FIDDLER EXTRAORDINAIRE KARRNNEL SINGS FOR THE FIRST TIME ON DOUBLE ALBUM

Karrnnel, one of Canada’s most innovative fiddlers, and member of JUNO-winning instrumental band The Fretless, is proud to announce the independent release of his double album on September 13th. Featuring his unique sound, including a copper fiddle with pedal effects, ‘Crazy Old Man’ and ‘SKMB’ have 18 tracks that Karrnnel has been crafting since his 2009 debut release. Although he has been a multi-award winning professional musician since age four and has composed over 300 instrumental pieces, the upcoming releases represent two firsts: vocal tracks (with him singing) and original lyrics. He’ll present this new work to audiences with tours across Canada, the US and Europe.

The albums were recorded with engineer Don Benedictson and producer Murray Pulver in Roseisle, MB at Unity Gain Productions and in Toronto at Revolution Recording.

‘Crazy Old Man’ – a solo album inspired by bands/artists such as Snarky Puppy, Natalie McMaster, Wade Ward, and Bruce Molsky. The album incorporates experimentation with the use of the copper fiddle, the copper fiddle with two octave strings, and pedal effects. And of course, Karrnnel’s vocals for the first time. All of the instrumental tracks were recorded live off the floor with the full band: Karnnell (fiddle), Nate Douglas (acoustic guitar), Joey Landreth (electric guitar), Don Benedictson (bass), Daniel Roy (drums), and a three piece horn section.

‘SKMB’ – a guest-singer album influenced sonically by bands/artists The Tedeschi Trucks Band, Jack White, and Gary Clark Jr. The album title reflects how much Saskatchewan and Manitoba musicians have shaped Karrnnel’s art and music. Three guest vocalists (his favourite singers from SK and MB) bring these cross-genre songs to life: Amy Matysio (award-winning actress and Karrnnel’s wife), Joey Landrey (The Landreth Brothers), and Ken Hamm (JUNO winner). The album is similar in concept to the Santana album, “Supernatural”.

“The vision was to create a massive project that translates into a massive show. Bigband. Big sound. Life is a journey and this is mine. Enjoy yours.”Karrnnel

TOUR DATES
Sept 14 Winnipeg, MB Centre Culturel Franco-Manitobain
Sept 15 Clearwater, MB Harvest Moon Festival
Sept 16 St. Lucipin MB St. Lupicin Fundraiser
Sept 20 Regina, SK The Artesian
Sept 21 Saskatoon, SK The Broadway Theatre
see karrnnel.com for further tour announcements

Florida Ambient/Experimental Rock Band Europa To Release Debut Full Album In Late 2018 – Release Video For Running Futures

5-piece Independent Ambient/Experimental/Progressive rock group Europa, based out of Orlando, FL. have announced the title of their debut, full-length album due late 2018. The release is to be called ‘Small Steps’ and is about progress; musical, personal and social. The band are also currently finalizing the artwork.

The band, who strives to push the boundaries of modern Rock music, have released two E.P.s, 2013’s ‘Stage 0’ and 2015’s ‘Children’. So far in their career they’ve garnered comparisons to bands such as Eidola, Sianvar, The Deer Hunter and Thrice.

Recently Europa released two singles from the forthcoming album – Redesign and Running Futures – and a video for the latter.

Running Futures is a wide ranging soundscape of highly intense music. The fiery, energetic drumming works perfectly with the stark, yet vibrant guitar. The vocals are an integral part of the experience, ranging from the typical post and hard rock to the harsh and coruscating.

You can download both singles, pay what you want, from the bandcamp page here

 

Glass Hammer Set To Release “Chronomonaut” Concept Album

Glass Hammer have been teasing a concept album based on “the ultimate prog fan”, and now it’s official.

Fans will no doubt recognize the name “Tom” from 2000’s ‘Chronometree’ release and videos on Glass Hammer’s social media sites show that Tom has recently resurfaced to promote his own music. Bassist Steve Babb explains, “While ‘Chronometree’ documented Tom’s prog-rock influenced alien-encounter in 1979, our new album ‘Chromomonaut’ tells the stranger story of all that happened later; from Tom’s failed early eighties prog-rock band, The Elf King, to his most recent musings on nostalgia and the glory days of progressive rock.”

