Tag: Jonas Reingold

Review – The Tangent For One – To Follow Polaris

When is a solo album not a solo album? There’s a conundrum for you. Well, there’s a story behind this latest release from The Tangent universe, ‘To Follow Polaris’ by The Tangent For One. The ‘One’ in the artist name is, as I’m sure you can guess, Andy Tillison and let’s discover why this new collection of impressive progressive rock is not Andy’s latest solo creation…

‘To Follow Polaris’ is a new ‘full on’ Progressive Rock album by The Tangent, set to be released on the 10th May 2024 (InsideOutMusic). That’s not necessarily a surprise, that’s what the band are known for. But at the same time, it’s something else too. As Andy jokes, playing on the Jaws strapline, he says “well this time it’s actually no personnel”.

In a year when members of The Tangent could be seen onstage all over the world and on recordings by many greats of the prog world, it became clear that there was not going to be time to get together for anything more than one gig in April 2023.

So the band agreed that the band’s leader/main writer Andy Tillison would keep the material coming and would make an album by The Tangent entirely alone. It would still be The Tangent. Just for one.

“Besides Which” Andy says, “I’ve always wanted to do this, use what I have learned from Luke, Jonas, Steve, Theo and many other alumni and take it to final production. Now was the time!”

What transpired over the following year is in one sense an ‘absolutist’ solo album and is entirely the work of one person in all aspects including artwork, layout, design, lyrics, composition, performance, recording, production, mixing, mastering and authoring. But in another sense it’s totally Tangent. “I could not have begun to make this record without having had the experiences of working with the band. So although the different instruments are not attempted to be played in the actual style of the normal lineup, they are inspired by the kind of things these guys do”

So there you go, it’s an album by The Tangent, but not all of them and yet it does sound like it’s by all of them, still following? Let’s have a listen and see for ourselves, shall we?

For anyone who is a fan of Andy and The Tangent you will know immediately that this is an album by The Tangent, he has created a very distinctive sound over the years and one that I can’t get enough of. Created from Andy’s love of artists such as Yes, Van Der Graaf Generator, Porcupine Tree, Groove Armada, Earth Wind & Fire, Roger Waters and his bands, Return To Forever, Deep Purple, Gentle Giant, Steely Dan and any band featuring the keyboard player Dave Stewart, but neither a homage to those artists or a pastiche of their sounds. Andy’s instantly recognisable music is unique to him and The Tangent and is based mostly around his stellar keyboard playing.

The North Sky opens the album with style and panache and is indicative of The Tangent with the elegant keyboard flourishes, dynamic guitar playing and ever funky bass that has a wonderful jazz vibe to it (and is the first time you will hear Andy playing bass on any of his recordings). This song is a hopefully joyous celebration of life under the sky, there is a fluency to this vibrant piece of music, an urgency and joie de vivre that is as addictive as it is palatable, Andy’s stick driven (electronic) drums providing the drive and electronic wind controller the high notes and polish. The wistful, dreamlike section in the middle of the piece is an oasis of calm that gives you a moment to catch your breath and adds to what is a simply stunning start to the album, there could even be a musical nod to Close Encounters in there but that could just be me! Andy’s singular vocal is as acerbic as ever, love it or hate it (and I love it), to me it is much part of what makes The Tangent tick as anything else and his laconic storytelling adds a classic patina to everything the band do. Andy likens it to “sort of channelling the feeling you get contemplating the wonders of the seemingly infinite universe while riding a Harley Davidson”, exactly… A Like In The Darkness takes a more measured approach with a hushed vocal adding to the moody, thoughtful atmosphere. Imagine a smoke filled, whisky soaked venue with the lights down low and an attentive audience hanging on every word and every note, rapt in attention to the musician in front of them who is holding everyone’s attention with his charismatic persona. A beautifully observed slice of jazz/prog fusion, idiosyncratic in delivery and design, it’s a brilliant piece of music with its roots most definitely in the 1970’s and that era of creative, sometimes mind boggling, music that crossed so many genres that it became obfuscated but was always highly entertaining. For Andy it is a personal look into the world of being an obscure artist in the 2000’s, a world where legalised piracy starves musicians and the rationale for that has actually somehow succeeded in replacing payment with “likes” on social media as a sign of “success”. 

“A song about “Constant Bad News – something I have heard nearly everyone I know speak about regardless of their age or background.” That’s Andy’s short precis of The Fine Line, a song that, despite its subject matter, has a real cool and elegant feel to it. Imagine Gentle Giant turning up to a 70’s disco party dressed as Earth, Wind & Fire and you’re some way to getting the vibe of this gloriously funky piece of music. An acerbic social commentator he may be (or that could just be the Yorkshireman in him!) but Andy is just a lover of music and a lover of creating music at heart and that can be sensed through every word and note of this track and please just check out his fantastic, laid back bass playing! Andy says it owes a lot to ‘Aja’ period Steely Dan and is also a nod to Petula Clarke’s Downtown and, let’s be honest, it doesn’t get more prog than that! While Andy and The Tangent may be known for their brilliantly creative prog epics, it’s songs like this that define the true nature of the man and his music for me and I love it. Talking of lengthy prog epics, no true album by The Tangent could be classed as complete without twenty plus minutes of prog largesse and pomp and circumstance, all with a bit of true Yorkshire caustic diatribe thrown in for good measure and that’s what you get with The Anachronism. The song posits that all forms of government are manifestly unfit for purpose, unless the purpose actually is to create division, argument, suffering, war, poverty, racism. It centres on elections in so called democratic nations in which the amount of “say” a person actually has in this democracy is so vanishingly small that in two major Western Nations only four manifestos will even be actually considered in 2024. The longer song is a format that Andy likes to work in and he has loved this format since hearing Close To The Edge by Yes and you can tell, all of the longer tracks by The Tangent can be considered classic songs by the band and this is no exception. A track driven by purpose and calculation and a piece of music with a lot to say and which is delivered eloquently and in a direct manner. The music is as stylish as ever and travels across many genres seamlessly, almost a who’s who of 70’s prog styles and embellishments but all delivered in Andy’s witty and self-effacing style.

