Review – The Anchoret – It All began With Loneliness

The Anchoret is a Progressive Metal project that combines prog rock sensibilities with modern metal energy. Mixing fusion sax, flute solos, mellotron vibes and heavy riffs. ‘It All Began With Loneliness‘ offers a unique soundscape that is sure to please any fan of heavy music.

Featuring Andy Tillison (The Tangent), James Christopher Knoerl (Aviations, Gargoyl) and Sylvain Auclair (Heaven’s Cry, Karcius), ‘It All Began With Loneliness‘ was recorded all over the world between August 2020 and March 2022. 

With all the music composed and produced by bassist Eduard Levitsky and lyrics by Sylvain Auclair, this album is an absolute beast and one of the most stand out and innovative releases of 2023 so far. Fair warning though, it does get very, very loud and, to my ears at least, is all the better for it. Like a force of nature, a neolithic musical tour-de-force, ‘It All Began With Loneliness‘ is an utter powerhouse of progressive-metal invention.

The irresistible force of fine prog-metal melody meets the immovable object that is thunderous guitars, monumental drumming and in your face vocals and, surprisingly, it is a marriage made in heaven. And just to take it to another, almost unimaginable level, we get alto-sax, flutes, clarinet and even gospel vocals!! Jesus, it shouldn’t work in any way, shape or form but it just does and it works remarkably well!

The album bursts into life from the first note of opener An Office For…, this opening track lulls you into a somewhat melodic false sense of security before it segues perfectly into the violent wonder of A Dead Man. This piece of music has everything I mentioned above, melody, power, progressive leanings, majestic vocals, monumental musicianship and flutes! Add in one of Andy Tillison’s more extrovert keyboards solos (and that’s saying something!) and you could say that everything including the kitchen sink has been thrown at it and it is utterly magnificent. Of special note must be the utterly stunning and grandiose guitar work of Leo Estalles, statuesque in delivery and intent. You’ve hardly got your breath back from that uber-enjoyable onslaught before you have to strap in again for the thunderous Until The Sun Illuminates, a prog-metal masterpiece of magical musical malevolence. An almighty wall of sound rushes at you with deliberate intent, the occasional lull only giving brief respite from the mayhem around you. This is musical violence that is utterly wonderful, Andy’s keyboards used to great effect to give you temporary shelter from the storm created by the energetic rhythm section. Someone Listening carries on with a maniacal gleam in its metaphorical eye, the musical rollercoaster ride sweeping you up and carrying you in its wake. Sylvain Auclair has a commanding voice perfectly suited to the high energy, pulsating music, it is passionate and forceful but always melodic. The brilliant alto-sax of Juan Ignacio Varela Espinoza provides a clever counterpoint on the opening to Forsaken before the prog-metal takes on a much darker and heavier note and the vocals go all thrash metal on you. I’m not normally a fan but it’s done so well that I have to admit that I love it! The ebb and flow between the elegant sax and the maelstrom of metal is perfectly executed and makes for one hell of an exhilarating listening experience and Leo’s fine guitar playing is always going to add something vital to the mix.

The enigmatic opening to Buried adds an almost middle-eastern feel to the music before the staccato guitar and forceful vocals give primeval force to the song. There’s a building of tension, a clever anticipation being created before bursts of audio stimulus push through, a shorter but exceedingly sharp piece of music. All Turns To Clay is an anarchic helter-skelter of a song, a pulsating and compelling song that mesmerises and fascinates at the same time. The potent guitar riff has you trapped in its spell and the dark, haunting vocals seem to focus directly on you, another fine piece of songwriting. Unafraid has a less manic tempo yet builds menacingly with intimidating, ominous certainty, like a storm gathering in the distance, one you know is going to hit you eventually. Barely restrained like a wild stallion, there’s a violent energy building that strains to be let loose. This incredibly powerful album closes with the most wistful of songs in Stay. Emotive, passionate and heartrending, the musicianship is superb, where before it was all controlled power and dynamism, now it’s about precision, calm and grace, there’s even a Mellotron for god’s sake! It doesn’t get more prog than a Mellotron! Leo shows his class with a heartbreakingly elegant solo, full of fire and passion which, along with another magnificent keyboard solo from Andy, closes the album in rather fine style.

