Many years ago, in the days before the Internet, I spent quite some time searching out a live album of German prog-rock pioneers Tangerine Dream performing in the awesome modern cathedral in Coventry. It is an immense album that you can feel filling the wondrous large spaces of Sir Basil Spence’s architectural masterpiece, with waves of sonic excellence washing over the listener.
I have been sent, by the excellent judges of talent at Bad Elephant Music, the debut album by English electronic rock bad Reformat called ‘The Singularity’. Head of BEM Sales and Marketing, Martin Hutchinson, sent it to me with the simple words that it is pretty awesome, with which I have to agree. From the moment I first clicked onto the opening track, Kosmos, I was brought right back to that Tangerine Dream album, and how this album would equally fill an amazing modern space such as Coventry Cathedral or perhaps the Turbine Hall at The Tate Modern.
The band and album evolved from a collection of songs written by main man Luke Pajak which were brought together and produced by Luke’s friend Russ Russell (Napalm Death/The Haunted) with drums and electronics being supplied by Jay Russell. Originally created and shelved in the early 2010’s, a drunken night resulted in the songs being revisited and developed further with the end product being the culmination of many years hard work and experimentation in making a sonically challenging journey into the unknown and exciting.
Immersing yourself into this album becomes an almost quasi-religious act albeit one with a heavy dose of mind screw. The build can confuse, question and indeed disturb but in a way that offers endless opportunity to enjoy a combination of themed riffs, electronic melodies and openings of perception. As Pajak comments himself, ‘…go as deep as they’re willing to go. See you down the rabbit hole.’ Certainly, on listening to this album a grin like the Cheshire Cat’s will be seen on many a listeners face.
The second installment in our ‘Round-Up’ series sees me take a look at albums from Vantomme, Fiona Kennedy, Blind Ego, When Mary, Special Providence and Ryan Yard…
Vantomme – Vegir
Dominique Vantomme is a multi-talented instrumentalist, composer, band leader, educator and producer as well as being the jazz piano instructor at the Music Conservatory in Kortrijk, Belgium. ‘Vegir’ was born out of his nomadic adventures to see Stick Men and befriending Tony Levin.
What came out of the studio sessions is a spontaneous collection of fresh and vibrant instrumental tracks that defy current convention. The sizzling, electrifying playing shows seasoned musicians at the top of their game. There’s nothing traditional or even normal about these eight pieces of music that strut and stalk their way across the sonic soundscape, in fact some of them are downright evil!
Strap yourself in, press play and get ready for a wild ride into a chaotic realm of vivid and energetic music.
Rating – 70/100
Favourite Track – The sonic powerball that is Playing Chess With Barney Rubble.
Released 5th January 2018.
An Irish woman who married a Yorkshireman and lives in Cork, Fiona Kennedy really knows how to carry a tune and her blues/roots/country rock album ‘The Beach’ is chock full of killer tunes. Take the sizzling, passionate opening song Asking Around For You with its superb guitar and Fiona’s expressive vocal and you will not be disappointed.
This talented Irish lady has the ability to change mood at at the drop of the hat and that makes for a wonderfully eclectic and emotive selection of songs that you will never tire of but, to my ears, it’s the tracks where she has a musical twinkle in her eye and a cheeky skip in her step where she really excels.
Kick your shoes off and get your dancing feet on for this album that is full of infectious chorus after chorus and more earworms than you can cope with!
Rating – 75/100
Favourite Track – The burning blues of Asking Around For You.
Released May 2017.
Blind Ego’s ‘Liquid’ was one of the stand out releases of 2016 and a live recording of their show at the Loreley Amphitheater is surely going to be something rather fantastic? Well, to cut the suspense, it is! The powerful metal tinged progressive rock that these musical leviathans produce is mercilessly entertaining.
Scott Balaban’s voice dominates the recording and legendary guitar virtuoso Kalle Wallner provides the perfect foil. To hear tracks as dynamic and potent as What If and Never Escape The Storm in a live setting is quite elctric and the interaction with the lively crowd is a pleasure to hear.
This is a live recording of musicians at the height of their abilities but also five guys who are thoroughly enjoying themselves and it really raises the hair on the back of your neck.
Rating – 78/100
Favourite Track – The utter live bombast of What If.
Released 10th November 2017.
