Review – Geof Whitely Project – Curse of the darkness

“The Geof Whitely Project was formed in 2011, it consists of Geof Whitely and special guest Musicians, the aim of the project is to put out original material in all types of musical formats from Prog Rock-Rock-Pop-Electronic-Instrumental. All albums will contain a mix of such musical songs, theres surely one that will appeal to everyone.”

Prolific: producing a great number or amount of something..’

The Geof Whitely Project, or Arny Wheatley, (he is the one man project after all!) have a new album out and I have been lucky enough to hear this album before it’s release on 5th January, 2024. Arny is a one man musical creating machine and prolific is a word that describes him to a tee, having released thirty studio albums since he started.

The formula of a Geof Whitely Project, and the ethos, is if it ain’t broken then don’t fix it. He never strays too far from what has been a successful format for him, although there does tend to be a little something extra or slightly different with each release. That is definitely true of his latest album ‘Curse of the darkness’, although the striking cover is something that has become a definite norm. The sound has always been majorly keyboard oriented with swathes of lush sound coming from the synthesiser but I feel that the guitar has taken more of the centre stage on this album and it is played with a lot of skill and dexterity.

Arny has one of those voices that never changes and it shouldn’t as his delivery is precise and very melodic and, basically, I like it a lot. There’s a laid back feel to much of the music, engendered by his mellifluous vocals and those ever so stylish and lush keys, especially when the piano comes in to give some added class and kudos. An elegant rhythm section of bass and drums drives everything on with a breezy precision to give a really immersive atmosphere to the music.

The album is one of those that is best consumed as a whole, you need to sit back with time on your hands to relax and enjoy the album as a total experience rather than picking out tracks here and there which now seems to be the accepted way to listen to music. That makes me shudder, I’ve listened to music for over fifty years and I have always enjoyed it when I can concentrate and be fully involved in an album as a musical journey and an accompaniment to life, or even a getaway sometimes!

‘Curse of the darkness’ is full of superb tracks and it is hard to pick out highlights, opener The Reckoning, smouldering title track Curse of the darkness (with some superb guitar work) and the upbeat Under burning skies (more echoing guitar) all showcase Arny’s prodigious talents but then so do the elegant Supernatural casualty and the album closer Slight of hand with it’s ever so cool 80’s feel. To be fair, there are no duff tracks on the album but you need to have a listen and make your mind up for yourself.

So, the Geof Whitely Project and ‘Curse of the darkness’, is it just more of the same? I think, with this album, Arny has stretched himself even more and it shows. There’s real musical nous on show and his songwriting is as good as ever, if not better and the guitar playing in parts is just stellar. This man can be as prolific as he likes when it keeps on being as good as this!

Released 5th January, 2024.

Order from bandcamp here:

“CURSE OF THE DARKNESS” (album) | Geof Whitely Project (bandcamp.com)

Review – Geof Whitely Project – Sempiternal – by Progradar

‘Prolific’ is a word that I have to use when you talk about album releases from the Geof Whitely Project. The man behind this musical phenomenon, Arny Wheatley, has released a bewildering number of albums over the last few years and it is a testament to his songwriting that they have remained high calibre with no loss in quality or content.

So, imagine the shock when it was announced that ‘Sempiternal’ would be the only album release from the Geof Whitely Project in 2018? Well, if it is going to be the solitary one, it had better be good eh?

Arny always seems to give some a little different but without straying too far from his so far successful formula and the new release is no exception, delivering powerful and brooding tracks like opener Stir of Echoes. It’s perhaps the most dark and serious track on the album and it really hits a nerve with me, lengthy at over nine minutes, there is no wasted space and every note has meaning. There’s a lifting of the obfuscation with Hidden Depths but not the serious overtones, a really mature piece of music where Arny’s thoughtful vocals work their usual magic. The signature keys and guitar sound all add to the mix to give another melancholy and yet contemplative track. A wistful and reflective two minutes follows with the measured instrumental delights of Isolation. Like a calm oasis, it mops your fevered brow before you carry on further on your musical exploration.

Low End Distortion has a slow burning intro before an aggressive riff takes over and gives it a seriously edgy feel. This is a real departure from the signature sound, a more hard rock infused track that Arny pulls off really well. That driving riff is the key to the song, powered on by the effective and dynamic rhythm section. Arny takes the vocal duties in his stride as usual and you are left with one of the best Geof Whitely Project tracks I’ve had the pleasure to listen to. A stirring and involving song, Overseer is measured and studied, the sax style keyboards are a real delight and instill a real grace and calmness to the music. This is a track with real passion at its core and Arny’s sparse vocal delivers that with aplomb. Another fast paced, rockier piece, Fairground Distraction even gets my foot tapping to the beat. I like this edgier, more vibrant direction that Arny takes on these tracks, giving them a dynamic and energetic flow that you really engage with.

There’s a lovely piano tinged opening to the emotive Momentary Lapse and its steady,measured pace does remind you of a certain Pink Floyd in places, Arny’s voice even sounding David Gilmour like (that could just be me though!). It is a moving and poignant sounding piece of music that once again shows that Arny is at the top of his game here, just check out the instrumental section around two thirds of the way through and you’ll know what I mean. A powerfully inspiring song that I really like. Ooh another guitar riff! The Voice isn’t as in your face as the earlier, harder tracks but has a great opening that includes a forceful riff and potent rhythm section that imbue it with authority and stature. The verses have a more reflective feel to them but the chorus is significant and substantial and the juxtaposition between the two works exceedingly well. The final track on the album is On a Strange Tide and it has feel of Floyd to its opening again, a bit ‘Shine On..’ with its mysterious and moody synth sound that builds slowly. A wistful and nostalgic song that has a hint of melancholy running through it. Arny’s voice is reflective and musing and the music has a touch of longing at its centre. Swirling synths and brooding guitars abound and there’s a weighty and significant atmosphere that builds all around. A serious and meaningful track to close out this impressive album.

