Episode 4 of Progradar Recommends – Tangekanic, That Joe Payne, Toundra, Flicker Rate

Welcome to another edition of Progradar Recommends and this time I’ll talk about new releases from Tangekanic, That Joe Payne, Toundra and Flicker Rate…

Tangekanic – Hotel Cantaffordit

I didn’t know what to expect when I went to the Summers End Festival in Chepstow last October with the Prog Guru™ himself, Mr David Elliott. It was a blast, a real home grown, family friendly festival with superb acts and a brilliant atmosphere. One of the highlights was the set from Tangekanic, a touring unit that plays the music of both The Tangent and Karmakanic and features members of both, working together in one collaborative set.

Well the guys took the show to the USA and, luckily for us, decided to record at the New Jersey Proghouse and release it as a live album – ‘Hotel Cantaffordit’. What a stunning release it is, Jonas Reingold – Bass Guitar, Andy Tillison – Keyboards & Vocals, Göran Edman – Vocals, Luke Machin – Guitar and Steve Roberts – Drums  deliver a rip-roaring set full of good natured humour and enough energy and vibrancy to power a small village in deepest Yorkshire!

Opening with an incendiary version of The Tangent’s Spark In The Aether and then a spirited interpretation of the instrumental Dr Livingstone (I Presume?)  from the band’s latest long player ‘The Slow Rust of Forgotten Machinery’, this hybrid band play as if they’ve been together for many a year.

There’s a real camaraderie between them and a fun feeling to their energetic and lively set, the dry asides from Jonas are a particular highlight as is the wonderful version of the Swedish band’s God, The Universe And Everything Else Nobody Cares About, the closing track, Steer By The Stars with a hugely entertaining performance of the uplifting Send a Message From the Heart segued on closes the album in style.

‘Hotel Cantaffordit’ also includes the emotive Sanctuary In Music and Two Rope Swings.

Rating – 80/100

Released 22nd March 2018

Order direct from The Tangent here

That Joe Payne – I Need A Change (single release)

I’ve met Joe a few times and he is a lovely and personable young man so it was with some concern that I heard he had left his role as front man for the legendary prog unit The Enid in September 2016. He was open about his issues with anxiety and depression and thankfully, like the proverbial Phoenix, Joe has risen from the flames and reinvented himself as a solo artist with this first single release, I Need A Change.

The music, written and arranged entirely by Joe, was brought to life in the studio with the help of three other recently retired Enid members; Max Read (singer and producer), Nic Willes (drums and bass) and Duncan McLaughlan (guitar).

I’m sure Joe would be happy with my description of him and his music as being very dramatic and he is almost operatic in his vocal delivery, the lush harmonies that abound throughout the track are a beautiful highlight. I Need A Change is a musical triumph and sees this remarkable front man back where he belongs. There is real melodrama to the powerful music and there is no doubting the breathtaking emotional performance that Joe delivers on his first solo outing.

If this were a vinyl single we would call Moonlit Love the ‘B’ side and it is another superbly theatrical piece of music that shows off Joe’s talents to perfection. If you buy the single you get another five different versions of I Need A Change including piano, strings and choir arrangements which certainly give excellent value for money.

I am really excited to see what this outstanding performer comes up with next!

Rating – 78/100

Released 2nd March 2018

Order the single direct from Joe’s online shop here

Toundra – Vortex

I was very impressed by Spanish instrumental band Toundra’s last release ‘IV’ so it was with heightened anticipation that I awaited the promo of their new album ‘Vortex’, the enigmatic cover certainly helped too!

Their sound blends powerful riffs, beautiful deep melodies and intricate atmospheres, all wrapped up in elongated electric songs that emphasized their dangerous flammable live potential. ‘Vortex’ tales that as a base and then builds on it with repeated layers of powerful and in your face instrumental rock.

Monstrous riffs abound, just check out Cobra to see what I’m getting at, and the rhythm section seems like it was hewn out of solid granite. If you like your music in-your-face, direct, dynamic and, well, bloody loud then you have come to the right place. Touareg is an eight minute monster (as well as a Volkswagen 4×4), the eleven minute brilliance of Mojave does show that band can craft an excellent tune as well and is worth the entry price alone.