To lend credibility to the ‘Chronomonaut’ story, the character of Tom began posting his own music and theories on time travel to YouTube and at least one well-known progressive rock forum (progressiveears.org) several months ago using the name “The Elf King”. Glass Hammer has also been releasing “found footage” video of Tom, supposedly from 1983, which documents his time travel experiments as well as the failure of his own prog band to secure a record deal.

“Tom is a frustrated guy,” says Babb. “He’s growing older and his prog heroes are retiring or sadly passing away. We all reflect as these things happen and we’re all guilty of romanticizing the past, but Tom makes the bold attempt to actually go back in time. Is the music in his prog collection powerful enough to make this happen? Can he really get back there? That’s what ‘Chronomonaut’ is all about.”

Bandmates Fred Schendel, Susie Bogdanowicz and Aaron Raulston are all on board for this release. Guest appearances include Discipline’s Matthew Parmenter and Chris Herin.

“Chronomonaut” will be released on Friday, October 12th. Pre-ordering for autographed copies will begin one month ahead of the release on September 12th at the band’s website.

Youtube Teaser Link: https://youtu.be/UuWJFWwYxKs
Band website: www.glasshammer.com

Kscope to release Anathema – Internal Landscapes 2008 – 2018 on 26th October 2018

A 13-track journey through the best of Anathema’s Kscope years Feat. “Thin Air”, “Untouchable”, “Dreaming Light” and “Springfield”

“The band isn’t just a way of life, its been much more than that. To us, as a family, writing music of such honesty, and reaching people who feel it similarly, is as profound an expression of art and life as its possible to be. People have said to me it must be cathartic to write songs like this. I often say the real gift is in the people I do it with. For what we share and what we mean to each other when all is said and done.The landscapes are internal” – Daniel Cavanagh

Internal Landscapes showcases the highly influential Liverpool sextet’s uncompromising dedication to fearless artistry. They’ve continually evolved since 1990 by placing hope in the future – from leaving the underground scene they were fundamental in establishing to continually mesmerising the world with dramatic post-progressive alternative rock that knows no borders.

The release of Internal Landscapes follows an extensive worldwide headline tour, including performances at Download FestivalArcTanGent and Wembley Arena with Opeth in support of their 2017 studio album The Optimist. The release won the Album of the Year at the Progressive Music Awards ’17, reached the top 10 in the Polish charts, top 20 in Germany, top 40 in the UK, and has 5.8 million track streams on Spotify. This built on the success of their previous Kscope material, which also won at the Progressive Music Awards, including Album of the Year, Live Event of the Year & Multimedia Package of the Year for 2010’s We’re Here Because We’re Here, 2012’s Weather Systems and 2013’s Universal.

This collection, curated by the band, selects the best works from their prolific output on the ground-breaking label Kscope since 2008. In this time the band left their heavier roots and transcended into emotional heaviness that resonated deep within the heart of the listener. It takes its name from the band’s perhaps most heartfelt song, from their most popular album of the period, Weather Systems.

Daniel Cavanagh has provided the album sleeve notes and the artwork was created by long-time collaborator Travis Smith.

Internal Landscapes will be released on CD, LP and available through usual download and streaming platforms and is available to pre-order HERE

Internal Landscapes 2008-2018 tracklisting

1. Anathema [06:41]

2. Untouchable part 1 [06:14]

3. Untouchable part 2 [05:33]

4. Thin Air [06:00]

5. Ariel [06:29]

6. Can’t Let Go [04:34]

7. Dreaming Light [05:47]

8. Are you There? [05:11]

9. J’ai Fait Une Promesse [03:33]

10. Leaving It Behind [04:27]

11. Springfield [05:42]

12. Distant Satellites [08:07]

13. Internal Landscapes [08:37]

To coincide with the release of Internal Landscapes and the 10 Years Of Kscope show on 2nd October in London, Anathema will be playing a series of intimate acoustic shows, under the title Ambient Acoustic Tour. Anathema will be touring these shows as a four-piece featuring Daniel & Vincent Cavanagh and Lee & John Douglas. Support act(s) will be announced shortly.