Well, if ‘Sempiternal’ is the Geof Whitely Project’s only album release of this calendar year then Arny has delivered what is, in my opinion, far and away the best GWP record so far. High praise that may sound like but it is worth every word. A more expansive and harder sound combined with some excellent songwriting, one not to be missed.

Released 26th March 2018

Order ‘Sempiternal’ from the Geof Whitely Project

Review – Geof Whitely Project – Time – by Progradar

He’s a prolific fellow that Arny Wheatley, the creative mind behind the Geof Whitely releases an astounding amount of new albums, surely the quality will have to dip at some point? Well it hasn’t since I got involved with reviewing the releases and December will see the latest record from this musical project see the light of day.

In a break from the norm ‘Time’ will only be available in CD format and exclusively from the website only in CD format and a limited edition of 300. In a further change to the standard format, this album is shorter and features only 6 tracks.

We start with the dark and atmospheric Deadly Alliance. That signature base sound is present and correct but, carrying on from the slight deviation we heard in ‘The Blessed & The Damned’, Arny adds some subtle nuances. The keyboards and resonating guitar add a real sombre note and serious tone, it’s a great direction to take. A tasteful piano introduces Stay before the yearning vocal joins in. A wistful and slightly melancholy song of hope  and one that sees yet another sonic string added to this talented musicians bow. Within the loose strictures of the recognisable Geof Whitely Project sound are now thrown some really interesting variations and it works very well.

Title track Time has a seasonal, festive feel to it as it begins with its bells and horns and exudes a feelgood aura. Arny’s vocal adds some seriousness and authority along with the powerful guitar and dynamic drums to replace this almost pastoral tone with something a bit more rock influenced. An effective and compelling piece of music, it holds your attention as it takes its measured strides along a vibrant musical journey. Sometimes sees that contemplative and thoughtful feel return, the vocals have a pensive edge and the keyboards give a wintry sheen to everything. A polished and reflective song that certainly left me reflecting on my past, there’s a real maturity to Arny’s songwriting that is pretty evident on tracks like this.

An elegant guitar and reflective keyboard open Runaway Express before a heavier guitar stirs things up. The emotive vocals grab you straight away with their really meaningful delivery and give the song a thoughtful and determined mood. The occasional lighter feel of Geof Whitely Project albums has been replaced by a more serious and sober intent which is highly evident on this cultured and stylish track. All too soon we come to the album closer Out of Touch and Arny throws another little curveball in with its Floyd-esque intro, there’s intelligence and some not inconsiderable subtlety in the songwriting on this album and it manifests itself perfectly on this track. Measured and brooding in delivery, both the music and the vocals have an earnest honesty to them and make for a compelling listening experience.

‘If it ain’t broke, don’t fix it’ but, as Arny keeps showing us, that doesn’t mean you can’t make little improvements to every release to keep on improving your music without losing its original identity. I personally think ‘Time’ sees the Geof Whitely Project at the zenith of their creativity so far and am intrigued to see where Arny will go next!

Released 4th December 2017

‘Time’ will be exclusively available from the Geof Whitely Project website here

Listen to ‘Deadly Alliance’ here

Review – Geof Whitely Project – The Blessed And The Damned – by Progradar

Another month starts and another CD arrives from the uber-prolific Geof Whitely Project, an artist who literally has songs pouring out of him and who must commit these to CD and on record.

Arny Wheatley (the man behind the project) has to tread a fine line and make sure he doesn’t just release any old song that has popped into his head. They’ve got to appeal to the listener and be well crafted pieces of music. Well, to my ears, he’s been doing an excellent job so far but, as every new album arrives, I do wonder how long he can keep it up?

Arny describes the project thus:

‘The Geof Whitely Project was formed in 2011, it consists of Geof Whitely and special guest Musicians, the aim of the project is to put out original material in all types of musical formats from Prog Rock-Rock-Pop-Electronic-Instrumental.
All albums will contain a mix of such musical songs, there’s surely one that will appeal to everyone..’

This time it’s ‘The Blessed And The Damned’ that has arrived at Progradar Towers for consideration and it wowed me immediately with the striking artwork, which has always been a feature of any album from the Geof Whitely Project.

Arny’s music has been progressing across the last couple of releases so I was very intrigued to see what this new album would deliver…

This new album has a much darker feel which starts with the opening and title track. The Blessed And The Damned has a suspenseful and ominous extended opening before the vocals kick in with a very sinister note. Small rays of light are delivered by the elegant guitar but the excellent synth and insistent drums always give the song a chilling tone. It’s a further departure from that elegant, laid back sound that I’d always associated with the band and I, for one, like the direction Arny is going in. There’s a great, melodramatic guitar solo that adds even more atmosphere and, overall, I’m pretty impressed by what I’ve heard so far. Lucid Dream carries that theme on with quite a chilling intro, a darkly striking, subdued, keyboard note underpins the measured vocal, delivered in an emotional, supernatural tone before the warmth seeps in for the elegant chorus. There’s this Ying and Yang between the harsher edge of the verse and that more affable chorus that runs throughout the song and gives it a certain gravitas.

