The Way Down Wanderers All Set for UK Debut – Tour Includes Leeds and Otley Dates

They’ve been spreading a particularly infectious brand of joy on their travels across the USA with a camaraderie that’s rare and joie de vivre that is simply inspirational.

Voted Chicago’s best Emerging Artist in 2014, the band captivates audiences with a lively stage show that lifts the spirits…and has created quite a buzz with unplugged, off-stage encores and propensity for performing self-titled, “rest-stomps” – free acoustic sets at rest & truck stops along their tour routes.

There is an overwhelming feeling of generosity that is driven by lashings of youthful love-of-life zest that’s bursting with sincerity. Watch the faces of those heading home at the end of the show and what you will find is a sea of smiles

Playing, performing and writing together for just four years, The Way Down Wanderers have built an enthusiastic and fast-growing following and were finalists in the 2015 International Song-writing Competition.

In the States, they have important sections of the media on their side and have been winning compliments such as “enchanting”, “uplifting,” “vibrant,” “luxuriant,”, “exquisite,” “barn-burning” and “sparkling.”

The band first threw down the gauntlet and created an impressive early impact when they delivered two EPs – “Path to Follow” and the ‘live’ offering, “Wellspring.”

The first full-length album, produced by Mike Marsh of the Avett Brothers and recorded at Sonic Ranch in El Paso, which got its Stateside release in mid-2016, was said my many commentators to be their highlight of the year – both in American and Europe too.

When they played showcases in Nashville that entire tough-to-please town went totally gaga with delight.

One reviewer concluded they were “set to take the world by storm” – and that’s precisely what we’ve been thinking too.

One of those to catch them in action showcasing was the BBC’s Ricky Ross, himself, of course a successful musician and composer and when he learned they were coming over to the UK, he invited them into the studio to record a live session for his popular Another Country radio show. That will be the first event on this agenda after they fly in.

Other prominent figures in the UK media have been singing their praises.

“They grabbed me from the first track,” said Spencer Leigh, when he reviewed their album for Country Music People. Writing for Acoustic magazine, Paul Strange told readers they could look forward to hearing “something different.”

“A talented bunch – a band to watch,” said Peter Churchill at AmericanaUK, while Mike Morrison at American Roots UK said they were “a welcome breath of fresh air in roots music,” adding: “a young band that could well be destined for great things.”

Tour schedule:

Wed Nov 22: Another Country with Ricky Ross – BBC Radio Scotland, Glasgow

Thurs 23: Birnam Arts, Perthshire

Fri 24: CatStrand Arts Centre, New Galloway

Sat 25: Tumbleweed at Seven Arts, Leeds

Sun 26: Selby Town Hall

Tues 28: The Forge, Anvil Arts, Basingstoke

Thurs 30: No 8, Launceston

Fri Dec 1: Grayshott Village Hall, Surrey

Sat 2: Square & Compass, Worth Matravers

Sun 3: Whitstable Sessions, Kent

Tues 5: The Green Note, London

Wed 6: The Atkinson Theatre, Southport

Thurs 7: Acoustic Music Club, Kirkcaldy

Fri 8: Otley Courthouse

Sat 9: Performing Arts Centre, Kilbarchan

 

Beatrix Players announce headline show and Carl Palmer support!

Beatrix Players are a London-based all-female trio whose unconventional but evocative   music straddles the boundaries of folk, prog rock, acoustic, classical and pop music.  The band have now announced they will be supporting Carl Palmer’s ELP Legacy (In Memory of Keith Emerson, Greg Lake & John Wetton) at The Stables in Milton Keynes next  Sunday November 19th. They will also be performing a warm-up London show at  Camden’s Green Note on Friday 19th January; before heading to The Robin 2 in Wolverhampton on February 11th next year to support Serpentyne.

Beatrix Players recently released double A-side single All That Thinking / Hurt in October. All That Thinking being taken from their 2017 debut album, Magnified, while Hurt is a previously unreleased studio recording of the Nine Inch Nails song, famously covered by Johnny Cash on his American IV: The Man Comes Around album.

