Review – The Tangent – Pyramids, Stars & More: The Tangent Live Recordings 2004-2017

Collecting together tracks from 3 line-ups of The Tangent, this 2CD & 3LP album collects together show recordings from 2004, 2011 & 2017. Band leader Andy Tillison comments: “A Triple Live LP is the stuff of Bucket Lists, dreamed of doing one of these since I was a kid”.

Included in its entirety is the 2004 ‘Pyramids And Stars’ concert in Germany featuring the “Roine Stolt” lineup of The Tangent playing its way through the majority of the debut ‘Music That Died Alone’ album along with (then) new material from their second album ‘The World That We Drive Through’.

Added to that, there are tracks from the ‘COMM’ era line-up of the band at a concert in the UK – plus music recorded in the USA in 2017 by the band’s current line-up. These originally appeared on the ‘Southend On Sea’ and ‘Hotel Cantaffordit’ fan releases respectively. 

All is presented inside a re-imagined Ed Unitsky sleeve, to create a package that fans are sure to love. 

“This is a real, proper, live album” says Tillison. “It’s candid, it’s spontaneous, it has mistakes and things that are a bit too loud and things that are a bit too quiet. It’s what happened on stage at three gigs at which “making a live album” never crossed our minds.”  

Right, that’s the PR blurb out of the way (it’s a good way of getting a background to the album actually) now let’s see what we make of ‘Pyramids, Stars & More: The Tangent Live Recordings 2004-2017’ from a reviewer’s perspective…

Let’s just think, when people first started to play music there were no mediums to record on, even wax cylinders were centuries away from being invented so you could say that live music is music in its purest form. To take that one step further, live music can’t be tinkered with like it’s recorded version, honed to perfection (sometimes too much, if I’m being honest!) and often sanitised because of this. Live music is in the moment, spontaneous, what you hear is definitely what you get and when it’s delivered well, it is one of the most natural and unadulterated forms of entertainment that you can get.

Also, some bands were just meant to be heard live and seem to thrive, their music comes alive and goes up another level or two and you can certainly include The Tangent in that group. It’s criminal that Andy and the guys have not played as much live as I’m sure Andy would like and I am one of the lucky ones to have seen them play in a live setting and I am so thankful that I did. Putting these concerts and live performances on record gives a lot more people the chance to hear what this iconic band sound like when they can play uninhibited. They are spontaneous, instinctive and free spirited and just bloody brilliant.

Virtuoso musicians doing what they do best gives us free-spirited (and high-spirited) versions of classics like The World We Drive Through and The Winning Game, songs that deserve the wider audience that this live release will give them. The musicianship on show is exemplary and impeccable with Andy Tillison’s keyboards and vocals the driving force throughout. Andy’s Yorkshire personality gets to shine through in a live setting and his vocals are superb. The rest of the band play in perfect accompaniment and the improvisation is just scintillating.

If you are a true fan of music than you cannot help but enjoy music this good when it’s played in a live setting. A truly incendiary version of The Music That Died Alone is one of many highlights and this fan favourite takes on a new life, becoming something deeper, more funky and, well, just gorgeous. It’s part of a triumphant triumvirate in the middle of the album along with a rather poignant version of ELP’s Lucky Man and a riotously incandescent version of my all time favourite short song by the band, A Spark in the Aether. Now, Andy knows I love this song as I’ve told him enough times and this live version is just the best one yet, just magnificent!

This wonderfully nostalgic live journey through some of The Tangent’s back catalogue continues to put a smile on your face, there’s a edgy and jazzy version of Perdu Dans Paris, a tumultuous romp through the fine instrumental Doctor Livingstone (I Presume) and the album comes to a close with an epic rendition of ‘COMM’ classic Titanic Calls Carpathia and one of my favourite songs from ‘The Slow Rust of Forgotten Machinery’, the wistfully nostalgic Two Rope Swings.

Ah, to reminisce is a joy we should always hold dear and this wonderful live release from one of the UK’s most venerated prog bands is a sentimental journey down memory lane and one that will remind you why The Tangent are held in such warm regard and also why live music is something worth cherishing and preserving. We, the fans, hold it in our hands to make sure music stays live so albums as brilliant as this can still get made!

Released 27th January, 2023.

Order the album here:

Pyramids, Stars & Other Stories: The Tangent Live Recordings 2004-2017 (burningshed.com)

The Tangent launch ‘A Crisis In Mid Life’ from their forthcoming live collection ‘Pyramids, Stars And Other Stories’

The Tangent recently announced the release of ‘Pyramids, Stars & Other Stories: The Tangent Live Recordings 2004-2017’ on the 27th January 2023 via InsideOutMusic. Collecting together tracks from 3 line-ups of The Tangent, this 2CD & 3LP album collects together show recordings from 2004, 2011 & 2017. Band leader Andy Tillison comments: “A Triple Live LP is the stuff of Bucket Lists, dreamed of doing one of these since I was a kid”.