The Single (Taken From A Re-Opened Time Capsule) is a re-recorded version of a track Andy wrote more than 25 years ago for his band Po90. As it never reached that many ears he thought he would update it. “It comes from an album called ‘The Time Capsule’ which I did say that one day I might revisit… because that was implied by the title.” Andy continues, “It is a song that in many ways was the place The Tangent actually began.  in and among all the dark Po90 stuff, here was this little ditty that was almost a blueprint for songs like “GPS Culture” , “Spark In the Aether” and even “The North Sky”. Now Spark In The Aether is my favourite all time shorter track from the band so it means that The Single had a lot to live up to and, while it may not replace Spark in my affections, it is definitely up there. Lyrically it’s very focussed (As Fine Line) on News Media/Music Business and the contemporaneous attitudes towards Progressive Rock Music itself. It’s a marvellous piece of The Tangent history updated for a new audience and you can see the evolution of the band and Andy’s songwriting in its six minute running time.

The album closes out with a Radio Edit of The North Sky which intensifies and concentrates the inspirational feel of the original and, if you get the limited edition CD Mediabook or 2LP Vinyl, the bonus track Tea At Bettys, seventeen polished minutes of delightfully 70’s feeling easy jazz music, interjected with some frenetic and intentionally chaotic interludes, dedicated to the iconic Harrogate Tearooms that I have been lucky enough to frequent on several occasions.

‘To Follow Polaris’ is intended to be thought of as a regular Tangent album – but not as the future of the band. It’s everyone’s intention to make the FOURTEENTH album as The Tangent. For Five. However, taken in isolation, what you have is a wonderfully inventive and amazingly performed collection of songs that stay true to the core of Andy and the band’s beliefs. Witty and acerbic throughout but with some moments of pure musical bliss, it is yet another highlight in this storied musician’s stellar career.

Released 10th May, 2024.

Order the album here:

Direct from the band: The Tangent : Official Website – Home

or here: To Follow Polaris (lnk.to)

The Tangent (For One) announce new studio album ‘To Follow Polaris’; launch first single ‘The North Sky’

‘To Follow Polaris’ is a new “full on” Progressive Rock album by The Tangent, set to be released on the 10th May 2024 (InsideOutMusic). That’s not necessarily a surprise, that’s what the band are known for. But at the same time, it’s something else too. As Andy jokes, playing on the Jaws strapline, he says “well this time it’s actually no personnel”.

To coincide with the announcement, a video has just been launched for the track ‘The North Sky’, albeit in an edited form. Watch it now here:

In a year when members of The Tangent could be seen onstage all over the world with Steve Hackett, Soft Machine, Karnataka, David Cross, It Bites, Cyan and others, plus on recordings by those artists and The Anchoret, The Michael Dunn Project, Argos and Retreat From Moscow, it became clear that there was not going to be time to get together for anything more than one gig in April 2023.

So the band agreed that the band’s leader/main writer Andy Tillison would keep the material coming and would make an album by The Tangent entirely alone. It would still be The Tangent. Just for one.

“Besides Which” Andy says, “I’ve always wanted to do this, use what I have learned from Luke, Jonas, Steve, Theo and many other alumni and take it to final production. Now was the time!”

What transpired over the following year is in one sense an “absolutist” solo album and is entirely the work of one person in all aspects including artwork, layout, design, lyrics, composition, performance, recording, production, mixing, mastering and authoring. But in another sense it’s totally Tangent. “I could not have begun to make this record without having had the experiences of working with the band. So although the different instruments are not attempted to be played in the actual style of the normal lineup, they are inspired by the kind of things these guys do”

‘To Follow Polaris’ will be available as a Limited Deluxe Collector’s Edition CD Mediabook (including bonus track and extensive 24-page booklet, Gatefold 180g 2LP vinyl (also including bonus track), & as Digital Album. It would be preferable if you pre-order from the band’s website now here:

The Tangent : Official Website – Home

Or from other websites here:

To Follow Polaris (lnk.to)

1.     The North Sky 11:36

2.     A ‘Like’ In The Darkness 08:19

3.     The Fine Line 08:04

4.     The Anachronism 21:01

5.     The Single (From A Re-Opened Time Capsule) 05:51

6.     The North Sky (Radio Edit) 03:42

7.     Tea At Bettys (Bonus Track) 17:32

Produced between January and November 2023, the album features Andy using his multiple keyboards system as normal, but adds to the mix his first ever released performance on Bass Guitar and his second on stick driven (electronic) drums. Add electric and acoustic guitars and electronic wind controller and this is a full band recording in every sense of the word. A recording which shows Andy’s lifelong influence by artists such as Yes, Van Der Graaf Generator, Porcupine Tree, Groove Armada, Earth Wind & Fire, Roger Waters and his bands, Return To Forever, Deep Purple, Gentle Giant, Steely Dan and any band featuring the keyboard player Dave Stewart.