The trio recently won the Limelight Award at the 2017 Prog Awards which took place at London’s Globe Theatre on September 14th, and performed Hurt live to an audience of peers, critics and industry insiders. The Limelight Award highlights the best of the talent that has emerged over the past 12 months on the progressive rock scene.Previous winners of the coveted award include The Anchoress, Messenger and TesseracT.

Through their enchantingly dark and evocative melodies, expansive arrangements and empowered orchestral sound Beatrix Players tell stories of real life and fantasy. Citing influences as diverse as Michael Nyman and Regina Spektor and drawing comparisons to the likes of Kate Bush and Einaudi Ludovico. There are tempestuous passages in the bands’ music that you can imagine being delivered by traditional rock instrumentation but it is the veryabsence of guitars and drums that means there’s nobody out there quite like Beatrix Players.

BEATRIX PLAYERS UK SHOWS

 

Sunday 19th November

The Stables, Milton Keynes

(supporting Carl Palmer’s ELP Legacy: In Memory of

Keith Emerson, Greg Lake & John Wetton)

SOLD OUT

Friday 19th January

Green Note, London

(Serpentyne warm up show)

www.wegottickets.com/greennote/event/420455

  Sunday 11th February

Robin 2, Wolverhampton

(supporting Serpentyne)

www.therobin.co.uk

BLACK MOTH ANNOUNCE FEBRUARY UK TOUR DATES AHEAD OF NEW ALBUM ‘ANATOMICAL VENUS’

RELEASED 23rd FEBRUARY 2018 VIA CANDLELIGHT RECORDS

Following two recent shows in London and Leeds to celebrate their latest single ‘Moonbow’Black Moth have announced a run of UK tour dates in February next year ahead of the release of their upcoming album ‘Anatomical Venus’. Vocalist Harriet Hyde comments:

Black Moth eagerly anticipate February’s UK tour to promote our 3rd album, ‘Anatomical Venus’. Some days the prospect feels like an ideal opportunity to exorcise some demons and inflate our egos a little to see us through the dark winter months. Some days it fills us with morbid anxiety and existential dread. Nevertheless, we will hit that road and play you our music hoping that you like it or otherwise formulating psychological defences against your hypothetical disapproval.”

While their first 2 albums were released by New Heavy SoundsBlack Moth will have their latest / third studio album issued worldwide via Candlelight Records on February 23rd 2018, the result of an alliance between Candlelight and NHS.

Produced by Andy Hawkins (Hawk Eyes, Maximo Park) with Russ Russell (Napalm Death, Dimmu Borgir) handling the mix, this 10-track affair sees the Leeds / London outfit – vocalist Harriet Hyde, guitarists Jim Swainston & Federica Gialanze, bassist Dave Vachon and drummer Dom McCready –  further honing the various elements of their sound to make the hooks more barbed and the focus more collective.

Latest single ‘Moonbow’ – recently played on Daniel P Carter’s Radio 1 Rock show – provides the first taste of things to come, successfully combining wide-eyed wonder with true metallic weight, the whole thing supported by a clip that delivers from the off in both intensity and colour. Watch the video here:

What’s for sure is that ‘Anatomical Venus’ is the heaviest Black Moth album to date, taking the signature Mothic sound – a dark and heady swirl of garage rock, mind-blowin’ psychedelia and amplified over-drive – down a more targetted path, effectively opening a new chapter in a career that stretches back to an inaugural single in 2010 and a debut album, ‘The Killing Jar’, in 2012.