Listen to the band performing ‘A Crisis In Mid Life’ live in the UK in 2012, featuring the line-up of Andy Tillison, Luke Machin, Dan Mash & Tony ‘Funkytoe’ Latham, here:

The album will be available as a 2CD Digipak, a Gatefold 3LP+2CD & LP-booklet, as well as digitally worldwide. Pre-order now here: https://TheTangent.lnk.to/PyramidsStarsOtherStories_TheTangentLiveRecordings2004-2017

Included in its entirety is the 2004 ‘Pyramids And Stars’ concert in Germany featuring the “Roine Stolt” lineup of The Tangent playing its way through the majority of the debut ‘Music That Died Alone’ album along with (then) new material from their second album ‘The World That We Drive Through’.

Added to that, there are tracks from the COMM era line-up of the band at a concert in the UK – plus music recorded in the USA in 2017 by the band’s current line-up. These originally appeared on the ‘Southend On Sea’ and ‘Hotel Cantaffordit’ fan releases respectively. 

All is presented inside a re-imagined Ed Unitsky sleeve, to create a package that fans are sure to love. 

“This is a real, proper, live album” says Tillison. “It’s candid, it’s spontaneous, it has mistakes and things that are a bit too loud and things that are a bit too quiet. It’s what happened on stage at three gigs at which “making a live album” never crossed our minds.”  

The full tracklisting is below:

Side One

1. The World We Drive Though

Side Two

3. The Canterbury Sequence

4. The Winning Game

Side Three

5. In Darkest Dreams

Side Four

6. The Music That Died Alone

7. Lucky Man

Side Five

8. A Spark In The Aether

9. A Sale Of Two Souls

10. Perdu Dans Paris

Side Six

11. A Crisis In Mid Life

12. Doctor Livingstone (I Presume)

The CD’s (included with the vinyl edition) also include all of the above with the addition of:

13. Titanic Calls Carpathia

14. Two Rope Swings

Andy Tillison – Keyboards & Vocals (all tracks)

Jonas Reingold – Bass Guitar (all tracks except 9,10,11,13)

Luke Machin – Guitars & Vox (Tracks 8-14)

Steve Roberts – Drums (Tracks 8, 12, 14)

Roine Stolt – Guitars & Vocals (Tracks 1 – 7)

Zoltán Csörsz – Drums (Tracks 1 – 7)

Sam Baine – Keyboards (Tracks 1 – 7)

Tony ‘Funkytoe’ Latham – Drums (Tracks 10,11,13)

Dan Mash – Bass (Tracks 10,11,13)

The Tangent announce ‘Pyramids, Stars & Other Stories: The Tangent Live Recordings 2004-2017’ for January 2023 release

The Tangent are pleased to present ‘Pyramids, Stars & Other Stories: The Tangent Live Recordings 2004-2017’ for release on the 27th January 2023 via InsideOutMusic. Collecting together tracks from 3 line-ups of The Tangent, this 2CD & 3LP album collects together show recordings from 2004, 2011 & 2017. Band leader Andy Tillison comments: “A Triple Live LP is the stuff of Bucket Lists, dreamed of doing one of these since I was a kid”.

The album will be available as a 2CD Digipak, a Gatefold 3LP+2CD & LP-booklet, as well as digitally worldwide. Listen to the track ‘A Spark In The Aether’ recorded by the bands current line-up, and pre-order now here: https://TheTangent.lnk.to/PyramidsStarsOtherStories_TheTangentLiveRecordings2004-2017

Included in its entirety is the 2004 ‘Pyramids And Stars’ concert in Germany featuring the “Roine Stolt” lineup of The Tangent playing its way through the majority of the debut ‘Music That Died Alone’ album along with (then) new material from their second album ‘The World That We Drive Through’.

Added to that, there are tracks from the COMM era line-up of the band at a concert in the UK – plus music recorded in the USA in 2017 by the band’s current line-up. These originally appeared on the ‘Southend On Sea’ and ‘Hotel Cantaffordit’ fan releases respectively. 

All is presented inside a re-imagined Ed Unitsky sleeve, to create a package that fans are sure to love. 

“This is a real, proper, live album” says Tillison. “It’s candid, it’s spontaneous, it has mistakes and things that are a bit too loud and things that are a bit too quiet. It’s what happened on stage at three gigs at which “making a live album” never crossed our minds.”  