A Music Hall/Circus melody introduces The House Of Spirits but I can’t get away from that sinister overtone, like it’s being played by one of those evil clowns from IT, it works really well though and the chaotic noises that are thrown in just give it a really disorienting feel. The keyboards break through this to give some authority and then the mesmerising instrumental is broken as the vocals break in, quite pressing and persuasive and I end up feeling like I’m in the middle of a musical version of one of Stephen King’s more disturbing novels. This is some really clever and inventive songwriting and just goes to show how the Geof Whitely Project are progressing as a musical act. Walking Through Time is a perfect title for the next song as I feel I’ve been transported back to the 80’s by that brilliant keyboard/synth sound and the aggressive guitar riff. There’s a sci-fi feel to it all but in a 2001: a Space Odyssey way rather than something more up-to-date. A great piece of music that washes over you, it even leaves me nostalgic for that era and everything it had, good or bad, and that is really original.

That 80’s nostalgic tone is present in the the weighty opening to Bird On A Wire, a contemplative and determined track with melancholic vocals and a serious overtone. A pensive and sombre sounding song but one that is well written and meaningful in its delivery. I really like the overall vibe that comes from the track and the added thoughtfulness it engenders. There’s a harder rocking edge to Walk The Line with an up-tempo instrumental opening that has a police siren persistence in the background. The vocals are compelling with a introspective undertone, again I get the feel of the 80’s around this song, albeit in a more soft-rock vein. This is enhanced even more so by the engrossing solo-heavy instrumental mid-section, Arny seems to have become a lot more reflective in his songwriting.

A much more expansive sounding intro heralds Utopian Vision, a song with a seemingly bigger musical vista and soundscape. Again that wistful and nostalgic reflection is at the core of the track and it leaves me thinking of sepia tinged memories of times gone by. Were things better in the past or is it just how we remember them? That’s what this song seems to be asking. This is an absorbing song, a retrospective in music and it really touches a nerve with me, I find myself becoming utterly engrossed and that is what great music is all about. The closing track on the album is Awakening and it’s another mature and consuming piece of music with Arny’s sorrow-tinged vocal leading us on another enigmatic and mystical journey. The stylish synths add a classy aura to the song, there’s pathos and poignance in every note and the whole atmosphere is one of sentiment and wondering. It’s a fantatstic way to close out this latest chapter in the Geof Whitely Project story.

Arny deserves a huge amount of kudos and respect for his continuing reinvention of the Geof Whitely Project and this latest album is definitely his best release yet. The lyrics and melody are given equal standing and he’s given the music an extra dose of mystery  and drama to make it an utterly absorbing listen. As I write this the Geof Whitely Project’s next album has just arrived so you will definitely be hearing more of this unique artist soon!

Released 2nd October 2017

Buy The Blessed And The Damned from the GWP website

 

Review – Geof Whiteley Project – Carousel of Souls – by Progradar

“He sits at the table and reads novels, old favorites of his, the words and plots and characters comforting and lived-in and unchanged.”
― Hanya Yanagihara, A Little Life

Comforting – Serving to improve a person’s mood or restore a sense of physical well-being. That’s the definition from the Oxford English Dictionary and I often find that certain music can be comforting, music you want to listen to that isn’t challenging and just gives a feel-good factor, like your favourite pair of shoes or that comfy old chair you always collapse into after a long and arduous day at work. Mainly it’s comforting because it doesn’t change and you know exactly what you are going to get.

That’s what I like about the Geof Whiteley Project, each release (and there have been quite a few) progresses slightly from the previous one but is still very recognisable as being from this artist. The man behind the project, Arny Wheatley, delivers music that is like an old friend who has just changed their appearance slightly, enough so you notice but not enough for it to be a radical change.

The Geof Whitely Project was formed in 2011, it consists of Geof Whitely (actually it’s Arny!) and special guest Musicians, the aim of the project is to put out original material in all types of musical formats from Prog Rock-Rock-Pop-Electronic-Instrumental.

‘Carousel of Souls’ was released in April this year and, after a few listens, has really got under my skin in a good way. There’s a short Prologue that gives a dramatic introduction to the album before a segue straight into the title track Carousel of Souls which has a laid back almost flamenco feel to the music. I like the chilled out vibe that it gives out and the wistful vocal that Arny delivers is a perfect fit. It meanders along gently, taking you with it before opening up with a quicker tempo and an excellent chorus. As I’ve already said, there is no mistaking this for any other artists but, to my ears, the music has an added maturity and sensitivity to it. Nicely played guitar and elegant keyboards give a sheen to the whole song and it’s a great opening to the album. The keyboard intro to Clockwork Heart is very emotive before a short saxophone style blast delivers an intense vocal and another elegant song is put before us. It’s calm and sophisticated without any histrionics and the vocals really stand out on this track for me.  A touching guitar adds even more pathos to the moving music, yes Arny has certainly stepped up a level on this album it would seem. A harder edged, more rocking riff opens Empires Full with an 80’s synth giving it the feel of that decade through and through. Smooth and cultured vocals add to that feeling even more, where did he get that time machine from? A methodical, driving beat adds atmosphere to what is one cool track but, for me, it’s the great guitar and synth that really make this track.