For ‘The Killing Jar’ and its 2014 follow-up, ‘Condemned To Hope’, the band brought in Jim Sclavunos (a member of Nick Cave and the Bad Seeds since 1994) to handle production and mixing duties, and the results immediately connected with fans and media alike…

“Like Electric Wizard meets Band Of Skulls, in a dungeon” is one press description that sticks in the mind, with other points of reference including Black Sabbath, the Stooges, PJ Harvey, Melvins, Kyuss and Patti Smith; however, with ‘Anatomical Venus’ Black Moth are seeking to forge their own path, both musically and conceptually. The album’s name and central theme, arrived at when Hyde was introduced to the 18th century wax models of the female form employed by male surgeons to learn their craft, provides a strong platform for both the artwork and the lyrics, allowing the singer to take command and truly find her voice…

The Anatomical Venus spoke volumes to me,” she reflects. “She embodies the male gaze, a history of men dissecting women in an attempt to understand her, reveal her magic, snuff out her unruly flame, while all the time needing her to be beautiful and aesthetically pleasing to their taste. These models are not simply practical medical models for education – they are fetish objects, women stripped back as far as you can go. But there is a look of defiance in their eyes as if to say, ‘keep looking if you like. I dare you. Peel back my skin and peep behind my ribcage, you won’t find anything unless I choose to tell you’.”

Pre-order now on CD, vinyl and digital along with exclusive bundles –  https://candlelightrecords.lnk.to/anatomicalvenus

 On the live front, Black Moth have appeared at a number of high-profile UK festivals (including DownloadReading & Leeds and Bloodstock Open Air), and guested – in the UK and Europe – with artists such as L7Uncle Acid and The Deadbeats and The Sisters Of Mercy.

FEBRUARY 2018 TOUR DATES:
7th February: Hope & Ruin, Brighton
8th February: Boston Music Rooms, London
9th February: Rebellion, Manchester
11th February: Garage Attic, Glasgow
12th February: The Cluny 2, Newcastle
13th February: Mama Roux’s, Birmingham
14th February: Fuel, Cardiff
15th February: Waterfront Studios, Norwich
16th February: Brudenell Social Club, Leeds
Tickets avilable here: https://dice.fm/artist/black-moth
22nd December 2017: Electric Ballroom, London (Orange Goblin Xmas Show)
2018
May 4 – 6: Desertfest, London

 

Death, Politics & American Standards- Phoenix metalcore band comes together to release an album about falling apart

Sometimes strong emotions can make you lose focus. That’s not the case for Phoenix, AZ based four-piece American Standards. After losing their founding guitarist to suicide, then shortly after the vocalist Brandon Kellum’s father to cancer, the chaotic hardcore band founded in 2011 released their most emotionally and socially poignant album to date.

ANTI-MELODY” released on April 28th, 2017 displays the political noise-punk outfits ability to navigate the troubled waters of depression and loss while still incorporating the social commentary that the band has become known for. More so, once signed to an imprint of Victory Records, the band took a new approach of self mixing, producing and independently releasing the album after recording at Kingsize Soundlabs (Mars VoltaLetliveBad Religion). The result is a raw and powerfully resonate glimpse into the group’s minds during the troubled times.

Now more focused then ever, American Standards has hit the road playing over 300 DIY booked shows to date, sharing the stage with bands such as; Every Time I Die, Norma Jean, Zao, Comeback Kid, Stick To Your Guns, Stray From The Path, Knocked Loose, He Is Legend, Emery and Atreyu.

‘ANTI-MELODY’ which had premiers on Revolver Magazine, Alternative Press and Lambgoat; is available now on iTunes, Google Music, Amazon and Spotify or you can pick it up along with exclusive merchandise through the American Standards Bandcamp page.

BANDCAMP:

http://AmericanStndrds.bandcamp.com

FACEBOOK:

http://www.facebook.com/AmericanStandards

 

The final instalments of The Mighty Handful’s album ‘Still Sitting in Danny’s Car’ are available now to stream, download or purchase on CD.

In Part 4, the final destination is still unclear … there are many back-roads and troubling diversions to navigate yet and everybody’s got an opinion – but which backseat driver should we listen to? Our resigned inner dialogue? That strangely angelic, yet diabolical barbershop quartet? A somewhat disgruntled Death or disembodied voices from the ether?

Our journey concludes with Part 5, as our hero considers the fact that all actions have consequences and reflects on the biggest of issues. We revisit some of the musical landscapes we’ve passed through and tie up a couple of loose ends … or do we? And then there’s a random meeting with a curiously familiar figure … at a pub’s open-mic night?