The full tracklisting is below:

Side One

1. The World We Drive Though

Side Two

3. The Canterbury Sequence

4. The Winning Game

Side Three

5. In Darkest Dreams

Side Four

6. The Music That Died Alone

7. Lucky Man

Side Five

8. A Spark In The Aether

9. A Sale Of Two Souls

10. Perdu Dans Paris

Side Six

11. A Crisis In Mid Life

12. Doctor Livingstone (I Presume)

The CD’s (included with the vinyl edition) also include all of the above with the addition of:

13. Titanic Calls Carpathia

14. Two Rope Swings

Andy Tillison – Keyboards & Vocals (all tracks)

Jonas Reingold – Bass Guitar (all tracks except 9,10,11,13)

Luke Machin – Guitars & Vox (Tracks 8-14)

Steve Roberts – Drums (Tracks 8, 12, 14)

Roine Stolt – Guitars & Vocals (Tracks 1 – 7)

Zoltán Csörsz – Drums (Tracks 1 – 7)

Sam Baine – Keyboards (Tracks 1 – 7)

Tony ‘Funkytoe’ Latham – Drums (Tracks 10,11,13)

Dan Mash – Bass (Tracks 10,11,13) 

The Tangent online:
www.thetangent.org

https://www.facebook.com/groups/alltangentmembers/

Review – The Tangent – Songs From The Hard Shoulder

It’s always a highlight of the year when a new album is announced by seminal British proggers The Tangent. ‘Songs From The Hard Shoulder’ sees the venerable and much loved outfit, led by esteemed musician, and fellow Yorkshireman, Andy Tillison, releasing their 12th studio album and sees the band focusing almost entirely on their long format songs or “epics” with only one song being less than 16 minutes long. 

I have been a long time fan of The Tangent and Andy’s topical, witty and often acerbic lyrics which are weaved into their unique, funky, flowing musical style and this latest release sees Andy on absolute top form, both as an exceedingly clever lyricist and an amazing musician. Andy is joined, once again, by a distinguished cast of fellow musicians with Jonas Reingold (bass), Luke Machin (guitar/vocals), Steve Roberts (drums) and Theo Travis (sax & flute) reprising their roles from the previous two The Tangent albums.

The Changes uses a mini story about The Tangekanic band in Germany trying to find a hotel after a gig they didn’t get paid for – after a week of rehearsal and a journey of about 900 miles as a focus. It’s almost a metaphor for all the lockdowns that the world had to suffer and all the isolation and uncertainty that everyone was feeling. The thing about this fantastic song is that it uses that background as a positive metaphor. Trust me, this upbeat and quite wondrous song will leave you smiling as it uses a huge dose of The Tangent’s positive mental attitude to deliver seventeen minutes of buoyant optimism that’s all wrapped up with Andy’s astute lyrics and a band on top form. The music is an utter delight and fits the theme and mood perfectly, there’s a wistful and contemplative note to the middle section of the song as Andy tells the story of the German gig perfectly. This epic track ebbs and flows superlatively and the closing section is one of the best bits of music that The Tangent have ever delivered, if it doesn’t leave you in a really good mood and with a huge grin on your face then I swear you can’t have a soul. It’s quite possibly the best long track that Andy has ever written, I love it!

Highly influenced by Swedish artists from the 70s like Bo Hansson, Flasket Brinner – and also by Andy’s go-to influences in Canterbury Style fusion like National Health, Supersister and Egg, Prog/Fusion romp GPS Vultures is another in the series of outstanding The Tangent instrumentals personified by tracks like Doctor Livingstone, Andalusian Skies and Music Inspired by Music Inspired by The Snow Goose. A long (again, seventeen minutes plus) instrumental piece has to be really good and pretty ingenious to hold the listener’s attention throughout the track and it comes as no surprise to find that this particular track is clever and inventive enough to keep you entertained from start to finish. It’s almost like a musical story, each individual section telling its own tale to perfection as it snakes its way through Canterbury style fusion to an almost Crimson and VDGG influenced improvisation, all with the band’s thoroughly modern interpretation. What’s evident from these first two tracks is how the musicians seamlessly work together and how Luke Machin is utterly on fire on the album, his style is simply perfect for this music.