One of the things I love about music is when it surprises you and this debut release from The Anchoret has been a revelation. ‘It All Began With Loneliness’ is an astonishingly good album, in fact jaw-droppingly so, and is already up there as one of my favourites of the year. As prog-metal albums go, it doesn’t get much better than this!

Released 23rd June, 2023.

Order from bandcamp here:

It All Began With Loneliness | The Anchoret (bandcamp.com)

Review – I Am The Manic Whale – Bumper Book Of Mystery Stories – by John Wenlock-Smith.

These are my thoughts on, ‘Bumper Book of Mystery Stories’, the new album from Reading based outfit I Am The Manic Whale. Following on from 2020’s ‘Things Unseen’, this new collection of eight themed and linked tracks is a strong return to form as ‘Things Unseen’ was a little to unfocused really. Despite having several great tracks, a few others fell a bit short quality wise in parts. This album has redressed that particular issue clearly and the post-lockdown era has enabled the band to strengthen their musicianship to even higher levels. This is especially noticeable in the more focused bass playing of Michael Whiteman and the ever improving fluidity of guitarist David Addis. The keyboards of John Murphy, and Ben Hartley’s drums, add consistently sympathetic and worthy support to the proceedings.

The album is themed as a set of songs inspired by a book Michael found in an old and strange antique shop that was full of stories for boys. He decided to revisit these tales in song, adding mystery and suspense, to make something rather unique and different. The band even created their own tales that are available in a book as a companion piece to the album (not that I’ve read it, but the concept is a great one!). The music is everything that you have come to expect from this massively underrated band, strong melodies, dynamic pieces, class musicianship and interesting and intelligent songs. There is a lot going on here, there is also a marked improvement in confidence, possibly as a result of a higher standing after the collaboration with Ryo Okumoto’s recent solo album that Michael was heavily involved with, and which no doubt improved his own personal belief in his and his band’s abilities and worthiness.

The album has a mixture of styles and song lengths, from short tracks like Ghost Train (part 1) that opens the album, through to the two epics; Nautilus and We Interrupt This Broadcast…

So let’s delve a little deeper shall we?

Ghost Train (part 1) has echoes of John Finnemore’ s Souvenir Programme’s story elements. I know that Michael is a fan of this fine radio programme and went to some special recordings last year, which possibly were part of the inspiration for this track. The song has a suitably sombre tone as we are told that we are going to embark on an unusual and different type of journey, there’s also has some lively guitar work throughout, David Addis proving just what an inventive and tasteful player he truly is. In fact his playing on the whole album is excellent and inspired as he reaches new heights on several songs, enlivening with some truly melodic, flowing and fluidly inventive playing that significantly enhances the tracks with his combination of skill, technique and intelligence. He adds much icing to an already delicious musical cake. Second track, Patient AB, is based on a true story about a lady who was able to self diagnose a brain tumour that was subsequently found and dealt with successfully. Dream Fortune is based on the old folk tale The Pedlar of Swaffham, who travels to London where he believes he will meet a man who would make him rich. Instead, he is mocked by another dreamer who reveals a story of treasure buried under a tree in Swaffam. The dreamer discovering the treasure in his own garden and using it to fund the repair of the local church A great organ and choir are used to create great atmosphere in this track.

Secret Passage is a thrilling track with a strident bass at the forefront. This track blends images of Narnia and the Famous Five, amongst others, it is quite a robust number with another lovely guitar line in the middle section. It’s this level of skill and lightness of touch that really highlights the strength of this material written by the various band members. This song has an extended keyboard solo from John Murphy that is real delight, it’s great to hear him stretching out here, he is a great player and his contributions are invaluable. The Incredible David follows and is inspired by a story in a book John owned as a child, that told the tale of a boy who had insight into ancient history, with knowledge of things he could never have seen or known. The band have updated the tale by telling it from the father’s point of view and it’s an approach that works well, the song is multi layered with great piano and soaring Steve Vai type guitar in places. This is an album that requires time to allow its treasures to emerge slowly, in their own satisfying manner and that will capture your imagination, as they very much deserve to. Nautilus is influenced by Jules Verne’s 20,000 Leagues Under The Sea and Captain Nemo. This watery tale has some great guitar in its thirteen-plus minute running time, along with keyboard contributions from Ryo Okumoto, who delivers a great synth section. The song is in five sections and is a very interesting track indeed, Michael’s love of science fiction comes across strongly here.

