocals begin. His voice is calming and spell-binding at the same time and the beautiful strings that back the chorus work in perfect harmony. The music is full of refined grace and yet the probing guitar that you can hear throughout gives it a questing edge as well. The sedate, ambling keyboards are a delight and the flute just adds another layer of undoubted class, You just have to listen to the run out of this elegant track, it is a brilliant way to close out a song. One for late nights, lights turned down low and something full bodied and red to drink…

Moonshot Manchild opens with a laconic feel, typical Tim Bowness, all laid back vocals and subdued music that gets under your skin in an addictive fashion. There’s a subtle incisiveness running underneath though as the mellow and unhurried music washer over you. Classic 70’s keyboards give a real feeling of wistful nostalgia and a melancholy undertone to the ongoing tale. Tim’s voice has never sounded so good and he really has one of the most serenely relaxed vocal deliveries around. There’s a great keyboard interlude in the middle of the track, pensive and thoughtful asking you to reflect for a moment before the song blossoms out again with a wonderfully carefree and composed instrumental section. Once again we are treated to another impressive lead out, something that seems to be coming stock in trade for this great musician, it ebbs and flows brilliantly, demanding you follow it right to the end of the musical journey.

Wow! The next track is a real departure for Tim. All full of angst and pent up rage, Kill The Pain That’s Killing You opens with frantic drum beat and a caustic guitar riff. There’s a real nervous energy about this song, a pleading uneasiness that has a real catchy note to it. Tim’s vocal seems more direct and urgent and that acerbic guitar note really does make you sit up and take notice. The staccato chorus only adds to the offbeat tone, this is something very different and enjoyably so and, coming in at under four minutes, this frenetic song never outstays its welcome.

After that unexpected but thoroughly enjoyable onslaught, Nowhere Good To Go sees us return to the refined, simple grace of the first two tracks but there is definitely something evolved about Tim’s sound on this album. Soothing and tranquil, the music seems to lull you into a becalmed state and then open up into something just a little different with the dulcet tones of a Hammond organ combining with the strings to add subtle sophistication to what is already quite an imposing sound. Again the vocals are delivered with silken finesse and the ethereal flute adds a winsome feeling to this lissome song.

There is one of the best openings to any recent progressive song on You’ll Be The Silence. All pastoral with a lovely piano sound and the delicate heavenly flute, it really did impress me on first listen and left me transfixed with its rarefied quality. Tim’s voice has a little catch to it, an almost sentimental regret at the heart of it and it gives the song a dreamlike atmosphere when combined with the simple charms of the wistful music. The longest track on the album at nine minutes long, you are enraptured throughout this unapologetically sentimental and yet slightly rueful piece of music. You have to take the time to listen to this song (and, indeed, the whole album) with a decent pair of headphones on and just become immersed in its spellbinding orchestral reverence. Music as good as this can take you to a place of calm reflection, where the world cannot harm you and everyone needs that now and again, an utterly captivating song that ends every bit as brilliantly as it begins, the guitar and flute leading you on a seductive voyage home…

Lost In The Ghost Light is quite a dark interlude with a menacing undertone. Tim delivers his vocal in a spoken word fashion and that adds even more suspense and uncertainty. The music is atmospheric and bleeds tension directly into your system.

That slight feeling of doubt can be felt at the start of You Wanted To Be Seen and adds to a cautionary tone to deliver a deliberately pensive and sombre tone to the song. Tim’s vocal is thoughtful and sad and the music has a plaintive and pensive edge to it. The violin that can be heard in the background is a fine touch and adds a longing, surreal edge to the track before things change tack with a restless and skittish air that adds tension and a disquieting unease. Another great song that has an imposing end with some great guitar playing.

Onto the final track of the album, Distant Summers, a mournful violin opens this mellow and cultured song and imbues it with a really plaintive plea for days gone by, Sepia tinged nostalgia drips from every wistful note and the exquisite flute playing is tempered by a trite ennui. The vocals have a touch of anguish at the core of them and the whole song has a fragile dignity deep at its core, one that is made up of beauty and remorse in equal quantities. Despite the forlorn mood that runs throughout the song, I still feel that there is hope emanating from Tim’s expressive voice and that is the overriding feeling that I will take away with me.

I’ve always been a fan of Tim Bowness and this new album has only exacerbated that. He has added something different and distinct to his music to evolve and progress it to something that, while recognisable as his work, has seen him mature into one of the best and most involving progressive artists that we have. There are added layers and nuances that just lift this album above similar fare on offer at the moment and I can see this being on my playlist for a long time to come.

Released 17th February 2017

Order ‘Lost In The Ghost Light’ from Burning Shed