Lionheart is an almost anthemic track which has a vibe of a modern day Asia to it. The unhurried verse has a leisurely tempo, the vocals are smooth and relaxed and lead up to the powerful chorus and it all comes together to sound like something that could be used as soundtrack to a Disney film, cultured and urbane. That sax sound returns on Childs Eyes to give an upbeat introduction and that is carried on into the song with some more of those tasty keyboards driving the track along. There’s more than a touch of electronica to the music and the vocal, delivered in a stylish monotone fashion, combines to take us back in time again. I’m beginning to get the idea that Arny might have been influenced by the electronic music of the 80’s on ‘Carousel of Souls’ and especially on this track and Empires Full and I fully approve! A more touching piano note opens House of Cards and it is a very nice touch. The heartwarming vocals begin and the whole mood is one of reflection and nostalgia, I’m gripped immediately as the song takes on a most impressive aura, again quite anthemic like Lionheart. There’s a lovely guitar solo that just bleeds emotion, it is a stirring track that really hits you in the solar plexus with its passionate delivery. Let’s admit it, every musician likes to rock out now and again and Arny is no different. A cracking guitar riff and riving beat open Rock And Roll Band, anyone familiar with Asia’s recent offerings like ‘Omega’, will know what I mean. It has a really upbeat vibe and runs along at a rollicking pace, designed to put a smile on your face and a skip in your step, it delivers on both counts. It’s not what I’d expect from Arny but he pulls it off with aplomb, not sure about the ‘Gonna rock you like a hurricane’ line though lol. The album closes with the dreamy Cold Warning which opens with ethereal keyboards and a heavenly piano note. Arny’s deliberate vocal adds substance over the top and gives the song a supernatural aura. The guitar and keyboards then open up with a more august tone and that supernatural feel goes into overdrive. It’s a clever song and one that cultivates sophistication and the uber-cool guitar solo is an excellent way to close out this knowing release.

Featured image by Martin de Diego Sadaba Art.

All the tracks on ‘Carousel of Souls’ are definitively Geof Whiteley Project but they also have their own character and it’s the way that they all work together that makes this such a great album. There’s a worldly wise feel to this latest release and it’s another great progression of where Arny is going musically and I can’t wait to hear the next chapter in this engaging musician’s story.

Released 10th April 2017

Buy ‘Carousel of Souls’ from bandcamp

 

Review – Geof Whitely Project – Malice In Wonderland – by Emma Roebuck

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These guys are prodigious in their output. Most bands produce an album roughly every year, the Geof Whitely Project (GWP) have set themselves the onerous task of releasing 3 albums by the summer of 2016.

‘Malice In Wonderland’ sounds nothing like the other three albums of the same name be it Paice Ashton Lord, Nazareth or, heaven forbid, Snoop Doggy Dogg.

This album has the hallmark that I recognise as the GWP ‘sound’: melancholy melody and structure. The heavy keyboard sound running throughout the album is reminiscent of the mid 80’s Alan Parson Project. The album opens with an instrumental, Who Are You, that deceives the listener into a false sense of security that it will be a pleasant listen with a drink of wine or beer with friends! This could be true but there is a deception here.

The second track Preflight, I guarantee you will think, “Where have I heard that before.” I will say one thing, there is a haunting reminder of the ‘Tales from the Unexpected’ theme in its feel. There is more variety in ‘Malice’ than ‘Circus of Horrors’, the last album by GWP which I reviewed. They have rocked out much more but also experimented with thematic electronic music. Caterpillahh has such electronic feel to it with a very melodic Jean Michel Jarre tone and spirit.  The title track rocks out, stretching the performance but with some restraint, death metal it isn’t but there is a rocker in there kicking to get out!

The album, as you imagine, has Alice in Wonderland taken to the dark side as its concept. There is no journey through the looking glass or down a rabbit hole as such, but snippets from the Lewis Carroll classic remain. GWP have gone deeper and darker and are nearer a Tim Burton Movie in style rather than the Disney variation.

The last two tracks, Hungry Ghost and Remain the Same, could easily be singles for me and, with airplay, crossover into the mainstream. My favourite track though, Sleep Thief , is unlike the rest of the album. Its heart is really dark and sinister. Neil Gaimans’ Sandman could very easily have been the inspiration for this track.

I still think that GWP should let the shackles go and rip out a real rocker but the album is a GWP product and, to continue to produce this kind of consistency and standard, is no mean feat.

If you like your music melodic and structured Geof Whitely Project’s  ‘Malice In Wonderland’ delivers. The diversity of music has room a-plenty for this kind of release.

Released 1st August 2016

Pre-order from the Geof Whitely Project web-site

Review – Geof Whitely Project – Between 2 Worlds – by Progradar

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You have to be wary of repetition, it can become tedious and monotonous if there is no progression or marked difference between pieces of work, after all, familiarity is supposed to breed contempt, isn’t it?

One of the most intriguing artists I have had the pleasure to listen to this year is the Geof Whitely Project. Actually a one man band, Arny Wheatley, there can be no more prolific artist operating today as he releases new albums every couple of months.

There are obvious pros and cons to doing it this way and I was left slightly underwhelmed by the last release that I reviewed, ‘Circus of Horrors’, feeling that it was too similar to recent works. Now, ever one to take criticism on board, Arny has returned with ‘Between 2 Worlds’ and I shall give it the once over to see if he has rediscovered that creative spark.

The opening track Quest has that laid back style that is the Geof Whitely Project hallmark and retains the laconic vocal delivery. There does seems to be some added zest, a more intense delivery and a lot more of the ardent guitar work that gives extra lustre to the calm and collected keyboards. No need to go back to the drawing board, just minor alterations that add up to something more profound. Long Time Gone has a lighter note to it, a more refined introduction and a more moderate delivery that reminds me a bit of Fractal Mirror. It walks a tricky line and, thankfully, never strays into the mundane and bland, retaining a sunny disposition and platonic edge. The nicely judged percussion and keyboards take you on a gentle ride into Arny’s musical mind and it is a pleasant place, although there is a hint of melancholy hidden just below the surface.

