Tag: Forgotten Gods

John Wenlock-Smith’s review of the 2024 musical year

2024 has been quite a year hasn’t it really? From the vagaries of politics and re-emergence of Donald Trump to again become US President again, the implosion of the Tory party and the triumphant Labour landslide, to the downfall of Assad in Syria, it has all been quite eventful, all in all.

Thankfully, musically it has been a good year, especially for the likes of Taylor Swift, whose ‘Era’ tour was a huge success, the reunion dates for Oasis were another success, especially for it’s promoters, if less so for their fans who struggled to get any reasonably priced tickets. Prog thankfully doesn’t suffer in the same way and great music shows could be easily found for very reasonable prices, except maybe David Gilmour tickets, but Steve Hackett and Big Big Train shows were far more fairly priced, as their sell out statuses clearly showed.

The year has some truly fine and many very worthwhile releases and here is what really hit it off for me. As with previous years, I have a vocal winner and an instrumental winner of the year and you’ll understand why as I reveal them to you all.

There’s also a note about why each was selected as being so very good, invariably i’ll miss something that I should have included, such is often the case as its not always easy to recall timings and release dates etc., There are no live albums or ‘best of’ though, even though several of each were very good releases.

Here we go then..

20. Wedingoth – ‘Five stars (A) live’

A somewhat interesting mix of heavy metal with distinct Pink Floyd overtones, all recorded live and portraying their 2023 five star album.

19. PsychoYogi – ‘Astro Therapy Brain repair’

The 2024 quirky release from Chris Ramsing and band with more King Crimson styled jazz musings.

18. Nataraja – ‘Spirit At Play’

A one off project from Jack Jennings with Andy Edwards and John Jowitt of Frost/IQ mixing Indian classical music with synthesisers and fiery guitar a la John McLaughlin and Jimi Hendrix. A very intense listen but wonderfully conceived and delivered.

17. Infringement – ‘Black Science and White Lies’

More musings on the state of the world from the Norwegian stalwarts, full of dynamic music and strong observational lyrics.

16. Storm Deva – ‘Storm Deva’

Technically released at the back end of 2023 but gained popularity this year. Wonderful orchestral type music with fabulous vocalist/keyboardist Carollyn Eden along with sublime guitar work from Stuart Clark, some beautifully symphonic music and melodies.

15. Rick Wakeman – ‘Yessonata’

A totally solo piano album from the ex-Yes keyboard man which distils over thirty melodies from the prime era of Yes music. Have fun spotting the various melodies employed herein and, as a bonus, there is an instrumental synopsis of Rick’s ‘King Arthur’ piano suite.

14. Catalyst*R – ‘Pace Of Change’

A second album of impressive prog and electronic music from the ex Winter Machine men, check out the utterly epic Pendle Hill 1612.

13. Orion – ‘The Light Bringers’

The superb second full release from musical prodigy Ben Jones with lots of Rush overtones, especially with the spectacular artwork from Hugh Syme .

12. Kite Parade – ‘Disparity’

An album that highlights the challenges of this modern world most eloquently, there is some truly some great music on offer here.

11. The Windmill – ‘Mindscapes’

Latest release from the Norwegian retro-proggers. Just four tracks but such great tracks they are! One wonderfully long epic and the the other three being shorter, but no less impressive, pieces.

10. Age of Distraction – ‘A Game Of Whispers’

This offshoot group saw some of progressive music’s current stars (ex-This Winter Machine member John Cook, Ghost Of The Machine‘s Charlie Bramald and Mark Gatland of Hats Off Gentleman It’s Adequate to name three) band together in a new ad-hoc Project which married their progressive tendencies coupl with a harder edged sound to a fantastic impact. A second album is due in 2025 and possibly some live shows too!

9. Oddleaf – ‘Where Ideal And Denial Collide’

Surprisingly endearing and engrossing 70’s influenced Prog from new French outfit featuring the lovely Carina Taurer and colleagues.

8. Brendan Perkins – ‘Favourite Places’

A fantastic album that would most probably be of interest to Big Big Train ‘Passengers’ as the music is very expansive with very Pastoral overtones at various points. A most engrossing listen.

7. Nick Magnus – ‘A Strange Inheritance’

An excellent nautically themed collection of songs. This one really resonated with me and I really love Nick’s compositions on this album.

6. John Holden – ‘Proximity and Chance’

Another excellent release from the Cheshire based multi instrumentalist who, again, has enlisted some A-list players to support his epic pieces. This was, for several months, my album of the year but was then overshadowed by the following releases.

5. Kyros – ‘Mannequin’

Another top notch release and a fantastic fusion of 80’s style synth-pop and progressive music. An exquisitely produced and delivered album of sheer class.

4. Stuckfish – ‘IV’

This is a major step up from this north-east quintet and is full of great songs, some of which are crying out for more live performances. Sheer class and fine quality to boot.

3. Ruby Dawn – ‘Blood On Water’

The superb second release from Carola Baer and colleagues, who have crafted an album that is partly based on Romeo and Juliet but also contemplates life and all it’s seasons and challenges.

2. Forgotten Gods – ‘Memories’

This album came from nowhere but such is its emotional depth and rawness, along with its honesty and strong lyrics, it really makes a deep and lasting impression.

1st equal…

Instrumental album – Nick Fletcher – ‘A Longing For Home’

A further ten slices of Nick’s incredibly imaginative and polished musical musings with a truly impressive European based set of musicians. An album full of powerful themes and melodies along with jaw dropping skill and improvisation.