When Mary – Tainted
Norway’s dark electro-proggers When Mary are the first artist to have signed to Summers End Festival impresarios Huw Lloyd-Jones and Stephen Lambe’s new record label Sonicbond Music. ‘Tainted’ is inspired by the classic tale of Faust, the man who drives himself to damnation in his search for true enlightenment.
It’s not an easy ride this album but persevere and dig deep and you will be well rewarded. A lot darker and more electronic than the acclaimed debut album 2013’s ‘7summers7winters’, this new release is quite a deep and emotive musical journey that bestrides many genres to give When Mary a unique appeal. Touches of progressive rock, industrial and ambient electronica and even blues give it a life all of its own.
Dominating proceedings is the enigmatic vocal of Trude Eidtang, former vocalist of the renowned Norwegian art rock band White Willow. ‘Tainted’ is a singular release that will hopefully lead this talented trio onto grater things.
Rating – 77/100
Favourite Track – The dark, serpentine electronic grooves of Wonderful Warning.
Released 10th November 2017.
Special Providence – Will
Hungarian prog/jazz/metal fusion band Special Providence released their latest album ‘Will’ late in 2017 and it has taken a while to come to my attention and now I’m wondering how I missed it. These guys have toured with Spock’s Beard, Dream Theater, Pain of Salvation and Steve Hackett which just shows the huge potential in their music.
Intricate musicianship combined with baroque, knife-sharp compositions and occasional soaring melodies makes for a very exciting combination where heavy guitar riffs and grooves and pyrotechnical keyboard skills forge a very unique, virtuoso but easily digestible musical style.
A hugely entertaining prospect live, it can sometimes be hard to carry that feel onto record but Special Providence have nailed it with aplomb.
Rating – 80/100
Favourite Track – The Insane musical grooves of A Magnetic Moment.
Released 23rd October 2017.
Ryan Yard – The Nature of Solitude
Ryan plays in Rob Reed’s Sanctuary band and his solo album is mastered by Tom Newman of ‘Tubular Bells’ fame so it comes as no surprise that this two track (plus an edited Rob Reed mix) is an instrumental album that will appeal to fans of Mike Oldfield and Robert Reed himself.
However, to give his album a USP, Ryan created it using just an Ipad and a variety of apps (and a keyboard, of course!). It gives the music an organic and natural feel and was crafted without using click track as well apparently.
It is music that is easy to listen to, without falling into the pit of despair that is easy listening music. Add in Justin Towell’s excellent guitar work and you find yourself comparing it to the master and his apprentice and coming to the conclusion that while it does walk a fine line, the USP makes just enough difference for it to be complimentary and not a pastiche.
Rating – 67/100
Favourite Track – Well it really should be consumed as one piece so, the whole thing!
Welcome to yet another new feature here at Progradar. You will get a round-up of albums that have been sent to us at the music blog that we think you should check out but ones that, for many reasons, we haven’t been able to review.
I’m starting you off with albums from Walfad, Kilbey Kennedy, Schizofrantik, Black Noodle Project, Starsabout and Atlantropa Project…
Walfad – Momentum
Walfad is a young Polish band that transcends the progressive rock genre. Their third album ‘Momentum’ is an interesting mix of rock, blues and even a touch of soul, all mixed together with more than a hint of prog. The melodies are full of passion and youthful energy, and the insightful and poetic lyrics invite the listener to think more and get personally involved with the music.
In recent years they have shared the stage with leading homegrown bands playing ambitious rock and also with Procol Harum, Marillion and Ray Wilson, rapidly becoming a force to be reckoned with on the live Polish music scene.
Rating – 80/100
Favourite Track – Our Gods, Your Gods.
Released 31st October 2016
Kilbey Kennedy – Glow and Fade
Are you a fan of dream-like, Pink Floyd inspired music that transcends day to day life? If so, the fifth album from Steve Kilbey and Martin Kennedy is definitely for you. An immersive and ethereal listening experience that nevertheless has something of a darkside, ‘Glow and Fade’ is an enthralling listening experience.
With tracks that verge from the thoughtful to the intensely serious and a wonderful vocal appearance from Selena Cross on certain songs, this release rewards repeated listens and is a deeply engaging and quite highbrow musical venture.