That sugar coated tone runs throughout Never Really Know but always with a hint of caution. The clever lyrics betray a slightly darker side to the music and keep your attention focused on the story, the excellent instrumental break in the centre of the track is like a well knowing nod to the 80’s. I don’t know whether it is meant to, but I am left in mind of a snowy winter’s scene that could end in either happiness or sadness. The signature keyboard introduction opens Throwing Shadows, a song with a serious and slightly darker note as it strides purposefully into your psyche. The sweetness and light is replaced by something with an altogether sinister motive, this is the Geof Whitely Project showing  there is a dark side to its Moon and I think it is a clever change of direction. The slightly understated yet heavy riff adds to the mysterious air that pervades and gives added dramatic effect and gravitas.

Geof Whitely

On Reflection begins in a very subdued manner, laid back and open-hearted. A wistful, almost nostalgic note enters into the vocals, perhaps mindful of things or people lost and never recovered. Thoughtful, reflective and with a heavy dose of regret, this track really works its way under your skin and touches your heart in a forlorn manner. A really nice song but one that just leaves you feeling a little bit sad. 80’s style keyboards open Everyday my Heart  and it really does feel like you’ve been transported back over three decades to a time that you may have wished you’d forgotten. It’s really a quite hopeful track and lifts the slight melancholia that had persisted from the previous track. The songwriting on this latest album has really gone up a notch, leaving little nuggets for you to find.

The next song on the album is the longest track, Compendium weighs in at just over ten minutes and begins in quite an auspicious manner. There is a feeling of depth to the song, a deep seated sense of contemplation. There is a decision to make, a life changing scenario and the deliberate and contemplative atmosphere is transferred across perfectly by the music. A comprehensive and profound musical workout for your brain that makes you think, one of the best songs I have ever heard from the Geof Whitely Project. The change from the quiet and sombre to the excellent guitar solo is brilliant and really knocks you for six, the guitar playing is quite exemplary. Title track Between 2 Worlds leaves you deep in thought with its absorbing tone, seemingly musing on life the Universe and everything. Profound lyrics and an attentive melody leave you in a speculative mood. I really enjoyed the thoughtful feel that it engendered as it left me ruminating on my whole existence, another track that seemingly has some left-field influence.

The final track on the album is Living Your Life and it has an edgy note running through it from the beginning. A quicker paced riff gives you a feel of life lived in the fast lane but with a note of caution. No-nonsense and earnest with yet more layers of 80’s keyboards, it leaves more questions than answers and brings the album to a close on a meditative and reflective note.

‘Between 2 Worlds’ is a complex and extremely interesting musical journey that showcases where the Geof Whitely Project is going musically. The last album left me feeling ever so slightly short-changed but, with this new release, my faith has been completely restored.

Due for release on 29th February 2016

Pre-order Between 2 Worlds direct from the artist

 

Review – Geof Whitely Project – Circus of Horrors

Circus of Horrors

Hello again my friends, I am back after being refreshed by a great holiday and am ready to rock and roll again. Having a week of ‘Heart FM’ brainwashing me was quite cathartic really, it gave me the chance to cleanse my musical palate with some chart music going back from the present day to up to 30 years ago (some very good, some very bad).

The effect of this daily diet of non-progressive music was to lift any jaded feeling I may ever get from having so much music rushing at me all the time and I can come back with a new appreciation of the music that I love to listen to, share and write about!

So, onwards and upwards with the latest review………

Charles Baudelaire once said, “In literature as in ethics, there is danger, as well as glory, in being subtle.”

I recently reviewed two albums by the Geof Whitely Project and found out the history……

The Geof Whitely Project was formed in 2011, it consists of Geof Whitely and special guest Musicians, the aim of the project is to put out original material in all types of musical formats from Prog Rock-Rock-Pop-Electronic-Instrumental.

All albums will contain a mix of such musical songs, there’s surely one that will appeal to everyone, thanks for visiting the site please feel free to email us, tell your friends…..!!!!”

Geof is actually the alter-ego of prolific musician Arny Wheatley who hails from Stoke-on-Trent and basically does just about everything on all the Geof Whitely Project releases.

The story behind the moniker is that ‘Geof Whitely’ was the name on something that came through Arny’s letter box once addressed wrong and he thought that it would make a good name, simple really!

A very prolific music maker, I concluded that…

“the music takes a deeper, more thoughtful route through your mind yet still retains a simplicity and a lack of over-complication at its core. It is perhaps more ‘music that seeps into your sub conscious’ than easy listening…….”

What I also found was that there were no major differences between the two releases, just subtle changes in style and tac, it was in no way detrimental but, if the next album had only subtle, minor changes, would this still be the case?

‘Circus of Horrors’ is due to be released on 31st October 2015, let’s see if there have been any major changes to the sound or whether the Geof Whitely Project has followed the ‘less is more’ mantra again?

Arny kindly sent me out the CD version of the new release and this had two bonus tracks on, is this the version to have? do they add anything, or should you stick with the download? read on and find out………

The first two tracks on the album are The Hunter and Burning Sky, you immediately get that smooth, precise vibe that was felt on the previous release ‘Supernatural Casualty’ with swathes of piano and keyboards, lush melodies and saxophone that just lulls you into a calm state of mind. Arny’s vocal takes a monotone, even route that is immediately recognisable, like some of the great 1980’s synth-pop bands. You feel that there is possibly a slight change to the previous sound, perhaps a bit more sophistication but it is still indicative of what has gone before and that laconic, laid back vibe remains.

For people who want full on, in your face music, you need to walk on by and look elsewhere, some may call this a bit one-dimensional and tame but, when you are in the mood, it really hits the spot and puts me in mind of Mike Kershaw and Fractal Mirror with its electronic edge. Baila Conmigo has a more upbeat tempo, catchy and pleasing on the ears as the guitar convolutes around the keyboard sound (very reminiscent of a clarinet), intertwining and mingling. It is a nice, uncomplicated instrumental that is almost a melodic amuse bouche, cleansing the musical palate.