The Lady Ties To A Lamp Post is a very sobering piece that returns to the theme of homelessness that Andy explored from a very short personal experience of that on the ‘Down & Out’ album. The “Lady” in question was a person that he encountered in Leeds on my way home from a Christmas party in 2012. Dressed in rescued council worker hi viz orange waterproofs repaired with Gaffa she was tying herself to the lamp post so that she could sleep upright without falling over. The temperature was in the low minus figures and the wind was biting like a Doberman. Andy had the briefest of conversations with her and only had cigarettes to give her. Andy treats the subject in a very sympathetic manner and, once again, the lyrics and fantastic music impress. I don’t know how they manage to do it but every note in this twenty minute song has its place, there is nothing superfluous and Andy’s vocal delivery, along with the intricate musicianship, is just right for this sobering tale. The skill of Theo Travis is well known and his sax playing adds a real sophisticated jazz influence throughout and Steve Roberts’ precision drum skills should be lauded in equal measure. This absorbing and impassioned epic shows Andy’s songwriting skills at their consummate best and is yet more proof that he is one of the best at this long form style of music, his keyboard skills, as evident here, aren’t too bad either!

The one short track on the album is the utterly sublime, soul infused and totally funky Wasted Soul and shows that, while The Tangent do the long form epic to perfection, the band can still rock with the best when it comes to catchy shorter songs too. Harmonised vocals, hammond organs galore and a brass section to die for, this song is like a total beacon of light and will have you rocking in the aisles (metaphorically speaking of course!), it’s uplifting and just, well, bloody good! Jonas’ bass playing is top notch throughout the album but, on this stellar track, he just shines.

Early editions of the album and the Vinyl Edition will include the bonus track In The Dead Of Night which is, of course, a cover version of the classic song by UK and the band give it a little dose of The Tangent magic to deliver a track that sounds as if it could have been written by them in the first place. A particular highlight is Luke’s ever impressive guitar playing and here he just seems to have been given free rein to deliver a lengthy solo that has you nodding furiously in appreciation.

I had a discussion with Andy about the new album and the one quote I will take from it is this; “There was a lot of hope in my heart when writing it (the album) and I think it forced its way through”.

‘Songs From The Hard Shoulder’ is just a wonderful piece of work, The Tangent at their brilliant best. People need some cheer in the world and music has the power to lift people, after just one listen to this amazing album I was smiling again. Andy and the band could just have released their most important record yet…

Released 10th June, 2022.

Pre-order from the band’s website here:

The Tangent : Official Website – Home

Also pre-order here:

Songs From The Hard Shoulder (lnk.to)

The Tangent announce new album ‘Songs from The Hard Shoulder’, Hear the first single “The Changes”

The Tangent, the progressive/jazz-rock collective led by Andy Tillison, are pleased to announce the release of their 12th studio album ‘Songs From the Hard Shoulder’ on the 10th June 2022. This album sees The Tangent focusing almost entirely on their long format songs or “epics” with only one song being less than 16 minutes long. 

Today, you can check out an edit of the album’s opening track and first single “The Changes (single edit)”:

Andy Tillison comments: 

“The Changes was written in the depths of the first and strictest of the Covid Lockdowns. During this strangest of times there was an emptiness in all of our lives and this song explores my own such feelings in that time. I began to wonder whether the band would ever meet again, and more importantly, how long it would be before I could see my family again.  Some of the song is focused on the minutiae of being on tour with a band… not so much missing the gigs, the stages and the playing, but missing he crazy little things like not being able to find a hotel, being lost and the general camaraderie that is all around when a band is out on the road. It’s important to say that this single edit is just 5 minutes of what is a 17-minute song – and this only gives a hint at what is there in the full version… which includes a standout Luke Machin guitar solo of unbelievable quality which isn’t represented in this at all…”

Tracklisting:

1.     The Changes (17:06)

2.     The GPS Vultures (17:01)

3.     The Lady Tied To The Lamp Post (20:52)

4.     Wasted Soul (4:40)

5.     In The Dead Of Night (Bonus) (16:11)

The album is available now for pre-order as:

https://thetangent.lnk.to/SongsFromTheHardShoulder

With ‘Songs From the Hard Shoulder’, the band (who are celebrating their 20th year in the business) have audibly focused on the compositional structure of this album which in the case of the three long pieces is also highly complex and “thought out” – from a luscious and uplifting song about loneliness in Covid lockdown, to a full on 17-minute long jazz/prog/canterbury fusion instrumental, to a darkly electronic story of a homeless woman with shades of Nine Inch Nails, Po90, Japan and Van Der Graaf lurking within. The album’s final track is the 4 minute bouncy Motown-style track “Wasted Soul”, where the band anticipate a wonderful day in the future when the pandemic is over forever. Early editions and the Vinyl Edition will include the bonus track “In The Dead Of Night” which is of course a cover version of the classic song by UK. The band lineup remains from the previous 2 albums as Andy Tillison (Vocal/Keyboards), Jonas Reingold (Bass), Luke Machin (Guitar/Vocals), Steve Roberts (Drums) and Theo Travis (Sax & Flute).