Rating – 77/100
Favourite Track – The sixteen minute epic The Game Never Changes.
Released 24th November 2017
Schizofrantik – Ripping Heartaches
Put a King Crimson vinyl album on at 45rpm instead of 33 and then bleed in some Frank Zappa and you might have some inkling of what this actually quite mad album from Germany’s Schizofrantik sounds like. Some of the music is exquisite and some will make your ears bleed but one thing it never is is boring.
After 30 years on stage mastermind (and vivid guitarist) Martin Mayrhofer’s compositions have reached a degree of precision that is as fascinating as it is uncompromising. Ambitious, experimental and just way out there, ‘Ripping Heartaches’ is not an album for the faint-hearted but take the time to immerse yourself and you will be richly rewarded.
Rating – 73/100
Favourite Track – The absolutely bonkers Satan And Death Seperated By Sin.
Released 27th October 2017
The Black Noodle Project – Divided We Fall
In early December 2017 France’s The Black Noodle Project returned with a deliciously dark and melancholic collection of songs that further their already impressive reputation. Originally a solo project of Jeremie Grima, he found a like minded spirit in Sebastien Bourdeix with whom he formed the ‘real’ band.
‘Divided We Fall’ is an emotional post-progressive journey full of melancholic melodies and powerful riffs where stark beauty combines with deeply pensive and sombre emotions to deliver a wistful and mournfully emotional listening experience.
Like 2013’s ‘Ghosts & Memories’, it is influenced by the movie soundtracks of such luminaries as John Carpenter, Ennio Morricone and Angelo Badalamenti and this adds a thoughtful and introspective feel.
Rating – 78/100
Favourite Track – The powerful, driving Absolom.
Released 4th December 2017
Starsabout – Longing For Home
Poland is becoming a hotbed for the nurturing of Neo-progressive rock and post-rock acts. There isn’t a week goes by without another submission for review of a band from the country that gave us the legendary Riverside. An alternative band with progressive and post-rock influences, Starsabout were formed in 2012 and, after having released an EP in 2014 and their first full-length album, ‘Halflights’, in 2016, late 2017 sawthe release of ‘Longing For Home’.
An album containing tracks full of dreamlike, laid back vocals and shimmering, vibrant guitars, the band’s music is sincere and powerful while at the same time tender and sublime. Starsabout are perfectly capable of holding their own in today’s prog and artrock music scene and, despite their short-lived presence so far, they are mature and self-assured enough that we should see them going far.
Rating – 74/100
Favourite Track – The sublime Longing For Home.
Released 4th December 2017.
Atlantropa Project – s/t
The ambitious concept album can be hit or miss and the misses can often sink without a trace. It’s a risk because what is your passion may not necessarily be someone else’s.
Atlantropa Project is the sophisticated, creative outcome of a group of ambitious and experienced musicians to musically explore and honour a great, almost forgotten idea of humanity. German engineer Hermann Sörgel’s plan was to build a huge dam, dry the Mediterranean, obtain new land, unite Africa and Europe and create peace.
To be fair, his plan is no more difficult than the idea of this concept piece but this brilliantly creative group of like minded artists have just about pulled it off. It is a richly rewarding and immersive concept album with a dynamism rarely found these days. The songs have a creativeness and virtuosity that just about overcomes the bloated length of this release.
You cannot listen to this in any other way than in one sitting where the whole story and soundtrack comes together like those great adventure films that graced the silver screen, King Solomon’s Mines and the like, but, ultimately, for this listener, the ambition just outstrips the reality.
Rating – 70/100
Favourite Track – Consume it in one piece or it just won’t make sense at all!
Welcome to the third edition of my Progradar recommendations, this time around we have the new albums from HeKz, Emperor Norton, Malady and Subsignal…
HeKz – Invicta
From the first notes of album opener Quetzlcoatl it is apparent that the rising stars of UK prog-metal, HeKz, have gone balls out on new album ‘Invicta’. This mighty powerful five piece from Bedford certainly know how to turn the amps up to 11. The Brian May-esque guitar and Matt Youngs flamboyant vocals that slot somewhere between Freddie Mercury and Justin Hawkins combine to take you on a thunderously wild ride of progressive metal pomp and circumstance.