An album released in five parts, ‘Still Sitting in Danny’s Car’ recounts a narrative that touches upon issues of friendship, nostalgia, loss, lust, lessons we might learn from ancient history, alcoholism, and the dilemmas that come with great power. It is both a quirky study of grief and a celebration of what it means to be alive. With Parts 1-3 already available, the CD including both SSIDC 4: ‘Slow Reveal’ and 5: ‘Devils in the Details’ concludes our epic tale of ordinary rockers, pubs, time-travel and a job swap with Death.

Track Listing
4: Slow Reveal
Four Hoarse Men
Still
Drowning in the Light
Slow Reveal
Soul Trader
5: Devils in the Details
Devils in the Details
Vital Signs
In Time
Exit Piece
So Who’s Death?

An everyday tale of ordinary rockers, pubs, time-travel … and a job swap with Death!

For those unfamiliar with the first 3 CDs:

CD1
When your best friend dies, it’s natural that you reflect on their life, and end up with questions that have no ready answers. But what if you met Death, who makes you an offer you can only vaguely understand? What if you’re given the power to travel through time (in a 1985 Vauxhall Cavalier, obviously) … where would you go? What might you learn? And what might you be tempted to change?

CD2
We trek through three millennia of history, juxtapose classic comic book stories with a failing relationship, look at the events and people who influence us consciously or otherwise, search for the perfect woman, and take minor detours via 80s hair rock and gin.

CD3
The final destination is initially unclear … there are many back-roads and troubling diversions to navigate yet and everybody’s got an opinion – but which backseat driver should we listen to? Our resigned inner dialogue? That strangely angelic, yet diabolical barbershop quartet? A somewhat disgruntled Death or disembodied voices from the ether? Our journey concludes as our hero
considers the fact that all actions have consequences and reflects on the biggest of issues. We revisit some of the musical landscapes we’ve passed through and tie up a couple of loose ends … or do we? And then there’s a random meeting with a curiously familiar figure … at a pub’s open-mic night?

Ralph Blackbourn – Keyboards, vocals, Tom Halley – Bass, vocals Christopher James Harrison – Lead guitar, vocals, Matt Howes – Lead vocals, guitars and
Gary Mackenzie – Drums, vocals.

The Mighty Handful is a group of south London based musicians, including a Gentle Giant loving, barbershop singing bass player; a classically trained keyboardist cum opera agent; the Music Producer for the BBC’s Strictly Come Dancing; the ex-drummer from NWOBHM band Praying Mantis; and a guitarist who spent 10 years in the UK’s premier Iron Maiden tribute band. Although
they’ve been together in numerous guises over the years, ‘Still Sitting In Danny’s Car’ is the most ambitious and demanding project they’ve ever undertaken – a collection of tunes running to almost two hours, telling a tale of loss, friendship, time travel and a job swap with Death, covering a range of styles and influences, melded with humour and sentiment.

Still Sitting in Danny’s Car 4: Slow Reveal and 5: Devils in the Detail are currently available to download or stream, or on a single CD.
Still Sitting in Danny’s Car (Big Ness Records) – available via iTunes, Amazon, Google Play and elsewhere. Streaming from Spotify. All three CDs covering the entire album are available via www.themerchdesk.com

 

 

KSCOPE TO RELEASE THE 2001 FOURTH ALBUM – RETURNING JESUS – FROM NO-MAN – THE STEVEN WILSON & TIM BOWNESS DUO ON 2CD & 2LP FOR THE FIRST TIME

Originally released on the 3rd Stone label in February 2001, Returning Jesus is a collection of ambitious songs which combine Singer-Songwriter, Chamber Jazz, Progressive and Ambient influences with the band’s unique widescreen production and seductively melancholy compositions. Released two months following Steven Wilson‘s 2017 solo album To The Bone, which reached #3 in the UK charts#2 in DE, #1 in FI, #4 in NL and CH, #7 in AT, #12 in BE, #14 in IT and #15 in NO, and following Tim Bowness‘ 2017 album Lost in the Ghost Light, which reached #5 in the UK Rock charts and #8 in the UK Progressive charts.