Review – Cyan – For King And Country

Taking music written and recorded over thirty years ago and rewriting, rerecording and reimagining it can be said by some to be a cynical marketing exercise and I must admit I wasn’t entirely convinced when I heard that prog scion Robert Reed was resurrecting his old Cyan band name and doing just that with the original material.

To be fair to Rob, I had to listen to the album and make my own mind up and, after just a couple of listens all the negative connotations disappeared. Whether it helped that I had never heard the material before, I don’t know but this ‘new’ album is like a breath of fresh air, the songs are wonderfully created and performed by this stellar collection of progressive rock stalwarts.

You will never go wrong when you have the dulcet tones of Peter Jones ( and his superb flute playing) gracing your album, add in the searing guitar talent that is Luke Machin and the stylish bass of Dan Nelson then you have the beginnings of something special. Take that trio and add the unique talent that is Robert Reed and you take everything up another notch and on this album they create something quite remarkable indeed.

A beguiling musical journey from the powerful and compelling The Sorceror to the emotive highs and lows of the incredibly moving title track For King And Country, I have never stopped smiling through my multiple listens to this outstanding achievement. There are some highlights, like the amazing Snowbound and its dazzling display of instrumental brilliance, the warm and tender wistful tones of I Defy The Sun, the epic and intricate scope of Man Amongst Men and the joyous strains of the beautiful Call Me, but every track is a sweet-sounding gem and whenever the amazing voice of Angharad Brinn blends seamlessly with Peter Jones then the symmetry is just perfect.

Rob Reed: “Little did I know in 1983, sitting at the school piano writing these songs, that almost 40 years later those same songs would sound like they do on this album. I remember the original Cyan, made up of school mates, pooling our money, £35 to record them at a local 4 track studio with basic equipment. It’s been amazing to finally hear the songs at their full potential, with modern recording techniques and an amazing line up of players.”

I never mind admitting when I am wrong and my initial thoughts about this release were so wide of the mark that they were downright embarrassing. Robert Reed has looked to the past to create something that is definitively of our time now. A masterpiece of intricate melodies, mellifluous vocals and intelligent songwriting, ‘For King And Country’ delights on every level and makes you smile. You can’t really ask for much more than that, can you?

Released 24th September, 2021.

Order the album here:

Cyan (tigermothshop.co.uk)

Magenta’s Rob Reed and Camel’s Peter Jones come together to resurrect the band CYAN with reimagined and reworked material from the band’s debut album.

CYAN features Luke Machin, Pete Jones, Dan Nelson
 
New album ‘For King and Country’ due out on Sept 24th

Keyboardist and composer Rob Reed, known for his work with Magenta, Kompendium and Sanctuary solo albums, is pleased to announce a brand-new album from Cyan – For King and Country, due out on the 24th of September 2021. 
 
Prior to Magenta, almost 30 years ago, Reed release three albums with his then band Cyan. Out of the ashes of that band, Magenta was borne.  Now, on this new Cyan album, Reed has rewritten, rerecorded and reimagined material from the early days of Cyan, and this time with a brilliant new lineup. The group features vocalist Pete Jones (Camel, Tiger Moth Tales), guitarist Luke Machin (Maschine, The Tangent), and bassist Dan Nelson (Godsticks, Magenta).  The band will be playing their first show at Summers End Festival, Sunday, Oct. 3rd
 
The album is available for pre-order here:
https://www.tigermothshop.co.uk/store/Cyan-c117062595
 
Watch the video for the 15-minute opening track and first single “The Sorceror” here: 

Rob Reed on the new album:  “Little did I know in 1983, sitting at the school piano writing these songs, that almost 40 years later those same songs would sound like they do on this album. I remember the original Cyan, made up of school mates, pooling our money, £35 to record them at a local 4 track studio with basic equipment. It’s been amazing to finally hear the songs at their full potential, with modern recording techniques and an amazing line up of players.
  
“I’d held off releasing this album because I couldn’t find a vocalist to do it justice. Meeting Pete ticked that box, as soon as I heard him sing the first track. His voice just blends so good against Angharad Brinn, who I’d worked with on the Sanctuary solo albums. Having Luke play the guitar parts was just the icing on the cake. He is such a great player, with technique and feel. What a line up!”
  