I have always been a big fan of instrumental rock (see the Flicker Rate review that follows this) and Toundra have just elevated themselves to the top of my recommendations with “the most straight-forward, heart-stopping, earth-shaking album of the year.”

Rating – 80/100

Released 27th April 2018.

Order the album on CD or Vinyl from Burning Shed here

Flicker Rate – Skylight

I know the exact moment when Spencer Bassett stepped out of the shadow of his illustrious father John and became a bona-fide artist in his own right. It was when I stopped considering him to be the son of John Bassett and took the merits of Spencer’s instrumental musical project Flicker Rate on their own standing.

Unlike the monstrous riffage of Toundra ‘Skylight’ has a much lighter vibe, wistful and with a easygoing vibe. The title track has an almost world music feel to it and Cloud Drop and Shimmer take that and add a lazy jazz influence to give it real sophistication and maturity.

Final track Grow has a post-rock vibe at its core and adds even more of an easy going feel to this delightful EP. With his third release and its contemplative and emotive atmosphere, Spencer has proven himself to be a songwriter and musician of some repute and not a little skill, it’s a bout time we got a full-length album from him (are you listening Spencer?).

Rating – 79/100

Released 13th April 2018

Order Skylight from bandcamp here

Keep your eyes out for the next episode of Progradar Recommends, coming soon…

 

 

 

Review – The Tangent – The Slow Rust Of Forgotten Machinery – by Craig E. Bacon

The Slow Rust of Forgotten Machinery’ by The Tangent succeeds at every level, from the incredible depth and texture of the colours in Mark Buckingham’s arresting album art to the pacing of the expansive musical compositions. Band leader Andy Tillison has talked about working to recover his ‘mojo’ after a long hospital stay, and ‘Slow Rust’ makes clear that he’s found it, perhaps in greater quantity even than before. In particular, the album comfortably engages an intriguing dialectic between global politics and individual relationships; broad social commentary and hyper-specific lyrical descriptions; fury and compassion; and the musical energies of seasoned and youthful collaborators. Along the way, Tillison & Co. play jazz, funk, punk, prog, techno, ambient, and heavy rock to great effect.

The album opens with the “pocket symphony” Two Rope Swings, which packs the musical and thematic expanse of a 20 minute epic into a mere 6.5 minutes. Each member of the band turn in lovely performances here, including newcomer Marie-Eve de Gaultier, whose vocals emphasize the mournful aspect of realizing our ignorance concerning those who live in a different skin from our own—whether human or otherwise. Tillison’s wonderfully detailed lyrics express the global import of the song through their very specificity:

And we think Africa is like some fairyland/Like in the picturebooks we read when we played on the swings/Lions and tigers and wildebeests and zebra…Kilimanjaro

What do we expect from each other, when we make our adult choices with the naivete of a child reading picture books on a rope swing? When we can’t even place an entire species of animals on the right continent, imagining African lions as living side by side with Asian tigers?

Doctor Livingstone (I Presume), besides possessing the perfect, playful title for a long instrumental, showcases the band’s seemingly limitless musical muscle. Leaping right over the gate with lithe bass, rolling organ, and a melodic synth lead, the track quickly sets the stage then shines the spotlight on guitarist Luke Machin’s searing but instantly accessible soloing. Theo Travis provides plenty of nuanced saxes and flutes along the way, while piano and acoustic guitar occasionally accent the trading off between bass, synth, guitar, and sax solos. What begins as a relatively mellow jazz exercise rolls to full boil midway with some heavier riffs and shredding from Machin; not content to climax at its most intense moment, the track slides into a more classically jazz section that highlights even further the god-level bass genius of Jonas Reingold. Taken all together, this instrumental melds early 70’s jazz-influenced prog with mid-60’s Impulse! Records jazz experimentation. It also succeeds as a test for a new addition to The Tangent’s line-up: if you want to prove the mettle of your new drummer, how better than with an extended jazz work-out? The spry young lad taking over drum controls makes a great showing here that matches but never overwhelms the contributions of his bandmates, and it’s quite the surprise that this talent has not been tapped by the band on previous outings.* Perhaps the snare could have been a bit punchier to better complement Reingold’s monster tone, or the crash treated with less decay, but those are minor differences of production opinion that don’t detract from a stellar debut performance.