For Our Lives is a adrenaline fueled rock anthem with totally excessive ( and utterly addictive) riffage and vocal harmonies aplenty, this band know how to give the audience what they want. There’s a couple of ballads and The Devil’s Coin is a properly progressive fifteen minute track to prove they have the chops but, overall, what you get is an thoroughly enjoyable blast that will blow the cobwebs out of your hair and leave a stupid, inane grin on your face for quite a long time.
I have a sneaking suspicion that HeKz will be an awesome proposition live and these dynamic and energetic tracks certainly deserve to be let out of the studio and onto an unsuspecting listening public, ‘Invicta’ is a musical tornado that will flatten everything that comes before it and leave you asking for more.
Every now and again an album comes along that makes you reconsider your musical principles and stands out among a river of repetitive and formulaic releases and the eponymous debut from York’s Emperor Norton is proving itself to be one of those gems.
To quote the band’s website;
“Emperor Norton promptly donned the musical cummerbund of “Prog” and added “Rock” to sound cutting edge. The very next day, the group discovered – to its astonishment – that it had unwittingly declared allegiance to an underground resistance movement of cape-laden keyboard wizards, fiery plectrum wranglers and lead singers who speaketh like Shakespeare. Emperor Norton felt right at home.”
They bring a freshness to the whole progressive rock genre and almost seem to be the missing link between the bombast of the 70’s leviathans with their overblown Hammonds and jangly guitars and the modern breed of progressive influenced rock artists like Muse, Coheed and Cambria, Mandroid Echostar and Mars Volta.
Take the Steve Howe style guitar on Act I: Portents that along with the thumping bass line and swirling keys transports you back to tracks like Yours Is No Disgrace and the ilk and then segues into Act I: Petrichor with vocals that tip more than a hat to Matt Bellamy and you’ll begin to get my gist.
It’s an incredible piece of work especially considering that this is the band’s first release and, just when you think it can’t get any better, the fifteen minute joyful brilliance of the stunning Act III: Arrow comes along to prove that we really have some genre redefining musicians in front of us.
Do yourselves a favour, buy what is possibly the album of the year already and don’t just take my word for it, have a listen…
“Modern music consumption isn’t built for looking at trees or wandering through mazes. We live in a culture of straight lines and constant motion. Malady ask that you opt out, reclaim your time, and slow the f**k down for once. Trust me, it’s worth it.”
Sage advice from Finland’s Malady, hailing from Helsinki theirs is a sound rooted in the 70’s with fuzzy guitars and Hammond organs swirling like only a Hammond can. With their debut a deserved underground hit the band return with a polished follow up that invokes all of the best things that vintage Scandinavian prog can deliver.
Lush vocals and organic instrumentation abound on title track and opener Toinen Toista, a song that leads us into an album full of questions about being human and the transient nature of things but, don’t worry, this release isn’t asking you to take a PHD course in existentialism or the like, it has strings on it for God’s sake!
Lazy, hazy nostalgic days are invoked by the acid jazz heavy Teidon Kehtolaulu and the fact that the vocals are in Finnish doesn’t detract one bit, in fact they just add to the mystic feel (along with the superb flute playing, you’ve got to love flutes!).
The best is saved for last with the epic twenty-three minutes of Nurja Puoli, one of the best Prog ‘epics’ of recent years. To put this all into context I have actually ordered the vinyl of this superb release and I know it is going to get plenty of play…
Germany’s purveyor’s of powerful and polished progressive rock, Subsignal, return with new album ‘La Muerta’ and (according to the press release), “…sends the listener on a proper voyage of discovery that is as complex as it is eventful. Subsignal have consciously designed the path to “La Muerta” a tad more accessible than was the case with the predecessor…”
Featuring Sieges Even luminaries Arno Menses and Markus Steffen, you get the signature involving songwriting but this time the band have decided not to hold the listener’s hand and, instead, let them make their own voyage of discovery through these eleven impressively crafted tunes. The expected superb harmonies are evident on the brilliant title track and the powerful guitar work of Markus drives the album on throughout.
I was a huge fan of the last Subsignal release ‘The Beacons of Somewhere Sometime’, each track had its place in the unfolding story that was laid before you and the band have tweaked their unique songwriting process to deliver an even more immersive and intoxicating musical journey.