Pete Jones had this to say about the project: “I had known about the reworking of For King And Country for a while, so it was a great thrill to be asked by Rob to work with him on the project, alongside the other amazing musicians such as Luke and Angharad. The songs are fantastic. They have a youthful and yet vintage quality to them, as well they might, given that they were first done in the early 90s. But with the benefit of Rob’s experience, they have been reworked into an album which I feel is right up there with the classics.”

Tracklisting:

1.The Sorceror
2.Call Me
3.I Defy The Sun
4.Don’t Turn Away
5.Snowbound
6.Man Amongst Men
7.Night Flight
8.For King and Country

Magenta/CYAN/TigerMothTales Website
https://www.tigermothshop.co.uk/

Review – The Tangent – Auto Reconnaissance

Welcome to the post-Covid-19 world. My day job has got ridiculously busy and I have not been able to write any reviews so I’m going to alter my usual in-depth method and just give things to you straight.

The Tangent, the progressive rock group led by Andy Tillison, are set to release their 11th studio album ‘Auto Reconnaissance’ on August 21st, 2020.

The follow-up to 2018’s ‘Proxy’, sees them taking the band philosophy of celebrating the golden age of prog, whilst bringing it to the present and exploring new paths for the music to take in the future. On ‘Auto Reconnaissance’, they bend that philosophy to their will, taking in prog rock foot Stomping, sublime Jazz, humour, narrative, a modern R&B love song, funk/soul and a 28 minute long emotional epic about the band’s home country of England.

Andy comments: “I utterly refuse to accept that Progressive Rock Music is some kind of museum piece. It is actually a living and breathing movement that has a past, a present and above all, a future. It once had an album-chart-topping golden age, but the genre was never about that. It has subtly and virally kept itself alive for decades where many new musical genres have risen to glory and faded away.”

For this release, Andy is once again joined by long-time collaborator Luke Machin (who also helped produce the album), Jonas Reingold, Theo Travis, and Steve Roberts. Together they bring to life an album that has been influenced by the likes of ELP, The Isley Brothers, Steely Dan, Aphex Twin, National Health, Rose Royce, Squarepusher and Return To Forever amongst others.

Right, that’s the record label PR out of the way, what do I think of the album…

Simply put, Andy is at his acerbic and witty best when it comes to the lyrics, especially on the travelogue-esque track 2, Jinxed In Jersey where he regales us with his journey around New York and it is a brillaint, amusing and tongue in cheek clash of cultures between the largesse of the good ol’ U.S of A and your basic, down to earth Yorkshireman.

The wonderful, laid back jazz-infused soundtrack to Andy’s spoken word is superbly judged and takes you back to the 70’s. To be fair, the whole album has that sepia tinged edge of halcyon days gone by but given that ‘turd polishing’ skill that only Andy Tillison can do.

You want funky, you’ve got it, the five and a half minutes of opening track Life On Hold is as good as anything released recently with even a passing resemblance to the decade that gave us disco and corduroy flares! It’s a song that makes you smile and we all need some of that at the moment.

Dare I say that Under Your Spell has the feel of a 70’s love song? Almost as if Andy is channelling his inner Barry White (now there’s an image!). Whether you agree with me or not, what it is is a wonderful, classy and velvet smooth piece of music and there’s no arguing with that, just listen to the way Luke’s solo just oozes empathy.

There’s a sea change and a move to the 80’s with the edgy keyboard note of Tower Of Babel and it’s direct and in-your-face chorus. Think Huey Lewis And The News get down with Talking Heads and you won’t be far from the mark.

Lie Back And Think Of England could well be seen as Andy’s Magnum Opus and, in my humble opinion, it is the best piece of music he has ever written. Twenty-eight minute progressive rock epics are everywhere nowadays but this never fails to engage the listener and keep them under its captivating spell. The highs and lows and dynamic crescendos are utterly brilliant, taking you on an engrossing musical journey through all that is good about prog rock and one where every word and every note have their place.

Back to the 70’s and the funky, disco edge of soundtracks like Shaft and Starsky and Hutch, the bedrock on which The Midas Touch could have been built. There’s wah-wah pedal and tinkling of ivories galore in a song awash with the feel of lazy, hazy summers. The album closes with the bonus track Proxima, a twelve minute instrumental that could have come straight from a Tangerine Dream record.

The Tangent are a British progressive rock institution and every new album is eagerly awaited by the fans and, while every fan will have their own opinion, ‘Auto Reconnaissance’ is my favourite album from the band yet. Andy is on top form, his song writing is as sharp and clever as ever and he has gathered around him a group of musicians who seriously have no peers. A superb release and one which cements The Tangent’s already exalted reputation.