Penultimate song, Ern​ő​’s Magic Cube, is a sort of continuation of a song from ‘Things Unseen’ that extolled the virtues of Lego, this track being about the Rubik’s Cube and is a direct relation to that earlier song, Build It Up. It is a very 80’s sounding song, again this one makes a good impression. We Interrupt This Broadcast… details the strange incident of a spoof radio transmission which detailed Alien activity and interest. This is the longest track of the album and, again, David sizzles on his guitar, playing a great solo. It concludes an album that really delivers, upping the ante considerably from previous releases.

With stronger material and inspired performances that offer a deeply rewarding listen, this is an album that will draw you back repeatedly and one that is a highly recommended release indeed.

Released 7th July, 2023.

Order from bandcamp here:

Bumper Book of Mystery Stories | I Am The Manic Whale (bandcamp.com)

Review – Kurt Michaels – Stones From The Garden – by John Wenlock-Smith

This is the new latest album from Chicago born musician Kurt Michaels whose own career started in 1975. Since then, he has either worked with, or shared a stage with, a veritable cast of luminaries and classic musicians ranging from Chris Squire and Alan White of Yes, Carl Palmer, members of Supertramp and many others.

This album features contributions from Billy Sherwood, Michael SherwoodAmanda Lehmann, John Abbey (John Cale) and Dennis Johnson (Survivor and Dennis De Young). The album is generally AOR with a few touches of progressive rock (especially in the epic track The Road Beyond). The whole album consists of eight songs, mainly of around five minutes duration, although there are a few longer tracks.

On opener Trouble, Kurt sets out his stall pretty well with a bass heavy riff that runs in parallel with his own meaty guitar. There are some great keyboard fills in the mix here too, the song is slightly menacing sound wise and is all the better for it too. The vocals are clear and strong and backing vocals are good too. There is a lot happening throughout, I really like this track as it is both imaginative and clever. There is a tidy guitar break at the five minute mark that plays the song out, it’s a most impressive sounding track. Why Must Life Be Such A Fight follows and this one impresses greatly with its pop sensibilities. Again, good atmosphere is created in this track alongside some interesting musical passages and with some excellent harmony vocals from Kathie Mills. There is also another excellent solo from Kurt, whose guitar work is really fine and focused though out the entire album, this is another excellent track. I’m In Love With That Dream is the first longer track to appear on the album. On this song Kurt’s voice sounds highly reminiscent of the Flower KingsRoine Stolt, which is certainly different but this style works for this song. Good backing vocals from Annie Carlson also impress as does Kurt’s excellent guitar break. This track has a wistful feel to it, with excellent interplay between Karl and Annie’s voices that definitely deepen this feeling. It is another splendid song on what is emerging as a really good album.

Next up is the rather poppy and bouncy Relax…Nothing ‘s Under Control, which has vocals from Amanda Lehmann, who also adds some atmospheric voice tones to this track. This also has quite a funky feel to it, another good track and well performed by all. Forever (So Completely) opens with some neat slide guitar riffs, again the Flower Kings’ type vocals work really well. The song is quite an urgent number with another fluidly impressive solo leading the song along well. Happiness has a sense of yearning somehow. It’s almost like an unattainable target that is being sought and he is striving to reach. It is another wistful song really, with interesting musical backing. More great backing vocals from Kathie Mills make this another winner.