Conceptually Andy claims the album is, ahem, “highly optimistic” but regular listeners to his work will anticipate correctly that this optimism will not be ill founded or over-easy and will be highly critical of obstacles to that optimism and the album will look as much into the dark as it does into the light. 

The album is intended to be thought of as a regular Tangent album – but not as the future of the band. It’s everyone’s intention to make the FOURTEENTH album as The Tangent. For Five. 

Steve Hackett launches ‘Wherever You Are’; second track taken from ‘The Circus and the Nighwhale’

Legendary rock guitarist Steve Hackett is set to release his new studio album ‘The Circus And The Nightwhale’ on 16th February 2024, via InsideOut Music. A rite-of-passage concept album with a young character called Travla at the centre of it, ‘The Circus And The Nightwhale’s’ 13 tracks have an autobiographical angle for the musician who says about his 30th solo release: “I love this album. It says the things I’ve been wanting to say for a very long time.”

Today a brand new track is revealed, titled ‘Wherever You Are’, and you can watch the video now here:

Of the track, Steve comments: “’Wherever You Are’ is a song of love winning through, shattering the chains of the physical world… Light obliterating darkness. A new universe has opened up with the hope that such a strong love could even survive death. The dreams of childhood realised, there is a sense of everything coming around full circle… Even the three part harmony guitar at the end of Genesis’ The Musical Box is revisited in spirit with the joy of celebration during this song.”

The albums opening track ‘People of the Smoke’ was released in December. Watch the video here: https://www.youtube.com/watch?v=x_iujNWzPL0

The new album is available to pre-order on several different formats, including a Limited CD+Blu-ray mediabook (including 5.1 Surround Sound & 24bit high resolution stereo mixes), Standard CD Jewelcase, Gatefold 180g Vinyl LP & as Digital Album. All feature the stunning cover painting by Denise Marsh. Pre-order now here: https://stevehackett.lnk.to/TheCircusAndTheNightwhale

Steve will celebrate the release of his new album with two HMV instore events in London & Birmingham, where he will be taking part in a Q&A and signing albums. Find out more details on those here: https://ow.ly/HUaT50Q7paJ

‘The Circus And The Nightwhale’ is Steve’s first new music in over two years. Recorded between tours in 2022 and 2023 at Siren studio in the UK – with guest parts beamed in from Sweden, Austria, the US, Azerbaijan and Denmark.   The line-up for ‘The Circus And The Nightwhale’ includes some familiar faces alongside Steve on electric and acoustic guitars, 12-string, mandolin, harmonica, percussion, bass and vocals. Roger King (keyboards, programming and orchestral arrangements), Rob Townsend (sax), Jonas Reingold (bass), Nad Sylvan (vocals), Craig Blundell (drums) and Amanda Lehmann on vocals. Nick D’Virgilio and Hugo Degenhardt return as guests on the drumstool, engineer extraordinaire Benedict Fenner appears on keyboards and Malik Mansurov is back with the tar. Finally, Steve’s brother John Hackett is present once more on flute.

The full track-listing is as follows:

1. People Of The Smoke

2. These Passing Clouds

3. Taking You Down

4. Found And Lost

5. Enter The Ring

6. Get Me Out!

7. Ghost Moon and Living Love

8. Circo Inferno

9. Breakout

10. All At Sea

11. Into The Nightwhale 

12. Wherever You Are

13. White Dove

Summing up ‘The Circus And The Nightwhale’, Steve says: “It’s a lovely journey that starts dirty, scratchy and smoky and becomes heavenly and divine. How can you resist it?”

Steve Hackett & band will tour the world extensively in 2024, including a brand new 16-date UK tour ‘Genesis Greats, Lamb Highlights & Solo’, in October which will see him return to the legendary Royal Albert Hall. He will also return to North America early this year, with European shows booked in for the Summer.  For the full list of dates, head to:

http://hackettsongs.com/tour.html

Steve Hackett reveals the first single “People of the Smoke” from his new conceptual studio album ‘The Circus And The Nightwhale – Out 16th February, 2024.

Legendary rock guitarist Steve Hackett is set to release his new studio album ‘The Circus And The Nightwhale’ on 16th February 2024, via InsideOut Music. A rite-of-passage concept album with a young character called Travla at the centre of it, ‘The Circus And The Nightwhale’s’ 13 tracks have an autobiographical angle for the musician who says about his 30th solo release: “I love this album. It says the things I’ve been wanting to say for a very long time.”

Today he is pleased to reveal the first single, and the albums opening track, ‘People of the Smoke’, you can watch the video now here:

Steve says of the track: “People of the Smoke spins us all back in time to 1950, when bustling post-war London was stifled with smog from trains, chimneys, industry and smokers. I was born into that world! This song kicks off an album following my life’s journey both literally and metaphorically…”

The new album is available to pre-order on several different formats, including a Limited CD+Blu-ray mediabook (including 5.1 Surround Sound & 24bit high resolution stereo mixes), Standard CD Jewelcase, Gatefold 180g Vinyl LP & as Digital Album. All feature the stunning cover painting by Denise Marsh. Pre-order now here: https://stevehackett.lnk.to/TheCircusAndTheNightwhale

Steve will celebrate the release of his new album with two HMV instore events in London & Birmingham, where he will be taking part in a Q&A and signing albums. Find out more details on those here: https://ow.ly/HUaT50Q7paJ

‘The Circus And The Nightwhale’ is Steve’s first new music in over two years. Recorded between tours in 2022 and 2023 at Siren studio in the UK – with guest parts beamed in from Sweden, Austria, the US, Azerbaijan and Denmark. The line-up for ‘The Circus And The Nightwhale’ includes some familiar faces alongside Steve on electric and acoustic guitars, 12-string, mandolin, harmonica, percussion, bass and vocals. Roger King (keyboards, programming and orchestral arrangements), Rob Townsend (sax), Jonas Reingold (bass), Nad Sylvan (vocals), Craig Blundell (drums) and Amanda Lehmann on vocals. Nick D’Virgilio and Hugo Degenhardt return as guests on the drumstool, engineer extraordinaire Benedict Fenner appears on keyboards and Malik Mansurov is back with the tar. Finally, Steve’s brother John Hackett is present once more on flute.

