Downriver Dead Men Go is a cinematic post-rock band from Leiden, the Netherlands. Their highly anticipated third album ‘Ruins’ has just been released. DDMG previously released two critically acclaimed albums: ‘Tides’ in 2015 and ‘Departures’ in 2018, gathering a loyal and ever-growing fan base. Both albums feature a mesmerizing, atmospheric, melancholic sound, ranging from post-rock to touches of prog and dark wave.
I’ve been a long time fan of the band from my association with FREIA Music through my work with Bad Elephant Music and every DDMG album is a dense, imposing and highly melodic musical experience.‘Ruins’ takes that base and ramps up the tension to 11, a dark, brooding and utterly magnificent musical encounter that will linger long in the memory.
The guitars have that monolithic feel, as heavy and hard as age old granite yet hauntingly melodic at the same time. The music has a timeless grace to it, a melancholic leviathan that has a different concept of time or space than we do and has just awoken from an ageless slumber. There’s a wistful, desolate beauty to the songs starting with the timeless elegance of title track Ruins and the sparse grandeur of Secret. The sorrowful and plaintive pain evident in Helpless and Line in the Sand gives the tracks a thoughtful and mournful stateliness and the widescreen, cinematic magnificence of longest track Cruel World is a heart-wrenching joy to behold. The album closes with the short hypnotic apprehension of The Lie and you left feeling almost bereft.
‘Ruins’ is an album of varying emotions, stark highs and solemn lows, it’s a reflective and meditative work of art that is the ultimate soundtrack to a cold and rainy day spent in front of a roaring fire and, in my opinion, is simply superb!
Released 24th November, 2022.
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