Vocal Album – John Wilkinson – ‘Imposter Syndrome’

Highly impressive solo album from The Swan Chorus and Ellesmere vocalist in which, over eight strong tracks, John sings of how he feels a fraud as a singer but goes on to prove that he is no fraud or imposter, rather he is a genuinely talented writer and performer. This album is a remarkable achievement and is a thing of beauty, crowned by John’s warm and evocative vocals.

It has been a vintage year for releases, you’ll notice that I’ve shied away from major label albums, despite there been several great ones but it us these 20 Albums have impacted me the most through 2024.

Review – Forgotten Gods – Memories – by John Wenlock-Smith

Well this one came completely out of the left field, as it were, proving itself to be a most worthwhile release. What a treasure it is too, a remarkably assured and intelligently written album of insightful songs that hold great meaning too. ‘Memories’ is, above all, an emotionally laden release that has significant memories for vocalist Mark Cunningham as these songs unveil their tales. It really is a very warm album when you consider the trauma Mark has experienced in his lifetime, making it not bitter but full of fondness and love even.

The album begins with Alive which is pretty much a testament to Neal Peart of Rush with whom Mark feels a connection through their shared love of motorcycles and the open road. This track is a commentary on a trip Mark made to Italy through Switzerland and the alpine pass at Monte San Giorgio that leads over the mountains on into Milan, Italy.  According to the pictures I found on the Internet, it looks to be a very beautiful area and a challenging Ride, albeit one with impressive scenery and views. You can feel the acceleration and the wind in your hair almost as you hurtle along, it’s a great opening track. The epic The Pillars of Petra concerns itself with the actions of certain world leaders after World War Two where they divided up the Ottoman empire and in so doing created the state of Israel, misplaced Palestine completely and set in motion an effect that continues to this day of a middle east crisis. Unsurprisingly, all in the search for profits for their own nations and desires. The song has some wonderful Arabesque sounds in its backing, Mark showing strong sympathy with the people of Palestine and their ongoing struggles for recognition and right to a homeland. This is a very impressive track indeed and has a lot going on both vocally and in the assured music that it being played by Mark’s fellow band members. Keyboard player and producer Dave Boland, guitarist Steve Harris, bass player Michael Kentish and drummer David Hallett all deserve special mention for the magic their individual contributions add to the whole album and the overall positive impact of this fine release.

It has some gorgeous piano lines and some very sympathetic free flowing basslines in support. The subtle drums and percussion accompany this mood beautifully and it is a joy to hear such fabulously imaginative music as this which helps escalate this album greatly into a thing of real beauty. I think it is fair to say that this is a pretty outstanding track all told however, the best is yet to come with an extended instrumental section preceded by a news bulletin that is an exercise in propaganda to justify the actions. The music takes on both an urgency along with a harder tone and the return of an earlier guitar motif from Steve Harris that really delights the ears before it becomes more stately in tone. It is a simply mesmerising track, truly excellent and an epic in every sense of the word.

Everybody’s Hero is Mark’s tribute to his Neal Peart who died of brain cancer aged 67. Peart was a big influence on Mark and, after his death, Mark established the annual festival Prog For Peart which donates its proceeds to charity in remembering Neal Peart. The song celebrates Neal’s life and successes and also comments on how he overcame his own personal tragedies (Neal’s wife and twenty three year old daughter died within 6 months of each other). Neal semi retired to rebuild his life and went travelling extensively by motorcycle through Canada and North and South America in the process,  where he found his peace and got remarried again before returning to make further music with Rush. It is a very heartfelt song and one that expresses his admiration without being cloying in any way, it even uses some Rush type sounds in the guitar and bass motifs. Vigil is a glorious and heartfelt tribute to Mark’s mother who died whilst he was a teenager and he has a storehouse of great memories of her and her kindness and consideration to others, especially the downtrodden and neglected in society. Such was her impact on Mark’s young life that he became a youth and social worker in the north east for a while which inspired the song Alone. But back to Vigil which opens with Peter Jones playing the whistle incorporating an improvisation of Amazing Grace, which adds to the beauty of the track immensely as does the opening guitar motif leading into a very emotional vocal from Mark as he watches his mother die while knowing that her presence remains within his heart and her impact on his life is clear. This song is not morbid, it is more a celebration of who she was to him and is full of deep love and sentiments. Mark himself admits that he lost himself for a few years before coming to his senses again. Grief will do that to you if you let it, thankfully Mark came back a different man and a better man at that.

Alone is, as briefly mentioned, about an experience Mark had as a youth worker where he encountered a teenage girl who felt that at 16 years of age, she had little future ahead of her and so opted for a life of lesser choices even to the stage of contemplating becoming pregnant as a means of escape from home to her own council property. The song is very sad in the sense of opportunities lost and unspent chances. Rose & Pink is the album’s final track and opens with a chugging Hammond organ and strong guitar flourishes from Steve. This is a very upbeat and positive song with a uptempo backbeat, not quite disco but definitely in Scissor Sisters territory!

So there you have it, ‘Memories’ is fifty five minutes of unexpected brilliance from Mark Cunningham and his highly impressive fellow musicians in Forgotten Gods and a debut album that stands proudly amongst this year’s finest releases. It is truly fabulous, you really need to hear this fantastic album soon!

Released 7th October, 2024.

Order the CD direct from the band here:

https://www.forgottengods.co.uk/store/p5/Memories_CD.html#