The full tracklisting is as follows:

1. People Of The Smoke

2. These Passing Clouds

3. Taking You Down

4. Found And Lost

5. Enter The Ring

6. Get Me Out!

7. Ghost Moon and Living Love

8. Circo Inferno

9. Breakout

10. All At Sea

11. Into The Nightwhale 

12. Wherever You Are

13. White Dove

Summing up ‘The Circus And The Nightwhale’, Steve says: “It’s a lovely journey that starts dirty, scratchy and smoky and becomes heavenly and divine. How can you resist it?”

Steve recently completed his North American Tour where he continued his ‘Foxtrot At Fifty + Hackett Highlights’ run.  Next year he will tour the world extensively, including a brand new UK tour ‘Genesis Greats, Lamb Highlights & Solo’, which will see him return to the legendary Royal Albert Hall.  For the full list of dates, head to: http://hackettsongs.com/tour.html

Steve Hackett – Genesis Greats, Lamb Highlights & Solo

Legendary guitarist Steve Hackett announces the dates for his 2024 UK tour: Steve Hackett – Genesis Greats, Lamb Highlights & Solo.  The tour takes in 15 dates across the UK culminating with a visit to London’s Royal Albert Hall on Wednesday 23rd October. To mark the 50th anniversary of The Lamb Lies Down On Broadway, Hackett is including a selection of highlights from this iconic Genesis album. Tickets go on sale on Friday 29th September at 10am https://myticket.co.uk/artists/steve-hackett   

Steve Hackett’s timeless guitar-work was woven throughout Genesis’ classic 70’s catalogue of albums. In recent years he and his outstanding touring line-up of Roger King (keyboards), Nad Sylvan (vocals), Jonas Reingold (bass, backing vocals), Rob Townsend (saxophone, flutes, additional keyboards) and Craig Blundell (drums) have brought many of these albums back to the concert hall to great acclaim. Special guest, Amanda Lehmann will be joining the whole of the UK tour on guitar and vocals.  Many fans have also been asking for more tracks from The Lamb to be included. What better way to celebrate half-a-century of this remarkable album than to include a selection of Lamb Highlights alongside some of Hackett’s finest solo work and unmissable Genesis Greats.

“I’m hugely looking forward to the 2024 UK tour,” says Steve Hackett, “including ‘The Lamb Lies Down on Broadway’ favourites as well as other iconic Genesis numbers along with solo gems. It’ll also be exciting to return to the wonderful Royal Albert Hall!”

Steve Hackett – Genesis Greats, Lamb Highlights & Solo tour dates 2024:

Wed 2nd October                  Aylesbury      Friars Waterside         

Thurs 3rd October                 Portsmouth   Guildhall 

Sat 5th October                     Bristol             Beacon 

Sun 6th October                    Cambridge    Corn Exchange 

Mon 7th October                   Birmingham   Symphony Hall

Wed 9th October                   Liverpool        Philharmonic

Thurs 10th October             Cardiff            St David’s Hall

Sat 12th October                   Guildford        G Live

Sun 13th October                  Stoke              Victoria Hall

Tue 15th October                  York                Barbican 

Wed 16th October               Nottingham   Royal Concert Hall 

Fri 18th October                    Glasgow        Royal Concert Hall 

Sat 19th October                  Gateshead    Glasshouse

Sun 20th October                  Manchester   Bridgewater Hall

Tue 22nd October                 Reading         Hexagon

Wed 23rd October               London          Royal Albert Hall 

Tickets go on sale on Friday 29th September at 10am.  https://myticket.co.uk/artists/steve-hackett

About Steve Hackett

Steve Hackett joined Genesis at the beginning of 1971 and gained an international reputation as the guitarist in the band’s classic line-up alongside Peter Gabriel, Tony Banks, Mike Rutherford and Phil Collins. Hackett’s intricate guitar work was a key element of Genesis’ albums from Nursery Cryme (1971) to Wind And Wuthering (1977) including the iconic Selling England By The Pound.

After leaving Genesis at the end of 1977, Hackett’s solo career, which now spans more than 30 albums, has demonstrated his extraordinary versatility with both electric and acoustic guitar. Hackett is renowned as both an immensely talented and innovative rock musician and a virtuoso classical guitarist and composer and this was recognised in 2010 when he was inducted into the Rock And Rock Hall Of Fame. He has also worked alongside Steve Howe of YES in the supergroup GTR.

Hackett’s compositions take influences from many genres, including jazz, classical and blues. For his studio works The Night Siren (2017) and At The Edge Of Light (2019) Hackett has also explored the influences of world music. Recent tours have seen Hackett celebrate his time with Genesis including a spectacular 2018 tour in which he realised a long-held ambition to perform the works of Genesis live with his band and an orchestra. 

