Progradar’s – ‘Best of 2015 So Far’ – Edition

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Don’t be put off by the scary picture, that is actually me getting ready to tell you what albums have made my ‘Best of 2015’ list. These lists are always subjective and incredibly hard to compile. Let’s be honest, at the end of it all, it is only my opinion which can agree with or differ from, all it is meant to be is a guide to what music has really inspired me this year so far.

Firstly a self-imposed rule that I won’t include any Bad Elephant Music releases because, as you know, I attempt to be the Head of PR for this rather special record label and it could be seen as bias.

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To be honest, all the BEM releases this year are as excellent as ever and would probably have made my list anyway so please do go to:

The BEM bandcamp site

And check out this years releases from Audioplastik, jh, We Are Kin, Tom Slatter, Emmett Elvin and The Fierce and the Dead, superb, eclectic and downright brilliant.

Right, that’s the advertising out of the way now on with the main course…..

In no particular order, here are my top 15 releases so far for 2015.

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Sylvium – Waiting for the Noise

Superb progressive rock with tones of Porcupine Tree and Riverside. A musical experience that emphasizes emotions rather than the eternal quest for a perfect pop song.

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The Tangent –  A Spark in the Aether

A return to traditional progressive rock, incredibly addictive, flippant and irreverent and, well, just darn good fun!

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The Wynntown Marshalls – The End of the Golden Age

Scottish tinged Americana with powerful and haunting songwriting and outstanding musicianship.

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Karnataka – Secrets of Angels

The first album written specifically for vocalist Hayley Griffith’s voice, a symphonic prog- rock masterpiece with towering anthems and delicate ballads concluding with the epic twenty-minute plus title track.

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Tiger Moth Tales – Storytellers Part One

An album that is even better than the delights of ‘Cocoon’. My inner child is brought to the fore by the magic, charm and allure of ‘Story Tellers Part 1′, it takes me away to an inner nirvana where nothing can touch me or spoil my mood.

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Hibernal – After the Winter

Mark Healy’s cinematic and evocative soundscapes waft over a post-apocalyptic spoken word storyline to deliver an immensely visceral listening experience.

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Transport Aerian – Darkblue

A deeply dark, disturbing and highly original work of art from this talented, serious musician. Well worth a listen but, be afraid, very afraid!

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Echolyn – I Heard You Listening

Storytelling by music, getting to the heart of the matter and opening up small town America, sometimes a band can come very close to perfection with a new release and this album is as close to a must buy album as I’ve heard this year.

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The Aaron Clift Experiment – Outer Light, Inner Darkness

An excellent new release full of sophistication and depth and powerful, thoughtful songs that resonate deeply with you. An album about duality, darkness and light and imbued with intricate compositions, complex arrangements and virtuosic performances, you will want this delight in your collection, trust me…..

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Glass Hammer – The Breaking of the World

Let’s get the Yes comparison out of the way, these guys do traditional progressive rock so well they have transcended that to stand in their own circle of praise. A highly impressive effort once again.

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Built for the Future – Chasing Light

All sorts of influences combine in this impressive melting pot to deliver a debut album of sheer beauty. I was so surprised by the quality and heartfelt emotion of this album, it is that good!

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Maddison’s Thread – self-titled

Folk is rooted at the core of Maddison’s Way but this album is all about the music and the way Lee can diversify with aplomb is very impressive. A contender for album of the year for me and one that will stay with me for a very long time.

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Kingcrow – Eidos

Progressive metal that is more prog than metal. I will probably upset some people here but, to me, this is the thinking man’s Opeth, much more accessible and quite deeply, darkly moving.

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Barock Project – Skyline

An unexpected highlight of the year so far, hopefully the fourth album by this extremely talented and still relatively young band will see them break into the mainstream of the progressive rock market. I for one think that, with music as deeply enjoyable and illuminating as this, that they definitely deserve it!

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Kinetic Element – Travelog

An album of ‘opulent ear candy’ featuring 5 tracks of classic progressive rock that harks back to the 70’s. Superb musicianship featuring everything from jazz basslines, intricate guitar work and soaring keyboards combine with delightful vocals to deliver something that every prog fan will like.

I chose not to include E.P’s but there have been a couple that have stood out for me this year so far Big Big Train’s ‘Wassail’ and Progoctopus’ ‘Transcendence’ are both excellent and well worth catching up on.