Drowning sees the band baring their soul with a much more pared back approach, one that features the haunting vocals of Marjana Semkina. A beautifully stark piece of music, it will leave a mark on your soul that will stay for a very long time.
With the wonderfully lush production (courtesy of Yogi Lang and Kalle Wallner of RPWL) giving the songs enough air to breathe, ‘La Muerta’ sees the band full of self-confidence and delivering a collection of songs that, while easily able to stand on their own, are a collective force when dealt with as a whole.
THE CELEBRATED STUDIO ALBUM CELEBRATING 50 YEARS OF TANGERINE DREAM NOW COMPLETE WITH QUANTUM KEY EP
(Artwork by Bianca Froese-Acquaye)
Following the release of Tangerine Dream’s latest studio album, QuantumGate, Kscope are set to release the album as a 2CD set with the inclusion of the EP Quantum Key.
Quantum Gate released on September 29th 2017, to coincide and celebrate the 50th anniversary of the foundation of the band, was the first studio album since the passing of EdgarFroese,Tangerine Dream’s visionary founder, by the remining band members Thorsten Quaeschning, Ulrich Schnauss and Hoshiko Yamane.
The Quantum Key EP preceded Quantum Gate, and both delivered an updated, contemporary development of their trademark sound: sequencer-driven electronica covering a wide range of moods and atmospheres from ambient soundscapes to energetic, upbeat moments. The Quantum Years material began as a concept and series of musical sketches by Froese before he passed away in 2015. Remaining band members Thorsten Quaeschning, Ulrich Schnauss and Hoshiko Yamane worked together to realize Edgar’s visions and expectations of a conceptual body of work that attempts to translate quantum physics and philosophy into music. New member Ulrich Schnauss comments: “at the moment hardly any other area of science questions our concept of reality (linearity of time etc.) as profoundly as research in Quantum physics – it’s no surprise therefore that Edgar was drawn to these ideas since he had always aimed at reminding listeners of the existence of ‘unopened doors’.”
This version of Quantum Gate with the inclusion of Quantum Key EP, brings together Edgar’s vision as a 2 disc set for the first time.
Tangerine Dream have been a fundamental influence on electronic and progressive music since their formation in West Berlin, 1967. Inspiring genres, musicians and other art forms, from The Future Sound of London to Porcupine Tree, the widely popular TV show Stranger Things (for which their music also featured in) to seminal video game Grand Theft Auto V (for which they helped to write the soundtrack). The group have also received seven Grammy nominations, written over 100 studio albums and were led by Edgar Froese, who developed an instantly recognisable synth-based instrumental music based on a meditative musical experience that came to prominence in the 70s and 80s.
The current line-up are currently supporting their latest material with a string of headline events in Europe, including a two-night booking at London’s Union Chapel plus the opening event for Amsterdam’s cutting edge electronic music summer festival, Dekmantel.
13/04 – DE, Halle/Saale – Georg-Friedrich-Händel-Halle
Spanish instrumentalist rockers Toundra recently announced the release of their fifth studio album ‘Vortex’ for April 27th, 2018, following the success of ‘IV,’ which reached an historic #2 in the Spanish charts.
Now they are proud to reveal the powerful new video for the first single ‘Cobra’, created by Jorge Escalona using photographic material from Pulitzer Prize winner Manu Brabo and video material from well-known Spanish journalist Gonzo.
Manu Brabo comments: “It made me feel really proud to collaborate on this considering how socially responsible the band was being as an artist and communicators.”
Gonzo adds: “The victims in every war is always the innocent, who never starts the war. They lose their lives, their homes and their dreams. Refugees escaping their homelands become ambassadors of the nonsense.”
Toundra comments: “With this video we just wanted to shine a light on those who Victor Hugo called Les Miseràbles.”
As mentioned previously, the title of the album is ‘Vortex’, as the band explain: “On September 19th in 2012 we arrived at a venue called ‘Vortex Surfer Musiklub’ in Siegen, a small town in Germany. We played there, the venue got packed and everything about that night, including the warm welcome from everybody working there, was incredible. We fell in love with that small venue and the house next to it where we slept that night.
