This review is of the recently issued re-release on CD of the 1971 album by early UK progressive rock band Samurai. This was originally issued by the Greenwich Gramophone label and featured Dave Greenslade (who later found further fame as a member of Dave Greenslade’s Greenslade which, oddly enough, also included Greenwich’s creative director Tony Reeves).
This album is new to me even though, as a youngster, I was enthralled by Greenslade’s music and covers. This stemmed from hours spent in a local record shop in Sutton Coldfield (called Preedy’s) who sold records in their basement and in which I discovered Greenslade. Whilst I loved the band, I knew little of the members earlier previous musical heritage or history, which is probably why this album passed by me unnoticed, so now is the chance to rectify that situation.
One thing that rapidly becomes apparent is that Dave Lawson certainly added far more to Greenslade’s sound than I had previously thought. Here his vocals are really impassioned and interesting and as rich as his keyboard playing in fact. Whilst this music is of its time and has many of the attendant deficiencies, what it does have is lots of energy and, musically, a lot going on.
The album opens with Saving It Up For So Long, containing a meaty hefty bassline from John Eaton along with swirling keyboards from Dave Lawson, a complex guitar line from Tony Edwards and sax from Tony Roberts and Don Fey. The use of the brass section makes this very unusual and certainly interesting. The next song, More Rain, is a far mellower affair and shows what Dave bought to Greenslade. Being mellow in its tone and mood doesn’t mean that the song is dull, far from it, the song had a casual pace to it but it still swings nicely making it a fine listen.
Next up is another sax fronted piece, Maudie James, which sounds somewhat sultry and moody before some fine piano leads the song forward again. Another fine Lawson vocal propels the song along with brass incursions parping at various points making this sound very good indeed.
This really is an interesting album and one that deservedly gets a fine reissue from the lovely folks at Esoteric Arts, who once again live up to their image and policy of remastering and reimagining the classics well. They have done a great job with a great sound and have included three hitherto unreleased live tracks from a show in Sweden in 1971, along with an informative booklet with comments from Dave Lawson.
Give A Little Love opens with some rather urgent guitar backed up with horn blasts creating a solid wall of sound. This is done in a good way, some interesting keyboard tones adding to this song and a fine guitar riff with its subtle wah-wah usage driving the song forward before a jazz sax solo comes to the fore. The next two songs are the longer Face In The Mirror and As I Dried The Tears Away, both of which offer room for the music to stretch out a bit more. In the case of Face In The Mirror, this allows the bass to carry a walking beat to proceedings interspersed with subtle keyboards and guitar lines.
The song is quite different in tone, again being mellow in parts but the instrumentation is certainly striking and interesting as is the guitar solo from Tony Edwards who uses his effects pedals well, with the precise drums of Lennie Wright offering solid support for his efforts, making this track a real winner. As I Dried The Tears Away utilises its longer length to good effect, opening with some jazzy keyboards and a growling bass. Good use of vibes offer a shimmer to the sound, again very similar sounding to Dave’s later sounds, and his unusual voice and tone are well displayed herein. A nice brief guitar part as the song proceeds helps gather momentum and pace before a more jazz sounding passage is played with swirling organ parts and bells and whistles being employed, very psychedelic sounding in parts with excellent keyboard passages used.
The last three songs are live versions of album songs, of which the extended version of Holy Padlock comes out strongest as its extra couple of minutes are used wisely and to maximum effect. The sound takes up an urgent and strident pace halfway through that really swings well. The vocals are somewhat buried in the mix but the band certainly seem to be playing up a storm here. Final Live track is More Rain and, again, this live version really shines, the horns work well creating the sound and making noticeable inserts to the song. The guitar line is also carried well with subtle wah-wah really making it sound very good indeed.
The live tracks show this band could deliver in a live setting although, sadly, that opportunity to develop was cut short as key members became disillusioned and left, leaving Lawson and Reeves free to join Dave Greenslade’s project Greenslade, where their talent would blend to create new magical music over their four album career.
Tracks: Saving It Up For So Long 3:47, More Rain 4:29, Maudie James 4:59, Holy Padlock 4:45, Give A Little Love 3:42, Face In The Mirror 6:46, As I Dried The Tears Away 8:25, Give A Little Love (Live) 5:12, Holy Padlock (Live) 7:49, More Rain (Live) 4:30.
Released 25th September 2020
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