‘To Touch the Sky’ is the fourth and latest CD from The Emerald Dawn following on the heels of their earlier albums, ‘Nocturne’ (2019), ‘Visions’ (2017) and Searching for the Lost Key (2014). I have not heard these previous albums, which is something I really should rectify!
The Emerald Dawn are a four-piece group who play symphonic progressive music, their sound is full and lush, with enough space in the music to allow each member enough room to shine.
‘To Touch the Sky’ has just three tracks, all lengthy and complex. Their own words state that this album is, “A celebration of the voyage towards one’s goal, including the hardships and dangers faced en-route. Beginning with the night, the music depicts the process of walking up and coming to life, a moment of awareness or the experience of being awestruck, then provides the motivation for each traveller to pursue their quest. In the closing 22-minute epic, The Ascent, the metaphor of climbing a mountain can be interpreted as a psychological, spiritual, or physical attainment, just as the listener chooses”. All of which sounds very lofty and idealistic but, is it any good you may ask?
Well, the answer is not immediately clear and will require a degree of listener involvement, your time and possibly some headphones to get the best from this music. Oh, and possibly a glass of your favourite tipple might not go amiss either!
Our journey begins with The Awakening which opens with some strident piano notes and a prominent bass from David Greenaway matching the piano along with swathes of keyboards from Tree Stewart. There are then vocals from Tree, who also echoes the refrain herself. We then move into a very spacious section where keyboards have lots of room and space to evoke their magic before a meaty guitar riff from Ally Carter joins in and the drums of Tom Jackson complete the mix. This section has some rather vibrant and lively guitar and synth lines, sumptuous all around. This all sounds really fabulous and all the time the bass is making its own patterns in the sound while Ally solos away wildly. The song returns to the opening piano motif while Ally lays a guitar line over the top of it all, bringing the piece to an emphatic conclusion. This is a really strong, symphonic and epic piece of music.
The second Track is And I Stood Transfixed and it opens with a solid drumbeat before a gently strummed acoustic guitar segues into the mix. Ally Carter lays down some very Pink Floyd-like guitar lines before switching to sax to play a flurry of notes that are all very evocative and otherworldly sounding. The drums pick up the pace of the song before keyboards enter, laying out a dreamy soundscape with some great bass underpinning it all. Ethereal vocals are added to the mix along with delicate piano notes. This section relates to the Eureka moment in the process of making the journey as thoughts coalesce into tangible activity so that the journey can be started.
The journey from the mind to the heart may only be 18 inches but it is a process we all go through when we are on the cusp of change. This section leads into some ominous guitar chords and tones as the piece takes a heavier stance with more random sounding saxophone notes being played. Calm is then restored as we are rewarded by a synthesizer solo from Tree Stewart whilst the rhythm section continue their own journey. This is all very spacious sounding and everyone is really working together to move this song along. A lovely bass line is played throughout by David Greenaway before Ally’s guitar once again takes flight, playing another Floydian type break, while Greenaway plays on before this epic song is ended with delicate keyboards and then total silence.
The last, and longest track, is The Ascent in which we start to ascend the mountain that lies before us. Whether this is a literal or figurative mountain is up to the listener to determine for themselves. The song opens with keyboard generated soundscapes in which one can imagine the mountain with the sun shining and clouds at the top. A piano and flute are then heard and flute and it all sounds very open before we get a searing guitar solo from Ally, very Andy Latimer sounding in both style and tone, before the keyboards return once again and Tree’s vocal begins.
The lyrics in the booklet will guide us as the ascent of the mountain begins, they tell us of the dangers you may face on the way. This song really gets to grips with the concept and the music makes it own journey through peaks and troughs of expectations and disappointments on the way. Another guitar break from Ally represents an eagle soaring effortlessly on the thermals as we continue to climb, the wind and the clouds move in and we get engulfed in a blizzard as we take a steady, onwards step.
We are lost in a whiteout, snow everywhere, and we cannot find the right direction to go forward, the music continuing hesitantly as we continue searching for the right path, the one that will take us higher. We sense the need to keep going, to risk death, and we proceed, once again, to the last ascent.
Ally’s guitar takes us onwards and upwards as the winds die down. The clouds part and we can see it; the summit! We’ve made it, we have achieved our goal. There is a palpable sense of relief in this section although we still have the downward journey to take us back to where we started from. Although we are invigorated again with a sense of completion as we have overcome the mountain and succeeded in the challenge it posed to us. We then enter a quieter passage as we make our descent. This song makes sense with the lyrics at hand and is a remarkable audio journey that The Emerald Dawn offer you to take with them.
This album will require your concentration but the rewards are many and exceedingly plentiful. There is much fine music here with some great passages and really fine ensemble performances from. ‘To Touch the Sky’ is a real pleasure to listen to and you can really absorb this music for yourself, I highly recommend that you support their efforts.
Released 20th March, 2021
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