The lockdown enforced by the 2020 global pandemic has proven to be a particularly creative period for Hackett. He began by releasing Selling England by the Pound & Spectral Mornings: Live at Hammersmith, a live recording of 2019’s hugely successful tour celebrating that Genesis classic together with the 40th anniversary of one of his most-loved solo albums. Lockdown also gave Hackett the opportunity to write and record two new studio albums in 2021: the UK Classical Chart hit Under A Mediterranean Sky and the hit rock album Surrender of Silence.

Hackett and his band enjoyed a return to touring with Genesis Revisited – Seconds Out + More! (2021) and Genesis Revisited – Foxtrot At Fifty (2022). Subsequently, the live album Genesis Revisited – Seconds Out + More!, released in 2022, became Hackett’s most successful-ever live album reaching number 28 in the UK Album Chart and achieving highest-ever chart positions in several European countries.  He recently released the live album from the 2022 tour – Foxtrot at Fifty + Hackett Highlights – Live in Brighton.   Hackett takes the Foxtrot at Fifty Tour to the USA from 3rd October through to 18th November.

STEVE HACKETT Online:

www.hackettsongs.com

 www.facebook.com/pages/Steve-Hackett/123101228589

 www.twitter.com/HackettOfficial

http://hackettsongs.com/tour.html

Review – Steve Hackett Foxtrot At Fifty + Hackett Highlights: Live in Brighton

2022 Saw Steve Hackett fully re-emerging from the spectre of frustration over a few difficult years thanks to the pesky worldwide pandemic that affected much of the wield and disrupted how we lived and interacted with each other. It was, indeed, a turbulent, nay difficult, time for many, which saw lots of planned activities being thwarted.

So what did Steve do? he decided to mark the 50th anniversary of this ground-breaking album by touring it with his band, first playing a set of his solo material and then, in the second half, playing ‘Foxtrot’ in full and in sequence, along with a few other select tracks to round it out to a full two hour show. I have to say this set certainly makes an impression, you may ask why do we need another meander through the Genesis archives or do we actually want or need one? Well, on the evidence of this fine live document the answer is a resounding yes! We do both want and need this documented in such style.

On this album you will find Steve and his band are on top form and really making their mark with the sublime music and enthralling the added demographic audience of Brighton in the process. Okay, there is nothing new here, recent but not actually new, but still this is so beautifully recorded and wonderful sounding that it brings fresh insight and the realisation of the sheer quality of the material being performed. Steve especially is on very fine form here making his guitar sound sumptuous and masterful at the same time. His tone on Spectral Mornings alone puts many other players to shame, such is the clarity of the album. It is truly exceptional in sound, crystal clear with great separation between the instruments and clear vocals and harmonies bring heard, it’s almost like the band are in your front room, so good is the sound.

Standouts of the first set for me are The Devil’s Cathedral with it’s dark tones, hint of menace and some suitably gothic touches in the tale of an ambitious theatrical understudy who takes thing into his own hands to achieve success, a lively spirited take on Spectral Mornings and an urgent Every Day. Along with this are an effect laden A Tower Struck Down with all sorts of creaking noises occurring This has a swagger and muscular thrust to it missing from other live versions, it really crackles with energy and menace and it really sounds excellent and extremely well performed. There is also, of all things, a bass solo, thankfully this doesn’t overstay its welcome unduly and, in addition, it does reveal Jonas Reingold to be an inventive player, his addition of a well known riff will make you smile.

Camino Royal comes over very well, this song with it roots in New Orleans music and benefits greatly from the jazzy interludes of Rob Townsend’s woodwinds before a blistering guitar solo from Steve takes the track forward, a wonderful piece that most definitely impresses greatly. Then we have the final part of the short set of Steve’s own material with a shortened section of Shadow Of The Hierophant that features Amanda Lehmann on vocals. This is only a truncated version though, not the  full length one. However, even so, it is still great to hear this in any form as it is such a graceful number. The clever use of dynamics really makes this a memorable version of this slow burn of a song, it builds in its intensity very well indeed, all reaching towards its heady conclusion. Then oddly, on the CD, we have the evening’s final two songs Firth of Fifth and Los Endos.

Firth of Fifth needs little introduction really but here we receive another fine rendering of this all time classic song. Once again, the vocals are clearer than on many other versions, all of which lends a fresh appreciation for this majestic track and, as always, the manner in which it builds up to that guitar solo, possibly the most famous one in the whole Genesis canon, when it arrives you are rewarded not only by the solo but also the busy bass that underpins it so eloquently and adds to it impressiveness. This in itself is a new revelation to the jaded listener, another impressive take on a classic song, utterly sublime. We have the short but very impressive drum solo from Craig Blundell that leads into Los Endos which is faithfully reproduced here, with lots of input from Rob Townsend.

The second disc contains the rest of the ‘Foxtrot’ album in sequence and begins with the excellent and stylish power of Watcher Of The Skies with it’s menacing mellotrons that create an atmosphere of impending doom most convincingly and more than adequately. Nad Sylvan has been on top form throughout these sets and he really comes to prominence here delivering a near perfect vocal performance. At times a lesser known and certainly less celebrated track but here it is well covered and the eloquent bass from Jonas Reingold raises its profile dramatically in a really delicate and moving rendition. Next we have the ever relevant political comment of Get ‘Em out by Friday, about unscrupulous landlords evictions of undesirables (in this instance, refugees). Well, fifty years after it was written, nothing has changed, landlords are still doing the same things to gentrify and basically make even more money.