Released 21st August 2020

Order from Burning Shed here:

https://burningshed.com/the-tangent_auto-reconnaissance_cd

The Tangent announce new album ‘Auto Reconnaissance’

The Tangent, the progressive rock group led by Andy Tillison, are pleased to announce the release of their 11th studio album ‘Auto Reconnaissance’ on the 21st August 2020. The follow-up to 2018’s ‘Proxy’, sees them taking the band philosophy of celebrating the golden age of prog, whilst bringing it to the present and exploring new paths for the music to take in the future. On ‘Auto Reconnaissance’, they bend that philosophy to their will, taking in prog rock foot Stomping, sublime Jazz, humour, narrative, a modern R&B love song, funk/soul and a 28 minute long emotional epic about the band’s home country of England.

 Andy comments: “I utterly refuse to accept that Progressive Rock Music is some kind of museum piece. It is actually a living and breathing movement that has a past, a present and above all, a future. It once had an album-chart-topping golden age, but the genre was never about that. It has subtly and virally kept itself alive for decades where many new musical genres have risen to glory and faded away.”

For this release, Andy is once again joined by long-time collaborator Luke Machin (who also helped produce the album), Jonas Reingold, Theo Travis, and Steve Roberts. Together they bring to life an album that has been influenced by the likes of ELP, The Isley Brothers, Steely Dan, Aphex Twin, National Health, Rose Royce, Squarepusher and Return To Forever amongst others. 

Andy comments of the current line-up: “In the past 6 years the line-up of The Tangent has become more stable than at the beginning. I think that the identity of the Tangent as a “Group” rather than a “Project” started to come together on the album ‘A Spark In The Aether’ in 2014. Essentially Luke, Jonas, Theo and myself have appeared on the last four albums, and we added Steve Roberts for the tour that supported ‘Slow Rust’ in 2017 and we’ve settled on this line-up. I hope for a while because I find this unit to be productive, in tune with the band’s purpose and manifesto and a lot of fun to boot. The new album ‘Auto Reconnaissance’ is the first time that the core band has been identical in structure to its predecessor.  For the first time I feel that everyone is “in tune” with the fusion of Jazz, Prog, Punkishness and electronica that The Tangent likes to cook up. We are a good group of friends and although we don’t meet up often, it’s a real blast when we do. I’ve always considered Ed Unitsky the cover artist to have been a recurring member of the cast – his artwork has been a huge part of our story and although we move away, we always return.”  

‘Auto Reconnaissance’ will be available as Limited CD Digipak (incl. bonus track), Gatefold 2LP + CD + LP booklet & as Digital Album, all featuring the artwork of Ed Untisky, whose visuals have not been seen on a Tangent album ince 2014’s ‘A Spark In The Aether’. The full track-listing can be found below:

1.     Life On Hold

2.     Jinxed In Jersey

3.     Under Your Spell

4.     The Tower Of Babel

5.     Lie Back & Think Of England

6.     The Midas Touch

7.     Proxima (Bonus Track)

The Tangent are the following players:

Andy Tillison – Vocals, Lyrics, Keyboards, Composer

Jonas Reingold (The Sea Within, Steve Hackett Band) – Bass Guitar

Theo Travis (Soft Machine, David Gilmour, Travis-Fripp) – Sax & Flute

Luke Machin (Maschine, Francis Dunnery Band) – Guitar

Steve Roberts (David Cross Band, ex Magenta, Godsticks) – Drums

Review – The Tangent – Proxy – by Progradar

2018 has been a rather excellent year for new music. It seems like no sooner has one great album come along then another arrives into the inbox at Progradar Towers. Music of all sorts of genres and description but the overriding feeling I have got this year is that there is joy back in music. The majority of new releases I’m hearing have enforced my faith in the restorative abilities of music and the fact that music can simply put a smile on your face and make the world a happier place to be in.

The latest album to get me buzzing and happy to get out of bed on a wet and miserable October morning is the new release, and 10th studio release, from progressive rock stalwarts The Tangent:

“Entitled “Proxy” it’s a single CD and Vinyl – a riot of juxtopposing styles, presented in a really direct manner and despite being firmly rooted in the stylistic traits of the Progressive Rock Genre takes some unexpected turnoffs and a major swerve.

Recorded during the band’s tour with Karmakanic in 2017/18 – there were more chances than normal to work together on the record – hotel writing sessions, van discussions, soundcheck ideas – all of which have allowed the band to make an album that is organic and as close to being that band, as has happened to the group of far flung members since they began their career 15 years ago.”