On an album replete with highlights, title track Slow Rust is clearly the centrepiece. All the righteous indignation, cynical wisdom, and nimble musicality of the album are placed on full display for 22 intense minutes. On the face of it, this song is inspired by the same series of recent events that prompted A Few Steps Down the Wrong Road, namely, the horrendous slandering of “migrants” by the UK press in the wake of 2016’s Brexit vote. But Slow Rust is this and so much more. Rooting around behind the mere occurrence of such hateful news reporting, Tillison explores the contributing factors. How is it that celebrity gossip, local events, and national politics coexist on equal footing in the papers? We all know that this paper has this party bias and that one another, but how do the potentially myriad perspectives of numerous writers and editors fall out along such neat lines, and why must we find a ready group on which to place the blame for our perceived problems? When there’s profits to be had, and fear and hatred turn a profit, any story becomes about the insecurities of the reader; the actual story of another person’s hardship gets twisted into the story of how an influx of persecuted refugees affects my life:

Ah, when the helpless are a threat/What does that say about the rest of us?

Furthermore, when only binary choices are on offer, the rejection of one point of view becomes the ready adoption of another, and either way someone will be waiting to accept your payment. Even Education, the great salvation of the Enlightenment, is implicated. If schools are just an ideas factory for “Corporate automatons,” then the same principle of profit and binary choices will drive all learning:

Become a teacher and bow your head/To the passing fashions where you get led/Recite your mantras, but say your prayers/’Cause what else have you done? The future’s theirs/To sell textbooks/That’s all they’re here to do

Even for a Prog Epic, this is an incredibly expansive track, though it never feels stretched or repetitive. There’s no thesis, but it’s focused polemic more than angry rant. It also seriously rocks. Tillison turns in a number of noteworthy synth and vocal performances, especially in the funky and heavy “Binary Choices” section that includes effected spoken word vocals and a reference to President Biff. Reingold is, again, a force-beyond-nature on bass throughout the song, though de Gaultier is the key ingredient that lifts everything above the sum of its parts. Here and elsewhere on the album, the soft timbre of her voice pervades every open space, simultaneously smoothing, undergirding, and highlighting whatever else is happening musically. Depending on Tillison’s role at any moment, this includes supporting the more mournful notes in his voice or providing the comforting sweater counterpoint to his angry grandpa affectation.

De Gaultier’s vocals are also essential to the emotion of The Sad Story of Lead and Astatine, as she permeates the very pretty and hopeful chorus to an otherwise sad tale. Her reassuring suggestion for a repaired relationship sharpens the sadness of the song once you realize that of course, as per the song’s title, this advice will be ignored in favour of doubling down on prideful posturing. As such, this track provides the personal counterpoint to the album’s finale: in the microcosm, destructive pride and redirected fear can lead a person, as well as a country, a few steps down the wrong road. Musically, The Sad Story leaves plenty of room for jazzy solos, including some gorgeous flute work by Travis, a healthy dose of flittering piano, a classic drum solo, and more arresting guitar shredding from Machin.

The Slow Rust of Forgotten Machinery’ culminates in the Prog-Punk Theatre of A Few Steps Down the Wrong Road. The punk elements are noteworthy, but the spirits of Emerson and Lake are as strong here as that of Johnny Rotten, Tillison playing some particularly nice analogue synths to punctuate the story. Like Slow Rust, this song is about the post-Brexit rise of hatred toward those of ‘questionable origin’, but it’s also about the historical recurrence of inhumane attitudes, and serves as a cautionary tale of the dangers in not learning our history lessons already. Alternating between spoken word narration, explosive rock bombast, proggy excess, jazzy swagger, and punk aggression, this epic competes for “most quintessential Tangent track” as well as “most timely political commentary by a musical artist.” If ever a polemic needed pressing to a side of vinyl, it’s this one. When the album reaches its depressing conclusion, be sure to immediately start it over again. The opening strains of Two Rope Swings, with de Gualtier’s call of “halcyon days,” take on an elegiac character when placed immediately following A Few Steps Down the Wrong Road.

With ‘The Slow Rust of Forgotten Machinery (or, Where Do We Draw the Line Now?)The Tangent have progressed by retaining everything that made their previous work great while seamlessly integrating these elements with new musical contributions that hold up to the weighty subject matter. The album burns with all the conscience and compassion called for by our times. It simultaneously maintains a spirit of joy and playfulness in the performances. A clear contender for Album of the Year, ‘Slow Rust’ is wonderfully immediate while reserving unfathomable depths to be explored across repeated listens for years to come.