Like I have already said, lists like this are very subjective and other albums could have made it so here is a selection of ‘honourable mentions’ that have really struck a chord with me this year so far……

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So there we have it, just over half of 2015 has passed and we have so much more new music to look forward to. Let me know your thoughts, there will be albums you expected and some you didn’t no doubt and I’ll see you at the beginning of 2016 for the year end awards!

 

 

 

 

 

 

Review – Barock Project – Skyline

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“What if there was a prog version of the Eurovision Song Contest?”

So naff that you can’t avoid watching it, to most people (especially in the UK) Eurovision has become something of a pastiche and a parody, albeit an enjoyable one. The acts get more and more outlandish and the voting is more of a ‘jobs for the boys, you pat my back and I’ll pat yours’ affair.

It is kitsch and over the top and seems to have lost sight of the original values that saw artists such as Sandy Shaw and Abba produce memorable songs that still stand the test of time today. I mean Australia? come on!

When was the total shift in the tectonic plates that deposited our Antipodean cousins slap band in the middle of the Mediterranean Sea and how in all that’s holy did I miss something of those seismic proportions going on under my nose?

The usual entertaining farce of this year’s competition got me thinking, what if Eurovision was populated entirely by progressive rock bands? As it happens, I was actually listening to the latest release from the young Italian prog band Barock Project when that particular inspiration particle hit my cerebral cortex.

Maybe it was inspired by their singular brand of pompous, over the top but utterly mesmerising progressive rock? The bar set extremely high for quality but with a singular tongue-in-cheek feeling of joyous expression.

Once I’d sobered up I realised that a prog inspired Eurovision Song Contest is a very silly idea. Barock Project, on the other hand, is a different story……

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The Barock Project idea comes from a desire to deliver the finest and perfect structure of classical music (mainly baroque music) with a rock-style and a little bit of jazz harmony, supported by a pop framework with the intention to revamp the appeal of ’70s progressive-rock.

The project founder, pianist and composer Luca Zabbini, states that his passion for the music of famous keyboardist Keith Emerson (ELP), has fueled his desire to compose and play a full range of styles, from classical to rock and jazz.

Luca Pancaldi joined as lead vocalist in 2002 and, in the summer of 2004, Giambattista”GB” Giorgi, a young bassist influenced by rock sounds with big passion for jazz, and drummer Giacomo Calabria joined the band.

In December 2007 the first album ‘Misteriose Voci’ was released to very good reviews and media coverage from all over the world. In the summer of 2009 the second album ‘Rebus’ followed and the third record, ‘Coffee In Neukölln’ was issued in 2012, the first with all lyrics in English

Eric Ombelli (replacing Giacomo Calabria on the drums)  and Marco Mazzuoccolo (guitar) joined in early 2014 and Barock Project began recording sessions for their 4th and most complex album. Towards the end of 2014 bass player Giambattista Giorgi left leaving Luca Zabbini to play and re-record the bass lines on the forthcoming album, ‘Skyline’.

So a quick potted history of the band, now onto ‘Skyline’, what do we have in store for us?

Well, if first track Gold is anything to go by, a headlong rush of infectious, inspirational music! The harmonised vocal intro is superseded by an uplifting piano and keyboard note before the vocals begin. Luca has a rich and creamy vocal delivery that immediately connects with you and on this inspiring, joy filled track it really comes to the fore. There is a love of life, a joie de vivre that runs right through the core of the song, the band even chuck in the odd time change here and there to give it some progressive chops and Marco’s fluid guitar playing adds real character, especially when dueling with the keyboards . All in all, an excellent start to the album. Overture is a baroque, classical inspired little instrumental that showcases the band member’s skills as musicians and is a funky, fast paced nod to the 70’s as is rattles along on a wave of nostalgic keyboards and dynamic drumming.