Thank you press release, main man Andy Tillison goes on to say, “I often think of good progressive albums as being like the Bayeux Tapestry, an account of the times the band lives in, using all the history that got us to that point, commenting on the Now with the experience of the past.”

Andy agreed with me that ‘Proxy’ is a lighter album than ‘The Slow Rust of Forgotten Machinery’, the band’s previous studio release but it does start with the obligatory protest song, title track Proxy. A track about the continuing wars that share their name with the song. The Tangent have always brought politics into progressive rock and this song carries on that connection, Prog always being born from counterculture. It’s a complete prog reference journey with Tillison’s swirling hammonds and synths, Jonas Reingold’s signature punchy bass, Steve Roberts’ dynamic drums and Luke Machin’s stylistic guitar work. Take yourself on a sisteen minute nostalgic road trip punctuated by the ever so elegant sax and flute of Theo Travis, this is what the band have always been good at, delivering a potent message with lashings of fantastic music to ease it home. The guitar and vocal motif at the end puts a particularly large smile on my face, tipping a nod to the 70’s in the process, The Tangent are back!

Now the album takes a wander over into left-field territory with the jazz-fusion instrumental The Melting Andalusian Skies, a piece of music as laid back as they come, sit back, enjoy the warm, sunny feel and let the ever so smooth sounds flow over you. Luke and Andy trade guitar and synth like the best jazz pros and Theo gives the whole shebang the necessary chuzpah. Luke throws in some Gordon Giltrap guitar and even acid jazz to give a psychedelic overtone, this is music for the hell of it, these guys are having a seriously good time, it’s patently obvious.  Described by the band as an attempt to find the missing link between Porcupine Tree and JamiroquaiA Case Of Misplaced Optimism is more funk than any man should have to handle! This track will get you digging the groove and saying ‘yeah man’ every five seconds, it is seriously infectious piece of music that put a huge grin on my face, yep, the joy is here for everyone to hear.

Rapidly becoming one of my all time favourite songs by the band, The Adulthood Lie is my stand out track on what is becoming a seriously good album. The Tangent do electronic dance music (yes you read that right, EDM!) and it works brilliantly. I know Andy wasn’t sure how the fans would take this homage to Ibiza, Fatboy Slim, Sophie Ellis Bextor and the rest but, to me, it’s a fantastic track. It’s chock full of catchy moments and a seriously infectious vibe that gets you up and dragging your dancing boots out of the cupboard before you even know what you’re doing. You know what, this is what progressive music should be about, you’re hearing a true progression and maturation of The Tangent’s sound and it’s bloody brilliant. As Andy says,

“Our belief is that Progressive Rock music is still a valid and viable musical form in 2018 and will continue to be so. Our band has always sought to take on board things from the present and add them to that magical mix. We don’t claim to be offering the FUTURE. We just claim to be offering one set of possibilities. Ours. Now.”

There’s a repeated vocal line that runs through the song that starts, “When I was young, I fell in love…”, trust me, that will rapidly become a glorious earworm! Andy admitted the band had gone a bit mad on this track but was really glad that they had.

“The whole of Supper’s Off came from a daft thing I said about “Cooking The Books Of Revelation” in a rather boring meeting at college…”

Being a fellow Yorkshireman, Andy has a particular sense of humour, Supper’s Off was a recording made at the time of (Tangent album) ‘Le Sacre Du Travail’. It wasn’t properly recorded until this album but it’s another iteration of The Tangent’s so called Fast Song. GPS Culture, Evening TV, Uphill From Here and Spark In The Aether could be said to be the others. My friend, and Bad Elephant Music boss, David Elliott has called it “an anthem for the modern progressive rock band” and he’s not wrong. A captivating and utterly addictive track with the funkiest keyboard hook and guitar riff going, it’s blasts into your mind at a mind-blowing rate of knots and takes everybody on a fun-fuelled musical roller coaster ride before tipping its hat and firing off into the distance.

Normality is resumed with the ten minute bonus of Excerpt From “Excerpt From “Exo-Oceans”, a little dip into Andy’s Kalman Filter material which is edgy, spaced out and best listened to in the dark with something addictive (legally, obviously!! you know, like Whiskey!) and this brings the heart rate down nicely so you can actually process what you’ve just listened to.

‘Proxy’ is a joyous celebration of music, done in The Tangent’s inimitable style. It’s an album that truly bears repeated listens, I’m sure Andy has left little chestnuts and references in there for people to pick up on. What we’re hearing is a true progression of the band’s sound that, while keeping what has always made them who they are, now resonates even more clearly with the world we live in. Music to make you think and music to lift your soul, what more can you ask for?

Released 16th November 2018

Check out the band’s website for pre-order details