*This reviewer is simultaneously sincere and facetious: yes, I’m aware that the drummer is Andy Tillison himself. It is genuinely a surprise that Tillison’s drumming was not previously featured, because he’s quite good.

Released 21st July 2017

Buy ‘The Slow Rust Of Forgotten Machinery’ From Burning Shed

 

 

 

 

New Album From The Tangent – The Slow Rust Of Forgotten Machinery – Released 21st July 2017

FROM INSIDEOUT Music MAY 9 2017

The Tangent, the progressive rock group led by Andy Tillison, have announced the release of the first new music since 2015. Their new ninth studio album ‘The Slow Rust of Forgotten Machinery’ is set for release on 21st July 2017. The line-up for this album once again features Tillison on keyboards, vocals (and for the first time on a Tangent record – drums), Jonas Reingold on bass, Luke Machin on guitars and vocals, and Theo Travis on sax and flutes plus new member Marie-Eve de Gaultier on keys and vocals. There are also guest appearances from author/playwright and Chumbawamba founder Boff Whalley on vocals, and upcoming DJ/producer Matt Farrow.

Band leader Andy Tillison had this to say: “Roger Waters did prove the ability of Progressive Music to act as a vehicle to communicate ideas about the current world scene. In both Pink Floyd’s “The Final Cut” and his “Amused To Death” albums, Waters set a challenge to others in the genre. A challenge which has not been frequently accepted.”

The album sees The Tangent in political commentary mode once again – this time often focussing on the horrendous plight of refugees from war torn parts of the world – and the way in which they are treated by the West, and in particular by the tabloid press. The album laments the new trend in building walls and defending borders across the world yet takes time to look at the breakup of friendships and other more personal issues – along with a song about the fate of wildlife in the modern consumer world.

And it’s a Progressive Rock Record. Full of intricacies, long developed pieces, challenging arrangements and virtuoso playing from all members. New sounds and styles (the band have brought a DJ on board for some sections) – new voices and techniques (first female vocals in The Tangent since the “Not As Good As The Book” album 10 years ago). A new producer in the form of Luke Machin whose open and deep/clear sound is a major factor of this album, a new drummer in the form of Andy Tillison who decided at long last (after drumming for 30 years) to let his own performances guide the rest of the band rather than adding another musician later. And after 13 years of asking, Jonas finally agreed to play some double bass in a song where Luke also plays some Scat guitar and Andy does a full on drum solo.

“The Slow Rust Of Forgotten Machinery” also features stellar artwork from Marvel / DC Comics artist Mark Buckingham. The sleeve of the album is totally based on the music it contains and was especially created for this project.

The album will be available on limited digipak CD, gatefold 2LP + CD, and digital download, and you can find the full track-listing below:

Two Rope Swings
Doctor Livingstone (I Presume)
Slow Rust
The Sad Story of Lead and Astatine
A Few Steps Down the Wrong Road
Basildonxit

The band will head out on tour in support of the new record, once again joining forces with Sweden’s Karmakanic to present albums by both bands. The full list of dates is as follows:
Aug 26th 2017 – Bierkeller, Reichenbach, DE
Sept 1st 2017 – 2 days of Prog +1 Festival, Veruno, Italy
Sept 9th 2017 – The Boerderij, Zoetermeer
Oct 8th 2017 – SUMMERS END Festival, Chepstow, UK
Oct 21st 2017 – Progtoberfest, Chicago, USA
Oct 22nd 2017 – Shank Hall, Milwaukee WI, USA
Oct 24th 2017 – Token Lounge, Westland MI, USA
Oct 26th 2017 – Roxy & Dukes, Dunellen NJ, USA
Oct 27th 2017 – The Regent Theatre, Arlington MA, USA

Look out for more information in the coming weeks!
The Tangent online:
www.thetangent.org
https://www.facebook.com/groups/alltangentmembers/

INSIDEOUTMUSIC ONLINE:
www.insideoutmusic.com
www.youtube.com/InsideOutMusicTV
www.facebook.com/InsideOutMusic
www.twitter.com/insideouteu
www.myspace.com/insideoutlabel

Visit the new Insideout Shop:
www.insideoutshop.de

Review – Andy Tillison Diskdrive – (machte es) Durch – by Emma Roebuck

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This solo album is, as Andy told me, a diary of his healing process following his serious illness last year. The literal translation of (machte es) Durch is “Made it Through” and this album is music that he considers to be “the extra material in the CD that is life”.