Since then, we played Vortex five or six times and there has always been that same great fond feeling from the people there. So, this upcoming album is called ‘Vortex’. We leave behind the roman numbers and want to use this as a way to thank all the promoters, people working in venues, labels, agencies, fans… and everyone who has helped us over the years to live this dream. We can’t wait for you to hear some of the music”
The album will be released on special edition CD digipak, gatefold black LP + CD & as digital download. Pre-order the album now here: https://toundra.lnk.to/Vortex
The first run of European tour dates were recently announced and tickets are on sale now.
04.05.18, VOID, Bordeaux, FR
05.05.18, Supersonic, Paris, FR
06.05.18, Kleine Zaal, Melkweg, NL
08.05.18, Usine, Geneva, CH
09.05.18, Dok, Gent, BE
10.05.18, Hoxton Square Bar, London, UK
12.05.18, Temple of Boom, Leeds, UK
13.05.18, Nice ‘n Sleazy, Glasgow, UK
14.05.18, Exchange, Bristol, UK
16.05.18, JUNGLE, Koln, DE
17.05.18, Keller Club, Stuttgart, DE
18.05.18, Rocas, Luxembourg, LU
19.05.18, Molotow, Hamburg, DE
20.05.18, KB18, Copenhagen, DK
23.05.18, BiNuu, Berlin, DE
24.05.18, Groovestation, Dresden, DE
25.05.18, Papirna, Plzen, CZ
26.05.18, A38, Budapest, HU
27.05.18, Viper Room, Vienna, AU
29.05.18, Le Farmer, Lyon, FR
30.05.18, Molotov, Marseille, FR
It has been an intense 3 years since the band got signed with Superball/Century Media in 2014, with whom they put out their most recent a lauded album, ¨IV¨, (January 2015), after the first 3 albums that were released independently. Since then the band has performed over 100 concerts in 17 different countries with their instrumental sound combining progressive and post rock making them one of the leaders in there genre.
UK progressive metal quintet THRESHOLD released their colossal double concept album ‘Legends Of The Shires’ on September 8th, 2017 through Nuclear Blast. It’s the band’s most successful album to date and was followed by a hugely successful 2-week European headline run with several sold out shows. Reasons enough, then, for the band to announce a second leg today. This time, though, THRESHOLD will be performing ‘Legends Of The Shires’ in its entirety and more. Special guests for this trek will be announced soon. Full tour dates are below.
Guitarist Karl Groom comments: “Far from the stereotypical image of being reserved, the UK THRESHOLD fans are some of the loudest in Europe now! We had a fantastic homecoming to the O2 Islington last time out and look forward to another great show in Autumn 2018.”
‘Legends Of The Shires’ Album Tour 2018 w/ special guests:
10.10. Colmar – Le Grillen (FR)
11.10. Pratteln – Z7 (CH)
12.10. Aschaffenburg – Colos-Saal (DE)
13.10. Zoetermeer – Boerderij (NL)
14.10. Hamburg – Markthalle (DE)
16.10. Jena – F-Haus (DE)
17.10. Prague – Nová Chmelnice (CZ)
18.10. Munich – Feierwerk (DE)
19.10. Mannheim – MS Connexion Complex (DE)
20.10. Essen – Turock (DE) 21.10. London – Islington Assembly Hall (UK)
More THRESHOLD dates:
01.05. CDN Québec, QC – Le Cercle (CA)
02.05. CDN Montréal, QC – Les Foufounes Électriques (CA)
05.05. USA Gettysburg, PA – Rites of Spring Festival (US)
13.07. D St. Goarshausen – Night of the Prog (DE)
14.07. D Rheine – Hypothalamus (DE)
08.09. I Veruno – 2Days Prog + 1 Festival (IT)
09.09. H Budapest – Rock On Festival (HU) *NEW*
Pop music often gets a bad press; often because it is thought of as being bland, uninspiring and repetitive, and often with good cause. However, pop music can be anything but those criticisms with brilliant melodies, lush production and funny and quirky lyrics. Right from the moment Brian Wilson created ‘Pet Sounds’ in 1967, through Bowie’s many different reincarnations in the 70’s and 80’s and via the melodic cleverness of The Smiths, The Teardrop Explodes and World Party, pop music can offer moments of greatness and genius.
Fitting into that roster of clever pop influenced music is the latest release from Leo Koperdraat and Frank Urbaniak, better known as Fractal Mirror, ‘Close to Vapour’. The album has ten tracks that soar and grow with an ebb and flow, a gentle build to heights of dreaminess, and which take the listener deep into the stories being told. With production by Brett Kull of Echolyn, the band has created an album of outstandingly tuneful and clever songs that deserves the high plaudits that will surely come its way.