Returning Jesus received positive reviews in QUncutBillboardClassic Rock and other publications at the time of its release and has continued to be seen by both critics and fans as one of the best albums by the duo of Tim Bowness and Steven Wilson.

Guest musicians include Steve Jansen (Japan/Rain Tree Crow) on drums, Colin Edwin (Porcupine Tree) on bass and double bass, Theo Travis (Soft Machine) on saxophone and flute, and Ian Dixon on trumpet. The late trumpeter Ian Carr (Nucleus), David Kosten (Faultline, Bat For Lashes) and Ben Christophers contribute to the evocative opening piece “Only Rain”.

The double CD edition features a 2017 remaster from Steven Wilson and sleeve notes by Tim Bowness – and contains the original album, plus a bonus disc of b-sides, demos and alternate versions; plus additional artwork and photographs from regular No-Man collaborator Carl Glover. With the double 180g heavyweight audiophile double vinyl edition also featuring a 2017 remaster by Steven Wilson, packaged in a gatefold sleeve with additional artwork and photographs from Carl Glover.

(Picture of Tim and Steven also by Carl Glover.)

Listen to “Outside The Machine” here: 

NO-MAN – RETURNING JESUS – TRACKLIST DETAILS (2CD VERSION )
DISC 1
1 Only Rain
2 No Defence
3 Close Your Eyes
4 Carolina Skeletons
5 Outside The Machine
6 Returning Jesus
7 Slow It All Down
8 Lighthouse
9 All That You Are
DISC 2
1 Something Falls
2 Close Your Eyes (EP Version)
3 Carolina Reprise
4 Until Tomorrow (Hifi)
5 Chelsea Cap
6 Darkroom
7 Until Tomorrow (Lofi)
8 Song About The Heart
9 Lighthouse (First Demo)
10 Darkroom (alternate version)
11 Like A Child
12 Chelsea Cap (alternate version)
13 Lighthouse (second demo)
14 Slow It All Down (long version)
15 All That You Are (demo)

Returning Jesus is released on 3rd November and available to order here: http://burningshed.com/store/noman

 

A PERFECT CIRCLE TO HEADLINE BE PROG! MY FRIEND 2018 / KATATONIA AND ORANSSI PAZUZU ALSO ADDED

A Perfect Circle have been revealed as the headliners for Be Prog! My Friend festival 2018. The band who recently shared new song’ The Doomed’ will release their first new album since 2004 next year. The festival comment:

‘With A Perfect Circle’s new album out in 2018 it is the ideal time for them to play at Be Prog! My Friend, where we cannot wait to see them live. Really, we could not be more excited with having them as our biggest ever headliner. You cannot miss this edition of the festival. Tickets are going to sell fast!’

Named as the ‘Event of the Year’ at this year’s Progressive Music Awards the Barcelona based festival, sponsored by Inside Out Music, have also announced that Swedish melancholic metallers Katatonia will perform their 2006 album ’The Great Cold Distance’ in full, continuing the trend of special band sets at the event. Drummer Daniel Moilanen states:

‘In the quiet cold of late June we fix our eyes on the scorching Catalonian sun as Katatonia return to Barcelona and Be Prog My Friend. To celebrate this and to increase coldness, the wings of ‘The Great Cold Distance’ will once again unfurl. Are you in or are you out?’

They will also be joined by Finnish psychedelic black metal outfit Oranssi Pazuzu. The festival organisers have described seeing them live will be like ‘diving in to an unlit and terrifying ocean, and we really recommend you come and live the experience with us.’

With more artists to be announced soon the line-up for Be Prog! My Friend 2018 now features A Perfect Circle, Sons of Apollo, Katatonia, Pain of Salvation, Plini, Gazpacho, Oranssi Pazuzu and Persefone.

Be Prog! My Friend which has played host to the likes of Opeth, Steven Wilson, Anathema, Devin Townsend, TesseracT, The Pineapple Thief, Magma, Agent Fresco, Camel, Meshuggah, Katatonia, Riverside, Ulver, Animals as Leaders, Ihsahn, Alcest, Jethro Tull and Marillion will take place on 29th and 30th June next year.