Can Utility and the Coatliners follows and this almost pantomime track is lively enough but I don’t really get it, somehow its meaning is hidden from me. The brief solo classical guitar piece Horizons is the forerunner to the album epic, and much loved, Supper’s Ready, which here receives a very warm welcome and we are treated to a wonderful version of this astonishing track with all its parts performed to the always high standards that Steve expects. This is a masterfully delivered take on the classic and brings this album and concert to a close.

The Blu-Ray is equally as fine and has a 30 behind the scenes sections which are well worth seeing. Overall this set is excellent and the Blu-Ray makes it even more worth the money. It is another fine milestone in Steve’s career and, with new music well underway, watch this space.

Released 15th September, 2023.

Order direct from the artist here:

Steve Hackett | Steve Hackett (hackettsongs.com)

Steve Hackett launches live video for ‘A Tower Struck Down’; taken from ‘Foxtrot at Fifty + Hackett Highlights: Live in Brighton’

Legendary guitarist Steve Hackett presents his brand new live audio/visual extravaganza, with the release of ‘Foxtrot at Fifty + Hackett Highlights: Live in Brighton’, set for release on the 15th September 2023.

 Filmed & recorded live on his 2022 UK tour, in the coastal city of Brighton, UK, this release documents Steve and his band celebrating the 50th anniversary of the much-loved Genesis album ‘Foxtrot’. Played in full, this album features fan favourites including ‘Watcher Of The Skies’ and ‘Supper’s Ready’. The show also features a set of Hackett solo material, including ‘The Devil’s Cathedral’ from his latest studio album ‘Surrender of Silence’, and the powerful ‘Ace of Wands’. 

Today they are pleased to launch a live video for the track ‘A Tower Struck Down’, a song that originally appeared on ‘Voyage of the Acolyte’:

Watch the previously released video for ‘Watcher of the Skies’ here:https://youtu.be/bFgdvFnAVX0

Mixed by Chris Lord-Alge & mastered by Ted Jensen at Sterling Sound, the album is now available to pre-order on Ltd 2CD+Blu-ray & Ltd 2CD+2DVD, both including bonus behind the scenes interviews, as well as 5.1 surround sound. A Ltd Deluxe 180g 4LP edition will also be available, and you can pre-order now here: https://stevehackett.lnk.to/FoxtrotAtFiftyHackettHighlights-LiveInBrighton

The full track-listing is:

1.    Intro / Ace of Wands

2.    The Devil’s Cathedral

3.    Spectral Mornings

4.    Every Day

5.    A Tower Struck Down

6.    Basic Instincts

7.    Camino Royale

8.    Shadow of the Hierophant

9.    Watcher of the Skies

10. Time Table

11. Get ‘Em Out by Friday

12. Can Utility and the Coastliners

13. Horizons

14. Supper’s Ready

15. Firth of Fifth

16. Los Endos

Steve Hackett & band continue their busy touring schedule with further “Foxtrot At Fifty & Hackett Highlights” dates in North America beginning in October. For the full list of dates, head to: http://hackettsongs.com/tour.html

Steve Hackett is joined live by Roger King, Rob Townsend, Nad Sylvan, Craig Blundell & Jonas Reingold, as well as on occasion special guest Amanda Lehmann.

About Steve Hackett

Steve Hackett joined Genesis at the beginning of 1971 and gained an international reputation as the guitarist in the band’s classic line-up alongside Peter Gabriel, Tony Banks, Mike Rutherford and Phil Collins. Hackett’s intricate guitar work was a key element of Genesis’ albums from Nursery Cryme (1971) to Wind And Wuthering (1977) including the classic Selling England By The Pound.

After leaving Genesis at the end of 1977, Hackett’s solo career, which now spans more than 30 albums, has demonstrated his extraordinary versatility with both electric and acoustic guitar. Hackett is renowned as both an immensely talented and innovative rock musician and a virtuoso classical guitarist and composer and this was recognised in 2010 when he was inducted into the Rock Hall Of Fame. He has also worked alongside Steve Howe of YES in the supergroup GTR.

Hackett’s compositions take influences from many genres, including jazz, classical and blues. For his later studio works The Night Siren(2017) and At The Edge Of Light (2019) Hackett has explored the influences of world music. Recent tours have seen Hackett celebrate his time with Genesis including a spectacular 2018 tour in which he realised a long-held ambition to perform the works of Genesis live with his band and an orchestra.

The lockdown enforced by the 2020 global pandemic has proven to be a particularly creative period for Hackett. He began by releasing Selling England by the Pound & Spectral Mornings: Live at Hammersmith, a live recording of 2019’s hugely successful tour celebrating that Genesis classic together with the 40th anniversary of one of his most-loved solo albums. Lockdown also gave Hackett the opportunity to write and record two new studio albums, the UK Classical Chart hit Under A Mediterranean Sky and the forthcoming Surrender of Silence.

In 2021, Steve and his band returned to touring, celebrating the classic Genesis live album ‘Seconds Out’, on what was one of his most successful tours to date.

Steve Hackett announces “Foxtrot At Fifty + Hackett Highlights: Live in Brighton’ – out 15th September 2023

Legendary guitarist Steve Hackett presents his brand-new live audio/visual extravaganza, with the release of ‘Foxtrot at Fifty + Hackett Highlights: Live in Brighton’, set for release on the 15th September 2023.