Daniel Cavanagh introduces the tour:

“Welcome to a new Anathema experience: Ambient Acoustic. In exploring what we might do to expand the music still further, out of thin air came the idea to arrange music in a ‘third way’, in the space between the acoustic band and the live rock band. With ‘ambient acoustic’ we feel freer to explore many textures, mixing live loops, piano, strings, percussion, electronics, guitars and voices, all within the essence of the songs and the emotions they carry. We hope you enjoy this next chapter of the story, the journey of discovery, of searching for something that can never really be found”

28-09: France, Lille, Theatre Le Splendid

29-09: Netherlands, Tilburg, 013

30-09: Netherlands, Amsterdam, Melkweg

01-10: UK, Leeds, Brudenell Social Club

02-10: UK, London, Union Chapel (10 Years Of Kscope)

03-10: UK, Manchester, Deaf Institute

04-10: UK, Glasgow, The Mackintosh Church

Tickets are now on sale from usual outlets. More information can be found on: www.anathemamusic.com/tour-dates

Anathema will also be appearing the UK’s Arctangent Festival on Friday 17th August (http://www.arctangent.co.uk )

 

Arnór Dan releases new video for’ Stone by Stone (Agent Fresco/Ólafur Arnalds)

Arnór Dan, the multi-award winning vocalist and front-man of Iceland’s Agent Fresco, released his debut solo single, ‘Stone by Stone’ today via Clash Magazine, who are calling it ‘a beautifully nuanced, highly graceful return.’ An ambient track that gradually builds with cinematic strings and hypnotic percussion, ‘Stone by Stone’ is a fragile and haunting lament that highlights the void created in the current digital age. Despite being consumed by our  innate desire for intimacy and connection, this era is marked by an unavoidable sense of apathy that feeds a grander sense of detachment.

The accompanying video features an emblematic intimate portrayal of two mysterious figures isolated from each other within the infinite, sweeping vistas of Iceland’s volcanic landscape. The tranquil imagery accentuates the simultaneous detachment and longing they feel toward each other, with the focus shifting from the minutiae of their present moment under a magnifying glass to a broader picture of the beautiful, natural world that surrounds their affairs.

‘Stone by Stone,’ which was co-written with Janus Rasmussen (Kiasmos) and Sakaris Emil Joensen, provides a perfect musical foundation for the delicate, ethereal timbre of Arnór’s voice and showcases the vocalist at his most tender and contemplative while drawing parallels to the collective conscious.

Arnór has lent his vocal talents to several projects, including celebrated Icelandic composer Ólafur Arnalds (with whom he also collaborated on the BAFTA award-winning soundtrack for ITV’s Broadchurch), the acclaimed anime Zankyou No Terror with Yoko KannoHugar, and Agent Fresco. In 2016, Arnór won ‘Male Singer of the Year’ at The Icelandic Music Awards for his sterling and varied work on Agent Fresco’s second full length album Destrier.

THE PINEAPPLE THIEF RELEASE NEW SINGLE & VIDEO FOR “TRY AS I MIGHT” TAKEN FROM THEIR FORTHCOMING ALBUM DISSOLUTION

The Pineapple Thief  have launched their brand new video for “Try As I Might”, the new single from their forthcoming new studio album Dissolution. The highly anticipated follow up to 2015’s Your Wilderness, is the band’s second album to feature King Crimson and Porcupine Tree drummer Gavin Harrison.

Vocalist, songwriter and guitarist Bruce Soord explains his dystopian view, “The video follows the theme of the song and the album – if you sign up to this hyper connected world we live in, then you have to live with the consequences.  Try as you might to get out of it.”

