GLEB KOLYADIN ANNOUNCES NEW SOLO ALBUM ‘THE OUTLAND’

OUT JULY 21st / AUGUST 11th (US) VIA KSCOPE 

LISTEN / PREORDER – HERE 

Piano virtuoso GLEB KOLYADIN unveils new solo album ‘The Outland’ out July 21st via Kscope.

Written throughout the past years, the record speaks to the introspective nature of the Iamthemorning pianist, whilst exploring facets of his sound that have yet still to be uncovered. 

Utilising the silence afforded from the pandemic, it offered a new perspective of introspection and the perfect outlet to mould his melancholic creativity. Entirely instrumental, the album emphasises melodic themes through different tracks to create a six part symphonic suite in a way that only Gleb Kolyadin could. 

The piano mastermind himself had the following to say regarding the album: 

“The Outland was recorded over 2020 and 2021 which was a very troublesome time for us all and I wanted to capture this feeling. During the period of covid when we were unable to travel I found I would create new worlds in my head, as a way of being able to escape.” 

Over time however, this idea transformed into something much deeper for me. I’ve since moved to the UK, and now it represents a new beginning. A rebirth if you will and ironically has more of an escapist air around it and has been given a new lease of life.  

Gleb continues:  

It’s a combination of being both an uplifting and introspective work that has been a long time coming. I am happy to finally share the music that is The Outland. A world within a world, assembled from disparate fragments, in many ways, like all of us.   

Acting as the protagonist in ‘The Outland’, piano is certainly the focal point of the album yet there are some truly stunning performances alongside Kolyadin. They come from an all star cast in the form of Gavin Harrison (Porcupine Tree / King Crimson) on drums, Tony Levin (King Crimson / Peter Gabriel) on upright bass and Vlad Avy on guitar.

Not confined to genre, the pianist traverses the landscape of classical piano to jazz-rock and fusion effortlessly as he glides across ‘The Outland’. The album is bookended by both the longest tracks of the record, ‘Voyager’ and ‘Hermitage’ each just as vital yet different as the other. The first opens with a ten minute symbiosis of Jazz-Rock and Fusion whereas the latter ‘Hermitage’ offers more of a look into the world of Jazz. 

Moments of self analysis are littered throughout ‘The Outland’. They vary in the form of the introverted ‘Ascension’ that ruminates on darker moments which are then counterpointed by the contemplative shimmering of ‘Cascades’. Matched only in scope by the experimental ‘Apparatus’.

The Outland’s musical inspirations reflect Kolyadin’s increasingly varied musical palette that include, Pat Metheny and Hiromi, Steve Reich, 1970’s Progressive Rock in the vein of legends Gong and Mike Oldfield alongside British Folk adorned with a cinematic edge. Welcome to The Outland.

The artwork, designed by Andhika Ramadhian, is an abstract portrayal of a hermit, trapped within a geometrically paradoxical space symbolising the turbulent times that ‘The Outland’ was penned in. However as time has gone on since it’s original writing, 

 The Outland tracklisting: 

1.     Voyager

2.     Ascension

3.     Cascades

4.     Mercurial

5.     Apparatus

6.     Hermitage

The Outland will be available on CD / black LP and digitally on July 21st via Kscope.

Review – Gleb Kolyadin – the Outland

Russian virtuoso pianist, composer and arranger Gleb Kolyadin is perhaps more well know for being part of iamthemorning with Marjana Semkina but he has also released some impressive solo works and ‘the Outland’ is his latest.

Gleb describes the creation and themes of the album thus, “Its main outlines were formed during the covid isolation in 2020, but they are still relevant now. In all the madness that is happening on the planet, it is sometimes critically important to create your own world, to find the spirit of a hermit in yourself in order to look at what is happening from the outside with a different understanding. This is Outland – a world within a world, assembled from disparate fragments.”

The album is described as, “a six-movement symphonic suite (of course, in a prog/jazz-rock vein).” and Gavin Harrison (drums) and Vlad Avy (acoustic guitars, electric guitars) complete the ensemble, although there are some other very fine musicians who contribute, such as Tony Levin, Tim Lefebvre and Zoltan Renaldi.

This release is a fine collection of intricate musical pieces that all combine together to create a beautiful whole. There is a feeling of calm and sophistication that runs throughout the brief forty-one minute running time. Gleb’s elegant piano is key to everything here, although the stylish and refined drumming of Gavin Harrison is a huge contributor to the overall welcoming vibe of this album.

The ten minute wonder of opening track Voyager sets the scene perfectly, this is classical music for the those who appreciate something with more modern and experimental feel, which is exacerbated by the rather wonderful Ascension with its wistful and ethereal rise and fall created by the amazing clarinet. Cascades is a very moving solo piano piece that leaves a trail on your heartstrings and Mercurial is a more strident and direct track that builds and builds into something rather special that dances across the ether in a rather magical fashion. Apparatus has a proper 1980’s instrumental vibe to it, well to my ears anyway, it’s urgent, yet melodic, tone is captivating and draws you along as a willing participant. This all too short inspiring musical journey is brought to a close by the elegant notes of Hermitage, a charmingly bewitching way to bring things to a satisfying conclusion.

In a world where dark seems to be inexorably striving to push out the light, musical gems like ‘the Outland’ are a beacon of light in the darkness and show that music can heal that which is broken and, above all, music is life affirming.

Released 4th, November, 2022.

Order from bandcamp here:

the Outland | Gleb Kolyadin (bandcamp.com)