Piano and string-like keyboards combine for a cultured note on the next couple of tracks. I’m Not Your Leader and Something’s Lurking see Arny putting more emphasis into his vocal, a more human note than before and it takes the songs nearly into ‘singer-songwriter’ territory. Pleasing and pleasant, the musical flexibility is a nice change from what has gone before on previous albums and shows a growth in the way that Arny puts warmth and soul into his composition  and performance, yes it is no huge change but it is noticeable nonetheless. The former track is more moving and full of pathos where the latter has a real uplifting vibe with some rather tasty, fuzzy guitar work as well.

Downtown returns to that electronic feel that has been the more recognisable style of the Geof Whitely Project except this time it has a more excitable rhythm, a real jazz infused beat to it with the funky guitar note and sax. Perhaps the classiest track on the album, subtle nuances abound around the concise vocals and smooth instrumentation. I feel that I have definitely returned to the 80’s with the intro to Work of a Human Mind, the swathes of piano and keyboards wash over you and that monotone vocal returns to maximum effect. It has a sparse, laid back feel to it, precise and meticulous. Heartfelt and quite melodramatic, just like the best 1980’s synth-pop tracks were, throw in a riff that any of the guitarists from the period would be proud of and what more could you ask for?

Piano driven, combined with a punchy driven riff, From All Sides should really work but it leaves me feeling short changed, like it was added last minute. Perhaps it is because it lacks the distinction of the other tracks but, for me, this is one song that just doesn’t gel. Story Book sees Arny give his voice that added timbre and power to lift what could have been another ordinary song up to a higher level. On this track it is the vocal that is the star and the instrumentation is there as back up. When the haunting guitar breaks out it really adds a touch of added lustre and leaves me nodding my head in appreciation.

The final song on the digital version of the album is the title track Circus of Horrors and it begins with a creepy fairground ride intro. On this track Arny really goes progressive big style in quite a departure from the ‘safe’ sound that has gone before. An intricate and complicated intro is driven along by a thumping drum beat and pounding piano note to give a feel that is ‘Hammer House of Horrors’ to the core. The vocals begin quite macabre and dramatic and give quite a disturbing atmosphere to the song. Perhaps more deep and meaningful than some of the other tracks on the album, there is something pensive and doleful about the whole thing. Edgy and quite disturbing, it keeps you on the edge of your seat and gleefully nervous in its deliciously dark way.

So the CD version has two extra tracks and I am here my friends to tell you to buy it over the digital download for the two bonus songs are the biggest deviation from what the Geof Whitely Band has done before to date and in a very good way……..

Aurora Borealis does begin with the signature intro we have become accustomed to but soon expands into a different animal indeed, there is added depth to the sound as if it is opening into a much bigger soundscape. An instrumental with space rock pretensions that gets under your skin with its brilliant cello sound and meditative piano note, it leaves you with more questions than answers with its expansive note.

Finally we are given Timepeace, a song that you would swear was from a completely different record, it is really nothing like anything that has gone before. Deep, dark and meaningful with a vocal performance that drips sincerity and pathos, it has more akin with a melodic rock ballad. The guitar work is exceptional and just adds to the feeling of ‘where the f**k did this come from?’. ‘Subtle’ is definitely not a word you would use for the transformation on this track and I really like the direction that it goes in, wonder if Arny has an album of this more direct musical approach on the sidelines?

So ‘Circus of Horrors’ sees the Geof Whitely Project evolve again with little changes like what we have seen between previous albums. ‘If it ain’t broke don’t fix it’ is the saying and, to a point, it still applies here. A very nice album but, if those two bonus tracks are indicative of what might come to fruition in the future, there is a hell of a lot more to come from this bountiful and creative musician.

Releases on 31st October 2015

Order the digital version from bandcamp

Order CD direct from the GWP website

 

 

Weekly Wallet Emptier – July 15th 2015

Circus of Horrors

Geof Whitely Project – Circus of Horrors

Prolific musician Arny Wheatley returns with his latest album under the Geof Whitely Project’ pseudonym. The laid back, electronic 80’s style feel of previous works is given a spruce up and relaunched with a classy and smooth delivery. The rather memorable guitar work and laconic vocals are still in place and, as such, it is very much ‘if it ain’t broke don’t fix it’ but no less impressive for that. And what about that album artwork, deliciously spooky eh?

Stand out track – The Hunter

To be released 31st October 2015, full review to follow.

Buy the CD with 2 bonus tracks direct from the band

 

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Northwoods – Black Skies

‘If you’re old enough, you’re good enough….’

That is a saying often attributed to sporting prowess but it really does apply in the musical world as well. Bristolian Saul Blease released his debut album ‘Daybreak’ at the end of 2014 and I really liked it. I went so far as to say:

“Excellent songwriting showing a depth of knowledge well beyond his nineteen years and an ear for an addictive tune combine to deliver an album that pleases on many levels.”

Saul returns with new electronic project Northwoods and a debut E.P. ‘Black Skies’ and, darn me, if he hasn’t gone and done it again! 4 killer tracks that really grab your attention. Yes it might not be for your ‘died in the wool’ traditional progressive fan but, in my opinion, there is enough in there to keep any music fan involved and happy.

Stand out track – Black Skies

Released 4th July 2015, full review to follow.