The futuristic clip was created by Blacktide Phonic/Visual (www.black-tide.co.uk) director George Laycock, who expands on how he created the film “When The Pineapple Thief came to me with their track ‘Try as I might’, they had a broad basis for an idea for a music video that dealt with a social media obsessed ‘connected’ world.

This had nods to previous films and television like ‘The Truman Show’, ‘Black Mirror’, the ‘Big Brother’ landscape and its preceding shows, so it was about creating a storyline using these broad influences and encapsulating into an obscure 3 minute film on a budget.

I was interested in the concept of ‘in eye cameras’, scary technology I am sure isn’t too far away from us. We decided to go down the optical medical route and follow our character on a journey from first pre-operation, to surgery, recovery and then trying to battle the decision he has made, whilst battling with the corporation he has signed up too. The film hopefully leaves the viewer to create their own conceptions on his outcome.

We filmed it all on the Dorset/Devon coastline around where I live and were fortunate to be able to secure great locations to shoot in with a few favours, including a remote seaside post-modern house, a private beach and a real working hospital and opticians.

To keep the cast down to a minimum I decided that the camera that is watching Bruce would become the main supporting actor and his nemesis, appearing in scenes without anyone operating it. This allowed us to see the cameras point of view and tell the story to the fictional viewer. This old broadcast camera weighed an absolute ton, and carrying through remote woods, down a mile-long steep cliff path to a beach was a challenge on some of the hottest days of the year. Filming in the water at the end was a welcome refreshment. 

Many thanks to all those who helped with the film, especially everyone involved at Yeovil hospital for allowing us such amazing access, and to Bruce for being so amenable about having scalpels inches from his eyeball.”

The Pineapple Thief have grown to become one of the leading lights of Europe’s experimental rock domain, Your Wilderness produced 4m+ album streams, a #7 in the UK Independent Charts and two extensive headline European tours culminating at London’s Islington Assembly Hall where the concert was recorded for the live release Where We Stood, and their new album Dissolution promises to propel the band to even greater heights. 

Dissolution will be released in the following formats – all available to pre-order now HERE

  • CD
  • Black LP –pressed to audiophile 180g vinyl
    Limited Edition Crystal Clear LP edition – pressed to audiophile 180g vinyl
  • Blu-ray – features a 16-page booklet, the album plus bonus music in a 24/96 DTS-HD MA 5.1 surround sound mix and 24/96 hi-res stereo audio
  • Deluxe 4 disc edition – features 52 pages containing exclusive additional artwork, the original album on CD plus a second CD of bonus music, and is topped off with a DVD and Blu-ray featuring the album and bonus material in a 24/96 DTS-HD MA 5.1 surround sound mix and 24/96 hi-res stereo audio.
  • All digital & streaming platforms
     

     

The Pineapple Thief will be taking Dissolution on the road starting in September 2018, with new dates added for March 2019. This tour includes their biggest show to date at London’s prestigious O2 Shepherd’s Bush Empire – tickets are on sale now and selling fast: http://www.pineapplethief.com/tour/

The Pineapple Thief – Dissolution Tour 2018/2019

Sep 15 – FR – Paris – La Maroquinerie

Sep 16 – BE, Brussels-  La Madeleine

Sep 17 – DE, Bremen – Schlachthof

Sep 18 – DE, Hanover – Musikzentrum

Sep 19 – DE, Berlin – Lido

Sep 21 – PL, Warsaw – Stodola

Sep 22 – CZ, Olomouc – S-Klub

Sep 23 – CZ, Prgaue – Rock Cafè

Sep 25 – AU, Wien – Szene

Sep 26 – DE, Munich – Backstage Werk

Sep 27 – DE, Aschaffenburg-  Colos-Saal

Sep 28- DE, Cologne – Live Music Hall

Sep 29 – NL, Amsterdam – Melkweg

Oct 4 – UK, Edinburgh – Liquid Rooms

Oct 5 – UK, Sheffield – Leadmill

Oct 6 – UK, London – O2 Shepherds Bush Empire

2019

Feb 22 – IT, Roma – Largo Venue

Feb 23 – IT, Milano – Santeria Social Club

Mar 3 – DK, Copenhagen – Vega

Mar 5 – SE, Stockholm – venue tba

Mar 6 – NO, Oslo – John Dee 

The Pineapple Thief are:

Bruce Soord – vocalist, guitarist, composer

Gavin Harrison – drums

Jon Sykes – bass

Steve Kitch – keyboards

IAMTHEMORNING & KSCOPE RELEASE OCEAN SOUNDS ON 19TH OCTOBER

The new intimate studio film from the highly praised Russian duo recorded on a remote Norwegian island.