If I was to make a small criticism it would only be that the lead vocals will take a bit of getting used to. Leo has a slightly nasally style that, whilst not being a huge problem, does surprise and even disconcert, but only until you get used to his sound. Once the initial impressions have receded the idiosyncratic nature of the delivery adds to the depth and multi-faceted sculpture of the album.
Being released on Bad Elephant Records in the first quarter of 2018 this album is one of the highlights of the year so far. Also featuring guest appearances from original member Ed Van Haagen, Tom Doncourt and producer Brett Kull, this album will entrance and beguile the listener with its superior pop melodies. I urge you to search this album out for all the rewards it will give you.
Welcome to another edition of Progradar Recommends, today I’ll talk to you about music from PENNA, Soul Enema, Jim Griffin & Obscura in this selection of bite-size reviews…
PENNA – SubLevels
Multi-instrumentalist Dave Penna first came to notariety in the early 90’s as the drummer with Long Island tech-thrashers Kronin. Since then he has worked with Spastic Ink, Ad Astra, Ronnie Spector, Planet Hate, and members of The Coasters and The Del Vikings.
Hailing from New York, his first solo EP was 2016’s ‘Chemical God’ but ‘SubLevels’ is more progressive and less dark and has a real hard rock vibe that reminds me of Foo Fighters and Nirvana with the fuzzy guitar and hard-edged rhythm section. In fact, the exemplary drums and bass are the real driving force behind the entire EP and a comparison to Craig Blundell and Nick Beggs would not be out of place.
The EP was written and performed entirely by Penna, recorded with assistance from producer Chris Fasulo (Ill Niño, Chico Hamilton) and will be mastered by Dave Roman (Birdthrower, Leroy Burgess).
Criminally short with only four tracks, it really only gives you taste of what this talented musician is about and I, for one, am hoping his next outing will be a full length album. Intricate and complicated in places yet there is still an instant accessibility at the core and a jazz/fusion subtext that keeps everything very interesting.
Okay, let’s get the elephant in the room out of the way, I’m not keen on the band name and all its connotations. Hopefully that won’t stop people from listening to the music because, boy, do you really get a listening experience that is intense and madder than Mad Jack McMad but utterly fulfilling as well.
Like a more intensified version of Bent Knee this band deliver cooky and in-your-face progressive rock/metal that is a bit off-putting at first but, once you get into the same frame of mind as these talented Israelis, you will not be disappointed.
Soul Enema’s bio has this gem of a sentence, “The band combines conventional melodic rock aspects with a different, occasionally more experimental way of writing.”
‘More Experimental’? You can say that again, the middle-eastern influences are obviously there but it is the free thinking unconventional music that really knocks you off your feet in a good way. Featuring a who’s-who of modern progressive metal including Yossi Sassi and Arjen Lucassen,this is one album that everyone should try at least once and i have a sneaking suspicion that quite a few will come back for more…
The Aral Sea Trilogy has to be heard to be believed:
Zombie Picnic’s guitarist (James to his friends) has a solo project that is far away from the psychedelic instrumental space rock that is their usual fare. A much more personal affair, there is a lush and nostalgic feel to the music, a feel of lazy, hazy days gone by. You could almost imagine that the trials and tribulations of this modern world never existed as the five tracks (plus bonus) take you on a spiritual journey of self discovery.
Did those near perfect worlds of Enid Blyton ever exist? I’m guessing James thinks so as it is that sepia tinged world that his music keeps depositing me in.
Do we believe too much in things as they are? Superstitious reverence for that which exists.
Take an hour out of your day, turn your phone off and listen to this delightful musical peregrination that was inspired by, ‘The Narrow Road to the Interior’ by Matsuo Bashō (Genroku 2), “The Quest of Iranon” by H.P. Lovecraft (February 28th, 1921) and a rainy Summer’s day at Derrigimlagh at half three in the afternoon.
Tender vocals and a plethora of verdant acoustic guitars are king on this wonderful release that had me feeling like I was intruding on James’ most private life and yet this accomplished musician is one of the most welcoming I know. A wonderfully fulfilling collection of songs that surely make the world a better place.