Title track Skyline is the first indication, well to my ears anyway, that we are onto something special with Barock Project. Special guest Vittorio De Scalzi is invited to the party on vocal and flute duties and the minstrel like qualities of the vocal introduction immediately makes your ears prick up. Lightly strumming a lute in the middle ages, you could quite imagine yourself being present at a court in medieval Italy as the delicate acoustic guitar provides a canvas for the graceful vocals. The dynamics change as the drums join in and a sense of anticipation takes over, the vocals harmonise perfectly and you are hooked. Keyboards flow and chime and the flute adds a classy sheen to the song. The curve ball is delivered by an aggressive guitar riff and the vocals become infused with a potent edge as the track enters the symphonic arena. Guitar licks that Brian May would be proud of are fired off in all directions and this energetic ‘pomp and circumstance’ filled romp gets truly into its stride. A fiery solo just the right side of hair metal puts a huge grin on your face, this song really has elements of everything blending perfectly. The next section is an off-kilter romp right from the heart of 70’s progressive rock standards as you are flung from pillar to post in a delightful fashion, the addition of the charismatic flute is genius. A mighty impressive track from some seriously impressive musicians. Turn down the frenetic pace a notch and fall into the graceful introduction of Roadkill. This has more of a traditional AOR feel to it as it builds momentum slowly, the occasional flashes of the guitar could be Journey or Toto and when the track lets loose, it does so with a powerful vocal uplift. A steady, potent riff then takes over guiding the song along, aided and abetted by a subtle rhythm section. The icing on the cake is those cultured yet compelling vocals which have an almost addictive quality to them. Luca fires off a coruscating solo, counterpointed by aggressive keyboards and punctuated by some  intricate flute playing. The ending is all theatrical and in your face yet you feel a baring of the soul at the heart of it.

Another ten minute plus track The Silence of Our Wake begins with a subdued, melancholy air as the restrained vocals are sung over a muted acoustic guitar. There is a solemn feel as Luca’s delivery has a halting feel to it and you feel yourself holding your breath. Things begin to stir into life as the keyboards and rums add substance, the guitar interjects and the melancholy air is lifted. I can almost feel a cinematic scope to this song as the preamble is dispensed and a lighter air gradually feeds in through the instrumental section. Straightforward storytelling and symphonic tinged rock combine with classical music influences to deliver a complex yet satisfying blend of music that hits all the right notes. As the piano led vocals drift off into superb harmonies you are put in mind of some of the great songwriters of the 20th Century, the sophistication and composure are of the highest quality. The Sound of Dreams is a graceful snippet of loveliness that takes you to a place of calm solitude for two minutes, let your worries and cares wash away as the tender vocals and ethereal piano and keys wash over you to leave you in a state of grace.

A funky, jazz infused track with a little edge to it, Spinning Away gets you on side from the off. Catchy vocals and a high powered rhythm section give this song some definitive oomph! The vocals have a slight staccato delivery, an inflection on every word and the whole piece feels like a sophisticated jam session where the musicians are allowed to have a little more fun and think outside of the box. Possibly the most experimental and interesting track on the album although it never loses the overall cultivated sense that is central to the musical ideas that define this release. A classical styled piano intro heralds another one of my favourite components of ‘Skyline’. Tired is a theatrical tour-de-force, full of energy and savoir vivre. The vocals are at their most impressive, forceful and persuasive and you could see this track central to a musical staged on a huge scale. The orchestration is polished and stylish and, I must admit, I found myself singing out loud on the vitalising chorus. A track based on simplicity but one that really leaves its mark on you, raising the hairs on the back of your neck as it builds to the imposing outpouring of the chorus. A captivating guitar solo just adds a touch of class before the song segues into something darker and more sinister with a chaotic and frenetic edge to it. The vocals have a hint of danger to them and the music just feels delightfully malicious as the band are given their head to go off and produce an instrumental section of manic glee before everything comes to a breathless finale.

A Winter’s Night begins with a whimsical piano that leads in Luca’s tentative vocal, slightly pensive as the guitar adds another layer of elegance to this beauteous track. A song that lingers in the memory with thoughts of yearning and solemnity. A sincere and contemplative song and another piece in this elaborate musical jigsaw that we have been presented with. Every good thing must come to an end and so, with The Longest Sigh, does ‘Skyline’. A punchy introduction introduces the song with soaring guitars and keyboards backed by the dynamic rhythm section before the piano and vocals take the lead. Luca injects an earnestness to the heart of his delivery, almost an impassioned plea to your musical heartstrings and your heart replies with positive intent. The piano and keyboards dance lightly across your soul as the sheer inspiring pleasure of the music takes hold. There are little nuances hidden, fragments of 80’s MOR guitar and synth that give a real sense of nostalgia as well, all painted on a huge musical canvas that is nearly all-encompassing and, as the album plays out its final notes, there is a little nod of appreciation, s light smile on the lips at a job very well done by this talented band.

An unexpected highlight of the year so far, hopefully the fourth album by this extremely talented and still relatively young band will see them break into the mainstream of the progressive rock market. I for one think that, with music as deeply enjoyable and illuminating as this, that they definitely deserve it and, with an apparent resurgence of the genre, progressive music  would be well represented by this exuberant and heartwarming group of musicians. They’d get my vote too!!

 

Released 13th June 2015.

Buy Skyline from bandcamp

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