Pay what you want release at bandcamp

 

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Maddison’s Thread – Self-titled

This year has seen some rather excellent releases already and, thanks to a friend’s recommendation, another contender arrived at Progradar towers recently. I don’t like the word ‘folkish’ but this album has definite tendencies in that direction. It also has a whole host of other influences including soul, country blues and even some R&B hidden in there and they all combine to produce as near as perfect a summer album, for those with progressive and folk leanings, as could possibly be envisaged. Just buy it……

Stand out track – Where Eagles Fly

Released 4th August 2015, full review to follow.

Pre-order and download two tracks immediately at bandcamp

 

And a blast from the past………

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Flicker – How Much Are You Willing To Forget

Sadly now on an indefinite hiatus, British progressive band Flicker came to everyone’s attention with this 2013 release. Interwoven melody lines and rhythms dynamically combine with intricate arrangements, thoughtful lyrics and the use of the appropriate sound or genre necessary to convey the meaning and feeling of a song. A distinctive vocal and powerful music delivery complete what is a rather good album and one that should be in your collection.

Stand out track – Counting Time

Released 28th January 2013

Buy the album at bandcamp

 

 

 

 

 

Review – Geof Whitely Project – Supernatural Casualty and more……

Geof Whitely 2

“Making the simple complicated is commonplace; making the complicated simple, awesomely simple, that’s creativity…”  – Charles Mingus

Just take a minute to read that quote a couple of times and let it sink in…………

Right, are we ready now? Those words can be used to apply the meaning in many walks of life and, also, in music. Sometimes (and it seems especially in progressive music) we seem to be searching for the most intricate and complicated. Maybe this is to stand out from the crowd, maybe it is just one-upmanship? Who knows, if it is not convoluted enough, it can tend to be consigned to the metaphorical dustbin.

What is wrong with simplicity, if it is good enough being kept to the bare basics then why not run with it? I am as guilty as the next man for searching for twenty-four minute prog suites with meandering overtures and endless guitar and bass solos but, when you want a minute to yourself and your life to be a bit more uncluttered, there is some music out there that is perfectly suited, and perfectly good enough, for that mood.

I have oft spoken about how being a music journalist can elicit some very pleasant unexpected surprises and, as recent as last week, another one arrived unannounced at Progradar Towers.

I had never heard of the Geof Whitely Project before but, thanks to a fellow music loving friend on social media, Brasil Bond, I am now acutely aware of this intriguing musical outfit.

There is a bit of mystery surrounding this musical enigma, information is hard to come by so I did the digging so you, my friends, don’t have to…..

From the official website:

“The Geof Whitely Project was formed in 2011, it consists of Geof Whitely and special guest Musicians, the aim of the project is to put out original material in all types of musical formats from Prog Rock-Rock-Pop-Electronic-Instrumental.

All albums will contain a mix of such musical songs, there’s surely one that will appeal to everyone, thanks for visiting the site please feel free to email us, tell your friends…..!!!!”

It also appears that their biggest critic is Jasper the cat, being a cat owner myself, I can relate to that.

Well let’s cut through the shroud of mystery shall we because, having spoken to the musician behind the whole conundrum, I can reveal that there is no such person as Geof Whitely!!!

Geof is actually the alter-ego of prolific musician Arny Wheatley who hails from Stoke-on-Trent and basically does just about everything on all the Geof Whitely Project releases.

The story behind the moniker is that ‘Geof Whitely’ was the name on something that came through Arny’s letter box once addressed wrong and he thought that it would make a good name, simple really!

Having released around six full length albums already, Arny is not one to stand still, he already has another three new albums due out for release and that doesn’t include ‘Supernatural Casualty’ which releases on 3rd August 2015. As I said, prolific!!!

Before we get onto ‘Supernatural Casualty’ I’d like to take a short trip and delve into the Geof Whitely Project back catalogue and focus on two of the previous releases….

Pathfinder Cover

Geof Whitely Project – Pathfinder

Released in March 2014 ‘Pathfinder’ has huge cinematic soundscape at it’s heart. Haunting guitars and expressive keyboards form the backbone on which this electronic rock inspired release can build. The vocals are precise and, despite being mainly monotone, extremely expressive. The opening track Ship to Shore gives a very promising initial impression and this carries on through the album.

Other highlights include the the jazz influenced Chinese Burn and title track Pathfinder. There is a simplistic design to the music that can only be admired, the 80’s influenced keyboards are particularly memorable, especially on At Times and The Riddle.

The guitar work throughout is exemplary and reaches an entertaining peak on The Real Me and closing track Keeper of the Light, enforcing the underlying darker tone of this release.

All in all, my first exposure to the Geof Whitely Project  has been a very enjoyable one.

OoOT cover

Geof Whitely Project – Outlaw of Our Time

Released in February 2015 ‘Outlaw of Our Time’ takes a lighter, more commercial route than ‘Pathfinder’. The overall feel to the album brings thoughts of Asia, Foreigner and other AOR bands, there is even a touch of E.L.O in the vocal style and semi-orchestral feel.

Opening track Fibreoptic is a delightfully reminiscent of the synth inspired rock of the 80’s with a Georgio Moroder inspired keyboard that morphs into a guitar driven verse that Jeff Lynne would be proud of. The album segues though heavy electronica influence with Souless Night Driver, a considered and melodramatic track, to the ambient dance feel of Ricochet and back through the melancholia of Outstretched Hands to the World.

I get a real feel of the cinematic, ethereal atmospherics of Fractal Mirror running through this album, it is there in the background on tracks like Mediation, How Can One and Slow Motion, especially with the organ styled keyboard playing which gives a sci-fi inspired note to the music.

