Review – The Raging Project – Future Days – by John Wenlock-Smith

This is a very strange album for me, mixing as it does elements of almost rap, progressive metal and ambient textures. ‘Future Days’ is the brainchild of French musician Ivan Jacquin who, along with Lionel Fevre, was in an electro metal act which developed into Project Rage in 2007. Joined by Jeannick Valleur, they released an EP in 2009 but their attempts to become a fully fledged band faltered and, eventually, Ivan worked on a different project called Foreign Rock Opera. Now, joined by a dozen talented and prestigious artists, Ivan decided to revisit some old, lost tracks and revive them afresh.

The result is The Raging Project and this collection of themed/linked songs and soundscapes. It is not always an easy listen as the concept is a little vague and obscure at times, what is without question is the quality of the material that is very well constructed and contains some stellar performances from all the musicians involved.

The album features the wonderful Amanda Lehman (Steve Hackett Band) on guitar and vocals on a couple of track where she gets to really let fly. I was especially impressed with Even if I Bleed and the french version of the same song, M​ê​me si je saigne but also highly noteworthy is a dance track I Wanna Dance, which does actually work within the album bringing some light relief to the more seriously themed tracks. Ambient also impresses with some solid guitar links and an interesting wall of sound making a strong impression. In fact, the more I became attuned to this album, the more my appreciation for it grew. The vocals are especially pleasing on this track, soaring over some fine guitar lines, it is all really strong and impressive stuff.

For me, at least, the piece de la resistance here is the epic track On Earth which features Derek Sherinian on keyboards and theremin. It is nearly ten and a half minutes of wonderfully evocative sounds and features a stunning performance from Derek commencing with growling synthetic and spacey synthetic lines to create an emotive soundscape over which there is a spoken word narration, The theremin offers a suitably mysterious sound on this song about climate change that is most impressive sounding. It really is a great track with the keyboards adding significantly to the overall effectiveness of the song as it continues to express its regret for how we have treated the earth. I will admit to being a tad biased here as I do especially appreciate the keyboards of Derek Sherinian as a member of the various projects that he has been a part of. His presence here is a delight for me and it’s a well delivered cameo appearance from the current keyboard player of note. That said, the supporting musicians all play equally as solidly and their performances are equally as strong.

Procession is another strong track. Sung in French, it is a brooding and moody piece with superb drums from Henri-Pierre Prudent and an excellent guitar track and solo from Amanda Lehmann that evokes echoes of David Gilmour in its tone and style. It is all most impressive really, I do like this track, one of the albums strongest in my opinion, it  is wonderfully fluid in sound. Wraith continues in a more muscular and metal style and adds a distinctive crunch to proceedings. gain strong vocals mix well with the powerful guitars and synths to make something memorable and strong

Final track M​ê​me si je saigne features Amanda’s epic guitar work again where she is able cut loose and shred a little. Apparently, it was a challenge that she welcomed and rose to in style. This is a lengthy track, rather intense but excellent nonetheless, there is some excellent fluid guitar on this track and Mr Hackett would be proud of her playing here as she really gets stuck into the groove.

So there you have it, a decidedly different album of moods and styles that may not always work but in the main it does. There is more than enough strong music here to at least warrant a listen so why not listen and make your own mind up? As for me, I certainly enjoyed it and feel that I will return to it, I’m just not sure how often.

Released February 6th, 2024.

Order from bandcamp here:

Future Days | THE RAGING PROJECT (bandcamp.com)