Held in the beautiful open air surroundings of Poble Espanyol – a huge stone built architectural museum – the site is one of the most important and striking landmarks of tourism in Barcelona. Whilst by day the Catalonian hotspot may play host to some of Barcelona’s most interesting historical articles, by the end of June it will instead play host to some of the world’s finest progressive artists.

Tickets are on sale now priced at 130 Euros alongside exclusive hotel deals from the festival website:

http://www.beprogmyfriend.com/

And so Prog finds itself in love with Barcelona, the delightful weather and everything that Be Prog! My Friend has to offer’ – Prog Magazine

‘The leading festival for progressive music in Spain, showcased avant-garde music in a magnificent location’ – The Independent

‘Set in the hazy sunlit square of Barcelona’s historic and quite stunning Poble Espanyol, it certainly beats the sodden mud of the British festival season’ – Total Guitar Magazine

‘If nothing else, it proves that prog is alive and kicking. Especially in Catalonia’ – Classic Rock Magazine

facebook.com/beprogmyfriend 

Be Prog! My Friend takes place in the heart of Barcelona and with an airport only 12km away, regular, cheap flights make it an easy festival to get and from the UK. Bands will start playing from mid/late afternoon each day which will also mean visitors have plenty of time to explore the stunning city of Barcelona while they are there.

http://www.barcelonaturisme.com

Hats Off Gentlemen It’s Adequate Release Video Of First Five Songs From New Album

In a change from the norm, snappily named progressive rock act Hats Off Gentlemen It’s Adequate have released a video with the first five songs from their new album ‘Broken But Still Standing’.

This part of the album is predominantly ambient and progressive rock. The tracks include Vent, Almost Familiar, Luca To Lucy, Advancing On Snailback and Lucy.

Music written by – Malcolm Galloway, Mark Gatland, Kathryn Thomas. Lyrics by Malcolm Galloway and James Galloway. Performed by Malcolm Galloway, Mark Gatland, Kathryn Thomas. Produced, mixed, mastered and engineered by Malcolm Galloway and co-produced by Mark Gatland.

Order links are in the video.

Magnum To Release 20th Studio Album ‘Lost On The Road To Eternity’ On 19th January 2018

The release of their latest album ‘Lost On The Road To Eternity’ sees British hard rock band Magnum celebrate a very special anniversary on 19 January 2018. It will be the 20th studio recording by the group surrounding founder members Bob Catley (vocals) and Tony Clarkin (guitar) since their 1978 debut ‘Kingdom Of Madness’. At the same time, Clarkin, Catley and bassist Al Barrow are set to introduce their current line-up featuring new additions Rick Benton (keyboards) and Lee Morris (drums). Benton joined the Magnum camp in December 2016 to replace long-standing member Mark Stanway, while Morris took over from Harry James only a few months ago.

‘Lost On The Road To Eternity’ contains eleven new songs, among them the first single release Without Love and a duet by Catley and Tobias Sammet on the title track, a kind of artistic thank you by the Edguy /Avantasia frontman in appreciation of Catley’s guest stint on a number of Sammet’s releases.

The release will once again be complemented by Rodney Matthews’s atmospheric cover artwork as well as a total of four live bonus tracks on the CD digipak version (´Sacred Blood – Divine Lies`, ´Crazy Old Mothers`, ´Your Dreams Won`t Die` & ´Twelve Men Wise And Just`) recorded at Magnum’s 2017 performance at the Leyendas Del Rock festival in Alicante, Spain.

‘Lost On The Road To Eternity’ has been scheduled for release by Steamhammer/SPV on 19 January 2018 as digipak version incl. bonus live disc, 2LP coloured version, download and stream.