 Filmed & recorded live on his 2022 UK tour, in the coastal city of Brighton, UK, this release documents Steve and his band celebrating the 50th anniversary of the much-loved Genesis album ‘Foxtrot’. Played in full, this album features fan favourites including ‘Watcher Of The Skies’ and ‘Supper’s Ready’. The show also features a set of Hackett solo material, including ‘The Devil’s Cathedral’ from his latest studio album ‘Surrender of Silence’, and the powerful ‘Ace of Wands’. 

Shot by long time collaborator Paul Green, you can now watch the band perform ‘Watcher of the Skies’ here:

Mixed by Chris Lord-Alge & mastered by Ted Jensen at Sterling Sound, the album is now available to pre-order on Ltd 2CD+Blu-ray & Ltd 2CD+2DVD, both including bonus behind the scenes interviews, as well as 5.1 surround sound. A Ltd Deluxe 180g 4LP edition will also be available, and you can pre-order now here: https://stevehackett.lnk.to/FoxtrotAtFiftyHackettHighlights-LiveInBrighton

The full track-listing is:

1.    Intro / Ace of Wands

2.    The Devil’s Cathedral

3.    Spectral Mornings

4.    Every Day

5.    A Tower Struck Down

6.    Basic Instincts

7.    Camino Royale

8.    Shadow of the Hierophant

9.    Watcher of the Skies

10. Time Table

11. Get ‘Em Out by Friday

12. Can Utility and the Coastliners

13. Horizons

14. Supper’s Ready

15. Firth of Fifth

16. Los Endos

Steve Hackett & band continue their busy touring schedule with further “Foxtrot At Fifty & Hackett Highlights” dates in North America beginning in October. For the full list of dates, head to: http://hackettsongs.com/tour.html

Steve Hackett is joined live by Roger King, Rob Townsend, Nad Sylvan, Craig Blundell & Jonas Reingold, as well as on occasion special guest Amanda Lehmann.

About Steve Hackett

Steve Hackett joined Genesis at the beginning of 1971 and gained an international reputation as the guitarist in the band’s classic line-up alongside Peter Gabriel, Tony Banks, Mike Rutherford and Phil Collins. Hackett’s intricate guitar work was a key element of Genesis’ albums from Nursery Cryme (1971) to Wind And Wuthering (1977) including the classic Selling England By The Pound.

After leaving Genesis at the end of 1977, Hackett’s solo career, which now spans more than 30 albums, has demonstrated his extraordinary versatility with both electric and acoustic guitar. Hackett is renowned as both an immensely talented and innovative rock musician and a virtuoso classical guitarist and composer and this was recognised in 2010 when he was inducted into the Rock Hall Of Fame. He has also worked alongside Steve Howe of YES in the supergroup GTR.

Hackett’s compositions take influences from many genres, including jazz, classical and blues. For his later studio works The Night Siren(2017) and At The Edge Of Light (2019) Hackett has explored the influences of world music. Recent tours have seen Hackett celebrate his time with Genesis including a spectacular 2018 tour in which he realised a long-held ambition to perform the works of Genesis live with his band and an orchestra.

The lockdown enforced by the 2020 global pandemic has proven to be a particularly creative period for Hackett. He began by releasing Selling England by the Pound & Spectral Mornings: Live at Hammersmith, a live recording of 2019’s hugely successful tour celebrating that Genesis classic 

together with the 40th anniversary of one of his most-loved solo albums. Lockdown also gave Hackett the opportunity to write and record two new studio albums, the UK Classical Chart hit Under A Mediterranean Sky and the forthcoming Surrender of Silence.

In 2021, Steve and his band returned to touring, celebrating the classic Genesis live album ‘Seconds Out’, on what was one of his most successful tours to date.

Review – The Tangent – Pyramids, Stars & More: The Tangent Live Recordings 2004-2017

Collecting together tracks from 3 line-ups of The Tangent, this 2CD & 3LP album collects together show recordings from 2004, 2011 & 2017. Band leader Andy Tillison comments: “A Triple Live LP is the stuff of Bucket Lists, dreamed of doing one of these since I was a kid”.

Included in its entirety is the 2004 ‘Pyramids And Stars’ concert in Germany featuring the “Roine Stolt” lineup of The Tangent playing its way through the majority of the debut ‘Music That Died Alone’ album along with (then) new material from their second album ‘The World That We Drive Through’.

Added to that, there are tracks from the ‘COMM’ era line-up of the band at a concert in the UK – plus music recorded in the USA in 2017 by the band’s current line-up. These originally appeared on the ‘Southend On Sea’ and ‘Hotel Cantaffordit’ fan releases respectively. 

All is presented inside a re-imagined Ed Unitsky sleeve, to create a package that fans are sure to love. 

“This is a real, proper, live album” says Tillison. “It’s candid, it’s spontaneous, it has mistakes and things that are a bit too loud and things that are a bit too quiet. It’s what happened on stage at three gigs at which “making a live album” never crossed our minds.”  

Right, that’s the PR blurb out of the way (it’s a good way of getting a background to the album actually) now let’s see what we make of ‘Pyramids, Stars & More: The Tangent Live Recordings 2004-2017’ from a reviewer’s perspective…

Let’s just think, when people first started to play music there were no mediums to record on, even wax cylinders were centuries away from being invented so you could say that live music is music in its purest form. To take that one step further, live music can’t be tinkered with like it’s recorded version, honed to perfection (sometimes too much, if I’m being honest!) and often sanitised because of this. Live music is in the moment, spontaneous, what you hear is definitely what you get and when it’s delivered well, it is one of the most natural and unadulterated forms of entertainment that you can get.