The vocals also conjure up thoughts of my good friend Mike Kershaw, measured and monotone they may be but extremely expressive with it. This comparison is most evident on Siren of the Sea, which has to take the gong of being my favourite track on the album. With its oriental influences and downbeat rhythm, there is an aura of David Sylvian all over this song and the meandering, intense guitar playing is a highlight of the whole album.

The album runs out with three extended tracks that all run with a laconic mood, pensive and wistful. Blind Faith, Gate to the West and Transatlantic Ghosts take a deeper, more thoughtful route through your mind yet still retain a simplicity, a lack of over-complication at their core. It is perhaps more ‘music that seeps into your sub conscious’ than easy listening with the more serious tone that they have. They close out the album on a very sombre note, I found my self getting lost in the midst of the final track.

Now onto the main course……..

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Geof Whitely Project – Supernatural Casualty

The album that started my odyssey, ‘Supernatural Casualty is due to be released on August 3rd this year. All the Geof Whitely Project releases have interesting artwork and this is one of the best, I do tend to gravitate towards albums whose artwork I like and this was no exception.

Mixing Marillion with costume drama and theatricals, opening track Assassin is quite an addictive one with a dark edge to the guitar riff and moody keyboards. The vocals are neat and demonstrative and suit the music perfectly. The song has an apprehensive feel, as if you are waiting for something to happen and not necessarily something good! An intriguing opening track with its early 90’s feel. Healing has an unhurried rhythm to it, mournful and pensive with the delicate piano and trite vocal. Definitely not one for the depressed among us! There is stark beauty to its pared back and downcast delivery though. A heraldic keyboard note introduces The Secret, a track that wouldn’t be out of place on a film soundtrack. A nostalgic, gentle wistfulness plays out before you, the vocals heavy-hearted and imparting world weary experience to the proceedings. Interstellar, whilst not being full of joie de vivre, lifts the mood somewhat with its homage to a mix of early Ultravox with a smidgen of Steve Strange thrown in for good measure. As I’ve said before, there is nothing too complicated going on here but what you do have is transparent and honest and thoroughly enjoyable.

Piano is king at the start of House of the Holy, blended with the saxophone like keyboard, it leaves an entirely palatable taste in the mouth. One more turn of the knob of mood lightening and you can feel a measure of hope creeping into what was despondency before. This ambience runs through the vocals and the whole tone, this is one track where the Mike Kershaw comparison is at its height. The guitar at the end is a particular high point. Welcome to the Darkside (how many of you wanted to finish that sentence with ‘Luke’ ?) would indicate that we are going to regress but, no, not to my ears anyway. There is an inspirative timbre to the vocals that works counterpoint to the contemplative music in a very clever way. The beat leaps forward a couple of notches with F1, the lyrics in deference to that greatest of motorsports. A powerful riff runs in the background giving the whole song momentum and drive. I’d see this as a modern version of Kraftwerk’s ‘Tour de France dedicated to a different sport as the electronic beats vie with the sound of Formula 1 engines. I like the way that Hideaway invokes memories of bygone days, sepia tinged and rose tinted. Almost ballad like, it is a really nice song that leaves me feeling warm inside.

That glowing feeling continues with No Way of Knowing, the vibe seems to have gone across to ‘singer-songwriter’ with an electronic bent and I think it works really well. Again, pared back simplicity is key to how this works so well. Piano and sax inspired keyboard notes cover everything with a velvety layer of sophistication and that feeling of fulfillment remains. Apparition begins with a spooky, sci-fi inspired intro that opens up with a feeling of yearning into an aspirational song. Another track with an 80’s synthesiser inspired sound that resonates with me as a listener. Measured and metronomic in its timbre, it lulls you into a longed for sense of security. The flute like intro to Embargo is very catchy and the whole song really lifts you up as if the sun has started shining on a rainy day. It trips along gaily, dragging you along with its good humour and exhilaration. There is a childlike impishness to the song, guileless and trusting, fans of Tiger Moth Tales will know where I am coming from. Tide is Turning brings gravitas and maturity back and is a more mainstream rock track than some of the others on the album. There is a meditative and reflective quality to this piece and a respectful note to the vocals that adds a wealth and depth of experience to all aspects of the song.

No Time is another unadulterated piece of music that comes straight from the heart, weighty and serious. There is a depth of feeling apparent in the vocals and the powerful music that you can’t help but get involved with. An impassioned, heartfelt song that pulls at the heartstrings. The lament continues with Infront of Me, elementary passions pour out unheeded from the soul of the music and you find yourself in the middle of an emotional pull. Profound and sincere, there is an earnest plea at the heart of it all. Remembrance Day begins with the tolling of a bell and music that brings to mind the horrors of war. Doleful and dramatic it grabs your attention immediately, we will honour those that fought so we could have a better life. There is a solemn and weighty feel to the song yet one that commands and deserves respect. You find yourself engrossed in this philosophical and reflective track, rapt with the memories it invokes. The final track on this thoroughly enjoyable musical journey is Usurper, a gentle, meandering introduction leads into a graceful guitar that increases in tempo and vibrancy before the vocals kick in on perhaps the most commercial track on the album with its Floyd-like feel and tempo. The guitar flashes add style and substance to what is already a very good song and it leaves you on a high as it comes to a satisfying close.

I know Arny will have moved onto his next album by now but I found ‘Supernatural Casualty’ to be a box of delights. At sixteen tracks it is perhaps two or three songs too long but that doesn’t detract from what is a thoroughly satisfying piece of music and one that has introduced me to the Geof Whitely Project, an artist I will definitely be keeping my eye on going forward. Thoroughly recommended.

Release 3rd August 2015.

Buy Supernatural Casualty here

Check out the back catalogue here