John Wenlock- Smith Interviews David Longdon

In this piece I talk to David Longdon of Big Big Train about his latest album, a collection of songs recorded in collaboration with the late Judy Dyble entitled ‘Between A Breath and A Breath’, which was released on the 5th September 2020.

DLThanks for writing such and insightful and sensitive review of the album, I really liked it and appreciate the kind words you wrote.

JWS – It was a privilege to be able to do so, I wanted my words to express my respect for Judy as a tribute and to acknowledge what must have been a labour of love for you. I really enjoyed it and we had it on yesterday whilst we were driving in Wales. We were driving from Dolgellau towards Porthmadog through the mountains and it was lovely music to accompany us as we were traveling.

DLI am pleased that you are enjoying it, so I think Judy would approve of your choice of listening location too.

JWS – It’s obviously a labour of love for you really.

DLYes it certainly got that way at the end, I found out at the after show at the Hackney empire when she told me her diagnosis. I told her I can’t do anything about the medical side but I can get the album completed and so, a week later, I was in the recording studio getting things done and it’s been heads down ever since .

JWS – Well I feel that you have created a lasting memory and tribute to her.

DLThat’s very kind of you to say, I know shortly after she passed away I was kind of searching for it. It’s a strange thing because in my mind I thought she was in her house and that I could face-time her and talk about things and laugh about things as she has been such a powerful presence in my life for the last five years. If I need to find her I listen to the album, she’s there, very present in the music and that’s where her presence is. Rightly so too and I guess that is as she would want it to be.

JWS – I love the artwork for the album it is fantastic, Sarah has done a wonderful job with it.

DLSarah said that she wanted to give Judy the best of her and she was very happy to be involved in all of that. Sarah did a marvellous job of it all, along with the photographs by Sophocles Alexiou, who also shot the fabulous picture of Judy and I sitting by the fire where all great stories are told.

JWS – I have the CD version and there is a lovely picture of Judy with Jessie (Her greyhound).

DLAgain, another photo by Sophocles Alexiou. The portraits and the photographs are great, we were lucky to find Soph really.

JWS – I see Sarah incorporated jessie into the cover art too.

DL Yes, it’s sort of based on Victorian Funeral Art really. The flowers are a wreath and are traditionally associated with funerals. The lilies and the others, if you look at the flowers closely some of them are in a state of decay, sort of past their best which is a look we were after. The crow’s skull is supposed to represent me, the wing is Judy and me and the crow, Grimspound, is on there as well and is a reference to a track of Judy’s called Crow Baby.

DLI think the combination of Sarah, Sophocles, and Steve Vantis (who plays with Fish and who has worked with us since Merchants of Light doing graphics) working together, have all created something special that hopefully people will want.

JWS – Well everyone I have spoken to about this album is extremely excited about it and cannot wait to get hold of it which is encouraging.

DLYes, its very strange as when this comes out on the 25th that Dyble/Longdon will be done, completed. People have asked me if we will play these songs live and, at this stage, I cannot give an answer because everything is up in the air because of Covid. I feel like I’m living real life episode of Randall and Hopkirk (Deceased) at times, its all very strange. I’m talking about Judy a lot and that’s good and right too but its all very strange to me. It’s these strange times in which we are living at the moment.

JWS – Let us talk about some of the other tracks on the album like France, I wanted to chat about that because of my background in Progressive Rock.

DLJudy and I wanted to do an epic track and, as Judy and I shared a love of France, it was a natural subject. Judy’s late husband Simon had French ancestry, the first part is about Judy and Simon’s time in France and also about the Occupation by the Germans in the war. Simon’s family still own a Chateau which was where the poet Jean Cocteau made the film La Belle et la Bête with Jean Marais as the beast and he would be eating breakfast in full makeup and the children of the household would see him made up eating so, France part two, is about that experience.

The song also includes most of Big Big Train playing apart from Dave – he appears on the first track Astrologers though, Rikard plays accordion, Rachel plays violin, Danny plays double bass and Greg plays bass and Moog Taurus bass pedals. I contribute guitars, piano, mellotron, flute vibraphone, marxaphone and effects.

JWS – I Love Rikard’s accordion on that.

DLHe learned it from his grandfather apparently, I’m not sure if it was his first instrument, but he certainly learnt a lots of polkas and such like. He does a great job of it all, Rikard’s a really great guy, very big hearted and he’s a rapacious consumer of comedy, he quotes Black Adder all the time.

JWS – And the story behind Obedience?

DLIs about Ada Lovelace, the daughter of Lord Byron. When she was small her parents split up and her mother gave her arithmetic and algorithms to occupy her mind and would save her from her father’s madness, but you can’t stop the mind from wandering, can you?

JWSWhisper is another great song…

DL – That song is about a friend of Judy’s called Jackie Morris who is an illustrator and writer and he was running a workshop about Faeries and asking if folklore had any relevance today. There was a lady who said that the distance between a breath and another breath could be an eternity in faerie world. It is also about an aunt of Jackie’s who, when she got older, lost the ability to speak loudly and was reduced to a whisper but I took it to be that it was about how, as we age, often older people’s voices are not heard.

We Didn’t want it to be old lady material, we wanted it to have some bite. It has teeth, it’s strident in places and it rocks in places. It has some huge soundscapes and comes back to these tiny fragile things too.

JWS – So what is happening with Big Big Train now?

DLWell, we didn’t get to America or do the European dates as they were all cancelled until this virus situation goes away. The whole entertainment world is in a state of confusion at the moment as no one is sure when it will be safe to operate again, so, in the meantime, we have written the next BBT record and will look to record it later in the year. Next year I’ll do a solo album as well because it looks as if it will be this way for the short term future. Sarah and I are supposed to see the Who next year but if its still looking dodgy, then we wont be going, I simply won’t risk it.

JWS – Understandable, we’re supposed to see Genesis but its been put off till next year too. Although we did get to see you with BBT last year in Birmingham, it was a great show. We were on the front row and we really enjoyed it, we also saw you the year before in Basingstoke at The Anvil.

DLYes that was the night that England played. I thought we might not get many people but we did, we got a good crowd although England took a beating.

JWS – Anyway David, my time has gone, so thank you for your time and the information. We’ll get this all into shape and get it up online as soon as we can. (Ed. – You obviously mean the ‘Royal’ we, John?)

DLThank you John, it’s been great talking to you thank you for the review and all that you do, it really helps. Keep safe and well until next time, it is really appreciated.  

Order the album from Burning Shed here:

https://burningshed.com/dyble-longdon_between-a-breath-and-a-breath_cd

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