The album consists of 5 tracks, each different from the other, all of which thematically cover his musical influences and loves. From the electronic territory of Tangerine Dream journeying through Funk/jazz/trance through a tribute to Camel and an exploration of Borodin’s Classical influences. This all sounds highly pretentious and self indulgent doesn’t it? The reality is that it isn’t even vaguely pretentious, mainly because Andy is one of the most grounded people I know who has a passion for life and living it artistically through his music.

After his heart attack just over a year ago, enforced inactivity, especially after a particularly hectic and productive previous two years, cannot have sat well with him. The product of this sits on a CD for all to see and be laid bare.

The Pursuit of Oil opens the album and it comes straight from the Tangerine Dream ‘Ed Froese’ play book. Coming in at just under 22 minutes, this song shows an insight into what TD stood for in the early 70s. It starts and builds through the piece with a tension and atmosphere which makes you want to burst, until you get to the last 5 minutes when it explodes into a guitar (sound) and keyboard celebration of the ecstasy of being alive. Theo Travis adds a beautiful Flute refrain on this track that is the icing on a very impressive cake.

The album then flows directly into the title track Machte Es Durch continuing the thematic survival, almost “Phew”, feeling. It has a Jazz rock/prog  style with a foundation that only a “Hammond organ” can provide.  Intrinsically, it is a musical version of a journey with all the metaphors of  improvisations and returns to the common core.

The idea for the title of The Hood Of A Dodge comes from the Bruce Springsteen song  Jungleland but the music comes from the Trip hop Acid jazz of the 90s and, to be honest, feels like my experiences in the 90s at festivals and surviving that time somehow intact, Massive Attack and Portishead, eat your hearts out. It was recorded, apparently, in Ward 17 of Leeds General Infirmary last August, how I would have loved to have been on the ward that day!

Andy Tillison

Yuri Gagarin – From the Steppes of Central Asia is an interpretation of the classical composition by Alexander Borodin “In the Steppes of Central Asia”, the site of the Soviet Union space program and as far from the west as you can actually get geographically without being back in the west, so to speak. The power and passion in this track is worthy of the likes of Emerson, Lake and Palmer’s Pictures At an Exhibition’ and I think that, performed live especially, it would definitely be of that level.

Music Inspired by ‘Music inspired by the Snow Goose’ has been around for a while and Andy posted a version of this on youtube around Christmas 2013. It’s a fun homage to Camel and explores the classic Camel album “inspired” as they say in the book. Here is a full album in 9 minutes given the Tillison touch. His love and affection of the original ring true throughout the track and it is a mischievous fun trip full of nostalgia.

This is a healing album that I have taken to heart and passes the listening in the dark test as well as driving up the A1 from Scotch Corner to Newcastle and back several times over. As coping strategies go, this is a very good for the creator and the listener.

Released April 2016

Buy ‘Durch’ direct from The Tangent store

 

 

 

 

 

New lyric video from The Tangent – article by Progradar

Progressive rock stalwarts and innovators The Tangent return, after main man Andy Tillison’s heart attack last year, with  a great lyric video for single A Few Steps Down The Wrong Road and you can watch it here:

Andy wanted to return to the more socially aware music that he has generally written since he was a teenager.

Andy told me,

” …obviously it’s something where we;ve beaten the punks, the independents, the Bonos and Stings to the post in having something to say about the Post Brexit racism. The song is NOT about Brexit itself… that wouldn’t interest me enough to write a song…”

In an announcement on the band’s facebook page he went on to say,

It’s a song from a man who loves his Yorkshire, his England, his Britain and his Europe more than the self serving hacks from the tabloid press seem to love anything.

This is The Tangent. We are a PROGRESSIVE ROCK BAND. This is our new song. Play as loud as you can – and make sure you listen to the very end.”

The track, and the band’s upcoming as-yet-untitled album, will feature artwork created by renowned UK comic artist Mark Buckingham, who has provided designs for both DC and Marvel as well as artwork for The Fierce And The Dead.