Following the success of two highly-praised albums on Kscope, Belighted and Lighthouse, Russian duo Gleb Kolyadin and Marjana Semkina are releasing a new studio film shot at and named after a remote recording studio on Giske, a Norwegian island. The footage offers a behind-the-scenes insight into the recording techniques of two of modern progressive music’s most talented composers. The content captures iamthemorning’s live set-up from the last three years, with the setlist consisting of songs from their first three studio albums and an unplugged recording of “Blue Sea”, the first track to be written for their upcoming fourth album and exclusive to this Blu-ray disc.

The studio was designed with panoramic windows that allow the stunning back-drop of Giske Island and the Norwegian Sea to be baked into the performances, a location that is featured in glorious high-definition on the Blu-ray. Marjana commented “It was the most inspiring place for us to work in, surrounded by the sea, mountains, wild flowers and gorgeous Norwegian sunsets. All of the natural splendour we don’t see that often.”

Ocean Sounds builds on the recent success of Kolyadin’s self-titled debut solo album on Kscope, which has been nominated as Album of the Year at the Progressive Music Awards ’18: an honour that Iamthemorning have already achieved with Lighthouse, and which is also backed by Semkina winning Female Vocalist of the Year in the 2016 Prog Magazine Reader’s poll. The pair’s live performances have included the likes of London’s Bush Hall, Ramblin’ Man Fair and the Netherland’s Midsummer Prog Festival.

The audio recording, mixing and mastering were handled by regular collaborator Vlad Avy, the film was produced and edited by Miles Skarin at Crystal Spotlight, and the watercolour artwork was designed by Constantine Nagishkin.

Ocean Sounds will be released as a 2 disc CD + Blu Ray set which includes the film and hi-res audio on Blu-ray; the audio on 180g LP; digitally and is available to pre-order HERE

2 disc CD (audio) + Blu Ray (video) / LP (audio)

1. Inside  [03:30]
2. Scotland 03:37]
3. To Human Misery  [04:05]
4. Romance [02:57]
5. 5/4  [03:12]
6. Touching II [03:53]
7. Os Lunatum  [03:49]
8. Matches  [03:53]
9. Sleeping Pills  [03:17]
10. Libretto Horror [02:04]
11. Chalk & Coal [04:06]
12. K. O. S.[05:51]
Bonus Track on Blu Ray disc only
13. Blue Sea [02:42]

HAKEN announce fifth studio album ‘Vector’; launch fan etching competition

HAKEN, one of progressive music’s most exciting bands, have announced details of their much-anticipated fifth studio album titled ‘Vector’, due for release on the October 26th, 2018. The album was produced by the band themselves, and recorded & mixed by Adam ‘Nolly’ Getgood (Periphery, Devin Townsend Project), with the artwork once again being handled by Blacklake.

The band comments: “On the back of celebrating the 10 year anniversary of our conception, all of us here in the Haken camp are extremely excited to begin this new chapter of our career and share ‘Vector’ with the world.”

The album will be available as Limited edition 2CD Digipak (including instrumental versions), Gatefold vinyl 2LP + CD, & as digital download. You can find the track-listing below:

1.     Clear
2.     The Good Doctor
3.     Puzzle Box
4.     Veil
5.     Nil By Mouth
6.     Host
7.     A Cell Divides

To celebrate the announcement of the new album, the band are opening up a unique opportunity for one fan’s artwork to be used as the etching on the fourth side of the vinyl LP version of the record. Haken are inviting fans to submit their own version of the Rorschach test ink-blot image which graces the album’s cover, and one winner’s art will be picked by the band to be etched into every vinyl copy of Vector.