Also, some bands were just meant to be heard live and seem to thrive, their music comes alive and goes up another level or two and you can certainly include The Tangent in that group. It’s criminal that Andy and the guys have not played as much live as I’m sure Andy would like and I am one of the lucky ones to have seen them play in a live setting and I am so thankful that I did. Putting these concerts and live performances on record gives a lot more people the chance to hear what this iconic band sound like when they can play uninhibited. They are spontaneous, instinctive and free spirited and just bloody brilliant.

Virtuoso musicians doing what they do best gives us free-spirited (and high-spirited) versions of classics like The World We Drive Through and The Winning Game, songs that deserve the wider audience that this live release will give them. The musicianship on show is exemplary and impeccable with Andy Tillison’s keyboards and vocals the driving force throughout. Andy’s Yorkshire personality gets to shine through in a live setting and his vocals are superb. The rest of the band play in perfect accompaniment and the improvisation is just scintillating.

If you are a true fan of music than you cannot help but enjoy music this good when it’s played in a live setting. A truly incendiary version of The Music That Died Alone is one of many highlights and this fan favourite takes on a new life, becoming something deeper, more funky and, well, just gorgeous. It’s part of a triumphant triumvirate in the middle of the album along with a rather poignant version of ELP’s Lucky Man and a riotously incandescent version of my all time favourite short song by the band, A Spark in the Aether. Now, Andy knows I love this song as I’ve told him enough times and this live version is just the best one yet, just magnificent!

This wonderfully nostalgic live journey through some of The Tangent’s back catalogue continues to put a smile on your face, there’s a edgy and jazzy version of Perdu Dans Paris, a tumultuous romp through the fine instrumental Doctor Livingstone (I Presume) and the album comes to a close with an epic rendition of ‘COMM’ classic Titanic Calls Carpathia and one of my favourite songs from ‘The Slow Rust of Forgotten Machinery’, the wistfully nostalgic Two Rope Swings.

Ah, to reminisce is a joy we should always hold dear and this wonderful live release from one of the UK’s most venerated prog bands is a sentimental journey down memory lane and one that will remind you why The Tangent are held in such warm regard and also why live music is something worth cherishing and preserving. We, the fans, hold it in our hands to make sure music stays live so albums as brilliant as this can still get made!

Released 27th January, 2023.

Order the album here:

Pyramids, Stars & Other Stories: The Tangent Live Recordings 2004-2017 (burningshed.com)

The Tangent launch ‘A Crisis In Mid Life’ from their forthcoming live collection ‘Pyramids, Stars And Other Stories’

The Tangent recently announced the release of ‘Pyramids, Stars & Other Stories: The Tangent Live Recordings 2004-2017’ on the 27th January 2023 via InsideOutMusic. Collecting together tracks from 3 line-ups of The Tangent, this 2CD & 3LP album collects together show recordings from 2004, 2011 & 2017. Band leader Andy Tillison comments: “A Triple Live LP is the stuff of Bucket Lists, dreamed of doing one of these since I was a kid”.

Listen to the band performing ‘A Crisis In Mid Life’ live in the UK in 2012, featuring the line-up of Andy Tillison, Luke Machin, Dan Mash & Tony ‘Funkytoe’ Latham, here:

The album will be available as a 2CD Digipak, a Gatefold 3LP+2CD & LP-booklet, as well as digitally worldwide. Pre-order now here: https://TheTangent.lnk.to/PyramidsStarsOtherStories_TheTangentLiveRecordings2004-2017

Included in its entirety is the 2004 ‘Pyramids And Stars’ concert in Germany featuring the “Roine Stolt” lineup of The Tangent playing its way through the majority of the debut ‘Music That Died Alone’ album along with (then) new material from their second album ‘The World That We Drive Through’.

Added to that, there are tracks from the COMM era line-up of the band at a concert in the UK – plus music recorded in the USA in 2017 by the band’s current line-up. These originally appeared on the ‘Southend On Sea’ and ‘Hotel Cantaffordit’ fan releases respectively. 

All is presented inside a re-imagined Ed Unitsky sleeve, to create a package that fans are sure to love. 

“This is a real, proper, live album” says Tillison. “It’s candid, it’s spontaneous, it has mistakes and things that are a bit too loud and things that are a bit too quiet. It’s what happened on stage at three gigs at which “making a live album” never crossed our minds.”  

The full tracklisting is below:

Side One

1. The World We Drive Though

Side Two

3. The Canterbury Sequence

4. The Winning Game

Side Three

5. In Darkest Dreams

Side Four

6. The Music That Died Alone

7. Lucky Man

Side Five

8. A Spark In The Aether

9. A Sale Of Two Souls

10. Perdu Dans Paris

Side Six

11. A Crisis In Mid Life

12. Doctor Livingstone (I Presume)

The CD’s (included with the vinyl edition) also include all of the above with the addition of:

13. Titanic Calls Carpathia

14. Two Rope Swings

Andy Tillison – Keyboards & Vocals (all tracks)

Jonas Reingold – Bass Guitar (all tracks except 9,10,11,13)

Luke Machin – Guitars & Vox (Tracks 8-14)

Steve Roberts – Drums (Tracks 8, 12, 14)

Roine Stolt – Guitars & Vocals (Tracks 1 – 7)

Zoltán Csörsz – Drums (Tracks 1 – 7)

Sam Baine – Keyboards (Tracks 1 – 7)

Tony ‘Funkytoe’ Latham – Drums (Tracks 10,11,13)

Dan Mash – Bass (Tracks 10,11,13)