Will I Ever Pass This Way Again? is another searching track where Kurt is thinking about a loved one and how it all went wrong and how he would love to be able to fix and repair the relationship to a better one. This album seems to have a fair few wistful songs of hope and yearning. The final track, and longest and possibly the most progressive of the lot, is The Road Beyond, which runs for just over seventeen minutes The song begins with some guitar harmonics and tones which help create a sense of atmosphere alongside the keyboards of Jim Gully, which allow room for Kurt’s effect laden guitar tones to shimmer and shine. This track is basically a long guitar instrumental that is bookended by brief spoken word passages in which we are encouraged to dwell on how we live and how that affects how we act. The music is moving and yet, somehow, it is also very hypnotic almost like a dream sequence in parts and with excellent dynamics. I feel this would appeal especially to lovers of electronic music as I hear elements of Tangerine Dream here, amongst others It is a most interesting and impressive track as Kurt’s improvisations are really strong and fine. Furthermore, the song keeps the listener engaged and interested throughout its duration. I also hear the shimmering harmonies of Tom Verlaine here in this track, which is also a really interesting and revealing insight, it closes the album on a beautiful note.

This fantastic album will unfortunately pass most folks by, which is sad, as there is much great music to be found within this album. I implore you to check it out and support this fine musician.

Released 7th July, 2023.

Order from bandcamp here:

Stones from the Garden | Kurt Michaels (bandcamp.com)

Prog Ensemble District 97 Announce New Album Stay For The Ending and Launch The Opening of Pre-orders

Spirit of Unicorn Music are delighted to announce a brand new album from District 97, Stay For The Ending, pre-orders for which have opened today.

Featuring 10 brand new tracks, the album is the culmination of everything this Chicago-based prog rock ensemble has worked towards during their last 15 years. Formed in Autumn 2006, the band draws influences from a diverse array of musical styles, from heavy metal to avant-garde jazz. This broad appreciation of musical genres has continued to inform the band’s latest work and sees them further develop their sound and songwriting to ambitious new levels: upping their game in the areas of composition, performance, arrangement, production and sonics.

Stay For The Ending traverses a vast array of themes with songs exploring the human condition: unity, division, deceit, obsession, detachment, resilience and transcendence. Drummer and Percussionist JONATHAN SCHANG said, “After 15 years of leading District 97, I’m thrilled that we continue to push ourselves to new heights in every realm of our music making. This is the strongest collection of songs we’ve ever assembled.”

The album has been recorded, mixed and mastered by NOAM WALLENBERG (ALAN PARSONS, MAC MILLER). Lead vocalist LESLIE HUNT (AMERICAN IDOL FEMALE VOCAL FINALIST 2007) commented, “This record represents us at our most collaborative and dynamic.  We tried some new things and chased different aesthetics than we have in the past and I think the result is our best sounding album to date with some of our strongest compositions.”

Friend of the band, BILL BRUFORD (KING CRIMSON, YES, GONG, BRUFORD) agrees. In response to hearing the new album, he said, “Quality, expertise and passion – ‘Stay For The Ending’ is a massive piece, of which District ’97 should feel justly proud.”

The Autumn sees the band undertake a number of live shows in the US and Europe, including playing The Bedford in Balham, South London on Sunday 10th September.  SCHANG continues “I can’t wait for the music world at large to hear it both on record and on stage.”

The album can be pre-ordered from Cherry Red Records here:
https://www.cherryred.co.uk/product/district-97-stay-for-the-ending-cd/

DISTRICT 97 ARE:
Vocals: Leslie Hunt
Keyboards: Andrew Lawrence
Guitars, Vocals: Jim Tashjian
Bass Guitar: Tim Seisser
Drums & Percussion: Jonathan Schang

TRACK LISTING
Stay For The Ending
Mirror
Many New Things
Crossover
Divided We Fall
Life Cycle
X
X-Faded
Deck Is Stacked
The Watcher

TOUR DATES
18th August – Martyrs’, Chicago, Illinois, USA
2nd September – 2 Days + 1 Festival, Veruno, Italy
7th September – Das Rind, Russelsheim, Germany
8th/9th September – Steve Rothery Band Weekend, Poppodium Boerderij, Zoetemeer, Netherlands
10th September – A Sunday in September, The Bedford, London