Submissions are open now, closing on the 10th August, and can be sent to: drrex@hakenmusic.com

Since their inception in 2007, Haken have shown over four previous studio albums, one EP and a live release that they never stand still, merely satisfied to rely on past triumphs. Rather, Haken always look for ways to challenge themselves as musicians and artists, and also to keep the listeners on their collective toes. “We don’t like to make simple music,” laughs vocalist Ross Jennings. “We always aim to defy expectations, and I believe we’ve surpassed what we aimed to achieve with our new album.”

Their fifth studio record sees the band going in a heavier direction with the music. “We’ve always had a heavy influence”, explains guitarist Charlie Griffiths, “but it was obvious from the riffs that were naturally coming out of us early in the writing process that this would be a more metal album. These are some of the most riff driven songs we’ve ever written.” As is usual, Haken produced the album themselves, but for the first time they have enlisted Adam ‘Nolly’ Getgood during the recording and mixing stages. Formerly bassist with Periphery, in the last couple of years he has built a reputation as a fine producer. “We produced the album ourselves, as we always do,” insists Jennings. “But we’re fans of what Adam has done with Periphery, Sikth and Devin Townsend. He has a great reputation for the heavier end of our genre”.

But if this album is musically heavy, then there’s an underlying theme running through the seven songs which is certainly esoteric and fascinating. “The scene is set with the track The Good Doctor, which was a really fun song. Musically it feels like a logical step from ‘Affinity’, but lyrically it’s a bit more theatrical and about as ‘rock opera’ as Haken has ever got”, explains Griffiths. “It’s about a Doctor with an intriguing, perhaps sinister interest in a particular patient. From there the story enters the point-of-view of the patient – who appears to be catatonic, but his mind is sparking with what could be memories, or delusions brought on by the treatment he’s receiving – we leave this up to the listeners to decide. Although we don’t want to give too much away, people who are familiar with our back catalogue will have fun discovering further clues we’ve planted throughout the album. And that’s the challenge for the fans – to find out for themselves their own meaning for ‘Vector’ as an album”. 

KSCOPE TO RELEASE OPEN MIND: THE BEST OF BLACKFIELD ON 28/09/18

The best of the peerless collaboration between Steven Wilson and Aviv Geffen. Features 15 essential tracks, including “Blackfield”, “Once”, “Family Man” and “Pain”.

Blackfield is the collaboration between Israeli songwriter and musician Aviv Geffen, and British musician and producer Steven Wilson. The collaboration, extending from their self-titled debut in 2004 to their superb return with album produced with Alan Parsons in 2017, has proven to be a prolific partnership for creating striking and affecting music.

The pair makes for a formidable musical force; Geffen has worked with legendary producers Tony Visconti and Trevor Horn, has also recently performed with and hosted Jake Bugg, played as support for Biffy Clyro, and was a judge on the Israeli TV show The Voice. Wilson, after a long tenure as the leader of the hugely influential band Porcupine Tree, has since embarked on a highly successful solo career, most recently earning a #3 album in the UK Charts and #2 in the DE Charts, as well 4 Grammy nominations.

This collection, curated by Wilson and Geffen, selects the best works from an impressively rich Blackfield catalogue with each of the five records combining both sweet and tart elements. It’s an uncommonly potent mixture. Perhaps the debut album’s Lasse Hoile cover art—a bottled elixir lurking in the gloomy shadows of an apothecary—signifies that Blackfield is a dark medicine to be administered through the listener’s ear. There’s no recipe on the aged and frayed label of the bottle. Yet some lyrical ingredients can be discerned within the mix: Take a dash of childhood memory, sprinkle in some heartbreak, pour in a drop of blood from an open vein, add a pinch of angry conscience (carefully weighed), puree the dew of a kiss, and then garnish with the bitter tears of adult disillusionment.  Stir carefully and name it after the very first Blackfield collaboration: “Open Mind”.

