‘Journeys’ is the new album from UK based musician Stewart Clark and it’s certainly an interesting concept and listening experience. Stewart was recently commenting about his inability to get people interested in writing a review of his work.
When I read this I contacted Stewart and offered to write a review for him. It must be incredibly frustrating to drum up any interest from prog fans who will happily shell out for the 16th remix or extended version of an album they already have that is 40 years old but has been slightly tweaked or updated by someone whose aunt knew the bassist’s mother over 30 years ago.
Now, I like a good remaster or upgrade as much as the next prog fan but, really, why do we tend to gloss over the smaller acts who are really trying to break into an already full pond? People like Stewart who makes music because he wants to and does it all on a miniscule budget, on a very much ‘do it yourself manner’, but who is really making something that appeals but often fails to capture the wider public interest.
It’s certainly not the music’s fault, I suggest it is the fact that the bigger acts grab the lions share of the activities and the column inches leaving mere scraps for the rest, highly unfair but that’s how it sadly is. I myself see that some bands get lots of exposure whilst other get little or none and it’s the same with gigs, a big name might get bigger crowds but smaller artists are lucky if they can get a handful of paying punters attending. I know covid hasn’t helped but it was bad even before that, this malaise and apathy goes back years and years.
Anyway, enough of that, ‘Journeys’ is a fine listen, opening with the gentle but gripping Snaefellisbaer (The Abandoned Icelandic Road Trip) to kick off proceedings. The song is about a road trip that Stewart and his wife attempted to take in 2012. Unfortunately, they were beaten by the sheer volume of ice and snow that made the destination unreachable at that time. The track has some very jazzy saxaphone from Mark Norton and lovely swirling organ from Tom Potten (which I think is used to show the northern lights), it’s followed by some heavy guitar riffery from Kerry Mountain, all intertwined with ethereal vocals from Catherine Potten, before returning to Eric Bouillette’s excellent piano motif repeated in the songs outro.
I Wished They’d Stayed follows and is a song dedicated to a former band mate who died. In the track Stewart recalls the good times they spent together, however the song is not maudlin but merely reflects that this is all a part of life’s journey. There’s No Place Like You is about trying to get back to someone again but being frustrated in doing so. This has bass from Billy Sherwood of Yes fame on it and he does his best Chris Squire impression to give this song some great dynamics in the process. This is a very fine piece and is great musically with its superb synth and bass interplay.
I Remember The Age Of Steam opens with train sounds and a rolling rhythm that emulates train movements while a lone harmonica wails admirably in the background, evoking a hobo’s journey. It’s rather evocative really and certainly appealing, I can see the Big Big Train passengers really taking this song to heart as it strikes or touches many reference points in its grooves, especially the steam effects. Let Me Belong has a strong riff and swagger to it, rather muscular in fact, and it’s theme is about being part of something. There’s a good, fluid but fiery guitar solo and some fine keyboards enhancing the track gracefully which make this another winning song.
On A Leaf, On A Stream is very delicate with gently picked guitar and a good supporting bass line adding depth to the instrumental track. Add in some graceful yet urgent guitar from Sempano Semzedah and this short atmospheric piece scores highly. Final track Travelling Through Hyperspace is another mainly instrumental piece with crazy synths and urgent drums and great dynamics that give it some edge.
In short this almost concept album is about journeys and destinations and is a really underrated and yet highly rewarding trip. Even if the mainstream won’t give it room, I will and I hope that you will too.
Released February 18th, 2022
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