Since the demise of Dream Theater into a pompous, self-obsessed shadow of their original selves, progressive metal has been searching for a new standard bearer. Some have come and tried and delivered some rather tasty albums but none have reached that pinnacle…yet…
However Lebanon based Middle-Eastern collective Ostura may yet lay claim to that mantle with their ambitious new concept album ‘The Room’ which has many movers and shakers in the genre lauding it as the next best thing and, as of now, you can count me in that group too. A grandiose cinematic storyline about a social recluse girl who takes refuge in a room. Locked in with her thoughts, fears, and ambitions, the girl’s imagination turns the room into an endless universe where she is the creator. The story tackles the notions of fear, perfection, social anxiety, ambitions, rage, power, and the struggle between the creator and the creation.
A massive production consisting of performers from 12 countries alongside the Prague Philharmonic Orchestra and the core band, ‘The Room’ is a stunning achievement which brings Ostura to the forefront of progressive and symphonic metal artists and will literally blow you away with its power, intensity and musical aplomb.
The storyline is captivating and engrossing as the two vocalists (Youmna Jreissati and Elia Monsef) adroitly guide you through the events as they unfold and the utterly impressive musical score provides perfect accompaniment to deliver symphonic/progressive metal opera that amazes and dumbfounds with equal measure.
It is nothing short of a musical triumph from the first note to the last and should see this thrilling band ascend to the top rung of the ladder.
So, there you have it, another four albums I think you should buy, keep your eyes out for the next edition of Progradar Recommends coming your way soon…
Melancholic progressive metallers AMORPHIS are due to unleash their latest offering entitled ‘Queen Of Time’ on May 18th via Nuclear Blast. Today the band is teasing fans with a taster of what to expect from their 13th studio album. Listen to opening track ‘The Bee’:
Of this first offering, guitarist Esa Holopainen comments: “This song is a very powerful opener and gives a nice picture of what the whole album is all about. You can already hear some new elements like choirs and orchestral arrangements in it.”
With vocalist Tomi Joutsen adding: “Of course, the lyrical inspiration is a bee, also in a metaphoric way. The tiniest thing can sometimes be the most important thing. A bee can bring life or if we destroy all the bees, life will stop here. It’s a very beautiful animal, that’s why you can find it on the album cover too. The track itself is a kind of progressive and I’m sure that it will surprise some fans in a positive way. We love it!”
Pre-order ‘Queen Of Time’ now at the following locations –
Digipack CD + Black, Silver & Gold Vinyl (all inc signed insert):
01. The Bee
02. Message In The Amber
03. Daughter Of Hate
04. The Golden Elk
05. Wrong Direction
06. Heart Of The Giant
07. We Accursed
08. Grain Of Sand
09. Amongst Stars
10. Pyres On The Coast Bonus Tracks (DIGI, 2LP, and MAIL ORDER EDITION only)
11. As Mountains Crumble
12. Brother And Sister
The album was once again produced by the renowned Jens Bogren (OPETH, AMON AMARTH, KREATOR). The cover artwork, which was created by French artist Jean ‘Valnoir’ Simoulin fromMetastazis, perfectly captures the feeling of the lyrics and the music.
Esa comments: “I guess Queen Of Time turned out as a massive surprise to all of us. During the rehearsing and pre-production we didn’t have any idea that Jens had this huge picture inside of his head about the landscape of the album. It’s a very natural continuation to »Under The Red Cloud« but with steroids. The songs are more aggressive but there’s more dynamics, harmonies and orchestral arrangements present. The result is AMORPHIS as something you’ve never heard before! Essentially, working with Jens worked really well. As a person he is very similar to us – we share the same kind of weird humour and we all like to work hard.”
With lyricist’s Pekka Kainulainen’s words, the lyrical theme is universal: “Cultures rise, flourish, and are destroyed. The story of man is the story of searching, finding, and forgetting. A single spark can set the world afire, a single idea can give birth to a new culture. The greatest can stagnate into insignificance, the smallest can hold the power for change. The lyrics on this album are distant echoes of ancient forest peoples, from a time when meaning was proportioned by the cosmic forces that govern birth and death. If the connection was lost, they sought for a strand of knowledge, found a new direction, and a new age began.”