Steven Wilson – “Blackfield appealed to me because it was a chance to focus firmly on the art of the classic pop song with concise songs and strong melodies, harmonies, orchestration, and a very lush ‘golden’ production.”

Open Mind, featuring new artwork by Hajo Müller will be released on 28th September 2018 on CD / LP  and is available to pre-order HERE

OPEN MIND: THE BEST OF BLACKFIELD tracklisting

1.              Blackfield [04:27] WATCH
2               Family Man [03:37]
3               Open Mind [03:49] LISTEN
4               1,000 People [03:54]
5               Oxygen [03:00]
6               Hello [03:09]
7               Once [04:03]
8               How Was Your Ride? [03:58]
9               Waving [03:56]
10            From 44 to 48[04:31] WATCH
11            Pain [03:47]
12            October [03:31]
13            Faking [03:33]
14            Dissolving With The Night [04:07]
15            End Of The World [05:14]

MARTIN BARRE – Roads Less Travelled – Iconic Jethro Tull Guitarist releases new album on 31st August

Martin Barre, best-known as guitarist in Jethro Tull – one of the biggest selling prog bands of all time, releases his new solo album Roads Less Travelled on Garage Records on 31st August 2018.

Barre has developed his own distinctive style within the framework of Jethro Tull, and his instantly recognizable and original sound form the basis of this album. Roads Less Travelled features 11 original tracks by Barre, which reflect the last 50 years of his esteemed musical career.

Reflecting on the tracks & recording of the album, Barre saysI’ve concentrated on improving my songwriting over the last few years and as a result, I am really pleased with this new CD. Although my playing has a lot of space in the music, I’ve worked a lot harder on the arrangements and lyrics. My goal is to have a CD that keeps the listener from beginning to end. ‘Roads Less Travelled’ reflects my belief in taking music somewhere new.”

Barre’s solo on Jethro Tull’s 1971 hit Aqualung has been repeatedly voted as one of the top guitar solos of all time. Barre has been cited as an important influence by many virtuoso players, including Joe Bonamassa, Steve Vai & Jo Satriani and can count the likes of Mark Knopfler and Geddy Lee amongst his many fans.

Full Track Listing:-
1. Lone Wolf
2. Out of Time
3. On My Way
4. Roads Less Travelled
5. Badcore Blues
6. Seattle
7. For No Man
8. (This Is) My Driving Song
9. You Are An Angel
10. Trinity
11 And The Band Played On

While all the songs showcase his exceptional electric guitar, acoustic guitar and mandolin playing, the Martin Barre Band also shine throughout. A long-time resident of Devon, Barre’s band features several local musicians :-

Dan Crisp (vocals), Alan Thompson (bass/fretless bass), Darby Todd (drums), Becca Langsford (vocals/backing vocals), Josiah J (Percussion/Hammond), Aaron Graham (drums), Alex Hart (vocals/backing vocals) Buster Cottam (‘stand up’ bass).

About Martin Barre

Barre was the guitarist for rock band Jethro Tull from 1969 – 2012. Jethro Tull have sold an estimated 60 million albums worldwide, with 11 gold and 5 platinum albums among them and were described by Rolling Stone as “one of the most commercially successful progressive rock bands”. Barre appeared on all but their debut album during his 33 year stint with Tull and is the longest-serving member after Ian Anderson. For four decades, Barre’s career focused on Jethro Tull but in the 1990s Barre began to perform as a solo artist and has since released 7 solo studio albums. On these recordings, Barre combined rock and guitar-oriented fusion in his sound.

Martin’s guitar playing has earned him a high level of respect and recognition; he was voted 25th best solo ever in the USA and 20th best solo ever in the UK for his playing on ‘Aqualung’. His playing on the album ‘Crest of a Knave’ earned him a Grammy award in 1988. In addition to his Jethro Tull and solo work, Martin has worked live with many other artists including: Paul McCartney, Phil Collins, Gary Moore, Jo Bonamassa and Chris Thompson and has shared a stage with such legends as Hendrix, Fleetwood Mac, Pink Floyd and Led Zeppelin.