Review – Montrose: I Got The Fire – Complete Recordings 1973-1976

‘Montrose: I Got The Fire – Complete Recordings 1973-1976’ is a new 6 CD box set from from the ever impressive Cherry Red Records/Esoteric Recordings label and is a fabulous overview of a legendary band whose sound and style was to make a huge impression in the world of heavy and hard rock in the mid 1970’s and whose influence still makes waves, even today.

Their debut album ‘Montrose’ was issued in 1973 and its 8 tracks were monumentally important and really changed how rock music was perceived around the world. You can trace the evolution of Van Halen back to the first Montrose record, it’s a direct line between the two, certainly sound wise, and you can see the link. That album was to yield such monsters as Rock The Nation, Bad Motor Scooter and Space Station #5, which still sound mighty some 40 years on.

Sadly the resultant albums were a case of diminishing returns amidst a desire from Ronnie Montrose to explore new sounds and approaches. All of which is bold but not always successful, and the sales faltered as a result. ‘Paper Money’, their second album, was the first casualty of this approach as it failed to gain critical appreciation for its bold sounds. For many the album lacked the muscular sound that had enlivened the debut and despite some fine songs, like I Got The Fire and Starliner, many considered the album light-weight, which adversely affected sales.

This led to dissatisfaction between Sammy Hagar and Montrose and Hagar walked out to be replaced by the relatively unknown Bob James who actually had a good voice but not as powerful as Sammy Hagar’s. The new line up released the ‘Warner Bros. Presents Montrose!’ album in 1975 but, again, the critics did not like its light-weight sound, although 40 years on, it does have some gems in the form of Matriarch, Whaler and Dancin’ Feet, all of which have aged pretty well.

The band’s next album was to be a return to form with hotshot producer Jack Douglas recruited to beef the sound up and to add his magic. Unfortunately the resulting record, ‘Jump On It’, was not a great success although it did have some good tracks like Let’s Go and Music Man. It’s a tragedy that the band failed to live up to their original promise but Ronnie Montrose could be a difficult leader and he got bored easily, always wanting something new to explore.

The second CD in this set kicks off with six demo tracks, as well as their excellent debut performance, recorded for KSAN radio at the Record Plant in Sausalito, California in 1973. The band would cut a further live set for KSAN that was focused on their recently released ‘Paper Money’ record, although the inclusion of I Got The Fire, Bad Motor Scooter and a storming extended work out of Space Station #5 really work well in a live setting.

These 2 sets make a big impression and show that Montrose really could deliver the goods, sadly public perception was not on their side and the band broke up, Ronnie to more experimentation sound wise, Hagar to a succesfull solo career before joining Van Halen as a replacement for David Lee Roth. Ronnie Montrose then formed Gamma and put out several albums of fine AOR.

This box set shows the potential they had and also how they failed to capitalise on it and sadly translate that into sales. It definitely has it moments but can be patchy in parts,  the live shows are excellent though. I’m glad to have heard it but feel, in reality, a decent best of and the magnificent debut are really all you need.

Released 29th July, 2022.

Order from Cherry Red Records:

Montrose: I Got The Fire – Complete Recordings 1973-1976, 6CD Box Set – Cherry Red Records

COMING IN FALL 2023 THE NEW ALBUM BY BUILT FOR THE FUTURE.

2084: MANIFEST DESTINY

PART ONE OF A TRILOGY/SERIES BASED ON ORWELL’S DARK FUTURE.

BUILT FOR THE FUTURE LAST RELEASED ‘BRAVE NEW WORLD’ IN 2020, WHICH GARNERED VERY POSITIVE REVIEWS FOR BEING A MORE EXPANDED PROG EXPERIENCE. THE ALBUM WAS A SATISFYING RELEASE AND EPIC IN NATURE.

FOR THE NEW ALBUM, BUILT FOR THE FUTURE HAS DECIDED TO RETURN TO THE SHORTER SONG FORMAT THAT THE DEBUT ALBUM DEMONSTRATED, AND TO FLAVOR THE PROG WITH A FULL CONCEPT AND A THREE ALBUM ARC. 

THE TEMPLATE FOR THE NEW ALBUM HAS KENNY AND PATRIC FOCUSING ON MORE DIRECT DELIVERY AS WELL AS A HEAVIER ALTERNATIVE SOUND. THE MELLOTRON IS THE DOMINANT KEYBOARD FOR ITS EMOTIONAL TEXTURE. PATRIC IS USING A FENDER JAZZ BASS THROUGHOUT, AND THE RICKENBACKER 12-STRING IS THE HEAVY HITTER THAT PROVIDES A RICH TEXTURE TO EACH SONG. THE FOCUS IS THE SONG.

THE CONCEPT IS THE INTERESTING PARALLEL BETWEEN ORWELL’S 1984 AND WHAT WE ARE EXPERIENCING IN OUR SOCIETY TODAY. THE THEMES OF 1984 RUN THROUGHOUT THE ALBUM BUT WITH A NEW TARGET FOR DYSTOPIA: THE YEAR 2084(AS THAT IS STILL AHEAD OF US). 

FOR THIS ALBUM, PATRIC WROTE THE MUSIC AND KENNY PROVIDED VOCALS/MELODIES. 

INFLUENCES FOR THIS INCLUDE: STEVEN WILSON, FAILURE, RPWL, THE PINEAPPLE THIEF, PINK FLOYD, ULTRAVOX, TEARS FOR FEARS, AND EVEN FLAVORS OF NIN.

THE THREE ALBUMS PLANNED:

2084: MANIFEST DESTINY

2084: OCEANIA

2084: THE EMPIRE STATE

THE FIRST INSTALLMENT WILL BE TARGETING A NOVEMBER RELEASE DATE 2022. THE OTHERS MONTHS APART TO GIVE EVERYONE TIME TO DIGEST.

2084:MANIFEST DESTINY(TRACK LIST)

MEMORY MACHINES

THE THOUGHT POLICE

ARGOT

PROLETARIAT

SUPERNATIONAL

DIASPORA

ZEIT

HERETIC

SUBTERRANEAN

101

MANIFEST DESTINY

B4TF:

PATRIC FARRELL-GUITARS/BASS/DRUMS/MELLOTRONS/E-PIANO/VOCALS

KENNY BISSETT-VOCALS/GUITARS

LALO-DRUMS

THE COLLECTIVE/SINGLE IS THE FIRST RELEASE TO BEGIN THE JOURNEY. THE SONG IS SLATED FOR THE THIRD ALBUM(THE EMPIRE STATE).