TRACKLISTING:

CD 1

1. Peaches and Cream 4:54
2. Show Me Your Hands 5:45
3. Storm Baby 6:13
4. Welcome to the Cosmic Cabaret 8:08
5. Lost on the Road to Eternity 5:54
6. Without Love 5:55
7. Tell Me What You’ve Got to Say 6:27
8. Ya Wanna Be Someone 5:56
9. Forbidden Masquerade 5:02
10.Glory to Ashes 5:35
11. King of the World 7:04

CD 2 (Bonus Live Disc)
1. Sacred Blood – Divine Lies  6:48
2. Crazy Old Mothers 5:35
3. Your Dreams Won’t Die 5:56
4. Twelve Men Wise And Just  6:21

Magnum are scheduled to embark on a major European tour from January to April 2018:

THE ROAD TO ETERNITY TOUR 2018

26.01.GB-Minehead – Giants Of Rock

20.02.18 GB-Bristol – Trinity
21.02.18 GB-Cardiff – Tramshed
23.02.18 GB-Holmfirth – Picturedome
24.02.18 GB-Manchester – Academy 2
25.02.18 GB-Hull – Welly
26.02.18 GB-Aberdeen – Garage
27.02.18 GB-Glasgow – Garage

01.03.18 GB-Belfast – Limelight
02.03.18 GB-Birmingham – Town Hall
04.03.18 GB-Preston – Guildhall
05.03.18 GB-Nottingham – Rock City
07.03.18 GB-Leamington – Assembly
08.03.18 GB-Cambridge – Junction
09.03.18 GB-London – Islington Assembly Hall
11.03.18 GB-Southampton – Engine Room
12.03.18 GB-Brighton – Old Market
14.03.18 NL-Leiden – Gebr de Nobel
16.03.18 SE-Stockholm – Fryshuset Klubben
17.03.18 NO-Oslo – John Dee
18.03.18 SE-Gothenburg – Sticky Fingers
19.03.18 SE-Malmoe – KB
21.03.18 D-Munich – Ampere
23.03.18 D-Nuremberg – Der Hirsch
24.03.18 D-Aschaffenburg – Colos-Saal
25.03.18 D-Berlin – Columbia Theater
27.03.18 D-Bonn – Harmonie
28.03.18 D-Stuttgart – Im Wizemann (Club)
29.03.18 D-Freiburg – Jazzhaus
31.03.18 D-Wuppertal – Live Club Barmen

01.04.18 NL-Uden – De Pul
03.04.18 D-Leipzig – Werk 2
04.04.18 D-Hamburg – Fabrik
05.04.18 D-Bremen – Aladin
07.04.18 D-Neuruppin – Kulturhaus
08.04.18 PL-Bydgoszcz – Klub Kuzinia
10.04.18 CZ-Prague – Nova Chemelnice
11.04.18 D-Memmingen – Kaminwerk
12.04.18 CH-Pratteln – Z7
13.04.18 I-Milano – Legend
15.04.18 E-Barcelona – Bikini
16.04.18 E-Madrid – But

Beatrix Players – Prog Awards Winners 2017 Release New Single with Fertility Network UK

London-based all-female trio Beatrix Players have been announced as winners of the Prog Magazine Limelight Award for 2017 at the ceremony last week. The band are celebrating the win with the release of their new, double A side single All That Thinking / Hurt; with All That Thinking being released in support of Fertility Network UK to help raise awareness of National Fertility Awareness Week which takes place on 30th October – 5th November. This year they are celebrating 40 years since the first successful IVF treatment.

This is a campaign that especially resonates with Beatrix Players’ vocalist Amy Birks: “I was told today that 1 in 6 couples experience difficulties with fertility. A fact that took me right back to the NHS waiting room, a very beige room filled with pensive faces; couples and individuals of all ages from all walks of life and all with one thing in common, fertility difficulties”

 
All That Thinking begins with these lines
 
‘Sometimes I’m scared, at the end of another wait. All that thinking for nothing because nothing ever came, and I don’t mind if it’s you but I’ll weep if it’s me…’
 
and those sentiments clearly resonated with the charity –
 

 ‘Fertility Network UK are very much looking forward to working with Beatrix Players during this year’s National Fertility Awareness Week. Their single, All That Thinking is incredibly emotive and is something we believe will connect with anyone who is struggling, or has, struggled to have a family.’  Susan Seenan, CEO, Fertility Network UK